Hardcover. New York, Harry N. Abrams, Inc., 1st English, 1972, Book: Very Good, Dust Jacket: Very Good, 527 pages. Hardcover. Previous owners name and brief inscription on front endpaper. Illustrated with black & white photographs. Dust jacket with light wear. Clean, tight copy.
1962, Book: Very Good, Color art of turkey as the national bird by Kovarsky. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Switzerland, Musee historique et des porcelaines de Nyon, 1st, 2008, Book: Very Good, Dust Jacket: None, 144 pages. Softcover with light wear to paper wrappers. 202 BW and color illustrations. FRENCH TEXT
Hardcover.. Germany, Steidl, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, MAY REQUIRE ADDITIONAL POSTAGE. 2 volume set. Oversize hardcover and softcover in slipcase. Very clean, unmarked copies. Very minor soiling to slipcase. Beautiful color photographs throughout.
1970, Book: Very Good, Color art of two hockey players battling for the puck. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Boston MA, Boston Museum of Fine Arts, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, mostly b&w ilustrations, 5 color plates. Exhibition catalog, introduction by Theodore Stebbins, Jr.Related clippings, reviews laid in.
1972, Book: Very Good, Color art by Martin of colorful umbrella sitting open in hallway. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1940, Book: Very Good, Dust Jacket: None, Color art of lost army tank battalion getting directions from gas station operator by Constantine Alajalov. 8 1/2 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Cincinnati, Contemporary Arts Center, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 113 pages, color illustrations throughout. Clean, like new.
Winston Salem NC, R.J. Reynolds Tobacco Co., 1933, Book: Very Good, Dust Jacket: None, Art "Tea at The Ritz", photographed at the Ritz-Carlon, New York. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1977, Book: Very Good, Color art of winter from inside a greenhouse by Getz. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout
Softcover. New York , Marvel Entertainment, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 60 pages illustrated in color by Glanzman. Clean, bright copy.
Hardcover. Novato, CA, Underwood Miller, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. Black & white illustrations by Virgil Finlay. Dust jacket is protected by a mylar cover.
1972, Book: Very Good, Color cartoon of football coach along the sideline bench by Saxon. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.
Softcover. Zurich, Graphis Press, 1st, 1980, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Jan Swanka, Barbara Nessim, Erhard Gottlicher, Oswaldo Miranda.
Softcover. New York, Strawberry Hill Book, 1st, 1973, Book: Very Good, Dust Jacket: None, 255 pages. Softcover. Black & white drawings and photographs. Light wear along spine, cover edges. This is the softcover edition. Clean, unmarked pages.
1968, Book: Very Good, Color art showing mountain ski trails from a bird's-eye view. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Cambridge, MA, Harvard University Press , 1st, 1966, Book: Very Good, Dust Jacket: None, 2 volume hardcover set. Volume 1: In America, 1738-1774, Volume 2: In England, 1774-1815. 491 pages + illustrations in b&w. Brown/blue cloth with gilt titles, slipcase. Light shelf-wear to covers and faint foxing to top edge. Light wear to slipcase, else a clean, tight set.
Hardcover. NY, Museum of Modern Art , 2nd pr., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 184 pages 274 illustrations 16 in color. Clean, bright copy.
Softcover. New York, Grey Art Gallery and Study Center, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 117 pages, b&w illustrations. Very light edge wear; else a very clean, tight copy. 10 color, 99 bw plates. Issued in conjunction with a 1980 exhibition featuring works of American artist Walter Gay (1856-1937). With a substantial illustrated essay by Gary A. Reynolds, a brief chronology and selected bibliography. The annotated and illustrated catalogue addresses 90 pieces.
1968, Book: Very Good, Color art of snow sledders in the city park by Stevenson. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1940, Color art of laughing girl who just fell off sled into snow. Painting by Dominice Cammerota. 10 x 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Seattle, WA, Fantagraphics Books, 1st, 2001, Book: Good, Dust Jacket: None, 144 pages. Softcover with black/white and some color comic strips throughout. Wet soiling residue on bottom of first half of pages, and on bottom page block, otherwise minimal wear on paper wrappers.
Hardcover. Berkeley, University of California Press, Revised 2nd, 1975, Book: Very Good, Dust Jacket: Good, 201 pages. Hardcover. Black & white illustrations. Dust jacket with moderate wear, closed tear. Previous owners name on front endpaper. Clean, tight copy.
