Art

Hardcover. NY, Goodman, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. For 40 years Rob Roth has collected rare examples of rock tour posters, advertising posters, rock memorabilia, and original artwork. His vast spectacular collection has never been displayed publicly; only visitors to his spacious New York loft--visitors like Elton John and Alice Cooper--have glimpsed his amazing treasures. This lavishly produced volume presents some of the most vivid and exciting images from the rock world featuring classic artists like the Rolling Stones, Queen, Pink Floyd, the Who, Led Zeppelin, Elton John, Alice Cooper, and David Bowie.

Hardcover. Rutland VT, Charles E. Tuttle, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 149 pages, illustrated throughout with over 70 plates including 44 in full color. Light edgewear and chipping to dust jacket, else a clean, tight copy.

Canajoharie NY, Beech-Nut Brand, 1918, Book: Very Good, Dust Jacket: None, Art "The rational meal-time drink for all ages"..., color art not credited. 12 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color art of barren tree with leaves piled high underneath. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 9" X 12", 600 pages. Color reprints throughout. The first edition deluxe Krazy Kat hardcover (it's Volume 3, but the second to be published) collects the second batch of five Krazy & Ignatz soft cover books Fantagraphics have published, comprehensively compiling the years 1935 through 1944 under hard covers. It's not a slipcase; it's a single hardcover book. The covers to the original five soft cover books are NOT included, but literally everything else is. No dj issued

Softcover. New York, Independent Curators International, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 80 pages with color illustrations throughout. Like new in publishers shrink-wrap. This exhibition catalog explores the theme of space exploration in art.

Battle Creek MI, W.K. Kellogg Co., 1915, Book: Very Good, Dust Jacket: None, Art "There is a youngster in almost every home...". color art by J.C. Leyendecker. 11 1/2 X 14", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1976, Book: Very Good, Color art by Getz of Christmas shoppers in a downtown main street village. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Kansas City, Andrews McMeel Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Everyone who grew up entertained, provoked, and enlightened by Dr. Seuss books will love this big, color-saturated volume covering 70 years of published and private art by the master of smart, loopy fun. Here are examples of Theodor Geisel's clever, now ironic advertising work, including a rambunctious campaign for Flit, an insecticide containing DDT. Geisel's political cartoons and magazine illustrations are animated by his phenomenal gift for line and color, mischievous humor, and humanitarian values. It is thrilling, too, to see the original drawings for Green Eggs and Ham and other Seuss classics. But the big discoveries in this bountiful and redefining volume are his "Midnight Paintings," surreal watercolors, oils, and acrylics featuring tiny figures in a vast, labyrinthine world, and private versions of his expressive characters, especially the Cat, his alternate identity. Geisel's vibrant, trippy, hilarious, and poignant art plays on Hieronymus Bosch, M. C. Escher, and Persian miniatures. Every creature, plant, architectural marvel, object, and landscape is wriggling, leaping, flying, arcing, tilting, and rolling. When he dives into abstraction, he plunges into a deep chromatic sea, while his taxidermic sculptures prove just how real his sweet and goofy invented critters were to him. Spectacular reproductions and excellent, if episodic, commentary map Geisel's exuberant, world-altering artistic journey on what he would call "long wiggled roads" into "weirdish wild space."

Softcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

1946, Book: Very Good, Dust Jacket: None, Pittsburgh steel mills at night, art by John Atherton. 10 1/4 X 13 1/2", very good. Mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1972, Book: Very Good, Color art by Reilly of fish swimming under a bright summer sun. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Knopf, 1st, 2009, Hardcover, 384 pages. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns.

Hardcover. Gloucester MA, Rockport Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated throughout in color. Light edgewear to dust jacket, else a clean, tight copy. Work from a diverse pantheon of internationally known designers captures the fluidity, the sensitivity and the art of designing with type. These stylists and practitioners of typographic virtuosity provide a range o work which has individuality, attitude and graphic flair. Collectively they demonstrate the power of type in contemporary design.

Hardcover. New York, Macmillan, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards with a red cloth spine. 140 pages illustrated with b&w cartoons by the Berenstains. Minor wear to covers otherwise clean, very good. No dust jacket.

