Hardcover. University of South Carolina Press, Supreme Council, Scottish Rite of Freemasonry, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. " ...a fascinating journey through the history of Scottish Rite in America. This comprehensive pictorial history provides valuable insights into the critical role masons have played throughout our nation's history." b/w, sepia, & color plates throughout. In Valley of the Craftsmen, the story of "higher degree" Freemasonry is depicted through portraits, official papers, material objects, photographs, buildings, and stagecraft. Featuring many previously unpublished images, Valley of the Craftsmen begins with rare illustrations of the English and French philosophical sources that were projected upon an American landscape vitalized and transformed by the concept of fraternity. The story is framed by American popular culture and the serious private effort of individual men in small towns and expansive cities who were intent on developing a moral life in service to their communities. Clean copy.
Softcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. 224 pages, b&w illustrations. Provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II.
Softcover. Washington, Smithsonian Institution, 1st, 1973, Book: Very Good, Dust Jacket: None, 236 pages. Paperback with faded paper wrappers. Black and white and colored pictures throughout. Tight copy
Hardcover. NY, Abradale Press, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, An authoritative study of 309 drawings - including 134 plates in full color - from Wright's Taliezin Studio by a renowned authority on Wright's work. First 20 pages with faint creases to pages, otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.
Softcover. NY, Thames & Hudson;, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Fashion designer Peter Golding's comprehensive collection is a unique, insightful record of the 20th century's most exciting and productive periods of rock poster art and graphics. As part of the '60s and '70s fashion movement, Peter Golding's famous ACE boutique in London's Chelsea district brought him into regular contact with the biggest names in rock 'n' roll, and he went on to create one of the most comprehensive collections of rock 'n' roll graphics in existence. Showcasing the cream of this collection and more, Rock Graphic Originals is packed with vibrant poster art, logos, stage set designs, and promotional ephemera created for artists such as the Grateful Dead, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Pink Floyd, The Doors, and many others. Barry Miles's concise introduction places the key protagonists and their work within their cultural and political context, while reflections from the artists themselves lend unique perspectives on their influences and methods. The book is punctuated throughout with special illustrated features on the social, political, and cultural phenomena that influenced the music scenes and design approaches of the period, including radical collective, The Diggers, US and UK underground comics, the psychedelic shops, and the legalize pot rallies. Rock Graphic Originals is a unique, insightful record of the 20th century's most exciting and productive periods of rock poster art and graphic design. 1,000 color illustrations . Remaider line on bottom edge.
Hardcover. US, PS publishers, 1st, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.
Cincinnati OH, Proctor & Gamble, 1919, Book: Very Good, Dust Jacket: None, Art "Such good strawberry shortcake..." , color art of three ladies eating. Art credit difficult to read but probably John Newton Hewitt. 12 X 15", very good.
Softcover. Denver/Boulder CO, Johnson Books, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Chanzit explores Herbert Bayer's stunning artistic legacy, which includes painting, photography, typography, sculpture, architecture, exhibition design, and graphic design.
Softcover. Santa Monica, CA, Smart Art Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 34 items. Published for an exhibition of Burroughs' paintings from 1987 to 1996. Text and art by Burroughs, with color and B/W reproductions. Additional texts by Timothy Leary and Benjamin Weissman. No hardback issued. A scarce Burroughs title, in mint condition. 52 pages. Clean, unmarked copy with only minor to wrappers.
Hardcover. Seattle, Fantagraphics, 1st , 2004, Book: Very Good, Dust Jacket: None, Hardcover with bright dust jacket, 104 pages, b&w illustrations. A collection of the rare '50s pin-ups that led to the artist's final gig, as Playboy's first star cartoonist. In the rarefied realm of classic cartoon pin-up art, nobody did it better than Jack Cole. With his quirky line drawings and sensual watercolors, Cole, under Hugh Hefner's guiding hand, catapulted to stardom in the 1950s as Playboy's marquee cartoonist, a position he held until his untimely death at the age of 43.
Hardcover. NY, Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.
Hardcover. NY, Kodansha International, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 128 pages. Examines two Japanese artists' series of paintings which portray the aftermath of the bombing of Hiroshima. Illustrated in color and b&w. INSCRIBED BY JUNKERMAN, one of the editors, on the title-page. Clean copy.
Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.
Hardcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, Collage has a relatively short, but incredibly rich history. The popularity of collage is on the increase again, partly as a result of such postmodernist concerns as pluralism, multiplicity and hybridity. This book features works by international artists Picasso, Schwitters and Ernst, through to Hannah Hoch, Martha Rosler, John Stezaker, Richard Hamilton, Layla Curtis, David Salle, Eduardo Poalozzi, Javier Rodriguez, Robert Rauschenberg, Mimei Thompson, David Thorpe, Fred Tomaselli and many more.
