Hardcover. New Haven, Yale University Press, 1st, 1975, Book: Very Good, Dust Jacket: Fair, Hardcover, 303 pages. Hardcover. Illustrated primarily in black & white - one section in full color. Bottom corner of page 275 wrinkled with short tear. Dust jacket worn. Clean, tight copy.This is the landmark work on American artist Martin Johnson Heade (1819-1904), the first catalogue raisonne. The narrative is accompanied by many examples of his work. The full catalogue of 402 items appears at the rear of the book, with light annotations and small BW illustrations. An updated edition was published in 2000; and this one is useful to consult in order to compare the differences.
Hardcover. Oxford UK, Clarendon Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light fading to dj spine. 139 pages of text, 124 b&w plates in rear section. This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into English for the first time. In this essay, which marked a change of direction in Wind's own development, he argues that two opposing styles of portraiture, exemplified in the art of Gainsborough and Reynolds, can be related to the different notions of humanity subscribed to by the philosophers David Hume and James Beattie. Other important studies, also reprinted here, make this volume an excellent resource to Wind's tremendous contributions to art history. Clean copy.
Softcover. NY, Penguin Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Nice history of paperbacks from its early beginnings up to the mid 70's. Chapters on collecting. Many b&w stills + 111 color reproductions of covers & artwork. Clean, bright copy.
Hardcover. New York, George Braziller, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 191 pages, 65 color plates. The only complete study of the artist's pastels. Like new in a bright dust jacket.
Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].
Softcover. NY, DC Comics, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 248 pages in color. The Dark Knight Strikes Again is Frank Miller's follow-up to his hugely successful Batman: the Dark Knight Returns, one of the few comics that is widely recognized as not only reinventing the genre but also bringing it to a wider audience.Set three years after the events of The Dark Knight Returns, The Dark Knight Strikes Again follows a similar structure: once again, Batman hauls himself out of his self-imposed retirement in order to set things right. However, where DKR was about him cleaning up his home city, Gotham, DKSA has him casting his net much wider: he's out to save the world. The thing is, most of the world doesn't realize that it needs to be saved--least of all Superman and Wonder Woman, who have become little more than superpowered enforcers of the status quo. So, the notoriously solitary Batman is forced to recruit some different superpowered allies. Clean, bright copy.
Hardcover. New York, E.P. Dutton & CO, reprint, 1955, Book: Good, Dust Jacket: None, 125 pages. Hardcover with no dust jacket. Heavy soil on cloth covers. Previous owner's name on end paper. SIGNED AND INSCRIBED WITH SKETCH ON FRONT FLY LEAF. Spine shows small tears and soil/wear. Front hinge tender.
Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."
Hardcover. Roma, Paolo Buggiani, 1st, 1974, Book: Very Good, Dust Jacket: None, Non-paginated. Full color handpainted covers, with cutout window exposing image of Paolo Buggiani. Illustrated with black & white photographs. Brief text in English. Light wear to covers. Clean, unmarked copy.
Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Baywatch babe Marliece Andrada on cover, also as Centerfold Miss March; Kevin Kline interview; swimsuit issue, playboy style; the real boogie nights - life and death of John Holmes and more.
Hardcover. San Diego, Museum of Contemporary Art San Diego, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 79 pages, 56 illustrations 50 in color. Published on the occasion of the exhibition from January 17-March 28, 1999. A previously unpublished interview with Francis Bacon by the author from August 13, 1973. Includes acknowledgments, checklist, and chronology.
Softcover. New York, Strawberry Hill Book, 1st, 1973, Book: Very Good, Dust Jacket: None, 255 pages. Softcover. Black & white drawings and photographs. Light wear along spine, cover edges. This is the softcover edition. Clean, unmarked pages.
Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In the vein of earlier comics-to-multimedia stars Buck Rogers and Flash Gordon, Atlas Comics launched their own pulp hero in 1951, looking ahead to the futuristic year 2000. Across five issues of Space Squadron (and one of Space Worlds), headline talents including George Tuska, Werner Roth and Allen Bellman (with back-up features by Joe Maneely, Christopher Rule, George Klein and Vern Henkel) showed Captain Jet Dixon and his Space Squadron blasting into action, facing cosmic threats like "The Armada of Death," "The Space Demons," "Terror from the Deep," "The Temptress of Jupiter," and "The Midnight Horror."Come 1953, Hank Chapman and Joe Maneely gazed further into the future, envisioning the distant year 2075 and the adventures of Speed Carter, Spaceman. Scripted throughout by Chapman, Maneely launched and drew the first three issues before handing off one issue each to Mike Sekowsky, George Tuska and Bob Forgione, with back-up features by John Romita, Maneely, and Bill Savage. As other aspects of the Atlas line leaned into the peak of pre-Code horror, the Captain of the Space Sentinels and young cadet Johnny Day battled monstrous aliens with stories including "The Space Trap," "A Slaughter in Space," "Die, Spaceman, Die," and "The Thing in Outer Space." Unseen in 70 years, scanned in high resolution, restored to perfection and packaged as one extra-sized, beautiful hardcover volume, In the Days of the Rockets! will open a wormhole to the early cold-war four-color era of futuristic science fantasy.
Hardcover. New York, George Braziller Incorporated, 1st, 1986, Book: Fair, Dust Jacket: Good, 256 pages. Hardcover with dust jacket. Clean, tight copy. Color pictures throughout. landscapes. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 splendid woodblock landscape and genre scenes of mid-nineteenth century Tokyo, is one of the greatest achievements of Japanese art. The series contains many of Hiroshige's best-loved and most extraordinary prints. Like Venice and Florence in the 14th and 15th centuries, or Paris in the age of the Impressionists, the city of Edo, with its superb landmarks and its festive display of elegant urban life, exerts a special and compelling fascination. Hiroshige revealed the panorama of his city's activities with subtle and vivid visual anecdotes: fireworks seen from the river, fashionable geishas on parade, the kabuki district at night, intimate moments in the gardens and teahouses. It is a tour de force of artistic vision and printmaking craftsmanship. This edition has been reproduced from an exceptionally fine, first-edition set in the Brooklyn Museum of Art to insure maximum fidelity to the original prints. Henry Smith ex-plains the world of Edo in its twilight before the Meiji Restoration and the beginnings of a modern urban society. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. For anyone interested in Japan, the One Hundred Famous Views of Edo is perhaps the finest guide and one of the greatest legacies imaginable.
Softcover. Seattle, Fantagraphics Books, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. From the author of Ghost World and Patience. Anchored by the title story, Caricature also includes eight other stories, including "Green Eyeliner," "MCMLXVI," the full-color "Gold Mommy," "Glue Destiny," "Gynecology," "Immortal, Invisible," "Blue Italian Shit," "Like a Weed, Joe," "Black Satin," and more.
Hardcover. Berkeley, University of California, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with sunned dust jacket. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Clean and tight copy. Color and black and white photographs throughout.
Softcover. Chicago, University of Chicago Press, reprint, 1982, Book: Very Good, Dust Jacket: None, Red card cover, with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's essays cover art's relationship with the media, pop art, art as thinking; Pollock's methods; Josph Cornell's boxes; Russian constructivism; big paintings; the artist's hand; action painting, Dada etc etc. First published in 1969.
Hardcover. Atglen, PA, SCHIFFER PUBLISHING, 1st, 2021, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket issued. Clean, tight copy with little to no wear to copy. Like new.
Softcover. NY, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. An entertaining collection celebrating the work of cutting-edge animation filmmakers features frame grabs, production stills, original artwork, behind-the-scenes photographs, and interviews from twenty-five years of teh Spike & Mike Festival of Animation, with works by Nick Park and Peter Lord of Aardman, John Lasseter, Craig McCracken, Mike Judge, and others.
Hardcover. Cambridge, Harvard University Press, First Edition, 1968, Book: Very Good, Dust Jacket: Very Good, 335 pages. Hardcover. Ivory boards with black printed titles to mustard cloth spine. Dust jacket with moderate toning & light wear to edges. Previous owner's signature to front flyleaf. Illustrations in bw throughout. Clean & unmarked copy.
Hardcover. NY, St. Martin's Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 128 pages. Brian Nissen's talented art work make this lovely book not only a collection of erotica, but also very humorous. Clean copy.
Hardcover. New York, Alfred Van der Marck, 2nd printing, 1985, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with minor wear to edges. Color artwork throughout. Clean.
Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. In 1945, World War II ended and a new age dawned. In Li'l Abner, Al Capp moved along with everyone else into this age, guiding vbhis immensely popular adventure strip into satire. At the top of his artistic and storytelling form, Capp was more than ready to greet the postwar era. In this book you'll meet Orson Waggon (Orson Welles), boy radio genius, who has a sensational idea: kill somebody during an actual broadcast --a somebody named Abner Yokum. Also in this volume: Timberwolf McHowl, Moonbeam McSwine (who prefers the company of pigs to men) gets a bath; Fleabrain, Lonesome Polecat, Barbara Seville and another wild Sadie Hawkins Day Race. Orson Welles parody and more! Introduction by Madeline Gardner, Al Capp's sister (with early family photos) and another fine intro by Dave Schreiner putting the year in historic context.12 x 9 horizontal format
Hardcover. New York, NY, Frederick A. Praeger , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 195 pages. 182 black-and-white illustrations. Quarto Format. Plates; Chronology; Bibliography. Foreword by Jacques Lipchitz.
Softcover. NY, Harcourt Brace & Co., 1st, Book: Very Good, Dust Jacket: None, Softcover, 154 pages. Illustrated with color plates on book jacket art by Minor. Clean copy.
Hardcover. NY, W.W. Norton, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover. Dust jacket is unclipped. Examines Homer's watercolor achievements from 1873 through the early years of the 20th century, depicting the carefree life of children at the shore and the tropical lushness of Florida, Bermuda, and the Bahamas. Reproduces 140 of the 700 watercolors that have survived. 224 pages includes index, scholarly text.
Hardcover. New York, Random House, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 382 pages, b&w illustrations. Like new in a bright dust jacket. In this first biography of the great cartoonist, written with exclusive access to Addams's intimates and his private papers, we finally meet the man behind the famed cartoons and circling rumors. Here is his surprising childhood in New Jersey, the cartoon that offended the Nazis, the friend whose early death Addams long mourned. Here are his wives, the stories behind his most famous-and some of his most private-cartoons, and the Addams whom even his closest friends didn't know. With wit, humor, poignancy, and insight-enhanced by rare family photographs, classic and previously unpublished cartoons, and private drawings-Linda H. Davis paints an engaging and endearing portrait of a marvelous American original.
Hardcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover. Published to accompany an exhibition celebrating the prints of Jasper Johns. Includes 106 reproductions (43 color, many full-page) of pieces by Johns. Also contains many statements by the artist within the essay by Riva Castleman. Near fine condition, only slight wrinkling on the dust jacket.
Hardcover. NY, DC Comics, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A collection of classic tales featuring the Man of Steel fighting subversion and sabotage on the home front during World War II, meeting mythic figures like Paul Bunyan and Hercules and foiling villains including the Toyman and the Prankster. Reprints Nos. 25-29 of Superman. This volume also features the first episodes of "Lois Lane, Girl Reporter." Still in publisher's shrinkwrap.
Hardcover. University of Nebraska Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 512 pages. Historians, biographers, and scholars of John James Audubon and natural history have long been mystified by Audubon's 1843 Missouri River expedition, for his journals of the trip were thought to have been destroyed by his granddaughter Maria Rebecca Audubon. Daniel Patterson is the first scholar to locate and assemble three important fragments of the 1843 Missouri River journals, and here he offers a stunning transcription and critical edition of Audubon's last journey through the American West. Patterson's new edition of the journals--unknown to Audubon scholars and fans--offers a significantly different understanding of the very core of Audubon's life and work. Readers will be introduced to a more authentic Audubon, one who was concerned about the disappearance of America's wild animal species and yet also loved to hunt and display his prowess in the wilderness. This edition reveals that Audubon's famous late conversion to conservationism on this expedition was, in fact, a literary fiction. Maria Rebecca Audubon created this myth when she rewrote her grandfather's journals for publication to make him into a visionary conservationist. In reality the journals detail almost gratuitous hunting predations throughout the course of Audubon's last expedition.
Softcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 185 pages, color illustrations. Contemporary designers, artists and scientists explore the evolution of this ubiquitous and endlessly malleable material, through its trademarked names - Spandex, Teflon, Nylon, Rayon, Formica, Tupperware - through to looking at how its function and reputation have changed over its lifetime. It is an essential book for designers, academics and everyone interested in our consumer culture.
Hardcover. New York, W. W. Norton, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a very good plus dust jacket. 192 pages. Color frontispiece, color photographs, illustrations, diagrams, bibliography, index. The dust jacket has very minor edgewear. A photographic look at some of the earlier churches built in North America.
