Hardcover. NY, Curt Valentin, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover, textured beige boards with a green cloth spine. 94 pages of text and 58 black & white plates. Limited to 1,000 copies. Clean copy.
Hardcover. Suffolk, UK, ACC Publishing Group Ltd, 1st, 2010, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with dust jacket. Very clean, fresh, unmarked copy. Black and white images throughout. A collection of photographs from the early sixties taken by John Petty. Tight copy.
Softcover. NY, Denise Bibro Fine Art, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages, 11 color plates. SIGNED BY SPEYER on the front fly leaf. Clean, bright copy.
Softcover. London, Batsford, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 224 pages illustrated in color. Past is prologue in this stunning survey of vintage-inspired illustrations that employ classic styles of artistic expression for up-to-date effects. Organized by historical or cultural period, the book features hundreds of modern retro images, including pieces that incorporate the geometric beauty of Art Deco, the bold architectural lines of Soviet constructivist posters, and the graphic design of Blue Note's record sleeves. There are new perspectives on photorealism, comic art, and punk, as well. Hundreds of artists have contributed to this witty, exciting, and international collection. Clean copy.
Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs of secret marijuana growing communities. Published under the pseudonym "H. Lee" to protect those whom she photographed.
Softcover. Chicago, University of Chicago Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 75 pages illustrated in color. In his insightful and engrossing lecture, Leo Steinberg surveys and critiques the work of Robert Rauschenberg, one of the great American post-war artists. He also discusses his own experience as a critic in the exciting and turbulent art world of New York in the 1950s and 1960s. Clean copy.
Hardcover. Clover Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 11 X 14". Reproduced from Milton Caniff's personal set of color syndicate tabloid proofs that were unavailable for previous books, this series is the ultimate edition of Caniff's masterpiece. We present the Sundays in an unmatched color fidelity and larger than they have ever before been reprinted. Vol. 1 collects all dailies and Sundays from the strip's beginning on October 22, 1934 through the end of 1935 in a deluxe 192 pages, 11" x 14", hardcover. "In the first few years of Terry and the Pirates, Milton Caniff invented the visual and textual language that defines the very vocabulary of all adventure and character-based comic art. It is the greatest adventure comic strip ever done--a genuine masterpiece of its artform."
Hardcover. Chicago, McClure, Phillips and Co., 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, gray illustrated boards with brown cloth spine. A collection of b&w cartoons from two Chicago papers. Unpaginated, about 150 cartoons printed on one side only. Clean, tight copy with some light wear to covers at corners.
Hardcover. New Haven CT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. Published to accompany a touring exhibition during 2002 / 2004. Features reference to figures such as Richard Avedon, Everett Shinn, George W. Bellows, Pablo Picasso, Yasuo Kuniyoshi, Paul Manship, Morris Louis, Ralston Crawford, Salvador Dali, Andy Warhol, Jean-Michel Basquiat and many others. Color and b&w photos.
Hardcover. NY, Knopf, 1st, 20, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassai to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Therese, Picasso's mistress and muse. Picasso was contributing to Andre Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dali, Lee Miller, and the poet Paul Eluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur--head of a bull, body of a man--and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Therese, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso's vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Francoise Gilot who would replace Dora, and as Richardson writes, "rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world's most celebrated artists.
Softcover. Escondido, CA, California Center for the Arts, 1st, 2000, Book: Very Good, Dust Jacket: None, 148 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Only 1000 copies made. 62 plates, 36 in color & 53 illustrations. The first comprehensive monograph on the seven-decade career of the "passionate humanist" Harry Sternberg. His work runs the gamut from closely observed glimpses of life in New York in the 1920s and 1930s , through the WPA era, to metaphorical images of terror and hope and lyrical landscapes. Judaica is the strongest influence. "Exhibition checklist" (pp. 102-107); "Public collections and murals" (pp. 108-109); "Chronology" (p. 110-21) includes 39 illustrations; "Exhibition history" (pp. 122-33); "Bibliography" (pp. 134-47)
Hardcover. San Francisco , Pomegrante Artbooks, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, XV pages + 36 plates in full color. Light blue cloth, blue pictorial dust jacket. Light edgewear to jacket, else like new
Hardcover. NY, Metropolitan Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with maroon cloth spine. WINNER OF SPECIAL JURY PRIZE AT 2021 FESTIVAL D'ANGOULEME - NAMED A BEST GRAPHIC NOVEL OF 2020 BY THE GUARDIAN From "Britain's most loved comics artist" comes a superhero epic like no other-an ordinary man gains superpowers by donning women's clothing, saving London and maybe even himself. August Crimp can fly, but only when he wears women's clothes. Soaring above a gorgeous, lush vista of London, he is Dragman, catching falling persons, lost souls, and the odd stranded cat. After he's rejected by the superhero establishment, where masked men chase endorsement deals rather than criminals, August quietly packs up his dress and cosmetics and retreats to normalcy - a wife and son who know nothing of his exploits or inclinations.