1969, Book: Very Good, Color cartoon by Saxon of father showing his son a killer shark, a teaching moment. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Hardcover, 120 pages. A glimpse inside the mind and artistic process of a fascinating contemporary cartoonist. Born to working-class parents in a small town in Italy, and reared in Chicago, Ivan Brunetti (b. 1967) was drawn to cartoons and comic strips from an early age. Finding inspiration in Spider-Man and Peanuts, he began crafting his own stories and gradually developed a unique style that he applied to imaginative, sometimes shocking subjects. The dark humor of his graphic novels earned him a cult following, yet his illustrations have had broad appeal. Now recognized as an award-winning cartoonist and illustrator, Brunetti has published his work in the New Yorker, the New York Times Magazine, and McSweeney's, among others.

Hardcover. New Jersey, Mark Batty Publisher, 1st, 2005-02-01, Book: Very Good, Dust Jacket: None, Flexible pictorial boards. 190 pages. This extraordinary and innovative marketing campaign was the brainchild of Abbott Pharmaceutical Company. Over 170 different postcards from about 80 different countries were sent over the course of 14 years.

Hardcover. New York, Harper and Brothers, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 146 pages. A collection of Mauldin's political cartoons from the late 50s and early 1960s. Dust jacket with light wear, price-clipped.

1968, Book: Very Good, Color cartoon by Stevenson of worker with tractor shovel removing snow. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 385 pages. While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name the Chicagoan. Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles. He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory. Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the Chicagoan claimed to represent "a cultural, civilized, and vibrant" city "which needs make no obeisance to Park Avenue, Mayfair, or the Champs Elysees." Urbane in aspiration and first published just sixteen months after the 1925 appearance of the New Yorker, it sought passionately to redeem the Windy City's unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest. Harris's substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s. The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features--and even one issue reprinted in its entirety.

Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, 126 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition.

Softcover. Cincinnati OH, Contemporary Art Center, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 102 pages, b&w and color illustrations. Very light edge wear, else a clean, tight copy. Publication documenting renowned post-modern architect Michael Graves and the summer pavilion for the Cincinnati Symphony Orchestra. Written by architecture historian and critic Jayne Merkel, the book begins with a history of other outdoor music structures and the decision to build on the river site. Merkel discusses Graves' development as a leader of the post-modern movement and draws upon his sources in ancient amphitheaters, as well as his other structures in Portland, Louisville, and San Juan Capistrano. The book also includes an in-depth interview with Graves and a chapter on the "state of the art" acoustics and the collaboration between architect Graves and artist Ted Schmidt which resulted in the unique cut-out sculptures adorning the roof line of Riverbend.

1963, Book: Very Good, Color cartoon by Arno of two cab drivers screaming at one another as elderly women passengers look on. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Prestel, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Color illustrations, fine paperback with French flaps This book focuses on Bacon's life, circle and achievements. Clean copy.

Softcover. US, Laurence King, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 318 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. The album cover is a subject of perennial interest among graphic designers. Sleeve design remains a popular subject for college projects, and many young working designers aspire to design for the music industry. Revealing state-of-the-art contemporary music graphics, Cover Art By: is packed with more than 400 examples of sleeve art. As well as CD and album covers, the insides of CD booklets and the backs of vinyl sleeves are shown. The book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers/labels who are the most influential in the field, making this a must-have for designers and students, as well as music industry professionals and fans.

Softcover. Flagstaff, AZ, Northland Press, 3rd pr, 1981, Book: Very Good, Dust Jacket: None, Softcover, 131 pages, b&w photographs. Light creases to front wrapper. Else a very clean, tight copy. An architect for the Santa Fe Railway and the Fred Harvey Company, Colter laid the groundwork for female architects who followed. Seven of her remarkable structures are preserved in Grand Canyon's historic district. This is her story.

Softcover. NY, Ten Speed Graphic, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 201 pages. Everyone knows Stan Lee: His work at the creative helm of Marvel Comics resulted in the creation of many of the superheroes we know and love today, including Spider-Man, Iron Man, Black Panther, Doctor Strange, and more. During his decades-long career at Marvel, Lee turned the comic book publisher into a cultural juggernaut that shaped and defined the burgeoning industry. In I Am Stan, critically acclaimed artist Tom Scioli reveals the man behind the comics and cameos using the same medium Stan Lee revolutionized. This stunning graphic novel takes readers from his early days in the comics industry through his rise at Marvel (then Timely Comics), where his career was touched by other iconic creatives including Jack Kirby and Joe Simon. Their collaboration would lead to the creation of the most iconic superheroes of today, and bring about the Marvel Age of the 60's and 70's that introduced new industry stars like Steve Ditko, and John Buscema. Readers will follow Lee's trajectory from his daily life at Marvel to his later years as a spokesperson for the company and for comics as a whole, and finally to his last years away from the spotlight. Scioli provides a clear-eyed view of Lee's triumphs at Marvel as well as the controversies that surrounded the creator at the end of his life. Clean copy.

