Hardcover. New York, Bloomsbury USA, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover with dust jacket. Light wear to jacket, else like new. Tight, clean copy. Award-winning illustrator and graphic designer Nigel Holmes depicts the things we do every day like you've never seen them before. From how to hang a picture to how to tie a knot in a cherry stem with your tongue, form how to pour a beer to how to change a diaper, from how to keep a low-cut dress in place to how to French inhale, Nigel Holmes's striking diagrams will entertain and educate.
Hardcover. NY, Icon/Marvel, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. A graphic novel of of Eliot Ness's hunt for America's first serial killer-Cleveland's 1935 torso killer. B&w art by Bendis followed by pages of news clipping with photos of the actual crime scene and investigators at work. Clean copy.
Softcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 202 pages. color and b&w illustrations. Italian couturier Roberto Capucci (b. 1930) is revered by contemporary fashion designers for his innovative silhouettes and masterful use of color and materials. Capucci refers to his creations as "studies in form," and draws inspiration from a multitude of sources, including art, architecture, and nature. This beautifully illustrated book, the companion to the first exhibition of Capucci's work in the United States, examines his career from the 1950s to the present in the context of the rise of Italian fashion.
Hardcover. Washington, DC, Smithsonian Freer Gallery of Art, 1st , 1947, Book: Very Good, Dust Jacket: None, Hardcover, folio, terra cotta cloth stamped in gilt. INSCRIBED BY GUEST on front fly leaf. 15 black & white illustrations in text. 69 pages + 50 pages of black & white plates. Guest was appointed Assistant Curator of the Freer Gallery in 1922, in 1938 the title was changed to Assistant Director; Guest authored numerous books in the area of Chinese Art.
Softcover. New York, Rizzoli, 1st, 1980, Book: Very Good, Dust Jacket: None, Features 92 full color illustrations. Softcover. Light rubbing, edge wear to covers, else a very clean, tight copy.
1967, Book: Very Good, Color art of summer tableau by Francois, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Dark Horse, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. First appearing in Al Capp's "Li'l Abner" comic strip in 1948, the oddly shaped (and happily edible) Shmoo became an overnight phenomenon, spawning an unprecedented merchandising frenzy in the late '40s and 50s. As part of the Dark Horse Archives series, ALL Shmoo comic book appearances are being collected for the first time ever in a deluxe hardcover edition! In addition to every issue of Shmoo Comics from 1949 and 1950, rare bonus stories, and Shmoo-centric advertisements from yesteryear, Al Capp's Complete Shmoo: The Comic Books features an introduction and annotations by certified Shmoo-ologist Denis Kitchen. A persistent presence in pop culture, the selfless Shmoo has served humanity for decades - mostly by offering itself as food - but also by entertaining and tickling our funny bones like no other creature can. Treat yourself to these hilarious adventures, featuring Washable Jones, Super Shmoo, Frankenshmoo, Fu Manshmoo and truly a cast of thousands! This archival collection sports a new cover by Peter Poplaski.
Softcover. New York, Abbeville, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 154 pages, color illustrations throughout. Very light wear to corners. Else a very clean, tight copy. Mary Cassatt's paintings and prints have long been treasured as some of the finest examples of Impressionist art. A rebel by the Victorian standards of her time, Mary Cassatt moved from the art schools of staid Philadelphia to the boulevards of Paris, where the young Impressionist movement was flourishing. Degas, her friend and mentor, encouraged her involvement in the new art movement.Cassatt's luminous, observant, and innovative works-chiefly interiors with women and children-helped define Impressionism and have been compared to Raphael's paintings for their beauty and dignity. Frank Getlein, noted art critic and historian, has selected 72 of Cassatt's finest works, each reproduced here in full color. His accompanying text relates the intimate details of her life to her paintings while clearly defining her relation to fellow artists and her place in modern art.
