Art

Softcover. NY, Universe Publishing, 2nd pr., 2006, Book: Very Good, Dust Jacket: None, Softcover, 272 pages illustrated in color and b&w. The first book to capture the philosophy and spirit behind the work of Charles and Ray Eames, An Eames Primer offers an in-depth look at the couple's prolific legacy--one that has placed them among the most important American designers of the twentieth century. Those who know one or two aspects of the Eameses' work are often surprised to learn just how far and vast their range extended. Yet throughout their myriad works, from architecture and furniture to exhibition and design and filmmaking, their core philosphy prevails. An Eames Primer is the first book to illuminate this seamless connection.Author Eames Demetrios explores the rich energy of the Eameses' world from a unique perspective, informed by his close relationship with Charles and Ray. He shares personal anecdotes, previously unpublished photos, and his extensive interviews with former friends and colleagues of the Eameses to make connections between the Eameses' influential philosophy and their widely admired work. For those unacquainted with the designers, the stories behind the design process will inform, entertain, and inspire, while readers with an extensive knowledge of the Eameses' work gain a deeper level of understanding their process.

Softcover. Seattle, Fantagraphics, 1st, 2007, Softcover, 168 pages. Edward Sorel is widely recognized as America's premier illustrator. But when he wasn't painting covers and doing drawings for The New Yorker, The Atlantic, Time, Rolling Stone, and many other mass circulation magazines, he was indulging, over the last 30 years, in his first love--making comic strips. Sorel's strips are iconoclastic, cynical, and universally excoriating. No target escapes his watchful wrath: politicians, theological dynasties, ideologues left and right, lawyers, publishers, and the usual gang of movers and shakers--panderers, philistines, money-grubbers. (Nor does he spare himself.) Culled from the pages of The Nation, The Village Voice, Penthouse, and other magazines, Sorel proves he is that most dangerous of creatures--a cartoonist with a chip on his shoulder, an inveterate troublemaker, a burner of bridges.

Hardcover. Seattle WA, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 171 pages, illustrated throughout in color and b&w. In 2006, Janet Hamlin went to Guantanamo as a courtroom sketch artist to serve as a visual witness to the courtroom proceedings and provide worldwide media with artwork drawn during them. Clean, tight copy.

Hardcover. New York, Doubleday, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages, b&w cartoons by Chon Day. The second collection of Brother Sebastian cartoons which ran in Look Magazine. Dust jacket with light edge wear, price clipped. Previous owner's inscription on front fly leaf.

Hardcover. New Castle DE, Oak Knoll, 1st, 2004, Hardcover in a bright dust jacket. A History of the Eragny Press, 1894-1914, is a full and exceptionally well-researched account of the Press. It begins with a brief survey of Lucien Pissarro's early career in France in order to establish the influences and motivations for his book designs and proceeds to examine Lucien's association with Charles Ricketts, the establishment of the Eragny Press, and the Press' relationship to the publishers Hacon & Ricketts. Eragny was not a commercial publisher, yet profits was an important motivation for the Pissarros. Included here is the first major account for a private press of the costs of production, profits, and marketing and distribution practices. Eragny Press books were promoted and sold in England, the Continent, and the United States. Two of the Eragny Press books were the results of commissions from French bibliophile clubs. This history of the Eragny Press includes a discussion of the influences and artistic theories that are the basis for the Pissarros' books and provides a critical reassessment of their significance within the history of the English Arts and Crafts Private Press movement. About half the book is devoted to an exhaustive and detailed bibliography of all the Eragny Press publications, with critical commentary on each. Accompanying the text and the descriptive bibliography are more than seventy-five reproductions of rare Eragny wood engravings ( by Lucien Pissarro, T. Sturge Moore, and others), title pages, borders and decorated initials, binding papers, and book covers. A History of the Eragny Press, 1894-1914, is an important book for anyone interested in the history of printing, the Arts and Crafts movement, Impressionism, private presses, the art of wood engraving, and illustrated and fine books.

