Art

Hardcover. Prestel, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 566 pages. "Norman Foster Works 3" focuses on projects realised from the mid-1980s to the early 1990s, including Stansted Airport outside London, Bilbao's subway system, and the Millennium Tower in Tokyo. This volume examines each project in depth, featuring numerous photographs, original sketches and computer-generated drawings. From airports to underground transit stations, from museums to office towers, every building designed by Foster and Partners is a study in the synthesis of a structure's individual elements: its foundation and use, the quality of its materials, and its relation to the skyline or cityscape. Students of architecture, professionals in the field, and enthusiasts of Foster's work will find much to inspire and educate them in this substantial and attractive volume. DOMESTIC SHIPPING ONLY.

Hardcover. London, Osprey Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 134 pages, a collection of 250 illustrations from the archives of the Illustrated London News. Black cloth spine and boards, no dust jacket issued.

Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in b&w by Falk. Clean, bright copy.

Hardcover. Drawn & Quarterly;, Hardcover in oblong decorated orange cloth covers. color comics/cartoons throughout. Tom Gauld returns with his wittiest and most trenchant collection of literary cartoons to date. Perfectly composed drawings are punctuated with the artist's signature brand of humour, hitting high and low. After all, Gauld is just as comfortable taking jabs at Jane Eyre and Game of Thrones. Some particularly favoured targets include the pretentious procrastinating novelist, the commercial mercenary of the dispassionate editor, the willful obscurantism of the vainglorious poet. Quake in the presence of the stack of bedside books as it grows taller! Gnash your teeth at the ever-moving deadline that the writer never meets! Quail before the critic's incisive dissection of the manuscript! And most importantly, seethe with envy at the paragon of creative productivity!

Hardcover. Munich / New York, Prestel / Neue Galerie, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. profusely illustrated in color and black & white throughout, including several full-page illustrations. Includes a preface by Ronald S. Lauder, a foreword by Renee Price and essays by Vivian Endicott Barnett, Erich Franz, Ursula Heiderich, Annegret Hoberg, Isabelle Jansen, and Olaf Peters. This generously illustrated volume focuses on the poignant friendship of Franz Marc and August Macke, two innovative members of the Blue Rider group. During the five years Franz Marc and August Macke knew each other, the two men carried on an artistic and personal friendship that had an immense impact of each of their careers. This book traces their relationship and features meticulously reproduced images that bring their paintings, and the bond they shared, to life. In addition to paintings, watercolors, and drawings from both artists, this book includes objects and documents that show their connection to one another. Clean copy.

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 275 pages, color illustrations throughout. In publisher's shrinkwrap. Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work--captured here in its various stages through drawings, architectural plans, and photographs--is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul."

Hardcover. New York, George Braziller, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 231 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. 124 color prints. 13 gatefold illustrations especially valuable: nearly 5 feet wide when opened. Textual material includes descriptions of each screen reproduced, a glossary, and short biographies of the artists whose work is presented.

Hardcover. New York, Harry N. Abrams, 1st, 2003, Dust Jacket: Very Good, 102 pages. Dust jacket price-clipped. "The New Yorker" takes a second look at our most loved childhood stories and rhymes. Edited by Bobby Goldstein. Nice copy.

Softcover. Baltimore, Johns Hopkins University, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. B&w illustrations. Clean copy.

Softcover. Milwaukee WI, Haggerty Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrated in color. Essays by Octavio Paz, Andre Breton and Sabine Eckman. Like new.

Hardcover. London, Victoria & Albert Museum, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. Color illustrations. Gareth Williams looks at the furniture industry since 1990 and at design trends in the period to unravel its phenomenal appeal, from Minimalism to Blobjects, featuring the major designers of the period. He gives attention to the innovations of Italian manufacturers and the increasing influence of conceptual design.

Hardcover. NY, Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages, 148 illustrations, (47 in color) many in full page photographs. Text in English by Barbara Rose based on numerous interviews with the artist. An extensive biography that deals with all the important works of the artist. Clean copy.

Softcover. Chicago, Playboy Press, 1998, Book: Very Good, Single issue. Soft cover. Very Good. Minor wear. Centerfold intact. Binding tight, pages clean. Pictorial wraps with Lisa Rinna Melrose Place mom on cover & Pregnant Pictorial; sweet life of Ahmad Rashad; smartest women in porn; Patrick Moynihan inteview; Vanessa Gleason Miss September and more.