Hardcover. Annapolis MD, Dead Reckoning, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 221 pages in color. A collection of the best stories from the classic run of Don Winslow of the Navy, one of the most popular comic books running during and after World War II. Edited by Craig Yoe, the selected stories are digitally remastered and contextualized with Yoe's historical research. Preceding the full, colorful tales is a detailed introduction on the creation of the adventurous Don Winslow. The character served to foster recruitment and entertain Navy personnel and the general public alike during World War II and beyond. Winslow fights the Axis and supervillains like The Snake and the attractive, but deadly, Singapore Sal. Clean copy.
1924, Book: Very Good, Color portrait of Doris Manz as the Scandinavian-American Girl by Neysa McMein. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York , Art in America Inc., 1964, Book: Very Good, Dust Jacket: None, 144 pages, illustrated boards. B&w illustrations, some color. Special issue on New Talent USA. Clean, bright copy.
Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 952 pages. Traces Caniffs life from the cradle to the grave, marking the milestones in the development of the comic strip (Steve Canyon, and Terry and the Pirates) that Caniff established. Caniff reshaped the medium and set standards by which all storytelling strips were subsequently judged. Although Caniff adapted to changing fashions, he is best known for innovations such as his impressionistic chiaroscuro drawing style that suggested reality economically with shadow rather than with detail. The book examines the artistic innovations and work routines of a nationally distributed cartoonist whose career was central the development of the artform, marking along the way the milestones in the development of comic strip artistry that Caniff established. B&w illustrations.
1971, Book: Very Good, Color art by Steinberg of NY city streets populated with his iconic figures. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1940, Book: Very Good, Color art of actor dressed as Revolutionary soldier resting on movie set, painting by John Sheridan. 8 X 11 1/2", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. New York , NBM/Eurotica, 6th pr., 1990, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w by Crepax. ADULT CONTENT.
Hardcover. London, Phaidon Press Limited, 1st Edition, 1967, Book: Very Good, Dust Jacket: Good, Text Volume - 450 pages. Hardcover. Blue cloth boards with gilt titles & gilt decorations to cover, spine. Frontis illustration, Parement Master and Workshop: Annunciation, Paris, in full color, tipped-in. Previous owner's signature to front flyleaf. Dust jacket with foxing, toning, now protected with plastic cover. Light foxing to edges. Otherwise very good, clean condition.Plate Volume - Hardcover, blue cloth boards with gilt titles & decorations. 845 plates, 12 full page, full color, tipped-in & beautifully presented. Dust jacket with light foxing, now protected with plastic cover. Light foxing to edges. Bright, clean copy.
Hardcover. NY, Back Stage Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. Foreword by Frank Rich. Henderson (curator of the White Barn Theater Museum in Westport, Connecticut, she's lectured and written extensively on theater), using the substantial archive of his writings, has assembled a suitable tribute to one of America's most influential creators of theater design. The book proceeds chronologically through Mielziner's life and long career, richly supplemented with photos and high quality color reproductions of the designer's watercolor and pencil drawings, and excerpts from his writings. He designed the original sets for A Streetcar Named Desire, Death of a Salesman, and Carousel and operas such as Don Giovanni. NOTE: While this book is bright and clean, it has a light musty odor.
Softcover. Sarasota FL, John and Mable Ringling Museum of Art, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. About 40 pages with 23 black & white illustrations. Some light spotting along top edge of front cover. Clean, tight copy.
Hardcover. New Haven CT, Yale University Press;, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Saul Steinberg (1914-99) described himself as a "writer who draws," thus inspiring curator Smith to characterize Steinberg's brilliantly satiric drawings as "illuminations," thus linking his work to illuminated manuscripts and, given Steinberg's love of literature, to a particular favorite, Arthur Rimbaud's Illuminations. Smith also explores Steinberg's mission to illuminate the overlooked and the absurd. In the biographical sections of his beautifully crafted critique, Smith affectingly recounts Steinberg's life as a Jew in anti-Semitic Romania and an architecture student in Fascist Milan whose distinctive cartoons served as his ticket out of Nazi Europe and onto the pages of the New Yorker. Both Smith and renowned poet Charles Simic associate Steinberg's fascination with documents with his harrowing refugee experiences, while Simic, a fellow immigrant from the Balkans and a friend of Steinberg's, offers striking insights into the artist's comic sensibility. Both commentators reflect on the great change in Steinberg's work after 1960, as his images turned hallucinatory and nightmarish, his protest against tyranny more intense. As instantly recognizable as Steinberg's kinetic, punning, and slyly skewering art is, there hasn't been a comprehensive Steinberg book in years, making this outstanding volume invaluable in its reclamation of Steinberg's agile, philosophic, and category-defying art.
Hardcover. Kent, U.K., Midas Books, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 407 pages, with b&w illustrations throughout. Very slight foxing on top edge and minor edge wear, otherwise, very clean and tight copy.
Hardcover. Bowdoin College Museum of Art , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages. During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others. Still in publisher's shrinkwrap.
