Art

Hardcover. Mad Cave Studios, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Flash Gordon: Classic Collection Volume 4 reprints the Flash Gordon Sunday strip from 1944-1948. Color illustrated. Flash Gordon returns for another thrilling space-bound adventure as the original guardian of the galaxy, battling to save us all from a host of sinister super-villains determined to dominate, destroy, and wreak havoc--including the fierce and seductive Storm Queen of Valkir! Don Moore was the writer of the Flash Gordon, taking over scriptwriting duties from strip creator Alex Raymond in August 1935. Moore was a former pulp editor. Austin Briggs worked for a while at an advertising agency then became an assistant to the cartoonist Alex Raymond on Flash Gordon and succeeded him on Secret Agent Corrigan. In 1940 he drew a Flash Gordon Daily strip which he stayed on until about 1944. He drew the prestigious Flash Gordon Sunday strip from 1944 until 1948. He was one of the founding faculty for the Famous Artists School. In 1969 he was elected to the Society of Illustrators' Hall of Fame. Clean, bright copy.

Hardcover. London, Pimpernel Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 216 pages, color plates. Interest in mid-20th century British artists and the world they inhabited is growing internationally--prices are rising and exhibitions proliferate. This biography focuses on the couple who were at the centre of the Modern British art scene: Cedric Morris (1889-1982) and Arthur Lett-Haines (1894-1978). Both men studied in Paris in the 1920s where they absorbed the work of the French Post Impressionists, Cubists and Surrealists. Later in London, Morris became a sought-after painter of flowers, birds and landscapes, and a friend of Augustus John and Ben Nicholson. Lett was hailed as Britain's first Surrealist. They gave fabulous parties attended by the cream of creative London. Morris and Haines founded the East Anglian School of Painting and Drawing in Suffolk, attended by Lucian Freud and Maggi Hambling. The atmosphere was described as 'robust and coarse, exquisite and sensitive all at once, also faintly dangerous.' The conversation was sometimes bawdy and bitchy but never boring. Lett-Haines, who ran the school, was a superb cook who swapped recipes with Elizabeth David. Cedric Morris became an award-winning plantsman and poppy iris breeder. He was an acknowledged influence on Beth Chatto, amongst others. like new.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. Like painters and draftsmen before them, photographers turned to the landscape as a source of inspiration after the invention of the medium in 1839. Since then, changing artistic movements and technical advancements have provided opportunities for camera artists to approach the subject in diverse and imaginative ways, as illustrated by the wide range of works from the extensive collection of the J. Paul Getty Museum in Landscape in Photographs.

Softcover. New York, Rizzoli, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Blue cloth cover with gilt lettering to spine, color illustrated dust jacket, 405 b&w and 80 color illustrations, stapled cardboard slipcase. Bottom right corner of cover slightly bumped. Very light wear to dust jacket edges; a very clean, tight copy. This book is the first to survey the whole i development of porcelain n Europe between the Napoleonic era and the First World War. The nineteenth century was a period of technological change and of artistic innovation: both these strands came together in the development of porcelain, which industrialization brought within the reach of the burgeoning middle classes of industrial Europe. While early in the century Neoclassicism had brought about a new purity of line and decoration, in Germany and in England taste demanded more elaborate styles and resulted in the emergence of the 'new Rococo' and later in the development of revived styles of decoration such as Minton's 'Majolica' and the work of studio potters. This book covers not only the great factories, Sevres, Limoges, Copenhagen, Meissen, but also the smaller producers in Holland, Italy and Spain and extends to the birth of Art Nouveau.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. Palo Alto, Sunday Press , 1st, 2007, Hardcover, oversize format 21" x 16". Collected for the first time here are the best of King's early Gasoline Alley Sunday comics, starting from the very first Sunday in 1921, reprinted in the original size and colors. King's innovations in art, layout and storytelling brought a new warmth and style to the medium at the dawn of the Golden Age of newspaper comic strips. If you are interested in the development of this unique American art form, or simply love beautiful comics, this sumptuous volume is a masterpiece in comic art, and a must for your collection. Like McCay, Feininger, Herriman, and others of that era, King was a graphic innovator. His panoramic layouts, themed styling, and whimsical cartoon conceits explored new artistic methods. But he also had a great knowledge of story and character, presented with a warmth and humanity never seen before in comics, and rarely done as well since. He went beyond the gags and slapstick of his contemporaries to create vignettes of genuinely human characters; showing them relating to each other and, particularly in his Sunday comics, to the world around them.