Hardcover. Prion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages. In terms of both words and images the world had never seen the like of the American comic book. They were bizarre, morbid, lurid, risque and bursting with subconscious desires of burgeoning youth culture. By the time 1954 arrived their were 500 different comics being published by 35 different companies, selling over 60 million copies a month between them. This is the history of the era and the art it produced. The book looks at the pioneers of the comic book and the comic's founding links with sleazy pulp magazines; the campaign for censorship; the fraught relationship between the comic book artists and their publishers; how what they did was rarely recognized as art at the time - and of course the comics themselves.

Hardcover. New York, Applause, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 343 pages. Illustrated with black & white drawings (one section in full color). Clean, tight copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Color and b&w illustrations. This publication sheds light on all of aspects of Klee's fascination with the arts of the stage. A chronology gives a panoramic outline of his several encounters with the theater and a selection of works by contemporary artists makes it clear that Klee was not the only artist to be fascinated with the sharp-eyed perception of theatrical scenarios--the topic is one that continues to engage artists today. Notes: Published on the occasion of the exhibition at Zentrum Paul Klee and Palais des Beaux Arts, Brussels.

Softcover. Chicago, University Of Chicago Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 386 pages, b&w illustrations. The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics.

Hardcover. Cambridge MA, The MIT Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 362 pages, hardcover in a bright dust jacket. Generously illustrated account [435 b/w photo reproductions] of the photogrphy produced by various well-known Bauhaus associates such as Laszlo Moholy-Nagy, Lucia Moholy, T. Lux Feininger, Florence Henri, Herbert Bayer, and others during the mid-1920s and early 1930s. An invaluable compilation of images and information about the work of this dynamic group of artists, designers, photographers and their students who had such an important impact on Western aesthetics and culture throughout the subsequent decades of the 20th century.

Softcover. Koln GR, Jablonka Galerie, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 28 pages with color and b&w plates. Exhibition catalog. Limited to 400 copies.

Softcover. NY, Taschen, reprint, 2017, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, color photographs. Pictorial French fold wrappers. 'American photographer Paul Outerbridge created shimmering "artifical paradises.' From Cubist still life images to nudes, his sensitivity to light and shadow and pioneering use of color transformed everyday scenarios into near-abstract compositions. This unique aesthetic helped him seductively champion the expressionistic, as much as commercial, potential of color photography.' Still in publisher's shrinkwrap.

Softcover. Chicago, University of Chicago Press, reprint, 1982, Book: Very Good, Dust Jacket: None, Red card cover, with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's essays cover art's relationship with the media, pop art, art as thinking; Pollock's methods; Josph Cornell's boxes; Russian constructivism; big paintings; the artist's hand; action painting, Dada etc etc. First published in 1969.

Hardcover. Woodbury, NY, Barron's, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 81 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout.

Hardcover. Los Angeles, CA, St. Ann's Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Limited to 200 copies. Presented here are the many black and white photographs of American icons and imagery that are thematically connected by Fee's obsession with the decline and destruction of the America that he knew as a young man: we see his series of New York imagery, including the Chrysler building and the Brooklyn Bridge; pictures of the crumbling Penn State penitentiary; Beat inspired series of photographs of the American road; a distinctive and unique series of nude imagery; as well as his innovative collaborations with multimedia artist George Herms.

Softcover. Washington DC, Smithsonian Institution, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 187 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy.

Hardcover. London, Frederick Warne & Co., 4th Edition, 1966, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover. Color and black & white illustrations throughout. Green cloth cover boards, gilt title on spine and design on front cover board. Dust jacket price clipped, a touch of agewear. Top edge dyed green.

Softcover. Seattle, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The enduring cultural phenomenon of comic book heroes was invented in the late 1930s by a talented and hungry group of artists and writers barely out of their teens, flying by the seat of their pants to create something new, exciting, and above all profitable. The iconography and mythology they created flourishes to this day in comic books, video, movies, fine art, advertising, and practically all other media. Supermen! collects the best and the brightest of this first generation, including Jack Cole, Will Eisner, Bill Everett, Lou Fine, Fletcher Hanks, Jack Kirby, Jerry Siegel, Joe Shuster, and Basil Wolverton. If the reader is expecting to find an All-American group of altruistic do-gooders, he in for quite a jolt. As Jonathan Lethem writes in his Foreword, "A collection like Supermen! works like a reverse-neutron bomb to assumptions about the birth of the superhero image: it tears down the orderly structures of theory and history and leaves the figures standing in full view, staring back at us in all their defiant disorienting particularity, their blazing strangeness." Beautifully designed and produced in full color, Supermen! contains twenty full-length stories, ten full- sized covers, and a generous selection of vintage promotional ads, and is indispensable to anyone interested in the origins of superheroes and the history of the comic book form.

