Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.
Hardcover. Washington DC, National Gallery of Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 296 pages, color plates throughout. Exhibition catalog, five scholarly essays. In publisher's shrinkwrap.
Hardcover. NY, Harry N. Abrams, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The long-awaited collection of comic strips created in the early 1970s by some 169 contributors from 15 countries from C.C. Beck to Art Spiegelman. What started out as a special insert for Rolling Stone took on a life of its own as writer/editor Michel Choquette traveled the world, commissioning this visual chronicle of the 1960s, only to find himself without a publishing partner or the financial support to continue. Forty years later, readers finally get to experience this legendary anthology as Choquette celebrate the birth, death, and resurrection of The Someday Funnies.
Hardcover. Berlin, Brinkmann & Bose, 1st, 1981, Book: Very Good, Dust Jacket: Good, Hardcover, original publisher's tan cloth, over blue papered boards. Copiously illustrated in black and white throughout. German language edition but with notes in English by Fagiolo at rear. Ink inscription on half-title page. Light wear to dust jacket.
Hardcover. NY, Posters Auctions International, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 592 posters illustrated in color. Catalog for Nov. 13, 2005, Sale No. XLI. No dj issued.
Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 176 pages. In the 1980s, London-based Welsh artist Cerith Wyn Evans, born in 1958, worked as an assistant to filmmaker Derek Jarman, soon gaining a reputation for his own experimental shorts and his collaborations with the dancer Michael Clark. Since the 1990s, Wyn Evans has also been creating installations, often inspired by cinema history or literature, that incorporate elements like philosophical texts, mirrors, neon lights, fireworks, plants and Morse code to form a constellation of meanings that unravel into myriad poetic associations. Evans' desire to animate knowledge and reconceive the materials of the past make him analogous to Marcel Broodthaers, his erstwhile mentor Derek Jarman or even William Blake. This publication includes essays that delve into the artist's use of language and his experiments with time and perception. On the subject of Evans' purposeful inscrutability, critic Jens Asthoff has written, "Evans wants to go beyond that which we describe as understanding, to reach the untranslatable elements hidden in all experience. 'I hate the idea of being accessible,' he says." This volume includes nearly 200 images of the artist's installations, films, wall texts and sound works.
Softcover. San Francisco, Chronicle Books, 1st, 2018, Softcover, 128 pages. Includes essays by Ai Weiwei, Cheryl Haines, Jasmine Heiss, and David Spalding. Renowned artist Ai Weiwei engaged nearly 900,000 visitors in a conversation about human rights with his art installation @Large: Ai Weiwei on Alcatraz. In one participatory piece, Yours Truly, visitors sent 92,829 postcards to prisoners of conscience around the world. This book delves into those postcards' lasting impact. Five former prisoners and their loved ones reflect on the experience of receiving hundreds of postcards while imprisoned. Essays and a statement by Ai Weiwei contextualize this extraordinary project. And photographs taken during the exhibition show visitors and the messages they wrote. The book also includes four pre-addressed, tear-out postcards, inviting readers-whether art lovers or activists-to send hope to individuals still imprisoned for defending human rights. Clean copy.
Hardcover. New York, R. H. Russell, 1st, 1895, Book: Very Good, Dust Jacket: None, A collection of black & white cartoons by Gibson. Oblong cardboard covers with beveled edges, cloth spine. Some spotting to front cover foredge. Front hinge tender. Clean, unmarked pages.
Hardcover. NY, Vendome Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Beene by Beene is a journey through Geoffrey Beene's life in fashion, a 40-year exploration that was, by turns, visionary, witty, irreverent, iconic, and timeless. His work was of such powerful clarity, such complete complicity between form and function that it actually teaches us-as all works of art do-how to look. A defining American artist, Geoffrey Beene towers in his field.Pamela A. Parmal provides a chronological survey of Mr. Beene's career as a fashion designer and discusses the evolution of his work. Chapters focus on themes or influences-Woman, Body, Fabric, Comfort, Geometry, Sport, Culture-that were a constant source of inspiration to the designer. Beene won the attention and admiration of other artists, and here we see his work through the eyes of renowned photographers and illustrators, even filmmakers and choreographers.
Softcover. New York, NY, National Academy of Design, 1st, 1985?, Book: Very Good, Dust Jacket: None, Exhibition catalog. 95 pages. B&W and color illustrations throughout. Introduction By Annette Blaugrund. Red pictorial cover with wear to spine and slight soiling to covers. Overall, a clean, tight copy.
Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.
Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Swiss artist Daniele Buetti is notorious for his defaced photographs of supermodels, which feature scars, tattoos and disenchanted fragments of text. Buetti has been questioning the socially determined constructs of beauty and the commodification of sexuality and glamour since the 1980s. His altered photographs--large-scale C-prints on aluminum or light-boxes--have messages like "How much is my body worth?" and "What shall I hope for?" scrawled across them in electric colors. Buetti also often energetically scratches out or draws over portions of the image in a manner that recalls the destructive doodling of a truculent adolescent. Maybe You Can Be One of Us focuses on Buetti's recent drawings, videos, sculptures and installations. In these newer pieces, the fashion models give way to enigmatic illustrative symbols, such as two disembodied hands conjuring a puff of smoke. This publication accompanies an exhibition of new work at the Swiss Institute for Contemporary Art in New York.
Softcover. Overlook Books, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. The adorable squash-shaped character was so popular it immediately spawned the largest merchandising craze in the nation's history. In the words of Life magazine, the nation was "Shmoo-struck." The Short Life and Happy Times of the Shmoo collects, for the first time in one volume, Capp's essential comic strips about the Shmoo. This is Al Capp and his incisive social criticism at its best.
Hardcover. New York, Spanierman Gallery, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket. Clean, tight copy. This book was published to go along with an exhibition of Dow's work that showcased the work of a leading figure in the development of American modernism.
Hardcover. San Diego/NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 274 pages, b&w photos. "A shy, bald, myopic, gay albino from an ethnic Pittsburgh suburb and a beautiful, convent-educated heiress from France: This is the story of Andry Warhol and 'the girl in Andy's soup,' Isabelle Collin Dufresne, also known as Ultra Violet. It is suggested that Dali, Dufresne's companion for five years, introduced her to Andy Warhol in 1963. 'Leave Dali', said Andy. 'He's too old'. Soon after, Isabelle metamorphosed into Ultra Violet becoming an intimate of Warhol's underground scene, here recollected. Clean copy.
Hardcover. 1st US, Bulfinch Press, New York, 2004, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover in a bright, unclipped dust jacket. Illustrated in full color. Spine slightly cocked. Clean, tight copy.
Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. In 1945, World War II ended and a new age dawned. In Li'l Abner, Al Capp moved along with everyone else into this age, guiding vbhis immensely popular adventure strip into satire. At the top of his artistic and storytelling form, Capp was more than ready to greet the postwar era. In this book you'll meet Orson Waggon (Orson Welles), boy radio genius, who has a sensational idea: kill somebody during an actual broadcast --a somebody named Abner Yokum. Also in this volume: Timberwolf McHowl, Moonbeam McSwine (who prefers the company of pigs to men) gets a bath; Fleabrain, Lonesome Polecat, Barbara Seville and another wild Sadie Hawkins Day Race. Orson Welles parody and more! Introduction by Madeline Gardner, Al Capp's sister (with early family photos) and another fine intro by Dave Schreiner putting the year in historic context.12 x 9 horizontal format
Softcover. New York, Pantheon, 1st wraps, 1989, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. SIGNED BY KOREN on title-page. Black & white illustrations by Edward Koren. Red remainder mark on top edge at spine. Clean, tight copy.
New York, Schenley Distributors, 1951, Book: Very Good, Dust Jacket: None, Art "David Niven says -", color photos of movie star David Niven, 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. San Francisco, Chronicle Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, color illustrations by Betsy Lewin, Brian Collier, Brian Selzneck, David Wiesner, Paul D. Zelinsky, Hilary Knight, David Shannon, others.
Hardcover. NY, Whittlesey House, 1st, 1945, Book: Very Good, Dust Jacket: Fair, Hardcover, blue cloth with white lettering in a worn and chipped dust jacket with fading in spots. 280 cartoons from the Saturday Evening Post. Artists include Hoff, Richter, Chon Day, Ted Key, many others. Book very good, clean. Dust jacket fair only.
