Softcover. Hollywood CA, Frederick`s of Hollywood,, 1981, Book: Good, Softcover, 72 pages in color, Most illustration is photographic, some is by artists and illustrators. Lingerie, dresses, exotic wear for her (and him!), bras, panties, stockings, shoes, and the like. Moderate wear.
Hardcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Small paper scar on front fly leaf where tape pull left dime-size white spot. Otherwise like new. 256 pages. Childe Hassam's impressive career as one of America's foremost Impressionists is celebrated and illuminated in this dazzlingly beautiful volume. No other American Impressionist ever surpassed the quality and variety of Hassam's output as a painter and draftsman. Equally talented in oils, watercolors, and prints, he explored rain-swept city scenes, glorious gardens, exquisite women, and stirring flag-lined streets. Many of these irresistible pictures are hidden in private collections and are rarely, if ever, accessible to the public; others are on view at major museums across the country, from the Metropolitan Museum to the Museum of Fine Arts, Boston, to the Los Angeles County Museum of Art. By approaching Childe Hassam (1859-1935) from different angles, the three authors reveal this multitalented artist's many facets and uncover previously unknown aspects of his life and work. The authoritative essays are illustrated with a brilliant array of color illustrations that represent all of Hassam's styles, from Barbizon-inspired Tonalism to Impressionism to Post-Impressionism. The book concludes with an invaluable illustrated chronology and an annotated bibliography.
Hardcover. New York, Harry N. Abrams, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. 330 illustrations, including 150 plates in full color. Black cloth, gilt lettering to spine. Beautiful pictorial dust jacket. A very clean, tight and crisp copy. Like New.
Hardcover. New York, Walker and Company, 2nd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, 91 pages, with illustrations throughout. Minor corner wear and previous owner's signature on front fly leaf. Otherwise, very clean and tight copy.
Softcover. Salt Lake City, Gibbs Smith, 2nd pr, 1986, Book: Very Good, Dust Jacket: None, Softcover, 87 pages, b&w and color photographs throughout. Light edge wear, rubbing to wrappers. Else a clean, tight copy.
Hardcover. New York, Abrams Image, 1st, 2010, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with no dust jacket. Light foxing to top edge of textblock. Rubbing to rear. An otherwise very clean, unmarked copy with only minor edgewear. Revealing an unprecedented, intimate look at Ryan Adams and his band the Cardinals through the evocative photography of lead guitarist, Neal Casal. An intensely personal collection of 200 photographs, Casal has captured the exhilaration of the stage and studio while sometimes exposing the solitary aspects of the creative process and life on the road. With an introduction by Ryan Adams and an afterword by legendary musician Phil Lesh, this collection will be revered by fans and is the official documentation of the beloved band.
Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.
Hardcover. Los Angeles, CA, Los Angeles County Museum of Art, 1st, 1988, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. Exhibition catalog. 128 pages, illustrated throughout in color and b&w. Red cloth with gilt title to spine. Pictorial dust jacket. Minor stain to back flap, else like new.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of a group of fishermen on deck watching a plane passing overhead. Approx. 10 X 13". Color art by PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. This is an essential purchase for fans of Felix the Cat. As all true fans know, Felix's real glory days were in the silent era, when Pat Sullivan's animation studio produced over a 100 ingenious short cartoons featurng the protean ebony feline. Though Sullivan hogged all the credit, the artist behind the series was Otto Messmer, who also worked on Felix's spin-off newspaper comic strip. He continued with that strip after the cartoons ended in 1930 (due to Sullivan's incompetent management). Editor David Gerstein has compiled a sampling of strips from the early 1920s to the 1930s. It's fascinating to see how Felix changed over a decade, moving from a blocky, snout-nosed design to a sleek look with rubber hose limbs and circular head and torso. Comic-strip Felix is of naturally talkier than his film self, and Messmer's sight gags flow less smoothly when broken up by panels and dialogue, but these strips remain a delight, especially since a couple stories are adaptations of now-lost cartoons (and even re-use art from them). As for the original stories, they take advantage of the format to tell longer tales, often in the sort of gently humorous adventure genre later used by Floyd Gottfredson's Mickey Mouse and Carl Bark's Donald Duck comics. Sadly, Felix's comic strip adventures remain far more obscure than those Disney productions.
Hardcover. Detroit, MI, Wayne State University Press, 1st, 1964, Book: Good, Dust Jacket: Good, Hardcover, 196 pages. B&w illustrations throughout. Black cloth, silver lettering to front cover and spine. A nice copy, in a worn dust jacket with protective mylar cover. Small piece missing from lower right corner of dust jacket, minor tears. Slight staining to edges.
