Paperback. Fort Worth, TX, Amon Carter Mseum , 1st wraps, 1996, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. 2l color, 83 B&W plates. Edited by Doreen Bolger and Sarah Cash. Clean, unmarked copy with only minor wear to wrappers. Examines a single painting that is now widely regarded as an American masterpiece: Swimming, completed in 1885 by the Philadelphia artist, Thomas Eakins (1844-1916).
Hardcover. New York , Phaidon, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Unpaginated (432 pages ), with 278 black-and-white plates. 11-3/4 x 8-3/4 inches. An epic collection of poignant and often controversial stories photographed and written by acclaimed social documentary photographer Eugene Richards.
Hardcover. NY, Guggenheim Museum, 1st, 2002, Book: Very Good, Hardcover First Edition SIGNED on title page by Matthew Barney. With essays by Nancy Spector and Neville Wakefield. Text in English. Published on the occasion of the exhibitions in Cologne, Paris and New York, 2002 - 2003. Cremaster Cycle is the definitive guide for 'The Cremaster Cycle', the Matthew Barney's epic five-part film series. The book is filled with hundreds of Barney's fantastical images which use the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five 'Cremaster' films, while Neville Wakefield's 'Cremaster Glossary' illuminates the films most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films, the book features related sculptures, photographs, drawings and storyboards. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published. 530 pages. 32,2x23,5x6,2 cm Hardcover with plastic dust jacket with green and black cover title . Clean, as new. DOMESTIC SHIPPING ONLY.
Softcover. Flesk, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. Edwin Austin Abbey (1852-1911) was born just two years after the inaugural release of Harper's Monthly Magazine. Starting with his first published drawing in December 1870 at age 18, Abbey's life-long association with the publisher resulted in hundreds of drawings found within the pages of Harper's Monthly Magazine and Harper's Weekly as well as Harper & Brothers books. The resulting exposure throughout the U.S. and Europe secured an extensive level of recognition. Abbey had the rarefied appeal to everyone from the average reader to the most prestigious artists of the day. The inclusion of Abbey's illustrations in these periodicals helped to expand the reach of the poetry, stories and essays that they accompanied to a massive audience. This book focuses on Abbey's line art for the magazines and books published by Harper & Brothers, beginning with his earliest works as a new professional in the field. The collection contains over 350 drawings. These delineated the poetry of Robert Herrick and enhanced such books as The Deserted Village, Old Songs, She Stoops to Conquer and The Quiet Life. Drawings created for numerous short stories and poetry are displayed here as well. Also collected are Abbey's exquisite series of drawings done over the course of twenty years for The Comedies of William Shakespeare, followed by The Shakespeare Tragedies. His painstaking devotion to research while securing the appropriate costumes, props and models for his drawings was legendary. The results are some of the most revered illustrations ever created, which continue to astound aficionados and inspire artists generations after Abbey's last drawing was made. An extensive new essay by Alice A. Carter offers a fresh look at Edwin Austin Abbey, his life and career.
Hardcover. Hanover NH, UPNE, 1st, 2013, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 132 pages. Like new in publisher's shrink-wrap. In an age of specialization it is amazing to find an artist who has mastered the complexities of painting both the urban landscape and the Maine wilderness. Joel Babb achieves all this with absolute clarity, attention to detail, and meticulous realism. His vision is very much of our time a contemporary dialogue between nature and culture. This first-ever overview of Joel Babb s work offers a full complement of his major paintings created over the past several decades and a compelling account of Babb s evolution as an artist by art critic Carl Little.
Hardcover. New York, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.
Hardcover. New York , Hudson Hills Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 453 pages, cloth binding, dj, new copy still in publisher's shrinkwrap. 381 color & 107 b/w illustrations, 453 pages, 9x12. Published in conjunction with the exhibition Claes Oldenburg: Printed Stuff, held at the Madison Art Center, Madison, Wisconsin, Apr. 27-July 27, 1997, and at other places.
Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Two years of the Sunday strips in color. Clean, unmarked copy with only minor wear to covers. The eleventh volume of Fantagraphics award-winning Prince Valiant series concludes our heroes' adventures in Cornwall, and marks the first appearance of Arvak the Red Stallion. At the Council of Kings, Prince Valiant stands alone in the decision to avoid a ruinous war. Val returns to Aleta, and the two are summoned to Camelot, where Queen Guinevere becomes jealous of Aleta's popularity. Meanwhile, Val leads a bloody campaign to secure the Eastern marches and learns the tragedies of war. As the book ends, Prince Valiant begins searching for Gawain. There may just be another adventure afoot. Bonus features include a gallery of Foster's rare and never-before-reprinted advertising art from the 1920s. Hal Foster's Prince Valiant is the most illustrious heroic saga ever written and drawn for the Sunday newspapers. In full, glorious, restored color, this is the finest reproduction of this enthralling, romantic adventure serial ever published. Full color illustrations throughout
Softcover. San Francisco, Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 132 pages, color illustrations. Culling more than 150 of the most colorful and sometimes unbelievable posters from 1957-1990. Includes an illuminating bilingual essay discussing the posters' creation, the role of cinema in Mexican popular culture, and the ups and downs of its film industry.
Hardcover. Stanford CA, Stanford University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 1056 pages, b&w illustrations. This work presents a biography of the artist Marc Chagall in dialogue with events and ideologies of his time. It encompasses different aspects of his life (1889-1985) including his roots in folk culture, his personal relationships and his interests.
Softcover. Minneapolis, University of Minnesota Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 205 pages, b&w illustrations. A comprehensive look at a controversy that continues to fuel debates about the role of public art in America. Since its installation at and subsequent removal from New York City's Federal Plaza, noted sculptor Richard Serra's Tilted Arc has been a touchstone for debates over the role of public art. Installed in 1981, the 10-foot-high, 120-foot-long curved wall of Cor-Ten self-rusting steel instantly became a magnet for criticism. Art critics in the New York Times and the Village Voice labeled it the city's worst public sculpture, and many denounced it as an example of the elitism associated with art and as an obstacle to the use and enjoyment of the plaza. Harriet F. Senie explores the history of Tilted Arc, including its 1979 commission and the heated public hearings that eventually led to its removal in 1989 (it was dismantled and is currently stored in a government warehouse in Maryland). Analyzing the archive of popular opinion, Senie shows how the sculpture was caught in an avalanche of shifting local and national discussions about public funding for the arts. Clean copy.
Softcover. London, Unicorn Press Ltd, 1st, 2015, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. Many color illustrations and photographs throughout. Artist David Shillinglaw is as comfortable in the street as in the studio, as likely to paint on found objects as on canvas, as interested in tiny hand-made artist's books as in large-scale public murals. His mural in the Olympic Park in East London is the longest mural ever commissioned in Great Britain, while his brilliantly inventive creations enliven construction hoardings throughout London's changing cityscape. The Dance of 1000 Faces is the first book to gather a significant number of Shillinglaw's works. It presents his art in full color in all its many forms: not only paintings and murals, but journals drawings, sketches, and more. It reveals Shillinglaw's particular genius for depictions--and distortions--of the human face, grimacing and grinning, shifting and shaping as it becomes no one and everyone at once.
Hardcover. NY, Harry N. Abrams, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 271 pages. Journey into the mind and creative process of one of the most celebrated anime directors working today with The Man Who Leapt Through Film: The Art of Mamoru Hosoda. Written by renowned animation critic and historian Charles Solomon (The Art of WolfWalkers) and featuring exclusive interviews alongside hundreds of never-before-seen sketches, storyboards, background paintings, character designs, and concept art, this is the ultimate companion piece to Hosoda's work. Writer/director/animator Mamoru Hosoda's work includes Belle (2021), the Academy Award-nominated Mirai (2018); The Boy and the Beast (2015); Wolf Children (2012); Summer Wars (2009); and The Girl Who Leapt Through Time (2006). He is the cofounder of Studio Chizu, one of Japan's premier animation studios. Clean, bright copy.