Softcover. Kitchen Sink Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w reprints of the early strips. This book contains a complete set of the 1940 daily strips. The first Hollywood adaptation of Li'l Abner was made in 1940. Newspaper columnist Michael Price and the late film historian George Turner provide a fascinating history of this largely forgotten movie, complete with 9 rare stills and lobby cards. The back cover features the very rare Li'l Abner movie poster and another lobby card in full color. Buster Keaton plays Lonesome Polecat in the film but the once hugely popular silent star was in such professional disgrace by 1940 that he was not even listed among the seven acting credits on the film poster! A sidebar provides backgrounds on the producer, director and actors. A second introduction by editor Dave Schreiner provides a political and historical context for the strip itself in 1940. The year begins with Capp's parody of John Steinbeck's The Grapes of Wrath (also made into a movie this year). Dogpatch is wiped out by turnip termites, so our favorite hillbillies are lured to Boston to pick oranges in winter! Li'l Abner also learns how to woo "Dogpatch style" from Adam Lazonga, whom Schreiner speculates is based on controversial philosopher and free thinker Bertrand Russell or possibly playwright George Bernard Shaw. In another episode Mammy and Pappy Yokum get a 100 year-old letter and rush off to the California gold rush. Earthquake McGoon is introduced in the daily strip this year, as is the popular phrase, "As any fool kin plainly see!" Plus the annual Sadie Hawkins Day Race. The cover is drawn by Peter Poplaski.
Hardcover. University of Nebraska Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 512 pages. Historians, biographers, and scholars of John James Audubon and natural history have long been mystified by Audubon's 1843 Missouri River expedition, for his journals of the trip were thought to have been destroyed by his granddaughter Maria Rebecca Audubon. Daniel Patterson is the first scholar to locate and assemble three important fragments of the 1843 Missouri River journals, and here he offers a stunning transcription and critical edition of Audubon's last journey through the American West. Patterson's new edition of the journals--unknown to Audubon scholars and fans--offers a significantly different understanding of the very core of Audubon's life and work. Readers will be introduced to a more authentic Audubon, one who was concerned about the disappearance of America's wild animal species and yet also loved to hunt and display his prowess in the wilderness. This edition reveals that Audubon's famous late conversion to conservationism on this expedition was, in fact, a literary fiction. Maria Rebecca Audubon created this myth when she rewrote her grandfather's journals for publication to make him into a visionary conservationist. In reality the journals detail almost gratuitous hunting predations throughout the course of Audubon's last expedition.
Softcover. New York, New Modern Age Book, 1st, 1939, Book: Good, Dust Jacket: None, Unpaginated. Soft cover with heavy chipping on fragile paper wrappers. Front gutter shows separating. 65 black and white drawings by Luis Quintanilla.
Hardcover. NY, Simon & Schuster, 14th pr., Book: Good, Dust Jacket: None, Hardcover. A collection of Addams macabre cartoons in b&w, mostly from The New Yorker. No dust jacket. Minor shelf wear.
Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.
Hardcover. New York, Da Capo Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 257 pages with 126 black and white illustrations. Biographical notes. List of printers. Index of Prints. Frontispiece is an original lithograph created especially for this volume. "The only catalogue of Soyer's prints. Contains 126 separate prints - from his first etched self-portrait to his most recent experiments in advanced lithographic technique. Each print is fully described, and each is illustrated - full size wherever possible - on a separate page." Very good in a bright dust jacket.
Hardcover. Franklin Square, NY, Nostalgia Press, 2nd pr., 1974, Book: Very Good, Dust Jacket: None, 263 pages. B&W and color comic strips throughout. Black pictorial boards with orange cloth spine. Sticker residue to bottom corner of back cover. Overall, a clean, tight copy. A gorgeous collection of Little Nemo cartoons from 1905 - 1910, including many in color. With an introduction by Woody Gelman.
Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.
Hardcover. Seattle, WA, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, 528 pages. Hardcover with no dust jacket. Sunfading to spine. Otherwise a very clean, unmarked copy with only minor edgewear. Over 500 comic strips published between 1956 through 1966. SIGNED BY JULES FEIFFER ON HALF TITLE PAGE.
Hardcover. Washington DC, National Gallery of Art / Yale University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Publisher's full red cloth, gilt lettering on spine, gold endpapers. Profusely illustrated with numerous full-color plates (many full-page) as well as B&W illustrations. Published to coincide with the exhibition held at the National Gallery of Art, Washington, and the Kimbell Art Museum, Fort Worth, October 1996 to May 1997. Includes essays by Jean-Pierre Cuzin, Gail Feigenbaum, Patricia Behre Miskimin, Edmund P. Pillsbury, and Leonard J. Slatkes; and also technical essays by Claire Barry, Barbara Berrie, Melanie Gifford, and Michael Palmer. Also includes Bibliography and detailed Index. . Both the volume and the unclipped dust jacket are in pristine condition.