Hardcover. London, The Offices of Punch, 1916, Book: Very Good, Dust Jacket: None, Two matching hardcover volumes, pebbled green cloth over leather spine and corners. The set collects all of Punch Magazine for 1916. Hundreds of b&w cartoons lampooning British culture and politics leading up to World War II. Clean, bright set. Over 800 pages total.
Hardcover. NY, Nostalgia Press/King Features, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Reproduces the Prince Valiant cimic strips beginning with "The Prophesy" of 1937, "The Ogra" (1937-38), "The Fairy Morgana" (1938), "Prince Arn" (1938), "In The Service Of King Arthur" (1938-39), "Knight Errant" (1939), "The Grand Victory' (1939-40).
Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. Written and Illustrated by Andrice Arp, Gabrielle Bell, Jonathan Bennett, Jeffrey Brown, Sophie Crumb, David Heatley, Paul Hornschemeier, Anders Nilsen, John Pham and Kurt Wolfgang. Designed by Jordan Crane. A quarterly anthology of literary comics.
Hardcover. University of Washington Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 285 pages. Over the Line: The Art and Life of Jacob Lawrence includes essays by eight distinguished art historians examining the ways in which Jacob Lawrence's art speaks so powerfully to different audiences. It is the first multi-author, in-depth probe of the artist's entire career: the nature of his work, his education, the critical climate in which he worked, and his use of materials and techniques. It reproduces, in full color, more than 200 works, most of which have not been published in color, or at all, in other books on the artist.
Softcover. New York, Crown Publishers, 1st, 1975, Book: Very Good, Dust Jacket: None, Unpaginated. Color illustrated softcover, 120 full color plates. Very light wear to cover; overall a very clean, tight copy.
Hardcover. Nelson-Atkins Museum, 1st, 2011, Hardcover, 252 pages. Clarence King's Survey, undertaken between 1867 and 1872, covered a vast swath of terrain, from the border of California eastward to the edge of the Great Plains. It was the first survey to include a full-time photographer--Timothy O'Sullivan--who produced about 450 finished photographs in large-format and smaller-format stereographs. O'Sullivan's images convey a distinct individual quality of perception, at once direct and laconic, as well as a perfect union of objective fact and personal interpretation. As such, O'Sullivan remains the most admired, studied, and debated photographer who worked on the great western surveys of the 19th century. The volume also includes an essential catalogue raisonne of O'Sullivan's King Survey work.
Softcover. London, Strange Attractor Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, oblong format, pictorial wrappers. B&w art. Collected together for the first time, these Trip or Squeek strips offer acerbic, lysergic and razor sharp observations on music, art and life. Featuring extensive notes, a discography and never-before-seen preparatory sketches by Savage Pencil, and an illustrated foreword by artist Gary Panter. Savage Pencil's Trip or Squeek strips have been appearing in music magazine The Wire since 2002.
Softcover. Philadelphia, University of Pennsylvania Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 195 pages. Exhibition Catalog, illustrated throughout in color and b&w. This stunning catalogue includes color photographs of more than 230 objects, excavated in the 1930s by renowned British archaeologist Sir Leonard Woolley, from the third-millennium-B.C. Sumerian city of Ur. Learn the fascinating story of the excavation and preservation of these magnificent artifacts. Many of the objects are published in color and fully described for the first time--jewelry of gold and semiprecious stones, engraved seal stones, spectacular gold and lapis lazuli statuettes and musical instruments; and vessels of gold, silver, and alabaster. Curator Richard Zettler sets the stage with a history of Ur in the third millennium and the details of the actual excavations. Art historians Donald Hansen and Holly Pittman discuss the historical importance and significance of the many motifs on the most spectacular finds from the tombs. Clean copy.
Hardcover. Munich, Prestel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages, color illustrations. Circle of Animals features twelve enormous bronze animal heads, each depicting a segment of the Chinese zodiac. Ai Weiwei's first piece of public art, it is an extraordinary accomplishment in its own right. But as this book explains, the origins and motivation behind the piece are as compelling as the work itself. Like new in publisher's shrink-wrap.
Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 175 pages in color. William Wegman's postcard paintings reflect a lifetime of engagement with narrative, perspective, art history, architecture, popular culture, humor, and philosophy in art. Starting with one or more vintage postcards, Wegman constructs scenes that range from intimate interiors to cosmic vistas, filling audaciously complex spaces with intriguing incident. Collected together, the paintings possess the universal, encyclopedic, and mysterious qualities of their source materials. In addition to Martin Filler's introduction, a stellar group of contributors responds to the work.
Hardcover. New York, Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 352 pages, numerous illustrations. Pictorial boards in clear plastic dust jacket. Beautiful copy. Like new, in shrinkwrap.
