Art

Hardcover. New York , Smithsonian/ Abrams, 5th pr., 1986, Book: Very Good, Dust Jacket: Very Good, 336 pages illustrated in color and b&w. Clean, bright copy. Large, oversize folio in a very good, unclipped dust jacket.

softcover. Madrid, Museo Nacional Centro de Arte Reina Sofia, 1st, 1992, Book: Very Good, Dust Jacket: None, 156 pages. Softcover with light fading to spine. Edgewear to corners, wrappers. Color pictures throughout. SPANISH TEXT.

Hardcover. NY, DC Comics, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Collects stories from classic Spirit adventures in which a murdered detective fights crime from beyond the grave. July 1947-December 1947. Color art by Eisner. Still in publisher's shrinkwrap.

Softcover. New York, Harcourt Brace Jovanovich, 1st Edition, 1980, Book: Very Good, Dust Jacket: None, Nonpaginated. Softcover. B/w illustrations throughout. Wrapper clean and very good. Pages clean and unmarked. Binding tight. Edges have a touch of tanning from age.

Hardcover. New York, Hudson Hills Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 175 pages, illustrated with 247 plates, 37 in color. In publisher's shrinkwrap. Nobel Prize-winner Heaney introduces a volume that richly reflects every aspect of Hadzi's career, from intimate studio photographs to large architectural commissions. Hadzi's works in bronze and stone are powerfully abstract and expressionist, yet involved with the past as a literary and aesthetic source.

Hardcover. New Haven, CT, Yale University Press. , 1st , 1929, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated in black & white, 5 color plates. 487 pages + 646 photos, 16 plates in rear. Previous owner's inscription, bookplate on front pastedown. End papers tanned.

Hardcover. Taschen, 1st thus, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover. On November 18, 1928, the world's most famous Mouse made his very first public debut. Today, we celebrate 90+ years of Mickey in one of the most expansive illustrated publications on the Disney universe. Starting with the first sketches of a character who was almost named Mortimer, we trace the career of Walt Disney's and Ub Iwerks's most famous creation, one met with an explosion of worldwide popularity preceded only by the earlier successes of Charlie Chaplin.With unlimited access to Disney's vast historical collections as well as public and private collections, the authors bring Mickey's success story to life: concept art, story sketches, background paintings, and animation drawings as well as historical photographs trace the origins and evolution of such timeless favorites as Steamboat Willie, The Band Concert, and Brave Little Tailor. They also follow Mickey as he builds on this legendary library of short cartoons by appearing in two historic feature-length films, Fantasia and Fun and Fancy Free.Extensive archival research sheds new light on little-known chapters of Mickey's career, the origins of the Mickey Mouse Club, and his use as a patriotic icon during World War II. Along the way, we encounter the work of all major Mickey artists in both film and comics, including such greats as Ub Iwerks, Win Smith, Ferdinand Horvath, Fred Moore, Floyd Gottfredson, Carl Barks, Manuel Gonzales, Paul Murry, Romano Scarpa, Giorgio Cavazzano, Byron Erickson, and Cesar Ferioli.Mickey Mouse has left an indelible mark on everyday culture as well as high art, becoming a favored subject for Pop artists such as Andy Warhol, Keith Haring, and Roy Lichtenstein.

Softcover. Berkeley CA, Last Gasp, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover First Edition. The Winter, 1986-87 issue of this comics series created by Robert Crumb, his wife Aline, and others; this issue features a wonderful, full color cover by Crumb, and contributors such as Mark Zingarelli, Kim Deitch, Stephen Calt, Frank Stack, S.Clay Wilson, Penny Moran, a superb, five page story by Robert Crumb, entitled Mother Hulda, and a wonderful letter from Harvey Pekar; this copy is very good plus in stapled wrappers .

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 349 pages, color illustrations throughout. DVD included. Representing Jean-Paul Goude's life and work from the late 1960s up to the present, the book spans Goude's years at Esquire; his revolutionary work with Grace Jones, his videos for MTV and for Azzedine Alaia; his advertising work for Chanel, and more. With text and images by Goude himself, So Far So Goude is the definitive book on the work of an extraordinarily innovative, talented and unorthodox man. With more than 350 illustrations in full color, this book is a fascinating reference for anyone interested in fashion illustration, photography, and all other avenues of commercial design and advertising.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Hardcover. UK, PS Artbooks, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, unpaginated. Color comics from the 1940s, all by Basil Wolverton, featuring Space Patrol and Spacehawk. Clean, like new.