Hardcover. New York, Knopf, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Like new in publisher's shrink-wrap. David Dawson was Lucian Freud's assistant, companion, and model. Freud moved in rarefied, powerful circles and was tenacious about protecting his privacy. Dawson, however, was in a unique position, and as Freud became comfortable in the presence of his camera, photographing became part of the daily ritual of the studio. These photographs reveal in a most intimate way the subjects and the stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time.
Softcover. New York, Glenn Horowitz Bookseller, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. A look at book jackets designed by Grushkin, also includes jackets designed by George Salter, Grushkin's teacher. Table of contents, introduction, a biography of Grushkin, book jackets and examples of graphic design by Grushkin. Glossary, biographical sketches of important figures, biographical sketch of the author.
Hardcover. Seattle, Fantagraphics Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's third volume collecting Segar's original Popeye (Thimble Theatre) covers 1932-1934 includes the never-republished extra-large strips set at the Chicago World's Fair and an insightful scholarly essay by Donald Phelps.
Hardcover. NY, Harry N. Abrams, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The long-awaited collection of comic strips created in the early 1970s by some 169 contributors from 15 countries from C.C. Beck to Art Spiegelman. What started out as a special insert for Rolling Stone took on a life of its own as writer/editor Michel Choquette traveled the world, commissioning this visual chronicle of the 1960s, only to find himself without a publishing partner or the financial support to continue. Forty years later, readers finally get to experience this legendary anthology as Choquette celebrate the birth, death, and resurrection of The Someday Funnies.
Hardcover. New York, New York Graphic Society Books, 2nd pr., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 306 pages. b&w and color illustrations throughout. Exceptional copy. Based on the Exhibition at the National Gallery(1988-1989), "Georgia O'Keeffe: 1887-1986" 120 color and 11 black and white illustrations. The book is complemented by documentary photographs and portraits as well as over 120 letters--most of them never published before--written to artists, critics, and friends.
Hardcover. New York , Simon and Schuster, 1st, 1953, Book: Very Good, Dust Jacket: Very Good, 200 b&w cartoons. Preface by Philippe Halsman. In a bright, unclipped dust jacket.
Hardcover. New York, Oxford University Press, 1st, 1950, Book: Very Good, Dust Jacket: Good, 248 pages. Hardcover with dust jacket. Wear to dust jacket edges. Clipping to dust jacket folds. Previous owners inscription and minor soiling to front flyleaf. Some rubbing to dust jacket front and rear covers. Light foxing to fore edge of text block. Inside clean and unmarked. A tight copy.
Hardcover. Berkeley, CA , University of California Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.
Hardcover. Seattle, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover, no dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Perfect Nonsense tells the complete story behind one of the most innovative and under-rated Golden Age artists, classic children's illustrators, and nonsense poets in American history. For more than 50 years, George Carlson created thousands of distinctive and dynamic cartoons, comics, riddles, and games that thrilled both children and adults with their fanciful spirit and nonsensical humor
Hardcover. New Haven CT, Yale University Press , 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap. Exhibition catalog for a show organized by the Amon Carter Museum of American Art, Fort Worth, Texas, and the Saint Louis Art Museum, St. Louis, Mo. Concentrates on Bingham?'s images inspired by the waterborne traffic on the Mississippi and Missouri rivers? in his lifetime, the great highways of the American frontier?and the men who worked on the river's? flatboats and rafts. 11-14" x 10-3/4", 199 numbered pages. A detailed academic analysis of Bingham's work, with numerous color plates and photos of his drawings.
Hardcover. University Park, Pennsylvania State Univ Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets. Professor Armi posits that the great third abbey at Cluny is the building where regional masons of different traditions first combined their talents to develop a new design, and that the artisans responsible for the masonry also created its sculpture. Volume I Text, 204 pages; Volume II contains 238 b/w Illustrations.
