Hardcover. NY, Marvel, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Collects Marvel Westerns from the 1960s: Marvel Comics has a long history of producing comics in the western genre, going back as far as the 1940s, before the company was even called Marvel. Some of their most popular gunfighters, like the Rawhide Kid, Two-Gun Kid, and Kid Colt, even hung on well after the superhero explosion of the 1960s, but it's been a long time since Marvel put any effort into its western universe. In this volume they attempt to harken back to their cowboy glory days by publishing a four-issue series called Marvel Westerns, which combines classic 1960s stories by Stan Lee and Jack Kirby with 21st-century interpretations of Marvel's classic western heroes. This hardcover contains the four issues of that series, along with some supplemental material. The Two-Gun Kid, Marvel Westerns: Western Legends, Marvel Westerns: Kid Colt and the Arizona Girl, Marvel Westerns: Strange Westerns Starring the Black Rider. Clean copy.
Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.
Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.
Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. SIGNED BY CHAST on the blank prelim page. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.
Hardcover. NY, HarperOne, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 208 pages. B&w art throughout by Krans. Visionary artist and New York Times bestselling author of The Wild Unknown Kim Krans returns with a decadently illustrated and incredibly raw graphic memoir that chronicles her multi-layered search for truth and recovery from an eating disorder and infertility in the throes of a health and wellness-obsessed culture, touching on the healing potentials of creativity and spirituality. Lacks dust jacket.
Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The first collection of the work of Joe Eula, the foremost illustrator of the late twentieth century, featuring more than 200 black-and-white and full-color sketches and illustrations, the majority of which have never been published before.
Softcover. New York, The Whitney Museum of American Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover.This catalog of paintings by Georgia O'Keeffe features 117 black and white prints and 4 color prints. The front and back cover features "Sky Above Clouds IV." The cover is slightly smudged and worn, particularly on the back. All else is in fine condition.
Softcover. NY, Owl/Henry Holt, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 160 pages, color illustrations. The magical qualities of three-dimensional and moving books have universal appeal. The Pop-Up Book offers a clear and practical guide to the pop-up papercrafts for all levels of artist, from home hobbyists to professional graphic designers and architects. Illustrated with specially commissioned photography, it includes specific projects with easy-to-follow steps, general techniques for greater personal experimentation and creativity, and a gallery of designs created by some of today's best pop-up artists for an inspirational finish. Clean copy.
Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.
Softcover. London, Imperial War Museums, 1st, 2014, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Posters of the First World War collects more than one hundred posters from America, Britain, France, Germany, and Italy that showcase renewed concern among the warring nations with national character and conduct.
Softcover. Stockholm, Sweden, Moderna Museet, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 84 pages, text in Swedish and English. Illustrated white cover in excellent condition. Minor rubbing on back cover. Clean, crisp pages with beautiful illustrations throughout. Tight binding. Very minor wear on cover corners.
Hardcover. New Haven CT, Yale University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Two large hardcover volumes in bright dust jackets. 940 total pages. John Constable, one of the most beloved of British painters, is renowned for his poetic approach to nature and his extraordinary use of broken color. In this beautiful two-volume set, the dean of Constable scholars, Graham Reynolds, discusses all the paintings and drawings the artist produced between 1790 and 1816, both before and after his breakthrough into the original style that is the basis of his fame. Together with Reynolds`s award-winning The Later Paintings and Drawings of John Constable (1984), the books are a catalogue raisonne, of this artist`s monumental oeuvre.The two volumes, one of text and one of plates, describe and reproduce 1370 paintings and drawings in chronological order. They begin with Constable`s juvenilia and tentative experiments before he went to London in 1799 to become a professional artist. Next are some lesser-known works-elegant figure studies of girls, Constable`s first portraits, and his Lake District watercolors. Finally are the works after 1808-Dedham Vale: morning, Flatford Mill from a Lock on the Stour, A Summerland, The Stour Valley and Dedham Village, and the recently rediscovered The Wheatfield-works that made Constable a major force in British landscape painting. The volumes also include Constable`s numerous sketches of his homeland around East Bergholt and Dedham from this period, drawings on which he based his later masterpieces. An appendix records and reproduces, as addenda to The Later Paintings and Drawings, 94 works produced between 1817 and 1836 that have come to light since those books were published. Small 1/2" closed tear to front corner of dust jacket, otherwise a clean, crisp set. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Rizzoli, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. A rare and poignant compilation of photography and written anecdotes by American photographer and artist Lee Jaffe that captures his close friendship, collaboration, and travels with the artist Jean-Michel Basquiat as they traversed Japan, Thailand, and Switzerland in 1983. Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world's true legends through an unfiltered and authentic lens. Basquiat and Jaffe connected over reggae music at a mutual friend's art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. "For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics," Jaffe says. "With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place." This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe's unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.
Hardcover. New York, Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. A photographic tribute to the beatified founder of the Mission of Charity visually documents her work in the impoverished streets of Calcutta, offering numerous images of her daily spiritual commitment to fighting poverty, in a volume complemented by the author's remembrances of their nearly thirty-year relationship.