Hardcover. Montreal, Drawn and Quarterly, reprint, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages in color by Clowes. Teen outcast Andy is an orphaned nobody with only one friend, the obnoxious-but loyal-Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget-a hideous compliment to his seething rage-that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre-origin, costume, ray gun, sidekick, fight scene-and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche. Originally published as a paperback in Eightball #23 in 2004, here beautifully reproduced on heavy stock with new end paper illustrations and a new cover.

Hardcover. New Haven CONNECTICUT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, illustrated with 103 color and 262 b&w plates. Still in publisher's shrinkwrap. Anne Vallayer-Coster (1744-1818) was one of the most talented still-life painters of the French school. Her exquisite paintings, today located in some of the world's finest museums, were admired and collected by many of her contemporaries, including Marie Antoinette, who became the artist's most important patron.

Hardcover. NY, Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 311 pages, 394 illustrations including 41 tipped-in color plates. Small previous owner's embossed mark on title page, otherwise like new in a bright dust jacket. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Alexandria VA, Art Service International / Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Comprehensive treatment of Grandma Moses, her life, work, significance, and with a Catalogue of her work. Illustrated in color. Designed for a major traveling exhibition of Moses' work, the hardcover copies were distributed by Yale. Clean copy.

Softcover. Firenze Italy, Glittering Images, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 157 pages, illustrated in color and b&w, photographs and artwork featuring bondage and fetishes. Pictorial color wraps in very good condition. For adults only. English, French, Italian text.

Softcover. Gloucester MA, Rockport Publishers, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Sex sells. It?s one of the oldest and most effective tricks in the book. The challenge for graphic designers, however, is to incorporate sexuality into their work in ways that are classy rather than coarse, sensual rather than smutty, provocative rather than pornographic. This arresting volume shows how top graphic designers have leveraged the universal notion of sex to create attention-grabbing yet high-quality artistic work. Covering every medium, from print to the Web, Sex Graphics showcases images that incorporate sex in ways that range from subtle to clever to shocking. Some images hint at the act of sex itself; others flirt with humorous stereotypes. Some exude romantic overtones, and others, erotic ones. Some speak to adults, others to teens.

Hardcover. London, Thames & Hudson, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. 106 illustrations 97 in color. Still in shrinkwrap. The first exploration of the art that Georgia O'Keeffe retained for her personal collection, including works that have never been publicly exhibited. Georgia O'Keeffe was one of America's preeminent artists and one of the first to experiment with abstract form, though she never abandoned her deep response to and observation of nature. An enormously popular artist, she became identified and respected as an independent American spirit through both her art and her life. At the time of her death in 1986, Georgia O'Keeffe owned more than half of the approximately 2,000 works she had produced during the eighty years she was active as an artist: some 400 works in oil, charcoal, pastel, pencil, and watercolor, as well as more than 700 sketches. For various reasons, she had always kept a portion of her art out of the public eye and these works were not published, exhibited, or available for purchase during her lifetime. Among the works that had been exhibited and sold over the years, some were repurchased by O'Keeffe as they became available. This book explores for the first time the significance of O'Keeffe's collection of her own work. Approximately 75 seminal works, dating from about 1910 through the 1960s and reproduced in full color, document the range and quality of the art that O'Keeffe either chose to retain in her estate or consciously distributed to institutions in her lifetime and as bequests.

Softcover. NY, Watson-Guptill, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. A detailed resource on the comics and collectibles inspired by the classic character provides close-up photography and information on everything Batman, from the history of the character's graphic design to sixteen new pages of obscure memorabilia. Chip Kidd, who also wrote a neat "Batman Animated" coffee able book on the well-loved and critically acclaimed "Batman: The Animated Series" that debuted in 1992, turns here to the hobby (and serious business, for some) of collecting. He includes his own childhood remembrances of Bat-items, as well as wonderfully quirky photography. This book, full-color throughout, is not a "guide" to the collectibles, as it does not include price values or manufacturers (it does give the year and dimensions for each piece pictured). Plus, there is an editorial comment on the Andy Warhol Batman piece that's got a bit of an attitude. Clean copy.

Softcover. New York, David McKay Company, 1st, 1950, Book: Good, Dust Jacket: None, 48 pages. Softcover with paper wrappers. Color and b&w illustrations throughout. Paper wrapper disconnected from stapled booklet. Paper wrappers show creases and light soil. Adhesive residue on top fore corner.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.