Hardcover. US, Rizzoli, 1st, 2013, Book: Very Good, Dust Jacket: None, 110 pages, illustrated throughout in color. Light shelf-wear to boards, else a clean, tight copy. Valentino: Master of Couture is an exhibition at the Somerset House co-organized by Valentino himself, who selected over 130 dresses for the exhibition. The book focues as much on Valentino and his glamorous lifestyle as it does on his legendary dressmaking techniques and atelier.
Canajoharie NY, Beech-Nut Brand, 1918, Book: Very Good, Dust Jacket: None, Art "The rational meal-time drink for all ages"..., color art not credited. 12 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Van Nostrand Reinhold , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. INSCRIBED BY AUTHOR ON TITLE PAGE. Yellow cloth covers, dark yellow dust jacket, 207 b&w illustrated figures. Light edgewear and rubbing to dust jacket, light edgewear to covers, pages crisp and unmarked, tight binding.
Hardcover. NY, Abrams, 1st, 2011, Hardcover, 744 pages. Graffiti 365 delivers the first real insider's view into the contemporary graffiti and street-art scenes, as well as their antecedents. A fun, wide-ranging survey of the international graffiti movement, this book uses more than 600 rare, previously unpublished, or legendary images to introduce and describe important artists--from Blade to Banksy--and styles--from bubble to wild. Along the way, Graffiti 365 covers different eras, cities, legendary walls and crews, police and public responses to graffiti, and more. The author of Graffiti 365, J.SON, has been an artist and historian of the graffiti movement for decades--he started writing graffiti in 1973 and retired in 1984. Unparalleled in its breadth and depth of coverage, Graffiti 365 is a wide-angle snapshot of an entire movement.
Hardcover. New York, Simon and Schuster, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 b&w cartoons originally published in the New Yorker. Dust jacket with light edgewear, soil.
Hardcover. New York, Princeton Architectural Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover. Extensive b&w photographs throughout. Silver gilt titles on spine and cover. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. Detroit MI, Detroit Institute of Arts , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 147 pages. In coordination with an exhibition held at Yale, Detroit Institute of Arts and The High Museum in Atlanta during 1993-1994, similar to an earlier exhibition but focuses on the art the Manoogian's had in their home.
Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Steinberg's high-concept graphic art--epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins--is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith, a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years, surveys six decades of Steinberg's pieces, including all 89 New Yorker covers (in full color), cartoons, wartime sketches from overseas, evocative (but never literal-minded) illustrations for articles, and unpublished items from the artist's portfolio. The material is arranged thematically, examining such recurring motifs as cats, pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work, where symbolic graphic representations of sound, abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style, one with "a wry, informal wit... attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed, and so will this splendid memorial to a 20th-century artistic landmark.
Softcover. Seattle WA, University of Washington Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. A biography of the celebrated documentary photographer, Milton Rogovin, and catalogue that accompanied an exhibition at the Center for Creative Photography, Tucson, in 2006. Rogovin (1909-2011) was an optometrist in Buffalo, NY, who turned to photography as a means of expression when he was discredited -- and thereafter lost his business -- by the HUAC committee in 1952. For the rest of his life he documented the lives of the working class around the world. Photographs by Milton Rogovin; text by Melanie Anne Herzog; foreword by Douglas R. Nickel; afterword by Catherine Linder Spencer. 176 pages; 126 duo-toned b&w plates + 21 text illustrations; 9 x 11 inches. Bibliography.
Softcover. Washington DC, National Gallery of Art, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Headline-making in every sense, the myriad works of art in which Andy Warhol used or referenced tabloids throughout his career are explored in this book as a coherent body for the first time. Obsessed with contemporary culture, Warhol celebrated the sensational as well as the mundane in every facet of society. His headline works, which were realized in a range of formats--from two-dimensional to time-based media such as film, video, and television--chart in real time the great shift in the technological means employed to deliver the news from the 1950s until the artist's death in 1987. This companion volume to a riveting exhibition brings together more than 80 works, from Warhol's earliest drawings and paintings of newspaper headlines, to his screen-printed canvases, photographs, and electronic media, and concluding with collaborative works he produced with Keith Haring and Jean-Michel Basquiat. Featuring illuminating essays and abundant reproductions of the headline works, as well as source materials and examples of Warhol's private scrapbooks of clippings, this unique and powerful volume demonstrates the rich intersection of mainstream media and fine art.
Softcover. Dublin, Ireland, Irish Museum of Modern Art, 1st, 2008, Book: Very Good, Dust Jacket: None, 436 pages. Softcover. Very clean, unmarked copy still in shrink wrap. Includes 405 illustrations with 384 in color. A collection of works by Jack Pierson.
Hardcover. Milwaukee, OR, Dark Horse Books, 2nd Ed., 2016, Book: Very Good, Dust Jacket: None, Hardcover, no dust jacket. Like new in publisher's shrink-wrap.