Hardcover. NY, Holt, Rinehart & Winston, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover. A generous collection of b&w cartoons by Dedini whose work was featured in The New Yorker, Esquire and in Playboy. Dust jacket is a bit worn, light chipping. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. New York, St. Martin's Griffin, 1st, 2018, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Color pictures of vintage christmas postcards. Clean, tight copy with no wear to covers.

Softcover. NY, BisPublishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps with flaps. 393 pages. Infiltrate is a comprehensive collection of contemporary, cutting-edge New York design. It features established and emerging studios together with some extraordinary, little known companies and individuals. Each of the 30 ground-braking designers is interviewed and all artwork is captioned. Infiltrate is full of creative energy, experiments, challenging ideas and unexpected solutions. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. This book accompanies a major traveling exhibition that showcases works by some of the most visionary designers and architects, from chairs and tables to jewelry and entire buildings.

Softcover. Decatur IL, Illustrated Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 80 pages. Two long profiles on illustrators Frank McCarthy and Paul Bransom, All in color.

Softcover. New York, Disney Editions, 1st, 2016, Book: Very Good, Dust Jacket: None, 176 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Nearly 60 years after Lewis Carroll's literal masterpiece Alice's Adventures in Wonderland was first published, a new filmmaker named Walt Disney created a silent film about a little girl named Alice and her adventures in Cartoonland. The pilot launched a 56-episode series and led Disney down a rabbit hole to form a company that would go on to become synonymous with fairy tales-including making further versions of the Alice story with the beloved 1951 animated film, the more-recent live-action versions, and several iconic Disney Park experiences. Walt Disney's Alice in Wonderland: An Illustrated History delves behind-the-scenes of those whimsical worlds.

Hardcover. NY, Stein & Day, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Quarter bound in publisher's gray cloth over brick boards, gilt lettering on brown panel on spine, author's facsimile signature, gilt, on cover, green endpapers, 457 pages with 164 black & white plates and 39 black & white line drawings. Red top edge. Corners a bit rubbed. Dust jacket with edgewear, closed tear.

Hardcover. Middletown, Connecticut, Wesleyan University Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Study of American artists influenced by Dada and their relationship with American avant-garde. 283 pages, 94 black/white illustrations. Cloth bound book in near fine condition, only sign of wear is slight discoloration to the top edges of pages (light spotting), not visible when reading the book.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Two volumes in slipcase. Both very clean, unmarked copies. Only minor edgwear to slipcase. The result of three years of work in California's Central Valley, Katy Grannan's new series The 99 features large-scale color portraits and black-and-white photographs. Grannan's recent photographs are set in the parched landscape and forgotten towns along Highway 99, including Modesto, Fresno and Bakersfield. In her intensely vivid color portraits, the artist works at midday when the sun is direct and the heat is unrelenting, presenting each individual, often simultaneously heroic and vulnerable, against stark, white backgrounds. In the black-and-white photographs, many of her subjects re-appear on Modesto's South 9th Street and along the banks of the Tuolumne River. Everyday rituals, small interactions and moments of beauty on the fringes of society are depicted in detail, conferring significance to what is often overlooked. This large-format, two-volume, slipcased monograph gathers this series for the first time.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $2 cover price, 48 pages in b&w by Shelton. Clean, bright copy.

Softcover. London, Tate Publishing, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 224 pages illustrated in color. J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing the Impressionists in his dramatic interpretations of the effects of light and color. "The Turner Book" goes beyond the usual interpretations of the artist, revealing the extraordinary self-belief and ambition that allowed him to continue steadfastly with his experimentation in the face of hostile critical attack. The book examines in detail key works and the techniques by which Turner realized them and features revealing extracts from his notebooks, travel journals and poetry. Beautifully illustrated with both famous and unknown works and ranging over the entire course of the artist's career, this is the essential guide to Turner's life and work. Clean copy.