Art Intitute of Chicago/Yale University Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 251 pages illustrated in color. The extraordinary life of a captivating American artist, beautifully illustrated with his dreamlike drawings Much of Joseph Elmer Yoakum's story comes from the artist himself--and is almost too fantastic to believe. At a young age, Yoakum (1891-1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a "spiritual unfoldment"? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of beautiful color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist's work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography. Clean copy. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Cincinnati OH, Contemporary Art Center, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 102 pages, b&w and color illustrations. Very light edge wear, else a clean, tight copy. Publication documenting renowned post-modern architect Michael Graves and the summer pavilion for the Cincinnati Symphony Orchestra. Written by architecture historian and critic Jayne Merkel, the book begins with a history of other outdoor music structures and the decision to build on the river site. Merkel discusses Graves' development as a leader of the post-modern movement and draws upon his sources in ancient amphitheaters, as well as his other structures in Portland, Louisville, and San Juan Capistrano. The book also includes an in-depth interview with Graves and a chapter on the "state of the art" acoustics and the collaboration between architect Graves and artist Ted Schmidt which resulted in the unique cut-out sculptures adorning the roof line of Riverbend.
Softcover. Kitchen Sink Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. The most popular of Capp's hundreds of distinctive characters was the Shmoo. This lovable little creature loved mankind so much that it would sacrifice itself and turn into a ham steak, a gallon of milk or a dozen eggs: whatever its owner desired. Its whiskers made nice toothpicks and its eyes could be recycled as buttons. Most important, a Shmoo could reproduce faster than a rabbit. Thus, if you had one Shmoo, you were set. You didn't need to work at all. Thus did the apparent book for mankind become its curse and the powers that be decreed that all Shmoos must be exterminated. Capp's insightful morality tale was so popular that it spawned an unprecedented merchandising bonanza. Two introductions, by David Schreiner and by science fiction writer Harlan Ellison, are illustrated with various Shmoo toys manufactured. The large back cover photograph shows a selection of Shmoo merchandise in color from the Denis Kitchen collection. Also featured in this volume: Flying Sausages (parody of "Flying Saucers," a term first coined a few months earlier; Fearless Fosdick, Nightmare Alice, Salomey, Adam Lazonga, Moonbeam McSwine, Cousin Weak-Eyes and Marryin' Sam. See also our Shmoo Facts Sheet for some amazing statistics about this character's popularity.
Minneasota MN, Washburn-Crosby Co., 1908, Book: Very Good, Dust Jacket: None, Art "To you - who bake", photographic art. Two housewives (twins?) holding sack of flour.11 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. GR, Gestalten, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 128 pages, hardcover, illustrated in color. A monograph on a popular German street artist who stencils images of women on buildings in Berlin. Like new in publisher's shrink-wrap.
Softcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 184 pages. Presenting a new type of graphic fiction from a legendary family in American cartooning. Underground cartoonist Kim Deitch has recruited his entire cast of siblings to produce a unique, all-new "picto-fiction" pocket book. Deitch's Pictorama leads off with Kim's comic "The Sunshine Girl." Then it's time for Seth's prose short story "Children of Aruf," about a man and his dog... in a world where dogs talk. Third up is "Unlikely Hours," a paranoid picto-story about a conspiracy of sentient rats written by Seth and illustrated by Kim. Next comes "The Golem," once again written by Seth and decorated with a series of superb pencil illustrations by Simon, a prose novella about the mythical Jewish monster/protector. Kim wraps with "The Cop on the Beat, the Man in the Moon and Me," one last comic - this one autobiographical. The book features an introduction by the Academy Award-winning animator, cartoonist and illustrator Gene (Tom and Jerry) Deitch, who happens to be the proud father of the author.
1947, Color art of disgruntled father leaving Saturday morning matinee with kids. Painting by Stevan Dohanos. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Random House, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover, 132 pages, illustrated in b&w and color. An early Feiffer collection. Dust jacket with light wear, price-clipped.
Softcover. New York, Whitney/Knopf, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w and color illustrations. Light edge wear. Else a clean, tight copy. Illuminates Steinberg's creative genius as a writer of pictures by critically viewing his ability to transcend borders between art and language in his drawings, cartoons, New Yorker covers, watercolors, and three-dimensional constructions.
1922, Book: Very Good, Dust Jacket: None, Woman with feather hat and fur stole in falling snow, art by Will Grefe. 10 1/4 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Oversize, heavy hardcover. 306 pages, b&w illustrations, color tipped-in plates. Light edge wear, rubbing to dust jacket. Foxing to fly leaves and bottom edge. Small stain on top edge. Else a very clean, tight copy.
