Art

Hardcover. Seattle, University of Washington Press , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 229 pages, illustrated in color and b&w. At first glance it may appear that this volume is one more in a line of celebratory tributes to the power of the industry, full of the colorful advertisements and optimistic tributes to the railroad as the builder of civilization across a majestic landscape. Nearly every page contains an illustration that invites quick perusal. But the text skillfully interprets the images and balances the story that railroads originally told about the region, one that boosted their properties and promoted settlement and travels along their lines . . . . The authors have effectively distilled a large body of historiography into one readable and engaging volume. Clean.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 100 + black & white illustrations, 219 pages. Hardcover with dust jacket. Tight copy. 40 of Baskin's interpretive essays on artists from the 14th to 20th centuries, with Baskin's "portraits-in-homage" of each artist: Rembrandt, Goya, Soutine, etc.

Hardcover. New York , Museum of Modern Art , 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover, 167 pages, square 4to. Published in conjunction with an exhibition at the Museum of Modern Art. 68 full-page reproductions of works by Artaud, many in color, plus many other illustrations, including documentary photographs. Essays by the editor, Ronald Hayman, Marthe Robert, Agnes de la Beaumelle, and Sylvere Lotringer, with artistic responses by Nancy Spero, Patti Smith, and Kiki Smith, and a catalogue of the exhibition, chronology, exhibition history, and select bibliography. Gray boards with black cloth spine. Issued without jacket. Minor dust soil to edges of boards otherwise very good, clean.

Hardcover. NY, Museum of Modern Art, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright yellow dust jacket with fading to spine. 170 pages, 16 color, 99 b&w illustrations. One of the standard exhibitions on this artist. Great plates, lengthy bibliography and list of exhibitions, index. Main essay written by Thomas B. Hess. Clean copy.

Hardcover. New Haven, Yale University Press, 1st , 1991, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Transl. from German by John W. Gabriel. Black & white illus. Clean, tight copy.

Softcover. London, Titan Books, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 88 pages illustrated by Jordan. Widely considered as one of the most important sci-fi comic strips ever published, "Jeff Hawke" is a benchmark in intelligent storytelling. Jeff Hawke's not your average space-hero; rather his focus is on reasoning, diplomacy and moral virtues instead of brute force, and he is frequently forced to be the ambassador - rather than the savior - of mankind. Clean, bright copy.

Softcover. London, Phaidon Press, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Softcover, 255 pages, b&w and color photographs throughout. Light fading to dust jacket spine. Else a very clean, tight copy. "Paul Rand (1914-96) was a pioneering figure in American graphic design. Adopting what he called a 'problem solving' approach to design, he drew on the ideas of European avant-garde art movements, such as Cubism, Constructivism and De Stijl, and synthesized them to produce his own distinctive graphic language."

Hardcover. Paris, Hachette, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 48 pages illustrated in color. FRENCH LANGUAGE, graphic novel. Clean copy.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Softcover. New York, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 300 pages. Softcover with light edgewear to paper wrappers. Clean, tight copy. Color and black and white illustrations throughout. The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art.

Hardcover. New York, Abrams, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, 445 pages. Over 600 illustrations including 34 tipped-in full color plates. Previous owners name twice on front endpaper. Dust jacket shows sun fading at spine and light wear to edges with one small tear tape repaired from interior. Jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. US, Top Shelf Productions, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 285 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. As the NATO bombs fell on his hometown of Pancevo in 1999, Serbian cartoonist Aleksandar Zograf used his diary comics and e-mail to reach out to the world and offer a glimpse at the effects of the attacks. Over the weeks and months of the war, Zograf documented not only how the bombings shattered the lives of his friends and neighbors, but also how the routine of daily life remained unchanged. The most recent attacks on Pancevo's oil refinery are contrasted with the latest local soccer matches -- and American propaganda flyers are as likely to fall from the sky as American comics are to arrive in the mail.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.

Softcover. The Illustrated Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, color illustrations. Feature the work of EARL MORAN, known for his luscious pin-up illustrations, and notable for his work with the young Marilyn Monroe. The second feature showcases the work of the brilliant editorial cartoonist THOMAS NAST, who needs no introduction. The final article is the second part of an ongoing series, HOW THE WEST WAS SOLD featuring early illustrations from the Western frontier. Book reviews, exhibitions and events, and more round out the issue.

Hardcover. Boston, The Taylor Press, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, 285 pages. Brown cloth covers, b&w frontispiece. Previous owner's bookplate to blank endpaper, light wear to covers, edges and spine; overall a very clean, tight copy.