Hardcover. NY, Doubleday, 1st, 1951, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages, b&w cartoons by Otto Soglow. Humorous illustrations of Latin phrases.

Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.

Hardcover. London, M Q Publications, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, Clean, unmarked copy with only minor wear to dust jacket. Like new. An exclusive collection of drawings that reveal the tender side of R. Crumb. Evocative haunting images of people and places such as Aline, his daughter Sophie, scenes from the village and region he lives in the South of France, Jesse Crumb, his first wife Dana and their son Jesse and of course the Blues musicians he treasures from his 78rpm record collection. Unpaginated, but about 120 pages.

Hardcover. NY, George Braziller, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 40 color and 90 b&w illustrations. Out of the fantasies that enriched an often reclusive life, the enigmatic American artist Joseph Cornell (1903-1972) created a world of enchantment with his famed shadow boxes and collages. Using common objects like glasses, marbles, and mirrors, Cornell"s work evokes the strangeness of the familiar and the odd familiarity of the strange. Respected art historian and friend of the artist Diane Waldman probes the elusive imagery that marks Cornell"s work. Interviews with Cornell and his family and access to the artist"s papers inform her text. Bright, unclipped dust jacket with light edgewear, repaired chip. Clean copy.

Softcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. A quarterly anthology of literary comics. This volume premieres the first chapter of "At Loose Ends" by Lewis Trondheim, an autobiographical diary comic that portrays Trondheim at a crossroads: after reaching the height of commercial success in middle age, how does he stay true to himself as an artist and not become a hack? Plus all-new work from Russ Manning, Jonathan Bennett and R. Kikuo Johnson, as well as Tim Hensley, Jeffrey Brown, David Heatley, Paul Hornschemeier, Anders Nilsen, Sophie Crumb, Martin Cendreda and Gabrielle Bell.

Hardcover. US, Conran, 2009, Book: Very Good, Dust Jacket: Very Good, Like new hardcover in publisher's shrink-wrap. 336 pages. In this endlessly provocative volume, Stephen Bayley, design authority and cultural critic, takes on the female body, analyzing each crook and every curve as a sign, a symbol, and as a designed object. From Aphrodite to the industrialization of the breast, and from pin-ups to the future of sex, WOMAN AS DESIGN is a fascinating mix of design, cultural history, erotica, fashion, and fetishism.

Softcover. Chicago, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 327 pages, b&w photographs and illustrations. Light edge wear to wrappers, else a very clean, tight copy.

Hardcover. NY, Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, red cloth covers with an acetate dust jacket. 164 pages with 50 illustrations including 24 plates in full color. Text by Deborah Eisenberg. Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish pond) are the trappings of much larger concerns.Clean copy.

Hardcover. UK, Parragon Publishers, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. A comprehensive cross section of the work of C.R. Mackintosh, including paintings from the last period of his life. It also includes photo's and renderings of the built 'House for an Art Lover' in Scotland (originally an entry for a competition) and their reconstructed, relocated own home. The controlled proportion of text to images, and the (sometimes more than) full page photo's and renderings, make it the ideal means to transport you to the world C.R. Mackintosh (and his wife, Margaret McDonald) created.

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Softcover. New York, Pantheon, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 197 pages, b&w and color photographs throughout. Light yellowing to edges of wrappers. Else a very clean, tight copy. 39 b&w and 50 color plates; 8.5 x 10.5 inches. An early retrospective of photographs by Cindy Sherman; introduction by Peter Schjeldahl; afterword by I. Michael Danoff.

Hardcover. NY, Random House, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edge-worn dust jacket that's price-clipped. B&w and color photography by Hans Namuth, includes art, biographical information about, and essays on eight American artists: Edward Hopper, Stuart Davis; Jackson Pollock; Willem de Kooning; Mark Rothko; Robert Rauschenberg; Andrew Wyeth; Joseph Cornell. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Pantheon, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Numerous black & white and sepia illustrations, a few in color. Details Rodchenko's art, photography and domestic design work in the context of a transformative period in Russian society.