Softcover. Koln GR, Jablonka Galerie, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 28 pages with color and b&w plates. Exhibition catalog. Limited to 400 copies.

Softcover. New York, Jordan-Volpe Gallery, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Front cover completely illustrated in full-color, 77 b&w figures throughout text and chronology, 45 beautiful full-page full-color plates, 91 b&w figures through catalogue of selected still-lifes. Very slight rubbing to covers, else a beautiful copy.

Softcover. Guggenheim Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 108 pages in color. Exhibition catalog. Turner transforms the gallery space into an ever-changing environment assembled of objects and furniture from his studio and home, alongside existing artworks that are newly configured and contextualized. With ongoing efforts by the artist, gallery team, and participation of Chapman University students, different elements of the exhibition undergo changes on a daily basis, rendering in material the infinite possibilities of expression of the artistic impulse. INSCRIBED BY TURNER IN BOLD MARKER on the front fly leaf. (to Paul Christensen who contributed an essay in the catalog).

Softcover. Louisville KY, Chicago Spectrum Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations throughout. INSCRIBED BY HAMILTON on the front fly leaf. Ed Hamilton was raised on a street, in a neighborhood, that no longer exists. But Walnut Street and the now razed black professional district are vibrant and alive in this account of how one skinny black youth became a nationally acclaimed sculptor. This autobiography chronicles not just one man, but a way of life. It is filled with photos of art work now located all over the U.S., in private homes, public plazas, and prestigious museums.

Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting shows guests enjoying the amenities of the lobby by the huge picture window with the bay as a backdrop. Image size: 9* X 9", watercolor on texture white paper, signed. Unpublished.

Hardcover. New York, Whittlesey House, 1st, 1940, Book: Good, Dust Jacket: None, 289 pages. Tan cloth covered boards with black ink spine title. Slight shelf-wear. Slight foxing on inside covers, otherwise, tight, clean copy. Profusely illustrated in b/w.

Softcover. NY, The Dance Observer, 1st, 1945, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, b&w drawings by Trowbridge. With a foreword by Martha Graham and a preface by James Johnson Sweeney. Light retouching to scuffing on black front wrapper, otherwise clean.

Hardcover. NY, Harry N Abrams, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 208 pages illustrated in color. A surprising look at who designed for Disney: Michael Graves, Frank Gehry, Aldo Rossi, Robert Venturi etc. Based on interviews with those involved plus original photos and drawings. From fairy-tale castles to extraordinary buildings designed by the world's most distinguished architects, The Walt Disney Company has set new standards for the imaginative use of popular imagery in architecture. The company's enormously influential architectural philosophy, first expressed more than fifty years ago at Disneyland, draws on characters and settings from the world's most compelling legends and stories, especially Disney's own remarkable animated films. Clean copy.

Hardcover. Seattle, WA, Fantagraphics, Reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In addition to being one of the seven, original Zap Comix contributors, Robert Williams's influence on alternative art is immeasurable. From his endeavors to broaden the possibilities for young artists to gain exposure sprang the well-known art chronicle, Juxtapoz magazine.

Softcover. Minneapolis MN, Walker Art Center, 1st, 1980, Book: Very Good, Dust Jacket: None, 80 pages, color and b&w plates. Softcover exhibition catalog in like new condition.

Softcover. NY, Guggenheim Museum, 1st, 1963, Book: Very Good, Dust Jacket: None, Softcover, 79 pages. Illustrated in b/w and color. One of 3000 copies, published in collaboration with the Art Institute of Chicago, of the exhibition catalogue for Bacon's first American retrospective. Mild rubbing to wrappers, clean copy.

Chicago, CIty Files Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A wonderful collection of amateur photographs. These personal snapshots form a pictorial history of everyday Americans from the last century. Unpaginated, 350 b&w and color images. Clean copy.

Hardcover. New York, PowerHouse Books, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. With sumptuous black-and-white photographs that recall the religious fervor of El Greco and the anguish of Francis Bacon, The Face of Forgiveness: Salvation and Redemption takes us inside evangelical meetings across the world and bears witness to the driving emotional faith of Christian revival, where emotion and love pours from the eyes and mouths of the faithful, praying and thanking the Lord.