Softcover. Golden CO, Fulcrum Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 126 pages. Story and color illustrations by Gill INSCRIBED BY GILL on the first page with a sketch of Bass Reeves. Clean, bright copy.

Softcover. Berkeley CA, Last Gasp, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover The Summer, 1982 issue of the famed Weirdo comics series, created by Robert Crumb, his wife Aline and others, featuring a beautiful, color collage front cover with a border of "girlie" photos and a full color rear drawing by Aline Kominsky Crumb; contributors include Terry Boyce, Norman Dog, a fabulous, four page piece by Robert, entitled Trash:What Do We Throw Away, a funny 4-page, photo piece called Untamed Passion For Pasta, Jeff John, Fried Nuts by Robert, and a terrific Drew Friedman piece called Joe Franklin Is A Dream Walkin' and Old Bud Abbott, also by Drew; a wonderful issue, this is the true first printing, in stapled wrappers.

Softcover. North Clarendon, VT, Periplus, 1st, 2005, Book: Very Good, Dust Jacket: None, 267 pages. Softcover with little to no wear on edges. Clean, tight copy with color pictures throughout. Includes CD. Absolut Sequel is the eagerly anticipated follow-up to the New York Times bestseller, Absolut Book. This companion volume provides a definitive illustrated history of the last ten years of one of the most successful ad campaigns in history. Since Absolut Book's release, the Absolut advertising campaign has broadened its scope from movies to websites and gone global with its international reach. The clever ads found in Absolut Sequel are organized into themes including Cities, Artists, Writers, Album Covers, Collectors, Movies, and the Internet.This is the ultimate collection of the last ten years of Absolut ads, many never before seen, including controversial advertising created, but never used in print. Absolut Sequel is sure to make readers fall in love with the ads, and the vodka, all over again. As Goran Lundquist, president of Absolut, says about the Absolut sensation, "the consumers drink the ads as much as they drink the vodka."

Hardcover. NY, Knopf, 1st US, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages, color & b/w plates, sources, index.

Hardcover. Petaluma CA, Cameron Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with wrap-around band. 224 pages in color. The first treatment of his extraordinary domain that is not an authorized product of his studio. From clothing and advertising to the world of fine art, the reach of this "street artist" extends to all aspects of society; yet given his great success, he is also the target of critics and detractors. He has challenged conventions, formulas, paradigms, and traditional borders that make many uncomfortable, spurring consistent debate over the legitimacy of his artwork, the authenticity of his background, and the ethics of his design processes. By reflecting on the many layers of being an antimodern artist, we learn much about both the current state of the art world and Fairey's influence on it. Featuring a wide variety of remarkable color photographs and a Foreword by Robbie Conal, Shepard Fairey Inc. gives us a fresh, objective understanding of the work of this astonishing artist.

Hardcover. New York, Alfred A. Knopf, 1st Edition, 1992, 102 pages. Hardcover. B/w illustrations throughout. Cream cover boards, decoration in brown on front cover, brown quarter cloth, gilt title on spine. Dust jacket price-clipped, excellent. Binding tight. Spine straight. Pages clean and unmarked. In beautiful condition. Go climb a tree, cats! it's the year of the dog--thanks to the 101 inimitable cartoons in this book, a whole glorious, uproarious world of dogs from more than sixty-five years of The New Yorker.

Hardcover. NY, Doubleday, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust with light chipping. Many black-and-white illustrations throughout by Sloane, from old books to farm implements all listed and drawn alphabetically. 64 pages. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, In Painting as an Art, which began as the 1984 Andrew Mellon Lectures at the National Gallery of Art in Washington, D.C., philosopher Richard Wollheim transcended the boundaries and habits of both philosophy and art history to produce a large, encompassing vision of viewing art. Wollheim had three great passions--philosophy, psychology, art--and his work attempted to unify them into a theory of the experience of art. He believed that unlocking the meaning of a painting involved retrieving, almost reenacting, the creative activity that produced it.In order to fully appreciate a work of art, Wollheim argued, critics must bring to the understanding of a work of art a much richer conception of human psychology than they have in the past: "Many [critics] . . . make do with a psychology that, if they tried to live their lives by it, would leave them at the end of an ordinary day without lovers, friends, or any insight into how this came about." Many reviewers have remarked on the insightfulness of the book's final chapter, in which Wollheim contended that certain paintings by Titian, Bellini, de Kooning, and others represent the painters' attempts to project fantasies about the human body onto the canvas. Light fading to dj spine. Name on front fly leaf, otherwise clean.

Softcover. New York , Ira Spanierman Gallery, 1st, 1987, Book: Very Good, Dust Jacket: None, Exhibition catalog. 88 pages, illustrated throughout with numerous plates in b&w and 19 plates in full color. French folded pictorial wrappers. Lovely copy. like new.