Hardcover. Kansas City, Andrews McMeel Publishing, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in slipcase. Like new in publisher's shrink-wrap. 695 pages of b&w and color Doonesbury. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Taschen, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages, b&w and color photographs throughout. Light edge wear, rubbing to dust jacket. Else a clean, tight copy. For adults only.

Softcover. Reunion des Musees Nationaux, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. FRENCH TEXT. Illustrated in b&w, some color. Clean, bright copy.

Softcover. Northhampton, MA, Kitchen Sink Press, 2nd printing, 1994, Book: Very Good, Dust Jacket: None, 56 pages. Softcover. Wrapper very good, glossy, vibrant. Wrapper has a touch of rubbing to the back. Color illustrations throughout. Pages clean and unmarked. Binding tight. In great condition. The first complete collection of the legendary work of one of comics' all-time greatest cartoonists.

Hardcover. Revere, Pa., Lodima Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, featuring 76 plate reproductions of Elliston's archeological landscapes.

Hardcover. New York, W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w illustrations, 16 color plates. A very clean, tight copy. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its valuesthe surgeons, inventors, musicians, and athletes of his timeand another that reflected his own struggles with depression and sexual identity. In this evenhanded account of those struggles, William S. McFeely sheds new light on Eakins's genius and on the evocative melancholy of his portraits, particularly of women, which include many of his remarkable wife, Susan McDowell Eakins. Those deeply perceptive paintings may be the greatest expressions of his art.

Softcover. IDW/Idea & Design Works, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, the smaller (8 1/4 X 12") Artisan Edition. Collects more than 140 EC covers by their best and brightest talents. The luminaries included in this elegant tome include: Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more. Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteoutall of these and more are clearly visible. Clean, bright copy.

Hardcover. New York, Alfred A. Knopf, 1st Edition, 1993, Book: Very Good, Dust Jacket: Very Good, 86 pages. Hardcover. B/w illustrations throughout. Dust cover unclipped, excellent. Binding tight. Previous bookstore price tag on back cover. Spine straight. Pages clean and unmarked. Cream cover boards, brown quarter cloth, gilt title on spine. In beautiful condition. Here is your doctor--through the eyes and imaginations of some of the most brilliant cartoonists of our time.

Hardcover. PA, Hermes Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 192 pages. hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Music inspired, science fiction and fantasy combined in a way that revolutionized poster art of the Psychedelic 1960's-era. Famous for his rock posters, The Psychedelic Rock Art of Carl Lundgren, a Detroit, Michigan based artist, showcases his posters which were as important to the Detroit Music and Art history as were the music legends themselves; The Who, Jefferson Airplane and Pink Floyd to name a few. The book's forward is written by Mitch Ryder, who was lead vocalist of a Detroit 1960's rock group The Detroit Wheels. The introduction is by Russ Gibb, a former radio personality and rock promoter from Dearborn, Michigan, who played a major role in the late sixties/early seventies Motor City music scene.

Hardcover. Los Angeles, Calif., Harry N. Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover with a dust jacket. This copy is still shrink-wrapped in plastic. Many b&w and color illustrations throughout. Accompanied an exhibit at the Los Angeles County Museum of Art in 2001. Examines more than seventy-five paintings and other artworks, representing the Purist movement in twentieth-century modernist art, featuring the works of Le Corbusier, AmTdTe Ozenfant, and Fernand LTger as well as a complete translation of the classic work AprFs le cubisme.

Softcover. NY, Rizzoli , 1st US, 1985, Book: Very Good, Dust Jacket: None, Softcover, 258 pages, b&w and color illustrations. Initials on front fly leaf, otherwise tight and clean copy.

Softcover. San Francisco, Apex Novelties, 1st, 1971, Book: Very Good, Dust Jacket: None, Softcover with color wraps. 24 pages all written and drawn by R. Crumb. Characters include Pete the Plumber, Mr. Natural, Horny Harriet Hotpants, and Stinko the Clown. Adults only.