Softcover. Old Lyme. CT, Florence Griswold Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 89 pages, b&w illustrations, 29 color plates, illustrated tissue guard. Light wear to wrapper corners. Else a very clean, tight copy. A book examining the life and work of an artist noted for his joie de vivre and for his versatility as an artist from winter views of New England to undersea paintings of the Bahamas. 89 pages, 29 color & 40 b/w illustrations with unique color frontispiece on vellum.

Softcover. NY, Museum of Modern Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Replete with photographs and reproductions of Tony Smith's work. 200 pages including 237 illustrations (108 in color), Chronology, Selected Bibliography, and Exhibition History. Tony Smith (1912-1980) was an American sculptor, architect, and painter best-known for his abstract, large-scale sculptures. As an architect, he worked with Frank Lloyd Wright and founded his own architectural firm during the 1940s. Clean copy.

Softcover. Stackpole Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 147 pages, color illustrations. Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war. Clean, bright copy.

Hardcover. London, Victoria & Albert Museum, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. Color illustrations. Gareth Williams looks at the furniture industry since 1990 and at design trends in the period to unravel its phenomenal appeal, from Minimalism to Blobjects, featuring the major designers of the period. He gives attention to the innovations of Italian manufacturers and the increasing influence of conceptual design.

Hardcover. Brookfiled, VT, Ashgate, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, INSCRIBED BY AUTHOR. 159 pages. 24 color plates and 144 B&W illustrations. Black pictorial dust jacket. Black boards with silver gilt title to spine. Herkomer: A Victorian artist is a study of the life and work of the Victorian portraitist and social-realist painter, a self-made polymath whose boundless enthusiasm led him to take an early and important interest in photography, film-making, stagecraft and motoring. Biography of artist by publishing company laid-in. Overall, a clean, tight copy.

Softcover. Boston, Museum of Fine Arts, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 271 pages illustrated in color and b&w. Textiles were the Incas' most prized possessions. Their first gifts to European strangers were made not of gold and silver, but of camelid fibre and cotton. They believed that the highest form of weaving was created expressly for the sun, which they considered the greatest of the celestial powers. This book uses this image to symbolize Andean tradition as a whole and documents the collection of ancient and Colonial Andean textiles in the Museum of Fine Arts, Boston, which is among the most comprehensive of its kind in the world. Described and illustrated here, in many cases for the first time are the finest examples from the collection: weavings of astonishing virtuosity with striking geometric designs, elaborate carpets and covers, mantles, tunics, featherwork, woven shoes with metal decoration and intriguing figural sculptures with tapestry faces - representing the major cultures of the pre-Columbian period as well as the achievements of Spanish Colonial times. Mild wear to outer wraps, otherwise a clean, bright copy.

Hardcover. Flesk Publications, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. The Prince Valiant Page is the first book collection featuring Gary Gianni's work on Prince Valiant. This book gives a well-rounded informative look at both Gianni's rendition of the Prince Valiant Sunday strip and his own working procedures. After 25 years as a professional illustrator, Gianni describes his new role as an assistant to John Cullen Murphy (who assisted Hal Foster--Prince Valiant's creator). Upon Murphy's retirement, Gianni became the third artist in the 70-year history of the feature. It continues with in-depth knowledge of the strip's creative process (i.e., receiving the script, photographing models, making preliminary drawings and pencil roughs, then concluding with the finished illustrations). Supporting artwork includes collaborations between Murphy and Gianni, with Murphy's hand written notes and instructions. Examples of Gianni's work over the previous thirty years as a professional illustrator are included as well

Softcover. San Francisco, Paul Thiebaud Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Color illustrated thick wraps. appx. 44 pages, 12 color plates, half-tone frontispiece and color wraps. This exhibition was also held at the Alan Stone Gallery and Faggionato Fine Arts. The exhibition listed 6 works. Several short introductory essays by the various gallery owners.

Hardcover. Paris, Arthur Hubschmid, 1st French, 1978, Book: Very Good, Dust Jacket: None, 2 volumes. French text. 1287 pages total, b&w cartoons. Cream cloth covers. Small smudge on Volumes 1, previous owner's signature on front fly leaf of Volume 2. Else very clean, tight copies.

Softcover. NY, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, Sale #N08127, 412 pages, illustrated in color, 469 lots. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stated first edition, 134 pages. 48 tipped-in full page, full color illustrations and over 60 additional illustrations in b&w. Clean, unmarked copy.