Softcover. NY, Brooklyn Museum : exclusively distributed by H. N. Abrams, 1st, 1978, Book: Good, Dust Jacket: None, 176 pages, illustrated throughout in color and b&w. Previous owner's blind stamp on front end paper. Light edgewear, rubbing and creasing to wrappers, else a clean, tight copy.
New York, Ethyl Gasoline Corp., 1938, Book: Very Good, Dust Jacket: None, Art "There's three kinds of fishin'...", color cartoon art featuring Skippy by Percy Crosby. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. San Diego, CA, IDW Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 334 pages. Hardcover. Extensive color and b&w illustrations by Milton Caniff throughout. Illustrated pastedowns and end papers. Clean, unmarked copy with only minor wear to dust jacket. In the third volume of The Complete Steve Canyon -- reprinting every strip from 1951 and 1952 -- new and old characters are paired off. Breck Nazaire and Dr. Deen Wilderness return. Steve meets the lovely Duchess of Denver and the sadistic Fungo; gets assigned to Eel Island, where he encounters crusty Colonel Index and his not-so-blushing bride; is sent to protect a government secret at Maumee University, only to reconnect with Summer Olson and meet her mysterious friend, Kate Subjekt; and eventually gets caught in the deep woods with Miss Mizzou and Roy Himmerskorn before coming face-to-face yet again with not only Summer, but the Copperhead herself -- Copper Calhoon!
Hardcover. NY, Abbeville, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Hank Ketcham, the self-styled "Merchant of Dennis," passed away in 2001 at the age of 81, but not before writing this engaging memoir. In this volume, the Dennis the Menace creator charmingly tells his own colorful story, starting when he was about "five-ana-half" and first picked up the "magic pencil." A child of the Great Depression from Seattle, Ketcham abandoned college for Hollywood, to pursue a dream of making drawings for Walt Disney films. Initially rebuffed at Disney, he persisted in huffing and puffing at the Mouse Factory door (all the while drawing "Andy Pandas, rabbits, squirrels, and monkeys" at Walter Lantz studio) until finally he was let inside to labor happily on Pinocchio, Bambi, Fantasia and a host of Donald Duck shorts. World War II intervened, but Photographer's Mate Ketcham was, nevertheless, able to resume his artistic career in the Navy, where, in Washington, D.C., he created cartoons for the War Bond program. Following the war, Ketcham developed into a successful freelancer, placing cartoons in The New Yorker, Saturday Evening Post and Collier's.Then one fateful day, his harried wife screamed at him that his son Dennis was a menace! That, of course, sparked an idea that subsequently was sold to a newspaper syndicate in the fall of 1950. Within a year, Dennis the Menace was up to a hundred daily subscribers-a figure that climbed steadily.The Merchant of Dennis the Menace not only traces the humorous adventures of Hank Ketcham-with copious illustrations of his artistic development from a kid with an early knack for copying cartoon characters to a mature and masterful artist of everyday life in the Mitchell and Wilson households-it also offers a special insight into the life and times of the half-pint "Menace." In one unique section, Ketcham takes us behind the scenes of Dennis and provides complete backgrounds for all the major characters, including their genealogies. We are also treated to official model sheets, in-depth analysis of each character's personality and motivations, and an exclusive peek at the private sketches that Ketcham referred to of rooms in the Wilson and Mitchell homes, their backyards, and the neighborhood. To top it all off, the book includes a dozen of Ketcham's hand-picked, all-time favorite strips.
Hardcover. New York, DC Comics, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages in color. Like new in publisher's shrink-wrap. Will Eisner's classic 1940s crimefighter returns! This second volume finds America about to enter World War II -- and the Spirit facing Fifth Columnists, spies and saboteurs, as well as meeting the series' first great femme fatale, Silk Satin! These highly atmospheric stories, which ran weekly in newspapers, range from humorous to darkly moody.
Hardcover. US, Rizzoli, 1st, 1988, Book: Very Good, Dust Jacket: Good, 319 pages, illustrated throughout with 235 illustrations, including 150 in full color. Faint soil to fore edge. Light edgewear and rubbing to dust jacket. Small tear on front end paper.
Hardcover. New York, Dutton, 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. The second collection of Hazel cartoons by Ted Key from The Saturday Evening Post. Dust jacket with light edgewear, clean.
Hardcover. Washington, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Color and black and whote photos throughout. Clean, tight copy. The Smithsonian holds more than 13 million images spanning over 150 years of taking and collecting photographs. This largely unknown body of photography (most never before published) represents nothing less than the Smithsonian's effort, in the name of all Americans, to describe and comprehend the world. Open anywhere in these pages to be plunged into the history of our modernity, and see what the Smithsonian deemed important to document and preserve. The famous, the infamous, and the never-before-seen are here in a remarkable "democracy of images": Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. By recording the act of seeing, and of what was seen, both photography and the Smithsonian have shaped our sense of ourselves, as individuals, as a people, and as a country.
Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. The book features images by a who's who of legendary photographers: Anton Corbijn, Patrick Demarchelier, Steven Klein, Annie Leibovitz, Helmut Newton, Irving Penn, Mario Testino, Tim Walker, and Bruce Weber. The book includes a foreword by Anna Wintour and is punctuated with Posnick's personal memories and irreverence.
Softcover. New York, Forge, 1st, 1996, Book: Very Good, Dust Jacket: None, 237 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Nearly 150 Gahan Wilson cartoons appear for the very first time anywhere in Gahan Wilson's Even Weirder. An additional 90 cartoons make their debut in book form, after initial publication in The New Yorker, Playboy and other magazines.
Softcover. Greenwich CT, Fairview Printers, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, glossy pictorial stiff wraps, softcover; 187 pages plus index; black and white illustrations and photographic illustrations; very good.
Paperback. New York, Prestel, Revised, 2007, Book: Very Good, Dust Jacket: Very Good, 335 pages. Oversize hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Now available in a revised and expanded edition, this book offers the first comprehensive critical examination of one of America's most celebrated living artists. Chuck Close reinvented portraiture almost four decades ago with a series of nine-foot-tall, black-and-white likenesses of himself and fellow artists, which astonished an art world dominated by minimalism and conceptualism. Close has since explored an array of mediums. This lavish, large-format volume is the first to deal with all aspects of Close's career and to place them in a biographical context. Christopher Finch's insight into CLose's achievement comes by way of hundreds of studio visits and thousands of hours of conversation since he met Close in 1968. Finch provides an engaging, in-depth analysis of Close's portraits on canvas, from the continuous-tone airbrushed heads of the 1960s and '70s to the painterly "prismatic grids" of the past two decades. The more than 300 illustrations features in the book survey almost all of CLose's paintings, including his most recent work, together with a selection of his prints and multiples, and examples of his photographic oeuvre. This beautifully designed volume reveals not only the variety of pictorial strategies Close has devised, but the extrordinary personality of the artist behind the work.
Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.
Softcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 201 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minor wear to edges, slight wrinkle to lower front cover, else like new. This exhibition catalog explores the artist, his history, his views and his works in as comprehensive a fashion as any living artist could desire. Black and white and full-color plates on heavy coated paper. Essays by Mark Rosenthal and Richard Marshall. Exhibition travelled to Philadelphia, the Whitney in NY, Berkeley U. Art Museum, Walker Art Center and the Corcoran in Washington.
Hardcover. Seattle, Fantagraphics Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, color illustrations. A critical biography of Mort Meskin, one of the 20th century's most influential comic book artists. Clean copy in a bright dust jacket.
Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages, illustrated in b&w and color. Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Realisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world. Clean copy.
Hardcover. Simcoe, Ontario, The Norfolk Historical Society/Fanshawe College, 2nd revised, 1977, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in black. Unpaginated. 16 full color reproductions of family members in Colonial costumes. Intact and very clean. No dust jacket.
Hardcover. Flagstaff, Arizona, Northland Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages. Dark brown cloth cover with gilt lettering to spine, color illustrated dust jacket, numerous color and b&w plates of Russell's oils, drawings, watercolors, bronzes and illustrated letters. Light wear to dust jacket; overall a tight, clean copy.
Softcover. Princeton, New Jersey, Princeton University Press, 1998, Book: Very Good, Dust Jacket: None, Softcover. Historical and biographical volume on the architect Frank Lloyd Wright. 544 pages. Includes drawings, notes, and writings by Frank Lloyd Wright. Near fine condition; book is still in shrinkwrap that has some tears near the spine and on some corners.
Softcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. Contributions by Andrice Arp, Tim Hensley, Anders Nilsen, Paul Hornschemeier, Sophie Crumb, others.
 "Chinese Figure Paintingby: Lawton, Thomas")
 "Rock Graphic Originals: Revolutions in Sonic Art from Plate to Print '55 -'88by: Peter Golding and Barry Miles")
 "Classic Pin-Up Art of Jack Coleby: Alex Chun")
 "Valentino Master of Couture: A Private Viewby: Valentino")
 "Lettering (SIGNED COPY)by: Anderson, Charles R.")
 "Steve Canyon Vol. 3 1951-1952by: Caniff, Milton/ Dean Mullaney (Ed.)")
 "Spirit, The - Archives, Volume 2: January 5 - June 29, 1941 (Spirit Archives) by: Eisner, Will")
 "Jonathan Borofskyby: Rosenthal, Mark & Richard Marshall")
 "MOME Fall 2006by: Gary Groth/ Eric Reynolds")