Softcover. London , Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 197 pages. Softcover. Extensive color photographs and illustrations throughout. Illustrated frontispiece. Gilt titles on cover. Clean, unmarked copy with only minor wear to wrappers.
Softcover. New York , HarperPerennial, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 125 pages. Coverage in words and pictures of the title performance piece (in 27 parts, including "Strange Angels") and tour (with a table of the itinerary, June 1989 - December 1990); plus Anderson's concluding essay ("About 'Empty Places'").
Hardcover. New York, National Gallery of Art/Harry N. Abrams, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Clean, tight copy with mniior wear to edges. Color photos throughout. Christo and Jeanne-Claude have created some of the most visually breathtaking works of the twentieth century. From early wrapped objects to monumental outdoor projects such as The Umbrellas, Japan-U.S.A., 1984-91 and Wrapped Reichstag, Berlin, 1971-95, the artists have used fabric - wrapped, draped, and folded over, around, and through natural and constructed forms - to transcend the traditional bounds of painting, drawing, sculpture, and architecture.This volume spanning forty years of Christo and Jeanne-Claude's remarkable career accompanies an exhibition at the National Gallery of Art of sixty-one works from the collection of Dorothy and Herbert Voqel, whose relationship with the artists dates to 1971. The wonderful breadth of works presented in color and discussed here includes several early packages, models for large-scale public works, preparatory drawings and collages for projects in urban and rural sites, and photographs of the completed projects.
Hardcover. New York, Harry N. Abrams, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. 192 pages, including 120 color plates. This catalog for an exhibition at the Royal Academy of Arts in London documents the first solo U.K. show devoted to this artist in more than 20 years. An essay by Steven Nash explores how certain European painters impacted Diebenkorn's development, and the last essay by Edith Devaney examines the centrality of drawing to his practice throughout his career.
Hardcover. Flagstaff, AZ, Northland Press, 1st, 1985, Book: Very Good, Dust Jacket: Good, A volume of the life and work of Arnold Friberg, includes 50 full-color plates and numerous b&w illustrations. 175 pages. Red cloth bound, some white dots on front and back covers. Well-bound, clean copy. Dust jacket shows signs of rubbing along edges and small tear along the back bottom left corner.
Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.
Softcover. Montreal, Drawn and Quarterly, reprint, 2004, Book: Very Good, Dust Jacket: None, 102 pages. Softcover. Extensive color illustrations by Adrian Tomine throughout. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. London, Book Palace Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. In August 1914 much of Europe was pitched into a war that would eclipse all others in terms of its industrial ferocity. In an era when photography and film recording were still in their infancy, much of the news was relayed through the work of reportage artists. Pre-eminent amongst such artists was Fortunino Matania who was The Sphere's artist-on-the-spot for events ranging from coronations to colliery disasters. Sent to a variety of Fronts to cover the conflict, his illustrations created a gripping and, at times, life-affirming testimony to those traumatic times, drawn from the personal visits he made and interviews he conducted with survivors. For the first time ever, this book collects those images in large format so that they can be viewed as they were intended. OVER 150 paintings and drawings on the World War 1 conflict, depicting all its horrors and special moments. His work inspired many contemporary artists: Annigoni and Russell Flint both visited his studio, and many comic strip artists collected his work including Al Williamson, Roy Krenkel, Frank Frazetta, John Bolton, Bernie Wrightson as well as film directors such as Cecil B DeMille and Alfred Hitchcock.
Hardcover. NY, Alfred A. Knopf, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 370 pages. Index, illustrated with black and white plates. Has folding genealogical chart, bibliography and index. Declared as "the first complete biography in English" of the notorious French painter (1864-1901), with new material from letters, interviews with surviving contemporaries, etc. Clean copy.
Hardcover. New York, Hanover House, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, b&w cartoons by Chon Day. The first collection of Brother Sebastian cartoons which ran in Look Magazine. Dust jacket with light edge wear, price clipped. Clean.
Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.