Hardcover. Florence Italy, Giulio Giannini & Son, 1st, 1910, Book: Good, Dust Jacket: None, Hardcover. Unpaginated, b&w line portraits of famous Italians by Buona Fortuna accompanied by verse. Originally softcover here bound in three-quarter leather and marbled boards, spine with raised bands, gilt lettering. Bound with Casa Guidi Windows by E.B. Browning.(1925, Florence, 96 pages) Front cover hinge cracked but holding.
Softcover. Kansas City, Andrews McMeel, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with light wear to paper wrappers. Remainder mark on bottom edge. Tight copy. Cartoons by Cullum.
1960, Book: Very Good, Color art by Constantin Alajalov, split image of voters in Alaska and Hawaii. 10 X 13". Very good. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, mostly b&w, some color. In this collection of erotic comics, Valentina encounters the baddest witch of them all: Baba Yaga! The third volume of Fantagraphics' monumental collection of Guido Crepax's comics collects the "Baba Yaga" storyline, which recasts the witch of folklore (it was adapted for the screen in 1973 starring Carroll Baker as the middle-aged, lesbian villainess). Under Baba Yaga's influence, a doll, Annette, comes to life; Valentina and her lover, Philip, are forced to act out the fairy tale Bluebeard; and Philip must fight the witch in her lair. Evil Spells also features the famed Italian cartoonist's sinuous adaptations of several literary masterpieces: Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde, Henry James's The Turn of the Screw, and a giallo genre take on Edgar Allan Poe.
Toledo OH, Willys-Overland Inc., 1925, Book: Very Good, Dust Jacket: None, Art "A regally luxurious motor car,,,", color art by Haddon Sundblom. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Revere, Pa., Lodima Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, featuring 76 plate reproductions of Elliston's archeological landscapes.
Hardcover. Flesk Publications, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. The Prince Valiant Page is the first book collection featuring Gary Gianni's work on Prince Valiant. This book gives a well-rounded informative look at both Gianni's rendition of the Prince Valiant Sunday strip and his own working procedures. After 25 years as a professional illustrator, Gianni describes his new role as an assistant to John Cullen Murphy (who assisted Hal Foster--Prince Valiant's creator). Upon Murphy's retirement, Gianni became the third artist in the 70-year history of the feature. It continues with in-depth knowledge of the strip's creative process (i.e., receiving the script, photographing models, making preliminary drawings and pencil roughs, then concluding with the finished illustrations). Supporting artwork includes collaborations between Murphy and Gianni, with Murphy's hand written notes and instructions. Examples of Gianni's work over the previous thirty years as a professional illustrator are included as well
Hardcover. Berkeley CA, University of California Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. In the voluminous scholarship that's been written on Paul Cezanne, little has been said about the twenty-four portraits in oil that Cezanne made of his wife, Hortense Fiquet Cezanne, over an extended twenty-year period. In Cezanne's Other: The Portraits of Hortense, Susan Sidlauskas breaks new ground, focusing on these paintings as a group and looking particularly at the differences that render many of them unrecognizable as the same person. She argues that Cezanne sidestepped the conventional goals of portraiture-he avoids representing a consistent, identifiable physiognomy or conventional feminine postures and does not portray the subject's inner life-making lack of fixedness itself his subject, which leads him ultimately to a radical reformulation of modern portraiture. Sidlauskas also upends the notion of Mme Cezanne as the irrelevant and absent spouse. Instead she reveals Hortense Fiquet Cezanne as a presence so crucial to the artist that she became the essential "other" to his ever-evolving "self." Coupling historical texts from philosophy, psychology, and physiology with more recent writings from women's and gender studies, cognitive psychology, and visual culture, Sidlauskas demonstrates that Mme Cezanne offered intimacy at arm's length for the painter who has been dubbed "the lone wolf of Aix."
Softcover. NP, Portable Playhouse/privately printed, 1st, 1960, Book: Very Good, Dust Jacket: None, Softcover, 103 pages, b&w graphic novel. The story of a struggle between benevolent scientist Dr. Atom (intent on establishing a nuclear energy business), and evil mastermind Volcane, who wants a worldwide energy monopoly. Cream colored wrappers with light soil, 5 1/2 by 7 inches, stapled binding is tight. The art is of high quality. INSCRIBED BY ARTIST/AUTHOR on title page. Very scarce, unusual.
Hardcover. NY, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 10 x 12". 187 pages. 77 b&w, 77 color plates. The major monograph on American modernist Marsden Hartley (1877-1943). In addition to insightful and sensitive text, there is included a chronology, index, list of exhibitions, collections and selected bibliography. Wonderful color plates. Clean copy.