Hardcover. San Francisco, Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages, color illustrations. Essay by Annie Proulx. Remainder line to top edge. Watercolorist William Matthews has long been hailed as the preeminent painter of the American West. In this new collection of 180 staggering paintings, he captures the full range of western experience: endless skies, high plains, the last working cowboys, the Navajo the mystique of the Living Desert. Steeped in introspection and connected to land, tradition, and identity, Matthews' work evokes a place that is authentic, anachronistic, and dynamic. An essay by award-winning writer Annie Proulx provides insight into both the ranching and the art-making life, resulting in a glorious homage to this ancient terrain some of the last untamed wilderness in America.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. Munich/NY, Prestel, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 143 pages with 100 color and 79 b&w illustrations. In 1750 the Venetian painter Giambattista Tiepolo arrived in Wurzburg, capital of the small German principality of Franconia. Its ruler, Prince-Bishop Carl Philipp von Greiffenclau, had commissioned him to decorate the Kaisersaal, one of the state rooms in his palace, the Residenz. Later extended to include the decoration of the Residenz's staircase, the commission resulted in a series of frescos that are numbered among the greatest glories of Baroque painting. Created by the last major representative of the Venetian tradition in painting, the frescos in the Wurzburg Residenz are a truly epochal work of art. They form the culmination of a venerable tradition of fresco decoration initiated by Giotto over four hundred years earlier and, in their marriage of mythological and historical subject-matter, constitute a monument to the dying age of absolutism. In his highly readable text Peter O. Kruckmann tells the story of how Tiepolo came to receive the commission, explores in detail the thematic and artistic intricacies of the frescos, and documents their genesis as a continuous process, from the preliminary sketches to the finished works. Clean copy.

Hardcover. NY, Museum of Modern Art , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. This volume, the most comprehensive assessment of Chuck Close's work yet published, accompanied a mid-career retrospective exhibition that opened at The Museum of Modern Art, New York, on February 25, 1998. A leading figure in the New York art world since the early 1970s, Close has recently concentrated on portraits of his artist friends and colleagues, characterized by colorful patterning and vivid brushwork. Subjects include Robert Rauschenberg, Roy Lichtenstein, Alex Katz, Kiki Smith, Lucas Samaras, and Lorna Simpson. Here, more than 90 paintings, prints, drawings, and photographs are reproduced, along with details and comparative illustrations.

Hardcover. Amsterdam, Ludion Ghent/Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, 208 pages with 282 color plates, 53 in b&w. No dust jacket. Published to coincide with a major exhibition of the artist's work in Europe, this loving tribute to one of the greatest, and most bizarre, of the medieval painters introduces readers to the often grotesque vision expressed in his work.

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Softcover. NY, Bantam, 1st pbk., 1997, Book: Very Good, Dust Jacket: None, Softcover, 208 pages in color. Experience the Star Wars universe as never before in this stunning visual journey that carries you to the farthest reaches--and into the deepest mysteries--of George Lucas's cinematic masterpiece. Ralph McQuarrie, the legendary main concept artist for all three Star Wars films, and Kevin J. Anderson, the New York Times bestselling Star Wars author, present the ultimate voyage: a vivid and close-up look at the exotic worlds and remarkable inhabitants of the Star Wars universe. Clean copy.

Hardcover. New York, Harry N. Abrams, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, 31 pages. Hardcover with dust jacket. SIGNED BY GRAEME BASE, WILLIAM JOYCE, MICHAEL MCCURDY, ROBERT SABUDA AND SUSAN JEFFERS. Crisp, tight copy.

Softcover. University of Washington Press, 1st, 1999, Softcover, 176 pages. Traces the development of the comic strip since its birth at the turn of the century. The reproductions of vintage strips are strikingly pristine, due to the use of original artwork rather than published versions in the production of the volume. The author, a seasoned writer and scholar of the subject is good at historical and aesthetic discussion, less so at discussing the sociological context of various strips. Two other experts in the field, Brian Walker and Richard V. West, contribute a foreword and afterword. An attractive and enjoyable volume. 9x12

Softcover. New York, N.Y., Hirschl & Adler Galleries, 1st, 1990, Book: Very Good, Dust Jacket: None, 67 pages, illustrated throughout in color and b&w. Light rubbing to edges of spine, minor sun-fade to rear cover. Clean, tight copy. This is the catalog for an unusual exhibition of rare original plasters, most of which were used by foundries to cast in bronze, held at Hirschl & Adler Galleries in New York from March 3 through April 14, 1990. Plasters "frequently represent the last stage of the artist's involvement in the fabrication of a work. . . . plasters have singular qualities: they have a warmth, a beauty, and an approachability, even vulnerability, not often found in the harder media of stone and bronze."