Hardcover. New York, Assouline Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 124 pages. Hardcover with dust jacket. Like new in publishers shrink-wrap. A tight copy. 165 color illustrations. With rich and dynamic photographs juxtaposing concepts from haute couture and scientific advancements to pop stars and popular culture, French Style is as sophisticated and chic as the nation it celebrates. This lavishly illustrated, fun and informal yet surprisingly informative compendium brings to life the savoir faire and joie de vivre that is French Style.

Softcover. Hong Kong, Christie's Inc., 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 65 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. NY, Bonanza Books, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 335 pages, gilt-stamped maroon cloth. Profusely illustrated in color and b&w. Unabridged and still the best biography/bibliography/oeuvre catalogue on this American master illustrator and painter. Includes all modes of work: books, periodicals, newspapers, posters, calendars, advertisements, etc. Clean copy.

Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. The American realist artist John Sloan is best known for his portrayals of daily life in early 20th-century New York and as a member of The Eight and the Ashcan School, alongside peers like Robert Henri, Everett Shinn, and George Luks. Sloan's artistic approach was shaped by his experience as a commercial illustrator, a type of work that inaugurated his professional career-at newspapers like the Philadelphia Press and later for mass-market magazines-and which he pursued even after he turned his focus to painting. In John Sloan: Drawing on Illustration, Michael Lobel explores the impact of Sloan's illustrating on his wider output, including his paintings, his drawings for the radical journal The Masses, and his response to the watershed 1913 Armory Show. Illuminating the interaction between art and popular culture, this book provides an important new framework for understanding the modern genre of illustration, and in so doing touches on major 20th-century currents, including the rise and expansion of the mass media and the visual legacy of European modernism.

Hardcover. New York, Macmillan Company, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover, 173 pages, with 132 photo plates of Coletti's work, introduction by Alan Pirest, with bibliography, biographical chronology, index, etc. Previous owner's writing on front fly leaf and rear endpaper, dust jacket edge tears with two corner chunks missing, price clipped, otherwise, internally clean and tight copy.Although born in Italy Joseph Coletti spent his life in the United States and became one of the great religious sculptors of the 20th Century.

Softcover. NY, Sotheby's, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, Sale #N07812, 184 pages, illustrated in color, 287 lots. Clean copy.

NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Decorative cover featuring Revolutionary War scene. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Calla Editions, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This deluxe large-format volume presents scores of sumptuous color illustrations from La Vie Parisienne's heyday, the years between 1917 and 1922. Consisting chiefly of cover designs and editorial cartoons, the images abound in chic young beauties in fanciful and occasionally risque tableaux. Many of these illustrations have not been readily available for nearly a century, making this compilation of particular interest and value to lovers of graphic art and Parisian culture.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Softcover. Washington DC, Cororan Gallery of Art, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 167 pages illustrated in color and b&w. A pictorial history of Niagara Falls. Three essays on the iconic landmark. Front bottom corner with a light dog-ear crease, otherwise clean.

Minneapolis MN, Washburn Crosby Co., 1911, Book: Very Good, Dust Jacket: None, A nicely designed recipe for bread. Two-color photo of a woman baker with directions and illustrations on each side. Would make a wonderful framed poster for the kitchen. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.

Hardcover. New York, Pantheon Books, 1st, 1948, Book: Very Good, Dust Jacket: None, 212 pages, hardcover. Egyptian Servant Statues. Volume XIII in the Bollingen Series. Illustrated with b&w plates. Rubbing and edgewear to spine, marking to rear panel. Bumping to corners. Fading to text block, all edges. Unmarked. A tight copy.

Hardcover. San Francisco, Scrimshaw Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Lovely copy of an early Crumb work, created over a six month period when he was "nineteen years old and still a virgin...", and subsequently given to his wife Dana as a gift when they first met. 142 pages illustrated by Crumb in color. A bright, pristine copy.

Hardcover. NY, Art Directors Club, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth. No names, clean text. Over1200 magazine covers, packaging, advertising art, etc. With b/w & color repros. very good, no dust jacket. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Columbia, MI, University of Missouri Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 270 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white illustrations throughout. A tight copy.

Hardcover. London, Reaktion Books, 2013, 2013, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Profusely illustrated in full color & black & white throughout. Clean, tight copy.

Hardcover. San Diego CA, IDW Publishing, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 277 pages. Dailies in b&w, Sunday strips in color. Clean copy.

1960, Book: Very Good, Color art by Constantin Alajalov, split image of voters in Alaska and Hawaii. 10 X 13". Very good. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.