Softcover. Fort Lauderdale, FL, Richard Stuart Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 76 pages, b&w and color illustrations. Light rubbing, soiling to white wrappers. Else a very clean, tight copy.
Softcover. NY, Metropolitan Museum of Art, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog. Introduction by John J. McKendry and texts by Robert Motherwell and Diane Kelder. Slim small quarto. Illustrated in black and white. Spine a bit tanned and wrappers with minor soil. The exhibition was held October 24 - December 3, 1972 at The Metropolitan Museum of Art.
Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 60 pages, 15 color and 1 b&w illustration. Text in German and English. With a chronology. This is the hardbound catalogue published in conjunction with noted Leipzig-based artist Neo Rauch's 2004 exhibition of recent large scale works on paper held at Vienna's Albertina. Essay by Harald Kunde.
Hardcover. New York, Harry N. Abrams, 1st, 1899, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In 1952, at the age of 23, Helen Frankenthaler created her legendary painting Mountains and Sea. She poured thinned-down pigment directly onto unprimed canvas to be absorbed into its fibers. This large painting, the first in which Frankenthaler used her soak-stain technique, synthesized the influences that had informed her work to that point and announces her arrival as a mature artist. Published to accompany a 1998 exhibition at the Solomon R. Guggenheim Museum, New York, this book focuses on Mountains and Sea and other groundbreaking paintings of Frankenthaler's early career. In this period, Frankenthaler drew upon Cubism, the abstractions of Arshile Gorky and, especially, those of Jackson Pollock, whose radical technique inspired her to reject easel painting. Frankenthaler herself became associated with the second generation of the New York School and her unique method and experimental use of materials influenced her contemporaries and subsequent generations of artists.
Softcover. Washington, DC, National Portrait Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Exhibiton catalog.176 pages. Over 175 B&W illustrations throughout. Black pictorial cover with very slight wear. Price tag on bottom right corner of back cover. Overall, a clean, tight copy.
Softcover. NY, Shapolsky Publishers, 2nd Ed., 1988, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, b&w photos throughout. Introduction by Thomas Hess. Fred McDarrah (1926-2007) was a photojournalist, author, and staff photographer for the Village Voice known for documenting the Beat Generation and the New York art world. The present work is a vital document of an exuberant moment in cultural history. Clean copy.
Hardcover. London/NY, The Studio Ltd., 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth with white stamping. 192 pages, 150 beautiful b&w woodcuts from the era. Review slip laid in, former copy of American illustrator Aldren Watson with his stamp on half-title page. Minor fraying to top of cloth spine.Otherwise a tight, clean copy. No dust jacket.
Hardcover. New York, Flammarion, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 280 pages. Hardcover with dust jacket. A very clean copy still in publishers shrink-wrap, however shrink wrap has been torn at bottom edge for a remainder mark to bottom edge of textblock and a small tear near top edge. The first fashion monograph on Marcel Rochas, a key twentieth-century women's wear designer, written by his daughter. Fashion designer Marcel Rochas (1902-1955) made considerable and enduring contributions to the world of fashion; his legacy has inspired a range of contemporary designers. In this lavish monograph, his daughter, Sophie Rochas, provides an intimate first-hand account that includes her childhood memories and rare access to the family's private archives. She provides insight into her father's talents as an innovative designer, communications genius, revered socialite, attentive father, and demanding husband, as well as the style influences that inspired him.
Hardcover. Minneapolis MN, University of Minnesota Press, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, 112 pages, illustrated with b&w photos, one color plate. Dust jacket with light rubbing, edgewear.
Hardcover. London, National Portrait Gallery, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages, color illustrations. Published to coincide with the first ever exhibition dedicated to Constable's portraits, this book will present new scholarship and argue that many of these unexplored paintings are worthy of close attention, both for their contribution to the history of portraiture and for the insights they bring to a painter of international acclaim. Constable's sitters make up a 'Jane Austen' world, belonging to the middle and upper ranks of early nineteenth century provincial society: clergymen and their wives, landed gentry and families wealthy from trade. Clean copy.
Softcover. NY, Dover, reprint, 1969, Book: Very Good, Dust Jacket: None, Softcover, Bright purple cover. A collection of cartoon stories, reproduced unabridged from an original 1892 publication. Plus seven picture stories from issues of Life Magazine, 1921-22. Clean copy.
Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages, b&w art by Tardi. His classic graphic novel about war in the trenches of WW1. Illustrated boards, no dust jacket issued.
Softcover. Zurich, Graphis Press, 1st, 1980, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Jan Swanka, Barbara Nessim, Erhard Gottlicher, Oswaldo Miranda.
Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 440 pages, colo and b&w illustrations. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.