Softcover. London, Sotheby's, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, cream wraps with color illustration; blue spine with white lettering. Unpaginated, approx 50 pages. 15 color plates and additional images, 1 fold-out. Auction catalogue for sale 21 June 2004. Lots 21-35, sale L04007.

Hardcover. GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Red cloth-covered boards with mounted color plate on front panel.Kyungwoo Chun, born in Korea in 1969 and now based in Germany, is known for his poetically blurred long exposure photographic portraits. Chun's last name means "thousand," and derives from a Chinese general who emigrated to Korea 407 years ago. For this project, Chun photographed thousands of people in China with his last name.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, dark red cloth/dark red DJ. 144 pp. 108 bw plates. All of Falconet's major works and attributions are illustrated in gravure, with many details. Includes a translation from the French of Falconet's Reflections sur la sculpture by Eda Mezer Levitine.

Hardcover. Boston, Boston Book & Art, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 215 pages, 176 illustrations in b&w and color. A book issued in conjunction with an exhibition at the National Gallery of Art in Washington celebrating the centennial of Sloan's birth. Includes a list of books illustrated by the artist, other selected bibliography. Dust Jacket with light edgewear, rubbing.

Hardcover. New Haven, Yale University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 146 pages of text followed by large section of black & white photographic illustrations. Hardcover. Previous owners name at top right corner of front endpaper. Dust jacket worn, with chipping along edges, fading to spine. Clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. David Macaulay's large format architectural volumes are always instructive in their detail. This volume amps up that opportunity. On the 25th anniversary of the his publication, "Cathedral: The Story of Its Construction", Macaulay published this volume literally illustrated with the step-by-step development of that book. So, here are the quick drawings, smudges, early drawing drafts, hand-written and typed copy, reproduction proofs, revision notes, and more. Intriguing.

Hardcover. Seattle, Fantagraphics, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 236 pages, b&w art throughout. Jack Kamen's stories for The Vault of Horror, Tales From the Crypt, and The Haunt of Fear favored unnerving creepiness over gruesome shock. With his penchant for deft delineations of scheming women, jealous husbands, murderous love triangles, and not-so-innocent children, Kamen's pen laid down a precise, sure line that brought each story's shock ending into sharp relief. This volume features 27 Kamen favorites, drawn at the peak of powers, including:"Kamen's Kalamity," our title story, featuring the "true" origin story of the artist himself! Clean copy.

Hardcover. Cambridge MA, MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages, illustrated with mostly b&w plates, 8 color pages. Small remainder stamp on bottom edge. "Tiege was at one and the same time both an agent provocateur and seismograph, at once provoking action and debate and yet simultaneously reacting with the utmost sensitivity to the shifting political spectrum of his time."--from the introduction by Kenneth FramptonKarel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances.

Softcover. Bethel CT, Apple Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 28 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

Hardcover. NY, Princeton Architectural Press, reprint, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. First published in Italy in 1956, Bruno Munari's In the Darkness of the Night tells the tale of an interconnected, intimate yet expansive journey across three settings--in the darkness, through a meadow, and into a mysterious cave--through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

Hardcover. London, Phaidon, 1st, 2005, Hardcover, 360 pages. A compelling insight into Gilbert & George's everyday enigma. The artists' unfailing politeness, consideration for others and open nature exert an irresistible charm. But it's Jonquet's walks with G & G around their home patch of Spitalfields that shed new light on the work, lavishly illustrated with accompanying personal photos.

Hardcover. New York, Assouline, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, color photographs. In publisher's shrinkwrap. A beautiful collection of the work of contemporary artist Louise Lawler, who, for the past twenty years, has photographed art as it is situated and displayed, whether in private homes, public buildings, or museums, galleries, and auction houses. From an exhibition of Degas's materpieces to an Andy Warhol installation, this book invites you to discover Lawler's unique vision of modern and contemporary art. Lawler is fascinated by what "happens" to the art object after it leaves the artist's studio - where it goes, how it's displayed, how it's valued, what it means. In a Lawler photograph taken in a private home, the furnishings and objects surrounding the art are given as much attention as the art; in a museum, the view out of a window next to the artwork; in an auction house, the label identifying the artwork. Her striking and provocative photographs show us how the environment that surrounds it affects our perception of art and how it in turn affects all aspects of that environment.

Minneapolis MN, Washburn Crosby Co., Book: Very Good, Dust Jacket: None, Art "Ask for it by name", food art not credited. 11X 14", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Wilmington, DE, Delaware Art Museum, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 235 page catalog. Includes 167 artists. Numerous b&w and color illustrations, most of which are accompanied by biographical text on artist. Some mild wear on back cover. Else is very good.