Softcover. Montclair NJ, Montclair Art Museum, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, 41 color plates. Issued in connection with an exhibition held October 19, 2008 to February 1, 2009, Montclair Art Museum.
Hardcover. NY, Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages with index, bibliography, chronology. With 170 illustrations including 130 in full color. Detailed and authoritative study of the life and work of Alfred Sisley, one of the greatest landscape painters of the 19th century and a leading figure in the Impressionist movement.
Hardcover. US, Taschen, 1st, 1999-10-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy.
Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.
Softcover. New York, Dover, 1st, July 1978, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 66 b&w plates. Light edge wear to wrappers, top right corner slightly bent. Else a clean, tight copy.
Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 262 pages. Hardcover with dust jacket. Sunfading to spine. Minor soiling to dust jacket. An otherwise very clean, unmarked copy with only minor edgewear. Rooms celebrates some of the most luxurious and bold interiors around the globe and the creative sensibilities of the people who inspired them. Beautifully presented through the sumptuous photography of Derry Moore, the 12th Earl of Drogheda, who has photographed some of the world's most spectacular houses as well as some of the most notable personalities in their homes, this lavish publication captures the dramatic spirit of such vivid figures as famed early twentieth-century interior designer Elsie de Wolfe, contemporary design legend Renzo Mongiardino, and the legendary decorator Nancy Lancaster. Moore revolutionized interior photography with his technical acuity, his keen aesthetic eye and his impeccably good taste. This vision culminated in an inspired collaboration with Joseph Holtzman, founding editor in chief and art director of the celebrated and controversial magazine Nest, and one of the great tastemakers of our age. This long-awaited book features a remarkable array of spectacular interiors, ranging from Charleston, the famed haunt of the Bloomsbury group, to India's Falaknuma Palace, Pauline de Rothschild's London residence, and Chatsworth Hall, Derbyshire, the grandest of English country houses.
Hardcover. Amherst MA, University of Massachusetts Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover. Non-paginated. Black & white photographs by Hyman Edelstein. Preface by Archibald Macleish. Clean, tight copy. Price sticker on rear dust jacket.
Softcover. Washington DC, Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Press, 1st, 1978, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog. 108 pages, illustrated in color and b&w. Gray pictorial stiff wrappers. Minor wear to edges and spine, else like new.
Hardcover. New York, Skira/Rizzoli, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages, 86 color, 252 b&w illustrations. A clean, bright copy in a similar dust jacket. Slipcased. The book delivers on its title, covering various printmaking techniques from the 15th century to the present. An excellent reference.
Softcover. New Jersey, Princeton University Press, 1st, 1986, Book: Very Good, Dust Jacket: None, 299 pages. Softcover. Vibrant color and b/w illustrations throughout. Foxing on top edge, clean inside, binding tight. In very good condition.
Hardcover. Syracuse NY, Syracuse University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 186 pages, 116 illustrations. "The first serious study of the totality of Stickley's accomplishments, especially his architecture", and as a central figure in the American Arts and Crafts Movement as founder of The Craftsman and of the Stickley Workshops. Bibliographical references, pages 169-181. Clean copy.
Hardcover. New York , Watson Guptill, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages illustrated in color. The author was a successful New York illustrator and tells us her working methods in this instructional book. Bright, clean copy in a similar dust jacket.
Hardcover. NY, Harry N. Abrams, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light tanning to spine edge. Book is bound in textured brown boards with a gnome holding a lantern embossed in gilt on front. 212 pages, all in color, hundreds of illustrations, maps, and diagrams. First published in 1976 in the Netherlands titled Leven en werken van de Kabouter. Small inscription on front fly leaf otherwise a clean, tight copy.
Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Written and Illustrated by Andrice Arp, Gabrielle Bell, Jonathan Bennett, Jeffrey Brown, Sophie Crumb, David Heatley, Paul Hornschemeier, Anders Nilsen, John Pham and Kurt Wolfgang. Designed by Jordan Crane. A quarterly anthology of literary comics.