Hardcover. New Haven CT, Yale University Press , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. ARTnews, the oldest art magazine in America and the most widely circulated art magazine in the world, is celebrating its one-hundredth anniversary in 2002. This attractive book celebrates and commemorates this milestone event, presenting one hundred of the best photographic portraits commissioned by and reproduced in the magazine since its origin. These fascinating photographs chronicle the history of the magazine and present a "who's who" of people who have shaped the art world over the last century. Portrait of the Art World includes photographs of many of the great European and American artists of the twentieth century, including George Bellows, Francis Bacon, Pablo Picasso, Piet Mondrian, Jackson Pollock, Alexander Calder, and Alice Neel. The photographers-often as fascinating as their subjects-range from Zaida Ben-Yusuf, Alice Boughton (early members of Alfred Stieglitz's circle), and Jessie Tarbox Beals (perhaps the first woman photojournalist) to Stieglitz himself, Man Ray, and Cecil Beaton. Contemporary photographers featured in the book include Timothy Greenfield-Sanders, Arnold Newman, Richard Avedon, and Robert Mapplethorpe. The book also presents an essay by William F. Stapp exploring the historical context of portrait photography in ARTnews; an essay on the history of ARTnews by Pete Hamill; and an essay by Milton Esterow, the current editor and publisher of ARTnews, discussing his personal view of the magazine. This handsomely illustrated book is the catalogue for an exhibition at the New-York Historical Society from September 27, 2002, to January 5, 2003, which will then travel to Washington, Chicago, and San Francisco

Hardcover. US, Rizzoli, 1st, 2013, Book: Very Good, Dust Jacket: None, 110 pages, illustrated throughout in color. Light shelf-wear to boards, else a clean, tight copy. Valentino: Master of Couture is an exhibition at the Somerset House co-organized by Valentino himself, who selected over 130 dresses for the exhibition. The book focues as much on Valentino and his glamorous lifestyle as it does on his legendary dressmaking techniques and atelier.

Hardcover. New York, Abrams/Whitney Museum, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. 245 plates and figures, 95 bw and 150 color. Published in conjunction with an exhibition held at the Whitney Museum of American Art, April 3 to July 20, 2003. This book is the most comprehensive publication to date on the work of Elie Nadelman (1882-1946), an important sculptor and a key member of the New York art scene in the first half of the 20th century.

1970, Book: Very Good, Color art by Steinberg of many artists at easels painting identical models. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Sim Van der Ryn is the president of Van der Ryn Architects, a northern California firm known worldwide for its work in sustainable architecture. He taught architecture and design at the University of California, Berkeley for more than thirty years, inspiring a new generation to create buildings and communities that are sensitive to place, climate, and the flow of human interactions. He is the author of six groundbreaking books about planning and design, including Sustainable Communities and Ecological Design. He lives and works in the San Francisco Bay area.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Collects February to December 1951, Issuea 1-6.

Hardcover. Berkeley CA, University of Calfornis, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 b&w and color illustrations. Light edge wear to dust jacket. Light marking on bottom edge. Else a very clean, tight copy.

Hardcover. NY, Back Stage Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Foreword by Frank Rich. Henderson (curator of the White Barn Theater Museum in Westport, Connecticut, she's lectured and written extensively on theater), using the substantial archive of his writings, has assembled a suitable tribute to one of America's most influential creators of theater design. The book proceeds chronologically through Mielziner's life and long career, richly supplemented with photos and high quality color reproductions of the designer's watercolor and pencil drawings, and excerpts from his writings. He designed the original sets for A Streetcar Named Desire, Death of a Salesman, and Carousel and operas such as Don Giovanni. NOTE: While this book is bright and clean, it has a light musty odor.