Hardcover. NY, Taschen, reprint, 2013, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 416 pages in color. In June of 1938, Action Comics debuted with a new kind of comic book character on its cover: a costumed man with two identities, who possessed extraordinary strength and powers-a man able to protect the public when ordinary measures would not do. He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter.Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics. The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy '50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert. Expanded from the Eisner Award-winning XL book, 75 Years of DC Comics, TASCHEN's series on DC Comics explores the origins of comics' most enduring legends and the behind-the-scenes, era by era. In a reader-friendly size, the books feature updated essays by author Paul Levitz and thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles to bring the story lines, the characters, and their creators to vibrant life.Due to size and weight, DOMESTIC SHIPPING ONLY.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 13", 207 pages. Color and b&w images. Widely considered one of the major works of Expressionist printmaking, this series of spectacular woodcuts by Ernst Ludwig Kirchner is presented for the first time in a comprehensive study, specifically designed to allow readers a full understanding of the artist's achievement. No dust jacket issued.

Hardcover. NY, Flammarion, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, color and b&w illustrations. Rene Herbst's enduring furniture designs provide fundamental lessons for today's interior designers. A staunch modernist, Herbst was a founding member and later president of the Union des artistes modernes (UAM) in France, which sought to make domestic comfort accessible to all, regardless of class. The diversity of his work is testament to his prolific and creative output, and his design is marked by its simplicity and functionality. The French architect turned designer was nicknamed the "man of steel" because he pioneered the use of the material for furniture years before mass production on a large scale was possible. In 1929 he created several versions of his celebrated Sandow Chair, which ignited his research into serial production and inaugurated the era of mass production. This book presents a selection of the best works from the Herbst Collection held by the library of the Musee des Arts decoratifs in Paris, and demonstrates how Herbst was the catalyst of a new style of living that spurred the birth of modernity.

Hardcover. NY, McGraw-Hill, 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages. Gold, red, green and black (old Lucky Strike colors) boards, no dust jacket. A history of cigarette smoking. Great photos of smoking in films, antique ads and packages, etc. Laid in are publicity photos of author and designer. Clean, bright copy.

Hardcover. Seattle WA, Fantagraphics Books, 1st thus, 2002, Book: Very Good, Dust Jacket: Very Good, Originally released as Minimum Wage Book One and a subsequent series of the Minimum Wage comics with new material added. Bob Fingerman tells the story of Rob and Sylvia, two twentysomethings navigating the labyrinth of contemporary life in New York From pandering and peddling porn, to battling bellicose Brooklyn bozos, grappling with unsatisfactory careers, potential parenthood, nuptials and vicissitudes aplenty."

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Very clean, unmarked copy with still in publishers shrink wrap. Visions of an American Dreamland highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

Softcover. Seattle, WA, Fantagraphics, 1st, 2002, Book: Very Good, Dust Jacket: None, 112 pages. Softcvoer, Light edgewear to wrappers. Color and Black and white comics throughout. Trailing the success of the movie based on Clowes' graphic novel Ghost World (1997) comes this collection of shorter stories from his alternative comic book Eightball. Many of the pieces are tirades, albeit entertaining ones, about things Clowes despises (perhaps the comic should have been called Hateball). "On Sports" details his contempt for professional athletics, and "Art School Confidential" is an expose of pretentious, talentless poseurs. This approach is carried to its logical peak in "I Hate You Deeply," a litany of the "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, and sensitive people." Clowes puts his misanthropy in abeyance for slice-of-life stories in which he ruminates during a stroll around his neighborhood or fantasizes about his fellow passengers on a subway. Worthwhile enough, these earlier stories merely presage Clowes' far-more-impressive recent work in which cynicism is presented more subtly, leavened with sympathy, and voiced by well-developed characters. If these pieces lack the heft of Clowes' longer, more ambitious efforts, the best of them are still masterful miniatures.

Hardcover. Miami FL, Mad Cave Studios, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 206 pages in color. No dust jacket issued.

Hardcover. New York, Harry N. Abrams, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, 213 illustrations, 66 in color. A collection of Gene Moore s wonderful display creations at Tiffany's.

Hardcover. Germany , Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 156 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs throughout. In the early 1970s, the workers at a steel smelting factory east of Havana wrote to Fidel Castro describing their housing needs. Out of this exchange a new city called Alamar was born, conceived by the same workers who would build it and live there. Today it is abandoned; Mauro D'Agati's photographs examine its eccentric spaces.