1967, Book: Very Good, Color art of antique store at night with lamps glowing. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Prestel, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. The first overview of the work of lighting designer Ingo Maurer, the "poet of light."Ingo Maurer has been illuminating lives since 1966, when he designed his first light fixture for an installation at the Herman Miller showroom in Munich. His creation was entitled Bulb and featured a light bulb within a light bulb. The design was so successful that Maurer had to produce more to match the demand. Since then, his fascination with lighting, his pursuit of simplicity of form, and his talents as a graphic designer and typographer have brought him to the forefront of his field. His work has been exhibited in countless museums and it has brightened urban bridges, artistic exhibitions, retail and commercial spaces as well as numerous private homes. Arranged thematically, this dazzling retrospective brings together an extensive and representative selection of Maurer's lamps and lighting systems. Contributions by design experts, including Issey Miyake and Paola Antonelli, round out this portrait of a creative mind who continues to push the boundaries of lighting design.
Hardcover. Ithaca, Cornell University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 71 pages. Illustrated throughout in color. Essay by Kevin J. Avery. "The wide variety of selections from Frederic Edwin Church's collection of his own paintings shows the master in all phases of his career, in sketches and finished paintings, depicting the breadth of his subjects and the high technical skills that established him as an eminent and influential artist in his own time. As works he held on to or reacquired and kept in his house during his lifetime, they embody the heart of his artistic vision and convey a deeply personal slant. As pictures he hung and lived with at Olana, they tell the larger story of that extraordinary place and are as illuminating when seen in context as on their own."
Hardcover. New York, Penguin Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 115 pages, color photographs throughout. Light edge wear, rubbing to dust jacket. Small previous price sticker on rear cover. Else a clean, tight copy.
1964, Book: Very Good, Color art by Birnbaum of two skiers racing down snow-covered mountain. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Yves Clerc, a French painter born in 1947, has ammassed a body of work of over 240 very large and colorful canvases. This publication presents about 100 of them, mostly dedicated to the interpretation of well-known portraits, but also to flowers in vases, "fashion accessories" such as handbags and shoes, nudes, stuffed animals, and adorned women with enormous gowns.
Softcover. New York , Tom Doherty, 1st, 1994 , Book: Very Good, Dust Jacket: None, Softcover, 287 pages, in excellent condition. A cartoon collection from the master of macabre.
Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Oversize, heavy hardcover. 306 pages, b&w illustrations, color tipped-in plates. Light edge wear, rubbing to dust jacket. Foxing to fly leaves and bottom edge. Small stain on top edge. Else a very clean, tight copy.
1964, Book: Very Good, Color art by Steinberg of company symbols and initials. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Baltimore, Walters Art Museum, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Like new in publisher's shrink-wrap. 16 full-page color plates; many other illustrations. Short-lived mid-nineteenth-century Baltimore artist who painted interior and exterior scenes usually of two or more people in some sort of exchange. Critics praise his composition and use of color.
Hardcover. New York, Pantheon, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY KOREN on title-page. Small white-out of old ink price on front fly leaf, remainder mark to top edge.
Softcover. Detroit MI, Detroit Institute of Arts, 1st, 1983, Book: Good, Dust Jacket: None, Softcover, 411 pages. Color frontispiece and b&w illustrations throughout. Previous owner's signature on front flyleaf. Light soiling and wear to cover. Small sticker on spine. Else a tight copy.
1962, Book: Very Good, Color art by Getz of couple saying good-bye to friends before returning to city after summer vacation. 8 3/4 X 12", very good. Faint crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 182 pages, hardcover illustrated in color and b&w. Like new in publishers shrink-wrap. Accompanies a major exhibition at The Museum at the Fashion Institute of Technology, New York, reveals that great design and great style were consistent elements in the work of American's best fashion designers. Patricia Mears introduces many great forgotten figures, as well as many familiar names: work by lesser-known figures such as Jessie Franklin Turner, Ronaldus Shamask, and Charles Kleibecker is discussed alongside pieces by more celebrated creators, such as Halston and Charles James; work by designers of the past is juxtaposed with that of present-day designers such as Rick Owens, Yeolee Teng, and Maria Comejo.
Hardcover. Rochester, Vt., Inner Traditions, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Oversized. Hard box cover with clasp, light wear to edges. Contains three separate volumes "Sacred Mirrors: The Visionary Art of Alex Grey," "Transfigurations," and "Visions," all with very little wear. Essays by Ken Wilber, Carlo McCormick and Alex Grey. Many beautiful color illustrations throughout. A nice, impressive collection.