Softcover. New York, Disney Editions, 1st, 2016, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Nearly 60 years after Lewis Carroll's literal masterpiece Alice's Adventures in Wonderland was first published, a new filmmaker named Walt Disney created a silent film about a little girl named Alice and her adventures in Cartoonland. The pilot launched a 56-episode series and led Disney down a rabbit hole to form a company that would go on to become synonymous with fairy tales-including making further versions of the Alice story with the beloved 1951 animated film, the more-recent live-action versions, and several iconic Disney Park experiences. Walt Disney's Alice in Wonderland: An Illustrated History delves behind-the-scenes of those whimsical worlds.
Hardcover. New York, Random House, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover. Unpaginated, a collection of b&w cartoons previously published in The Saturday Evening Post, Colliers, The New Yorker and Esquire. Previous owner's inscription on front fly leaf.
Hardcover. NY, Viking Studio, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This lavish, photo-laden tour of Tinsel Town's history is coffee-table condensation of 87 years of Vanity Fair coverage of the Hollywood scene. Visually, it's a thrilling compendium of images that have defined not only the film industry and its workers but how the American public has understood them. Ranging from Edward Steichen's iconographic black-and-white portraits of Louise Brooks, Norma Shearer and Irving Thalberg, and Gloria Swanson (which defined the "look" of Hollywood in its first half-century) to the contemporary and often shocking color photographs of Annie Leibovitz (of nearly everyone from Sylvester Stallone and John Travolta to Cate Blanchette and Johnny Depp)Dand peppered with shots by Bruce Weber, Irving Penn, Helmut Newton, Griege Hurrell and othersDthe book traces how these stars have come to embody pop mythologies of everyday life. The photos are interspersed among 13 (mostly short) essays by writers as diverse as Carl Sandberg, Patricia Bosworth, P.G. Wodehouse, Dorothy Parker, Peter Biskind and D.H. Lawrence, which range from the humorous to the illuminating. Clean copy.
Hardcover. New York, William Morrow & Co, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy with some minor shelfwear to dust jacket. This beautiful book is a spectacular overview of McCarthy's exciting Western work, presenting colorful paintings from his fine art career. Color illustrations throughout.
Hardcover. Graphis Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages, 250 color plates featuring the best poster art of the year from all over the world. Like new in publisher's shrinkwrap. Outstanding creative works by world-renowned designers, selected from thousands of entries and reproduced in full-color, large format reproductions. As a contemporary reference and source of inspiration for successful promotional graphic design, Poster Annual 2002 is conveniently organized into a range of client categories ? from sports, film, architecture, and fashion, to festivals, museums, retail, public service, competitions, and corporate communications. This edition features extensive captions, detailed indexes, and informative credits, making it a valuable resource for designers, art directors, and clients.