Hardcover. New York, Hamlyn Publishing Group, Ltd., 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Illustrated guide to historical and modern Eskimo art. 96 pages, illustrated with more than 100 photographs, both color and black/white (many full-page). Book and dust jacket are in very good condition, dust jacket shows some light edge wear.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. 320 pages, mostly color.

Hardcover. London, Lund Humphries, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, b&w and some color illustrations. Dust jacket bright, unclipped.

Hardcover. Washington DC, Smithsonian Institution Scholarly Press , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. At least since the Renaissance, artists have created wonderful images of themselves. Some self-portraits are the equivalent of a painter's "signature," while others were inspired by the need to establish social status or gain a commission. In the twentieth century, however, self-representation turned inward, becoming a means by which artists sought to navigate passageways of the mind. In Reflections/Refractions, some of the greatest modern artists--including Andy Warhol, Edward Hopper, Grant Wood, Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Louise Bourgeois, David Hockney, Alexander Calder, and Alex Katz--use sinuous line and gorgeous color to trace the intricacies of their personalities, whether dark and gloomy or bright and fanciful. The book is at once a catalog of twentieth-century self-portraits in the collection of the National Portrait Gallery, Smithsonian Institution, and an exploration of how modern artists view themselves and the world. Eighty color illustrations--drawings and paintings--are accompanied by lively and informative captions, making this volume an endlessly fascinating book. Clean copy.

Softcover. Oklahoma City, Oklahoma Museum of Art, 1st, 1981, Book: Good, Dust Jacket: None, Softcover, 21 pages plus 44 b&w and color plates. Rubbing, creases to wrappers. Slightly wrinkled near spine. Previous price sticker on back cover. Else a clean, tight copy.

Hardcover. NY/Beijing, Chambers Fine Arts, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover copy in black boards with the artists' name embossed in darker black on the front cover, in a bright red dust jacket, with some edge-wear. This is the most complete catalog of Lu Shengzhong's works to date. The catalog was prepared to accompany the exhibition at the University at Albany Art Museum. Text In English and Chinese. Essays by a dozen scholars. Biographical sketch. 34 page illustrated chronology, records Lu Shengzhong's artworks from 1980 to 2005. Illustrated throughout in color, some black & white, vintage photographs. 11" high X 8" wide, 155 pages.

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Hardcover. Zurich, Scalo, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 104 pages. In 1999, acclaimed German multimedia artist Rebecca Horn created Concert for Buchenwald, a large-scale, two-part installation in Weimar/Germany commemorating the horrors of genocide and emigration. This darkly intense work evokes both the shoah and the mass murders in former Yugoslavia. The first part of the installation is set in an abandoned train depot. Its walls are lined with glass panes behind whose shiny surfaces you can make out layer upon layer of ashes. Running alongside one of the walls, railroad tracks are blocked up by densely entangled heaps of various stringed instruments, reminiscent of the piles of corpses that were discovered in Buchenwald. The second part of Concert for Buchenwald is installed in Schloss Ettersburg, an 18th century palatial residence. Here, the humming sound of panicked bees is audible from hives suspended from the ceiling of an opulent ballroom, and suggests memories of expulsion and escape. This book includes several essays that explore various aspects and interpretations of Horn's installation, as well as her own notes tracing the origins of the installation's prominent metaphors. Essays by Doris von Drahten, Boris Groys, Rebecca Horn, Bernd Kauffmann, and Martin Mosebach. Clean copy.

Softcover. New York, David & Long , 1st, 1979, Book: Very Good, Dust Jacket: None, 148 pages, b&w and color illustrations. Light rubbing, soiling to wrappers. Previous price sticker on back cover. Else a clean, tight copy.

Hardcover. NY, HarperOne, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 208 pages. B&w art throughout by Krans. Visionary artist and New York Times bestselling author of The Wild Unknown Kim Krans returns with a decadently illustrated and incredibly raw graphic memoir that chronicles her multi-layered search for truth and recovery from an eating disorder and infertility in the throes of a health and wellness-obsessed culture, touching on the healing potentials of creativity and spirituality. Lacks dust jacket.

Hardcover. Cambridge MA, MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896-1948)-stage and film actor, director, writer, and visual artist-was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theater, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again. This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thevenin and the philosopher Jacques Derrida. Still in publisher's shrinkwrap.

Softcover. Charlottesville, Va., University of Virginia Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 123 pages. Exhibition catalog. Illustrated throughout in color and b&w. Light wear/crease to spine, else a clean, tight copy.