Softcover. London, Laurence King, 1st, 2016, Book: Very Good, Dust Jacket: None, Illustrated cardboard covers, large format, 12 x 16". 20 removable posters ready for framing. The posters included are: The Man with the Golden Arm; Saint Joan; Love in the Afternoon; Bonjour Tristesse; The Big Country; Vertigo; Anatomy of a Murder; Exodus; Spartacus; The Magnificent Seven; Advise & Consent; The Cardinal; In Harm's Way; Bunny Lake is Missing; Seconds; Grand Prix; The Fixer; Such Good Friends; The Shining; Schindler's List.
Softcover. New York, Colnaghi USA, Ltd., 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, illustrated throughout. Very slight corner wear and spine edge crease, otherwise, bright and tight copy.
Hardcover. Boston, Houghton Mifflin, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 126 pages illustrated in color. In this intimate and profound portrait, the former Metropolitan Museum director elicits extended and revealing dialogue from the artist, revealing the philosophy and spirit of his art.
Softcover. The Anschutz Collection, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 176 pages. An impressive collection of American West art by 128 different artists, with full color reproductions of a painting by each followed by a short biographical sketch of each. Small ink price in corner of front fly leaf, otherwise clean.
Hardcover. Paris, Les Belles Lettres , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout. FRENCH TEXT.
Hardcover. Chicago, Caxton Club, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages, SIGNED BY AUTHOR on front fly leaf, 2 signed notecards and relevant clippings taped in, with illustrations throughout. Minor edge wear and fade, otherwise, very clean and tight, 1 of a limited 1000 copies.
Harper & Brothers, Harper's Weekly, Book: Very Good, Dust Jacket: None, Full-page pen and ink drawing of a golfer putting ball. One in a series by E.W. Kemble, himself a golf enthusiast. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, PaceWildenstein, 1st, 2017, Book: Very Good, Dust Jacket: None, Unpaginated. Hardcover with no dust jacket. A very clean, unmarked copy with only edgewear. Full page color photographs throughout. A tight copy.
Hardcover. Los Angeles, Santa Susana Press, Ltd. Ed., 1978, Book: Very Good, Dust Jacket: None, Hardcover, unnumbered, one of 198. 32 pages, one hundred ninety-nine copies printed by Grant Dahlstrom. Designed by Ward Ritchie. Navy blue cloth with gilt stamping. Clean copy.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of little girl enticing squirrel in tree holding a nut. Art by Arthur Dove. Approx. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Washington, D.C., Phillips Collection, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 158 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.
Hardcover. New York, NBM, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Reprint volume no. 2 of collected Terry and the Pirates color Sunday comic strip.
Hardcover. Neshannock PA, Hermes Press, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 203 pages. What made many of the great adventure comics of the 1960s so attractive were their fantastic painted covers by artist George Wilson. Wilson also turned in hundreds of painted covers for paperback books that range from The Phantom and Flash Gordon to romance, adventure and war titles, all illustrated in the extensive survey of his work. Unlike the majority of comic book covers of the era, Wilson's covers harkened back to the era of pulp magazines and were spectacularly eye-catching. He turned in efforts for literally hundreds of comics titles - this important monograph on the artist provides examples of every genre he worked in. Presented are cover paintings scanned from the original artwork from Classics Illustrated, The Twilight Zone, Ripley's Believe It or Not, Doctor Solar, Magnus Robot Fighter, Turok, Son of Stone, Star Trek, Korak, Son of Tarzan, Mighty Samson, Brothers of the Spear, Boris Karloff Tales of Mystery, Space Family Robinson, Dark Shadows, and The Occult Files of Doctor Spektor to name but a few. This new art book focuses on over 300 examples of his cover art accompanied by an introduction by famed artist Joe Jusko, an exhaustive essay by Anthony Taylor and the only interview Wilson ever gave. Clean copy.
NY, Watson-Guptill , 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Folio, unpaginated. Profusely illustrated with nearly 900 advertisements, designs, photographs etc. Hardcover, bound in original cloth with dustjacket. In excellent condition. No markings. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.
Hardcover. New York, Sirecox, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Illustrated with color photographs by Jose Luis Gonzalez Grande. Translation by Louis Bourne. Foreword by Sam K. Sebagereka, Minister for Tourism and Wildlife of Uganda. Preface by Luis Yanez-Barnuevo. A photographic safari of Uganda.
Hardcover. NY, Orion Press/ Trianon Press, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 180 pages, profusely illustrated in b&w. 112 pages of photos, 3 fold-outs. The definitive study of the 12th-century French sculptor, responsible for almost all the sculpture and reliefs in the medieval cathedral in Burgundy. Spine cracked at preliminary spread before title page. No markings, clean copy.
Softcover. Decatur IL, Illustrated Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 80 pages. Two long profiles on illustrators Frank McCarthy and Paul Bransom, All in color.
Hardcover. New York, NY, Rizzoli International Publications, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. Martine Sitbon has become an icon among designers and fashionistas, earning her praise from Karl Lagerfeld as being "the only living French designer." With never-before-seen sketches and photographs, this book allows readers to gain a better understanding of the designer's personal universe and inspirations that have until now been largely hidden from view.