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Holiday anniversary issue. Grant Hill interview. Billy Bob Thornton's outrageous ex; Bettie Page's story. Teri Hatcher 20 questions. How smart are you about Seinfeld. Queen of the B's, Shannon Tweed. Shel Silverstein's Street Smart hamlet. playmate review. Centerfold: Heather Kozar.

Softcover. San Diego, Green Tiger Press, 2nd printing, 1987, Book: Good, Dust Jacket: Good, 100 pages. Softcover with dust jacket. Light and minor wear to cover edges. Color and black and white pictures throughout.

Hardcover. NY, Guggenheim Museum/Abrams, 1st, 2000, Book: Good, Dust Jacket: Good, Hardcover, 381 pages. A sumptuous photographic essay, which accompanies a new museum exhibition, celebrates the design genius of Armani, discussing his wide influence and the radical changes in fashion that he has inspired, tracing the evolution of his unique artistry. crease/wrinkle to front panel of dj otherwise very good. several pages with creases.

Hardcover. London/ New York, Dorling Kindersley, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. A year by year overview of critical science fiction works (and movies and TV series), and a synopsis of all the major writers of serious,quality science fiction up to the mid-1990s (when the book was published). An invaluable reference for the avid science fiction fan, especially one who wishes to learn about the many overlooked, but decent, writers of yesteryear.

Hardcover. NY, Pantheon, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards in an oblong format. 80 pages. Color art by Clowes. The fan-favorite Eisner Award-winning story, originally seri-alized in The New York Times Magazine, now collected and with forty pages of new material. Meet Marshall. Sitting alone in the local coffee place. He's been set up by his friend Tim on a blind date with someone named Natalie, and now he's just feeling set up. She's nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem-ployed, with next to no prospects, Marshall isn't ex-actly what you'd call a catch. Twenty minutes pass. A half hour. Marshall orders a scotch. (He wasn't going to drink!) Forty minutes. Then, after nearly an hour, when he's long since given up hope, Natalie appears--breathless, apologiz-ing profusely that she went to the wrong place. She takes a seat, to Marshall's utter amazement. A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name. Clean copy.

Hardcover. Washington, DC, Princeton University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 352 pages. Hardcover with dust jacket. Tight copy with minor wear to edges. Previous owner's notes in pencil near rear end paper.

Hardcover. NY, Assouline Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Since the opening of their studio in 1982, the partnership of Domenico Dolce and Stefano Gabbana has come to symbolize the new generation of Italian fashion design. It is Domenico Dolce's native Sicily that provides the greatest influence on this duo's strong, sensual designs. Constantly evolving and maturing, the quintessential Dolce & Gabbana woman remains sexy, shapely, confident, and above all, Mediterranean.

Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.

Hardcover. NY, George Braziller, 1st, 1959, Book: Good, Dust Jacket: Good, Hardcover in an edgeworn, price-clipped dust jacket, 111 pages. Wonderful b&w illustrations by Ronald Searle. The first collaboration between these Atkinson and Searle, a look at the 'new poor' in the London of the 1950's. Taking Henry Mayhew's 19th century work 'London Labour and London Poor' as their guide, the writer and artist take a perceptive, compassionate and subtly humorous, look at how the burden of poverty has shifted into some surprising quarters - including a look at a literary exile, an aging actress, enclyopedia salesman, ice cream seller and more. Shelfworn copy, but sound with a light ownership stamp to front fly leaf.

Hardcover. Berkeley CA, University of California Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Light soil on dust jacket covers. Clean, tight copy. Pictures throughout.