1969, Book: Very Good, Color art of blazing summer sun melting New York skyscrapers. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Pantheon, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, INSCRIBED BY CHRISTO on title page to "Eeva annd Elvia" dated 1986. Color and black & white photographs throughout, light dust jacket edge wear and fade, otherwise, clean and tight copy.
1972, Book: Very Good, Color art by Birnbaum of couple in yellow slickers fishing in rain. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. Light corner crease. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Goodman, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. For 40 years Rob Roth has collected rare examples of rock tour posters, advertising posters, rock memorabilia, and original artwork. His vast spectacular collection has never been displayed publicly; only visitors to his spacious New York loft--visitors like Elton John and Alice Cooper--have glimpsed his amazing treasures. This lavishly produced volume presents some of the most vivid and exciting images from the rock world featuring classic artists like the Rolling Stones, Queen, Pink Floyd, the Who, Led Zeppelin, Elton John, Alice Cooper, and David Bowie.
Hardcover. NY, Stewart, Tabori and Chang, 1st, 2009-04-01, Book: Very Good, Dust Jacket: Very Good, 176 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. New Haven, Yale University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, illustrated throughout in color and b&w. Light edgewear to wrappers and slight crease to spine, else a clean, tight copy. A study of an important painter of the mid eighteenth century, who was the teacher of Gainsborough and whose work included conversation pieces, history painting, book illustration and theatrical painting. Also includes the catalogue of the exhibition in 1987.
1971, Book: Very Good, Color art by Getz of Central Park in spring. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 9" X 12", 600 pages. Color reprints throughout. The first edition deluxe Krazy Kat hardcover (it's Volume 3, but the second to be published) collects the second batch of five Krazy & Ignatz soft cover books Fantagraphics have published, comprehensively compiling the years 1935 through 1944 under hard covers. It's not a slipcase; it's a single hardcover book. The covers to the original five soft cover books are NOT included, but literally everything else is. No dj issued
Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.
Hardcover. New York, Rizzoli, New York / South Street Seaport Museum, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout in full color. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Sterling, reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Originally published in 1990 by Kitchen Sink Press. Color throughout. 208 pages. When Bob Kane's seminal Batman first reached newspapers during World War II, only a small group of papers published it. So the early Batman and Robin comic strips have remained among the most elusive works in comics' history. Not anymore: these rare Sunday color pages are now reprinted in a generously sized format worthy of their importance. The many fans of the Caped Crusader will thrill to see Batman and the Boy Wonder do battle once again with both common thugs and outrageous villains in order to save Gotham City from plot after evil plot. Making their nefarious way across these illustrated panels are some of the Caped Crusader's most indelible adversaries, including the Joker, Catwoman, Penguin, and Two-Face. In addition to behind-the-scenes information and rare promotional materials, this deluxe edition collects the first four years of the classic Batman and Robin newspaper comics exactly as written and illustrated by the strip's most famous writers and artists. Among the classic stories are: ?The Penguin's Crime-Thunderstorms," ?Catwoman's Grasshopper Chase," and ?Half Man?Half Monster."
Hardcover. Phoenix AZ, Phoenix Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, unpaginated (120 pages). Illustrated throughout in color. Light shelf-wear to illustrated boards with small rubbed of patch on front edge of front cover, else a clean, tight copy. Printed in conjunction with the exhibit held at The Phoenix Art Museum from, "April 21-August 19, 2007". The artists exhibited: Kim Deitch, Jerry Moriarty, Gary Panter, Ron Rege, Jr. and Seth.
Hardcover. Cologne, Dumont Buchverlag, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 363 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This volume provides an extensive survey of painting in Austria from 1900-1930, with Egon Schiele as the focal point, through a representative selection of over 100 works by Schiele and 23 of his contemporaries from the collection of Dr. Rudolf Leopold. Contributions by: Antonia Hoerschelmann, Rudolf Leopold, Klaus Albrecht Schroder, Harald Szeemann, and Patrick Werkner. 139 color plates and 59 b&w illustrations.