Hardcover. NY, Thames & Hudson;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The best pages from the sensational photo magazine published in France in the 1920s and 1930s. Established in Paris in 1928, VU combined stunning photography with dynamic layouts and first-rate reporting, creating a revolution in journalism and setting the stage for future photo magazines like Life, Stern, and Paris Match. For a weekly magazine that only published 665 issues (21 March 1928 -- 5 June 1940) VU left behind a remarkable legacy as revealed in these pages. There are eight main chapters: Page layouts; Faces; Photo stories; Photomontages; The rise of Hitler; Sensation and spectacle; Image innovations; Covers and each is crammed with spreads and covers from the magazine and lots of them are big enough to read the stories and captions (assuming you know French). VU was created by publisher Lucien Vogel with editor Carlo Rim and art editor Alexander Liberman (who became US Vogue's art editor and later creative director of Conde Nast) as a general interest picture weekly, some years before Life and Look in the US and Picture Post in Britain. They all took advantage of developing technologies of the day like wire transmission of photos and rotogravure printing. VU was the first though to use photos in a very creative way, especially with cover montages created by Liberman, no doubt influenced by Russian magazines of the twenties designed Rodchenko, Tellingater, Lissitzky and Stepanova.
Softcover. Minneapolis, MN, Zenith Press, 1st, 2004, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. The Marines of Operation Iraqi Freedom highlights the human side of war, the day-in-the-life of U.S. Marines stationed in that volatile region. Dramatic, harrowing, and simply unbelievable images of the marines of Operation Iraqi Freedom, personal letters, and stories of coping with the pain of separation from their families and the horrors of war. Russ Bryant's photography chronicles every aspect of the daily lives of these marines: lazy camels amble by a cargo drop; blinding sandstorms threaten to blow away tents, supplies, and marines alike; Scud missile attack sirens send marines scuttling to their bunkers; sniper fire crisscrosses marine convoys moving into Iraq; tanks and bombs topple the portraits of Saddam that seem to loom over every Iraqi village; shelled-out tanks, armored vehicles, and even busses litter the road on the way to Baghdad; medical personnel attend to fallen marines and prisoners alike; the occasional silent interlude allows time for prayer and remembrance.
Softcover. Fairfield CT, Cartoonist Profiles, 1980, Book: Very Good, Dust Jacket: None, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Johnny Hart of B.C. fame, David Hilberman on the Disney strike, Jim Alley editorial cartoonist, Al Capp's early life, Abbie an' Slats, Grim Natwick, Ranan Lurie, others.
Hardcover. Titan Books, Revised Ed., 2016, Book: Very Good, Hardcover, 192 pages. Reacting to the appearance of Superman in Action Comics in 1938, Marvel introduced Sub-Mariner and the Human Torch in their new publication the following year, and have since entertained readers with the adventures of Spider-Man, Captain America and The Fantastic Four, among many other characters. This illustrated celebration charts the history and development of Marvel Comics and its characters up to 2016 day and contains early sketches, artworks, covers, comic strip excerpts and pieces of memorabilia.
Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.
Hardcover. New York, Simon and Schuster, 1st, 1963, Book: Very Good, Dust Jacket: Good, 96 pages, b&w cartoons by Price, most from The New Yorker. Dust jacket bright but with a small chunk gone from bottom of front panel and some light chipping.
Softcover. Utica NY, Munson-Williams-Proctor Institute, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Illustrated in b&w and color. Published on the occasion of the multi-venue exhibition held from 1994-1996 featuring masterworks on paper by Copley, Kensett, Audubon, Blakelock, Bluemner, Storrs, Cadmus, Pollock, and many others. Clean copy.
Hardcover. Milwaukee WI, Hal Leonard, 1st, 2014, Book: Very Good, Dust Jacket: None, Oblong hardcover, 319 pages. Lavishly illustrated with over 700 faithful reproductions of sheet music covers in color. Pictorial boards, issued without a dust jacket.
Hardcover. New York, Harry N. Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 135 pages, 111 illustrations, including 48 tipped-in color plates.
Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.
Hardcover. New York, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Introduction by Arthur C. Danto. 196 color and b/w illustrations, 56 of which first appeared in The New Yorker.
Hardcover. New York , Phaidon, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages, original rust colored cloth with gilt design. 270 illustrations, many in color including fold-out plates. Tipped-in color frontispiece, endpaper maps and charts in rear. Clear acetate dust jacket in very good condition. Slipcase is worn and cracked.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Decorative cover featuring Revolutionary War scene. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Assouline Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 124 pages. Hardcover with dust jacket. Like new in publishers shrink-wrap. A tight copy. 165 color illustrations. With rich and dynamic photographs juxtaposing concepts from haute couture and scientific advancements to pop stars and popular culture, French Style is as sophisticated and chic as the nation it celebrates. This lavishly illustrated, fun and informal yet surprisingly informative compendium brings to life the savoir faire and joie de vivre that is French Style.