Hardcover. New York, George Braziller, 1st, 1987, Book: Near Fine, Dust Jacket: None, Hardcover, 44 pages of watercolors. Beautiful large sketchbook illustrating the works of the great Maurice Prendegrast. In association with the Metropolitan Museum of Art in New York where the Lehman Prendegrast collection resides. As new in original slipcase. Half white cloth binding over black leatherette boards. This sketchbook, kept primarily between 1895 and 1897, is an exquisite example of the working technique of a great American artist. In it, Prendergast experiments with pattern, shadow, and foliage, using the beautiful Boston Public Garden as his studio. The 88 pages of watercolors, pen and ink, and pencil drawings focus on the colorfully dressed women and children in the park, with glimpses of Victorian Boston outside. The sketchbook reproduced here in facsimile and handsomely boxed recalls his years of study in Paris, yet foreshadows his bold mature style.

Softcover. Chicago, Playboy Press, 1997, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear to bottom of rear cover 10 pages in rear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Claudia Schiffer on cover. Full of beautiful women as always including supermodels.Highlights: Lynn Thomas as Miss May, Donald Trump Article, Saul Bellow interview, 20 Questions for Lucy Lawless, and more.

Hardcover. CA, Pomegranate Art Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with moveable parts. Based on Maxfield Parrish's paintings. Clean, tight copy.

Softcover. Seattle, Fantagraphics Books, 1st thus, 1991, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. B&w comic strips from 1933.

Hardcover. Flagstaff, AZ, Northland Press, revised, 1984, Book: Good, Dust Jacket: Good, Hardcover, 107 pages. B&W and color plates. Illustrates beautifully the contemporary Southwest on canvas with vibrancy and refreshing perspective. Light blue pictorial cloth, silver lettering to spine. Dust jacket with minor wrinkles and smudges. Dust jacket folded off-center, otherwise a nice, clean and tight copy. "This comprehensive, expanded volume on Stefan and his work contains forty full-color reproductions of oils along with numerous black-and-white drawings, a panorama of the Southwest and a tribute to a fine painter."

Hardcover. Indiana University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 475 pages. Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist's career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt's etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints? modest, intimate, fragile objects?are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. Clean copy.

Hardcover. US, Prestel Pub, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 218 pages. Hardcover with dust jacket. Clean, tight copy. Color prints throughout. Minor wear on corners. Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of colour set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. This book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output - including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges - "Hokusai: Prints and Drawings" provides a detailed account of the artist's genius.

Softcover. London, Tate Gallery, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A key figure in the history of British Pop Art, Blake is one of the most influential and original artists working in Britain today. Central to Blake's work since the 1950s has been his fascination with popular culture, ranging from music to Hollywood icons and wrestling stars. Perhaps his most famous engagement with Pop came with his design for the cover of The Beatles' album Sgt Pepper's Lonely Hearts Club Band. With this and other works he helped create a specifically British pop aesthetic that defined an era. A prolific artist, he has utilised a variety of media including painting, drawing, collage, sculpture and printmaking; this study focuses principally on his two-dimensional works and provides the first thorough survey of his paintings from the 1950s through to the present. It will include major icons of twentieth-century art, such as Self-Portrait with badges (1961), and Have a Nice Day, Mr Hockney (1981-3), but will also feature many lesser-known works including his recent, major work The Marcel Duchamp World Series.

Hardcover. New York, Burt Franklin, reprint, 1969, Book: Very Good, Dust Jacket: None, Reprint of the original 1898 edition. 15 b&w plates. Red cloth, gilt lettering to spine. Oblong. Spine somewhat loose, not affecting binding. Small stains near spine, else a very nice copy. No dust jacket.

Softcover. Chicago, University of Chicago Press, reprint, 1983, Book: Very Good, Dust Jacket: None, Softcover with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's essays on modern art.

Softcover. UK, SQP, 1st, 2003, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with paper wrappers. Color illustrations throughout. Clean, tight copy.

Hardcover. San Diego, Idea & Design Works/IDW, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, color and b&w illustrations. April Kane has come to China and Terry Lee's life will never be the same! Milton Caniff's newspaper classic shifts into high gear with stories featuring the villainous Sanjak, the outrageous Singh-Singh and the mysterious Hu Shee. This volume also features the first appearance of the pivotal character Raven Sherman. Containing more than 100 lovingly-restored color Sunday pages and over 700 total comic strips.

Hardcover. New York, Harry N. Abrams , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 181 pages with 177 illustrations, including 50 plates in full color. Oblong folio. With an introduction by Thomas Hart Benton. Focuses on the life and art of the great American artist, George Caleb Bingham. Green cloth with silver lettering to spine and decoration in silver on front cover. Pictorial dust jacket with minor rubbing to lower edge of front cover. Beautiful copy.

Hardcover. NY, Viking / Madison Press Books, 2nd pr., 1986, Book: Very Good, Dust Jacket: Very Good, Oversized hardcover with dust jacket, second (1986) printing, 168 pages. Selection of over 90 of Robert Bateman's wildlife paintings, reproduced in full color, together with his commentaries as a naturalist, plus an introduction based on extensive travels and interviews with the artist. DOMESTIC SHIPPING ONLY.