1968, Book: Very Good, Color art of snowfall in the city by Hubbell. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, D.A.P./Distributed Art Publishers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a slipcase, 192 pages. Transforming words into icons and images into wide-screen epics, Ed Ruscha has wholly reconceived the terms of painting for our era. Tagged variously as a Conceptualist, Pop artist or latter-day Surrealist, Ruscha flouts category, or rather incorporates all categories, always surprising and experimenting with both subject and method. His paintings are steeped in our times: cinema, advertising, logos, late capitalism and the twists and turns of postwar art have all informed his iconography since the early 1960s, arriving on the cool surfaces of his canvases with magnetic detachment. Ruscha eschews process and focuses exclusively on the final product: "the means to the end has always been secondary in my art," he has said. Ruscha has also reinvented the use of words in art, finding disquieting ways to invest language with a weird, throbbing, ambient static, never aspiring to what he calls "word gestures," since "each word is an excursion unto itself." Fifty Years of Painting focuses on Ruscha's majestic oeuvre of paintings. A magnificent publication, it comes housed in a slipcase that sports the artist's classic painting "Standard Station" (1966), and, alongside fantastic reproductions, it contains a preface by novelist James Ellroy, essays by Ralph Rugoff, Alexandra Schwartz and Ulrich Wilmes, a text by novelist Bruce Wagner, an interview with the artist by Kristine McKenna, an illustrated chronology and an exhibition history.
Hardcover. New York, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. Clean, unmarked copy with only minor wear to dust jacket. Rachelle Bergstein brings readers along on a unique and delightful romp through the history of shoes, the women who wear them, and the profound impact they have on our lives. Women from the Ankle Down includes interviews and cameos with influential figures ranging from Lisa Mayock of Vena Cava to Oscar Award-winning costume designer Patrizia van Brandenstein, from Doc Martens historian Martin Roach to Fashion Institute of Technology museum director Valerie Steele; from Marilyn Monroe and Jane Fonda to Salvador Ferragamo and Christian Dior; from Judy Garland to Wonder Woman.
Hardcover. United Kingdom, Norton Simon Distribution, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Volume 2. 596 pages, illustrated throughout in color and b&w. Large heavy coffee table book. Clean, unmarked copy with only minor wear to dust jacket.
1968, Book: Very Good, Color art by Martin of brick building with window framing white flowers in pot. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, Conway, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages. During World War II, the British government issued a series of public warnings in the form of witty posters by the brilliant cartoonist Fougasse, a.k.a. Cyril Kenneth Bird. ("Don't forget that walls have ears!" a fashionable woman whispers to a friend, as Hitler's face peers ominously out of the wallpaper.) This illustrated tribute to one of Britain's most popular artists begins with his celebrated WWII posters and continues with his later work for Punch magazine and elsewhere. An important contribution to the history of both cartooning and propaganda, it compares the relative effectiveness of hard-hitting American wartime designs versus Fougasse's light touch.
Softcover. New York, Thames & Hudson, 1st, 2003-10-27, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Movie director John Waters has teamed up with acclaimed critic and curator Bruce Hainley to offer a unique, provocative adn personal interpretation of sex and sexuality today for this "exhibition in a book" (back cover). Includes 175 illustrations of which 147 are in color. Fine in white illustrated paper wrappers with red title to spine and front cover. Clean and bright. 207 pages.
Softcover. New York, Solomon R. Guggenheim Museum, 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 288 pages, illustrated throughout in b&w. Light edgewear and rubbing to wrappers. Slight tanning and foxing to pages, else a clean, tight copy.
1963, Book: Very Good, Color art by Birnbaum of umpire calling sliding baseball player safe at home. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Norton/Smithsonian, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. From the foremost collection of the artist's work, a remarkable portrait of Native American life. In 1832, George Catlin-showman, entrepreneur, and artist-made the first of four trips into Indian country, painting as he went, in a wonderfully spontaneous, if somewhat naive style. His ambition was to paint every tribe. He fell short. But what he did achieve, and the subject of this splendid volume, is a remarkable look into the faces and daily activities of Native Americans before their lands and their numbers were so radically diminished. And while Catlin was clearly influenced by the idea that Indians were Noble Savages (rapidly acquiring the vices of the white man while losing their "savage" virtues), his passion for his work is evidence of a profound respect and affection for his subjects, clearly demonstrated in this magnificent book. 275 illustrations, 150 in color.