Softcover. Washington, D.C., National Collection of Fine Arts/Smithsonian, 1st, 1973, Book: Very Good, Dust Jacket: None, 167 pages. Softcover. Catalog for Exhibition February 23-May 13, 1973. Black & white illustrations. Light wear. Clean, tight copy.
Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 368 pages plus fold-out list of plates. Hardcover. 54 full color plates plus hundreds of black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy. Complete coverage of works in lithography and drypoint including fine prints, posters, illustrations, book jackets, sheet music, etc.
Hardcover. Taschen, 2nd Ed., 2012, Book: Very Good, Dust Jacket: None, Two white folio volumes in a slipcase, 559 pages, b&w illustrations (chiefly color). Vol. 1: Interviews. Bob Ciano ; Fred Cohen ; Michael Cuscuna -- Record covers. A-K by artist -- v. 2: Interviews. Rudy Van Gelder ; Ashley Kahn ; Creed Taylor -- Record covers. L to Z by artist. Vinyl mania: Jazz LP covers from the 1940s to 1990s. This volume features a broad selection of jazz record covers, from the 1940s through the decline of LP production in the early 1990s. Each cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.
Hardcover. NY, Abrams, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Published in association with the National Museum of American Art, Smithsonian Institution.With 103 illustrations including 44 plates in full color. Includes bibliiographical references and index.
Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.
Softcover. New York, American Federation of Arts, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 199 pages, b&w illustrations. Introduction by Victor Carlson; catalogue entries by Carol Hynning Smith. Light edge wear, small tear on spine, else a very clean, tight copy.
Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.
Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.
Hardcover. NY, Hugh Lauter Levin Associates, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages illustrated in color. Featuring forty-eight magnificent close-up views of each piece, a collection of stunning photographs and informative essays shows the variety of original variations of the "shells" of the Faberge eggs, as well as the delightful surprises hidden inside. Clean copy.
Softcover. Chicago, Illinois, Mongerson Galleries, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 100 page catalog from October 1981 exhibition at The Mongerson Gallery. Numerous black and white prints and photographs. Brief artist biographies. Textured cover features color artwork and exhibits some wear, particularly along binding edge. Interior in near fine condition.
Libby Products, 1934, Book: Very Good, Dust Jacket: None, Art "Congratulate Hal. He discovered this gentle press juice"... Art by Henry Raleigh, 10 X 13", very good. Woman's Home Companion, May 1934. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Woodbury NY, Barron's, 1st US, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 102 pages, b&w illustrations. Black cloth covers in a brght dust jacket. Clean, no markings.
Hardcover. Cambridge, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 328 pages with bibliography and index. A revised and abridged version of Watkins earlier work on Soane (1753-1837), concentrating on the twelve lectures the eminent architect gave to the Royal Academy between 1810 and 1820, dealing with the huge scope of the lessons to be gained from world architecture.
Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 175 pages in color. William Wegman's postcard paintings reflect a lifetime of engagement with narrative, perspective, art history, architecture, popular culture, humor, and philosophy in art. Starting with one or more vintage postcards, Wegman constructs scenes that range from intimate interiors to cosmic vistas, filling audaciously complex spaces with intriguing incident. Collected together, the paintings possess the universal, encyclopedic, and mysterious qualities of their source materials. In addition to Martin Filler's introduction, a stellar group of contributors responds to the work.
Hardcover. Oxfork UK, Ashmolean Museum, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. 94 color plates, index of artists, essay summaries in Japanese, bibliography.
Hardcover. Princeton NJ, Princeton University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 307 pages, 60 color illustrations. 81 halftones. Provides an in-depth look at one artist's intense fascination with the science of astronomy. Joseph Cornell (1903-72) has often been viewed as a recluse, isolated in his home on Utopia Parkway, lost in the fairy tales and charming objects of his collages and assemblage boxes. Less commonly known has been Cornell's vested and serious interest in the history of astronomy and the cutting-edge discoveries made during his own lifetime. In a bright, unclipped dust jacket.
Hardcover. New York, Alfred A Knopf , 1st, 1971, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 336 pages, illustrated throughout in color and b&w. Pictorial gray cloth with gilt title to spine. Pictorial dust jacket. Light wear and sun to covers and spine, else a very nice, tight copy.
Softcover. NY, Avon/Flare, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 137 pages. Black and white illustrations throughout. Introduction by Nat Hentoff.