Softcover. Chadds Forf PA, Brandywine River Museum , 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 136 pages. Exhibition catalogue for a show that ran in spring 1998. Book has two essays in addition to the artwork: Howard Pyle: A Life in Illustration, and How and Why We Collected, both by Howard Broka. Profusely illustrated in color and b&w.

Hardcover. NY, Disney Editions, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Featuring the art and artists used to plan and map out Disney's many classic animated films, a collection of "storyboard" images offers a fascinating retrospective of the company's history of animation, from Snow White to The Hunchback of Notre Dame.

Softcover. Springfield, MA, The George Walter Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 38 pages including bibliography and chronology. Six sepia plates. Beige stiff wrappers. Light wear to edges and covers, else a very nice, clean copy.

Hardcover. NY, The Morgan Library & Museum, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 294 pages. Clean, bright copy. A sumptuous collection of master drawings from the Renaissance to the current era, all reproduced in color.

Hardcover. NY, Abbeville, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages. Large format. Major monograph on one of the giants of 19th Century American art. Illustrated in color. In a bright dust jacket. 244 color plates, bibliography, chronology, notes. Clean copy.

Softcover. Toronto, Ontario Heritage Foundation, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, 201 plates in color and b&w. Softcover exhibition catalog in clean, bright condition. Photos with brief descriptions of folk art & artifacts representing many ethnic groups including Pennsylvania German work. Clean copy.

Softcover. Washington DC, National Park Service,, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, The famous cartoonist of WW2's Willie and Joe fame offers his take on America's War for Independence. Small price sticker on cover otherwise clean.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Hardcover, color illustrated catalog for Poster Auctions International. Blue spine with silver text, clean.

Softcover. New York, Abbeville Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Light wear to edges and covers, else a very nice, tight, clean copy.

Hardcover. Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, large volume in a slipcase, 736 pages. This stunning volume delves into the extraordinary illustrated notebooks of Alexander von Humboldt's journeys through the Americas, which reveal the graphic musings of an intrepid explorer, a writer and philosopher, and the father of the environmental movement. On occasion of the 250th anniversary of Humboldt's birth, the drawings from these diaries are now available in a large format, slip-cased edition. Structured thematically, the 450 illustrations have been painstakingly reproduced, complete with handwritten notes, ink stains and water spots. Humboldt drew everything he saw--Incan ruins, electric eels, the transit of Mercury, silver mines, and ocean currents. In addition to being remarkably well preserved, these drawings offer tremendous insight into Humboldt's prescient observations. Featuring commentary by a renowned expert on Humboldt's work, this breathtaking volume will bring to life one of history's most accomplished thinkers. Still sealed in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. NY/London, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages, color illustrations. Over 2, 000 patterns and pieces by ceramicist Clarice Cliff and her colleagues at the Wilkinson Pottery: the most complete guide ever published to Cliff's colorful, delightful, and highly collectible work. All fully referenced and indexed, along with a history, bibliography, and glossary.

Hardcover. Boston, MFA,Boston/Harvard University, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 232 pages. Illustrated with mostly black & white examples of fine book design. Dust jacket shows wear with small tears and chunks missing from edges. Clean, tight copy.

Hardcover. Montreal, Drawn & Quarterly, 1st collected, 2024, Book: Very Good, Dust Jacket: None, Three hardcover volumes in a pictorial cardboard slipcase. About Vol. 3: A wonderful sketchbook of drawings, ideas, gags, tributes from the talented Chris Ware. "After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader Chris Ware finally succumbs to imaginary public pressure by concluding his experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music." 624 total pages. DOMESTIC SHIPPING ONLY.

Hardcover. Loa Angeles, J. Paul Getty Museum, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages. Offering a fresh account of developments that have since characterized postwar British painting, this catalogue focuses on Michael Andrews, Frank Auerbach, Francis Bacon, Lucian Freud, R. B. Kitaj, and Leon Kossoff-- artists who worked in close proximity as they were developing new forms of realism. If for many years their efforts seemed to clash with dominant tendencies, reassessment in recent decades has afforded their work a central position in a richer and more complex understanding of postwar British art and culture. Rigorous and gorgeously illustrated, the essays reflect on the parallel yet diverse trajectories of these artists, their friendships and mutual admiration, and the divergence of their practice from the discourse of high modernism. The authors seek to dispel the notion of their work as a uniquely British endeavor by highlighting the artists' international outlook and ongoing dialogue with contemporary European and American painters as well as masters from previous generations.