Hardcover. Little, Brown Books for Young Readers, reprints, 2008, Book: Very Good, Dust Jacket: None, Eight hardcovers in a slipcase. A deluxe special edition boxed set of 21 Tintin classic graphic novels, collected in seven hardcover volumes plus a bonus book featuring Tintin and Co., a closer look at favorite Tintin characters revealing their origins, inspirations, and the source of their enduring fascination. Packaged in a handsome slipcase. It contains all of the adventures (except Tintin in the Congo - with its colonial racism it wouldn't be politically correct to allow it back in print).

Hardcover. US, Angelika Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 304 pages. Like new in publisher's shrink-wrap. New York-based German photographer Anna Bauer took pictures of the fashion scene's personalities backstage after the shows in Paris, Milan, London and New York using a heavy large-format camera and black-and-white Polaroids. It's remarkable how natural the models, designers, investors, critics, stylists and fashion photographers look in these pictures, with which Anna Bauer not only captures their surface, but also their souls.

Hardcover. Boston, David R Godine , 1st US, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated throughout in b&w with a few color plates. Light wear to dust jacket with slight tape-residue on rear cover. Clean, tight copy.

Hardcover. Bowdoin College Museum of Art , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages. During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others. Still in publisher's shrinkwrap.

Hardcover. NY, VH1 Press , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. She was riveting to look at, a sprite of the zeitgeist, the living distillation of the over-amped vision of New York in the mid-sixties. Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed--became the symbol for all that was hip and stylish--and just as quickly began to disintegrate. Told with unsparing candor, and with images that capture her at the peak of her Factory stardom, Edie Factory Girl is the short but enduring cultural story of Edie Sedgwick--releasing in time for the film of the same name starring Sienna Miller, and including rare photos of Miller as Edie.

Hardcover. US, Archie Comics, 1st, 2013, Book: Very Good, Dust Jacket: None, 157 pages, illustrated throughout in color. Light shelf-wear to boards with slight bump to lower edge of spine. Clean, tight copy. A beautifully designed celebration of over 70 years of comic book covers featuring America's reigning cartoon high school icons: Archie, Betty, Veronica and friends. Featuring beautiful full-color artwork by fan favorite artists Dan DeCarlo, Harry Lucey, Bob Montana, Dan Parent and many more in a deluxe, oversize hardcover edition, The Art of Archie: The Covers goes behind the scenes on the all-time best comic book covers in Archie's history with an insider's look at their inspiration, creation and ongoing cultural legacy.

Hardcover. New York, Hudson Hills Press, 1st, 1999, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. Still wrapped in plastic. In great condition. Color photographs of Raimondi's artwork throughout. A nice, tight copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth stamped in gilt. Oblong folio, 306 pages, 13" x 12". 256 illustrations, thirty color plates. Comprehensive survey and critical evaluation of the contributions made to the theater by major painters and sculptors of the twentieth century, such as Chagall; Schlemmer; Toulouse-Lautrec; the German Impressionists; Picasso; Calder; Kandinsky; Dada; and Dali, etc. Bibliography. List of Exhibitions. Index. Name on front fly leaf, otherwise clean. No dustjacket, mild wear to covers. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Hardcover. US, PS Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover. Volume 3. 256 pages, illustrated throughout in color. Clean, tight copy.

Hardcover. Edison, NJ, BookSales Inc, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, 176 pages, copious photographs throughout. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.

Hardcover. Kent OH, Kent State University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, The Lincoln images, originally appearing in such publications as Budget of Fun, Comic Monthly, New York Illustrated News, Phunny Phellow, Southern Punch, and Yankee Notions, significantly expand our understanding of the evolution of public opinion toward Lincoln, the complex dynamics of Civil War, popular art and culture, the media, political caricature, and presidential politics. Lincoln, appealed to illustrators because of his distinctive physical features. (One could scarcely conceive of a similar book on James Buchanan, his immediate predecessor.) Despite ever-improving techniques, Lincoln pictorial prominence competed favorably with any succeeding president in the nineteenth century. Historical illustrations throughout. 387 pages Including index.

Hardcover. New York, PBC Internation Inc, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Color pictures throughout. Light edgewear on cover boards, otherwise clean, tight copy. Fabulous reference for collectors and anyone interested in the many award winning artists who illustrate children's books. A short biography of each selected 80 illustrators.

Hardcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 271 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.