Minneapolis MN, Washburn Crosby Co., 1911, Book: Very Good, Dust Jacket: None, A nicely designed recipe for bread. Two-color photo of a woman baker with directions and illustrations on each side. Would make a wonderful framed poster for the kitchen. Approx. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Richly illustrated with many images taken from original artwork and rare artefacts, Comics Art gives a fascinating, accessible guide to some of the special properties of sequential art, such as panels, page layouts, speech balloons and wordless or 'silent' narration. It addresses concerns about how comics perpetuate stereotypes and support the status quo, while assessing their growing significance, notably through autobiography and reportage, as vehicles for provocative voices often silenced in other media. Comics Art also explores the diversity of styles, media and approaches now possible in the medium and exciting developments in digital comics and in comics conceived for galleries and installations.
Softcover. Ithaca NY, Cornell University Press, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 324 pages. An illustrated history of the theory and practice of perspective, looking at key texts from the Renaissance to the present. Fifty-six b&w plates. Appendix: Mathematics and Perspective. References. Index. Crease to front cover, Clean copy.
Softcover. San Francisco , Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. A very clean, unmarked copy with only minor edgewear. A history of American typography and graphic design throughout the industrial age. 200 color illustrations throughout.
Softcover. Decatur IL, Illustrated Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 80 pages. Two long profiles on illustrators Robert Meyers and Bernard D'Andrea, both from the 1950s and 60s. All in color.
Hardcover. New York, NY, Collins Design, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 205 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges. Minor soiling to dust jacket rear and top edge of front. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Match Prints is a visual and editorial dialogue between two renowned photographers of music and film celebrities, Jim Marshall and Timothy White. Marshall, one of the foremost photographers of the rock music scene in the 1960s and 1970s, shot some of the most iconic images of the era, including Jimi Hendrix burning his guitar at Woodstock; White, one of the most in-demand music and Hollywood photographers working today, has built an equally impressive portfolio of photos in his 20 year career. Match Prints features images from the worlds of film and music, compares the work of the two photographers, and provides first-hand behind-the-scenes anecdotes. With an introduction by renowned music writer Anthony DeCurtis.
Softcover. New York , Marvel Entertainment, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color by Glanzman. Clean, bright copy.
1917, Book: Very Good, Two-color art of stylish woman by Neysa McMein. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Scalo, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This is Lagerfeld's own album of the photographic stories and sequences that he has created over the last eight years. Shot in black and white, often with models and costumes, his photos are at once beautifully composed, stylish, sensuous, literate and full of fantasy.
Softcover. Toronto , Dragon Lady Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 65 pages of b&w Dick Tracy strips: Dick Tracy meets Splitscreen (5/14/82-8/25/82) and The Land of Plenty (12/25/83-4/29/84. Clean, very good.
1933, Book: Very Good, Color art of smiling blonde woman at New Year's party by George Rapp. !0 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.
Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in b&w by Falk. Clean, bright copy.
1931, Book: Very Good, Color art of woman in scarh drinking a soda through a straw, artist unknown. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Henry Holt, 1st, nd, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated paper over boards, blue cloth spine. Introduction by Oliver Herford. No date but assumed 1920s. 128 pages of b&w cartoons reprinted from the humor magazine Life. Covers have light soiling, rubbing. Corners worn. Overall very good, clean inside.
 "Mysterious Stranger and Other Cartoons, The by: McCutcheon, John T.")
 "Vanity Fair's Hollywoodby: Graydon Carter, David Friend, Christopher Hitchens")
 "Visions of Music: Sheet Music in the Twentieth Century by: Walas, Tony")
 "ORIG VINTAGE MAGAZINE COVER: Harper's Weekly -Connecticut Numberby:")
 "Les 3 Formules du Professeur Sato - Tome 2 Les Adventures de Blake et Mortimer by: Jacobs, Edgar P.")
 "Skippy from Life (Life presents Skippy)by: Crosby, Percy L.")