Hardcover. London, Frances Lincoln, 1st, 2011, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 255 pages, illustrated in color and b&w. Brenda Colvin (1897-1981) ranks with Sylvia Crowe and Geoffrey Jellicoe as a pioneer of twentieth-century landscape design in Britain. This first full account of her life and work demonstrates her importance. Early in her career Colvin visited the USA to see the new civic landscaping projects, especially the parkways. In England she transformed the landscapes of power stations, reservoirs, industrial sites, new towns and national parks and worked on private gardens. Her simple planting style and her ecological approach had enormous influence. NOTE: There is a very mild ripple/wave throughout the pages, otherwise a clean, bright copy. DOMESTIC SHIPPING ONLY.
Softcover. NY, Jaap Rietman, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Profusely illustrated in b&w. Essay by David Bourdon, with additional text by Barbara Rose. Designed by Richard S. Haymes. With a chronology, exhibition history and bibliography. This is the substantial catalogue published in conjunction with a 1978 circulating American Museum retrospective exhibition of sixteen sculptures and sculptural installations executed between 1959 and 1977 by minimal pioneer Carl Andre. Clean copy.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, 81 tritone and 56 four-color illustrations of a combination of Penn's photographs, drawings, and sketches.
Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.
Hardcover. NY, Frederick A. Praeger, 1st US, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. 208 indexed illustrations. Several full color reproductions. Translated from the French by Thomas Walton. 255 pages. "Elgar has made use of valuable information from Mondrian's contemporaries in his account of this dedicated artist.The plates show all the phases through which Mondrian's art passed, from the traditional landscapes and still lifes of his early years, through the more personal and more abstract works conceived in series, to the eventual emergence of his fully mature style." Three color plates/postcards of his art laid / paster on inside covers. Small name on front fy leaf. Otherwise clean.
Softcover. NY, Reporter Publications, Inc., 1957, Book: Very Good, Dust Jacket: None, Softcover magazine. Articles on Elvis with drawings by Felix Topolski, Sugar Ray Robinson, Maria Callas, touring cars, building your own golf course, writing by W. Eugene Smith, James Beard, and others. And men's fashion, of course. Red spine faded. Clean.
Hardcover. New York , Stewart Tabori & Chang, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A world renowned illustrator interprets thirteen of Shahrazad's most captivating stories from the Arabian Nights, adapted from the famed translation by Sir Richard Burton. Clean, bright copy.
Hardcover. New York, Da Capo Press, Reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover. (Library of American Art Series) 1971 reprint of the original 1926 edition. 110 pages. b&w illustrations. Brown cloth, gilt lettering to spine and front cover. Light wear and unfortunate paper-clip impressions to upper edge of some pages. Still a nice, tight copy.
Hardcover. NY, Viking, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 214 pages. A follow up of Truitt's journal "Daybook." The author continues the exploration of her life as an artist, a woman, and a mother, focusing on the constant interplay between daily activities and choices and the broader context of history and ideas. Clean copy.
Hardcover. NY, Assouline, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, color plates. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best. In a bright, unclipped dust jacket.
Hardcover. New York, Cambridge University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 222 pages, 125 b&w illustrations and 8 plates in full color. The first comprehensive study of Oscar Bluemner's life, art, and intellectual development. Cream cloth boards with gilt lettering to spine. Gray pictorial dust jacket with minor wear to edges, in protective brodart cover. Beautiful copy. Like new.
Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.
Hardcover. Chicago, University of Chicago Press, 1st, 1946, Book: Very Good, Dust Jacket: Fair, Hardcover, 131 pages of text followed by 126 plates, several in color. Foxing to endpapers. Dust jacket age darkened with chipping and small tears along edges. Clean, tight copy.
Hardcover. Boston, Houghton Mifflin Books for Children, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages, color and b&w illustrations. Elleman examines the artist's early work and investigates the genesis of each of her seven picture books, from Choo Choo (1937) to the epic, carefully researched Life Story (1962, both Houghton) . Very good in a bright dust jacket.
Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.
Softcover. Hanover NH/ New York, Hood Museum of Art/Hudson Hills Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. with 82 color plates and 270 halftones. Catalogue to accompany the centerpiece exhibition of a year-long celebration commemorating the Hood's 20th anniversary and its permanent collection. Thorough text accompanies each plate, and the essay material includes an overview of the collection. Clean, like new. DOMESTIC SHIPPIG ONLY.