1937, Color cartoon of a man vexed over his income tax forms. Art by Constantine Alajalov. 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1907, Book: Very Good, Dust Jacket: None, Portrait of a woman tying her bonnet with a red sash, color art by Harrison Fisher. 12 x 15", light edgewear, very good. Mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1940, Book: Very Good, Color art of maternity ward nurse signaling it's twins by John Hyde Phillips. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs spanning over 30 years. Tight copy.
1931, Book: Very Good, Color art of a smiling little girl wearing a bonnet decorated with fall leaves by Jessie Wilcox Smith. 8 1/4 X 11 1/2". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Washington DC, Anderson House, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with blue lettering, unpaginated (about 100 pages). B&w cartoons throughout. SIGNED WITH A COLOR ILLUSTRATION BY CHESNEY on the inside cover. Clean, square copy. Lacks dust jacket.
Hardcover. San Francisco, Pomegranate, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. It was estimated in the 1920s that one out of four homes in America had one of Parrish's make-believe illustrations on the wall, and he remains one of our best-loved illustrators. This unique work, a celebration of "Parrish Blue" water and skies, hued hills, and young women draped in classical garments, is the result of a 1995 traveling exhibit, "Maxfield Parrish: A Retrospective." The Cutlers, he an architect and she a gallery owner, were instrumental in working with the Parrish Family Trust to put together that international exhibit to commemorate the artist's 125th birthday. The Cutlers were able to locate numerous items in private collections for the exhibit. Many of the 130 color plates are of these works, never reproduced before, while better-known pieces are lavishly reproduced from the original paintings rather than prints. The Parrish family offered rare photos for the biographical text, which is supplemented with a reminiscence by granddaughter Joanna Maxfield Parrish.
Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.
Hardcover. NY, Brentano's, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, mustard cloth covers with black lettering, A collection of 26 magnificent charcoal drawings of New York City, made in the early 1920s by Marcus. All with accompanying descriptions, all tipped-in. An Introduction by J. Monroe Hewlett (President of the Architectural League of NY), describes the native-born Marcus as a painter, not an architect. His atmospheric depictions capture the spirit of the city at the time. Bright, clean copy.
Softcover. Decatur IL, Illustrated Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 80 pages illustrated in color. Covers the life and work of this iconic American illustrator.
Softcover. Washington DC, National Gallery of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 430 pages. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them.
Softcover. NY, Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, illusrated wrappers, 96 pages. Al Hirschfeld's line drawings are synonymous with the American theater, but his dynamic work for Hollywood films is only now gaining the attention it deserves. This fun, affordable paperback-which accompanies an exhibition at the Academy of Motion Picture Arts and Sciences-showcases his marvelous artwork for movie posters, billboards, murals, and theater displays with images of film stars from Laurel and Hardy to the Marx Brothers, Fred Astaire, and Julia Roberts; and for classic movies such as The Wizard of Oz, Singin' in the Rain, and The Manchurian Candidate. The entire world of cinema, as only Hirschfeld could portray it, unfolds in this radiant companion volume to Hirschfeld's New York. 115 illustrations, 45 in full color.
Hardcover. New York, Harry N. Abrams, 1st, 1899, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In 1952, at the age of 23, Helen Frankenthaler created her legendary painting Mountains and Sea. She poured thinned-down pigment directly onto unprimed canvas to be absorbed into its fibers. This large painting, the first in which Frankenthaler used her soak-stain technique, synthesized the influences that had informed her work to that point and announces her arrival as a mature artist. Published to accompany a 1998 exhibition at the Solomon R. Guggenheim Museum, New York, this book focuses on Mountains and Sea and other groundbreaking paintings of Frankenthaler's early career. In this period, Frankenthaler drew upon Cubism, the abstractions of Arshile Gorky and, especially, those of Jackson Pollock, whose radical technique inspired her to reject easel painting. Frankenthaler herself became associated with the second generation of the New York School and her unique method and experimental use of materials influenced her contemporaries and subsequent generations of artists.
 "Childe Hassam: Impressionistby: Warren Adelson and Jay E. Cantor/ William Gerdts")
 "Punch, Or the London Charivari. Volumes 150 & 151 (2 Vols.)by: N/A")
 "MOME Fall 2005by: Gary Groth/ Eric Reynolds")
 "Ai Weiwei: Circle of Animalsby: Delson, Susan")
 "ORIG VINTAGE 1908 GOLD MEDAL FLOUR ADby: N/A")
 "Feiffer's Albumby: Feiffer, Jules")
 "Eggburt and other Navy Cartoons (SIGNED WITH ILLUSTRATION)by: Chesney, Earle D.")
 "Paintings and Drawings of Picassoby: Sabartes, Jaime")
 "New York: The Nation's Metropolis by: Marcus, Peter")
