Art

Hardcover. UK, Parragon Publishers, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. A comprehensive cross section of the work of C.R. Mackintosh, including paintings from the last period of his life. It also includes photo's and renderings of the built 'House for an Art Lover' in Scotland (originally an entry for a competition) and their reconstructed, relocated own home. The controlled proportion of text to images, and the (sometimes more than) full page photo's and renderings, make it the ideal means to transport you to the world C.R. Mackintosh (and his wife, Margaret McDonald) created.

Softcover. Fabrica, Deicide Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover. Classic Italian film poster art is renowned as being among the most accomplished, creative and dynamic of its kind. From the post-war period through to the 1980s, Italian artists consistently produced posters with sumptuously stunning designs and imagery '' not least in the Western genre, where the invention of the ''Spaghetti Western'' gave abrasive new life to a dying form of cinematic narrative. ULTRA WILD WEST collects more than 80 film poster designs by a wide range of acclaimed Italian artists, in full-color, full-page reproductions showcasing some of the world''s most innovative and eye-blasting graphic artwork, enhanced by rare production photographs which bring the book''s total images to over 100. Clean, like new.

Hardcover. New York, Reynal & Hitchcock, 1st, 1938, Book: Very Good, Dust Jacket: None, 2 Hardcover volumes. Volume 1 - 655 pages. Black & white illustrations. Moderate fading to spine of red cloth covers. Light wear. Clean, tight copy. Volume 2 - 640 pages. Black & white illustrations. Moderate fading to spine of red cloth covers. Light wear. Clean, tight copy.

Hardcover. New York , Assouline Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 200 pages, color illustrations. At the forefront of American advertising's creative revolution in the 1960s, George Lois was hand-picked by magazine editor Harold Hayes to visually convey that Esquire--a proponent of that era's New Journalism--was on the cutting edge of American culture. In 2008, New York City's Museum of Modern Art acquired a wide range of George Lois's groundbreaking, often controversial Esquire covers for its permanent collection. This fascinating catalogue presents the original exhibit, with additional covers and images from Lois's private collection, including photos of the designer at work and out-takes of the shoot that resulted in Andy Warhol "drowning" in one of his own tomato soup cans. Like new in publisher's shrink-wrap.

Hardcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere--but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page

Softcover. Middlebury, VT, Middlebury College Museum of Art, 1st, 2015, Book: Very Good, Dust Jacket: None, 116 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Softcover. NY, Viking Press, 1st pbk., 1973, Book: Very Good, Dust Jacket: None, Softcover, 221 pages with b&w illustrations. A clean, unmarked and solid copy. A title in the series 'The Documents of 20th Century Art'. Essays, written between 1920 and 1953, by Fernand Leger, an influential, modern painter, on the purpose of art in modern life. Translated by Alexandra Anderson; Edited by Edward F. Fry; Preface by George L. K. Morris.

Hardcover. New York, Alfred A Knopf , 1st, 1971, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 336 pages, illustrated throughout in color and b&w. Pictorial gray cloth with gilt title to spine. Pictorial dust jacket. Light wear and sun to covers and spine, else a very nice, tight copy.

Hardcover. NY, Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Before there was Martha Stewart, there was Russel Wright (1904-1976), the great mid-century modern American designer who pioneered the concept of "easier living" for the middle class, a uniquely American lifestyle that was gracious but contemporary and informal. Yet despite Wright's enormous influence, there has been no major survey of his work until now. This handsome volume-which accompanies an exhibition at Cooper-Hewitt, National Design Museum in New York City-showcases more than 125 of Wright's best designs for inexpensive, mass-produced dinnerware, textiles, and furniture. As the flurry of Wright auction activity on Ebay shows, there is a thriving collectors' market for his designs. 125 illustrations, 65 in full color, 176 pages, 71/2 x 10".

Meadville PA, Hookless Fastener Co., 1935, Book: Very Good, Dust Jacket: None, Art "Where social judgments are swift...", color art by Leslie Saalburg. 11 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. US, Sansom Foundation, Inc., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 240 pages. Like new in publisher's shrink-wrap. The painter William Glackens (1870-1938) and his friends were among the liveliest and most influential American artists of the opening decades of the twentieth century. Their continued importance in the history of American art is explored in this informative collection of essays. Colin Bailey chronicles the beginnings of Albert C. Barnes' unparalleled collection of modern art, as well as Glackens' role in forming it, and Avis Berman investigates the friendship of John Sloan, Robert Henri and John Butler Yeats. Carol Troyen examines George Bellows' war paintings and Richard J. Wattenmaker probes the relationship between Glackens' paintings and sketchbooks. H. Barbara Weinberg documents how the leading American Impressionists and members of The Eight dealt with the pressures of economic survival. This profusely illustrated publication is an essential reference for curators, collectors and historians.

Softcover. NY, DC Comics, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover,. A collection of comic books starring Barry Allen, a medical police scientist transformed into a dynamic superhero known as the Flash. Stories date from the 1960s.

1938, Color art of two boys camping out under the stars by Douglas Crockwell. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Grosset & Dunlap, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover, pictorial cardboard covers, unpaginated. Over 250 b&w cartoons from the 40s: Syd Hoff, Soglow, Dave Breger, Ali, E. Simms Campbell, many others. No periodicals credited so assumed their first appearance. In a worn dust jacket with light soil, chipping.

Hardcover. New Haven, Yale University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Clean, bright copy with similar dust jacket. 243 plates, mainly in color, charts. Contains many little-known works of art from the First Fleet landing in New South Wales in 1788, and from the early years of settlement. Chronology, Bibliography. Size: 13 3/4" x 10".

1930, Book: Very Good, Dust Jacket: None, Portrait of blonde with bob cut. art by McClelland Barclay. 10 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York/New Haven, Metropolitan Museum of Art/Yale, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 636 pages, b&w and color illustrations throughout, illustrated end papers. A very clean, tight copy. Between the completion of the Erie Canal and the outbreak of the Civil War, New York City grew to become an economic and cultural center of international importance. This magnificent book discusses the proliferation of the visual arts during this exciting era as well as the development of an increasingly sophisticated New York audience for these arts. The book is lavishly illustrated with hundreds reproductions of works from the period. This book accompanies an exhibition that opened at The Metropolitan Museum of Art on 11 September 2000.

St. Louis MO, Helvetica Co., 1923, Book: Very Good, Dust Jacket: None, Art "Safe, wholesome food for your baby", color art by Andrew Loomis. 11 1/2 X 13 1/2 ", very good. Ladie's Home Journal May 1923.

1946, Book: Very Good, Dust Jacket: None, Pittsburgh steel mills at night, art by John Atherton. 10 1/4 X 13 1/2", very good. Mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1943, Color art of US soldier standing guard on Christmas Eve by Mead Schaeffer. 10 X 13" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2012, Book: Very Good, Dust Jacket: None, 318 pages. Hardcover with laminated boards. Clean, unmarked copy with only minor wear to edges. Satin ribbon marker. The year 1964 was a momentous one in the history of Gasoline Alley -- it's when Frank King officially handed the baton to Dick Moores. King continued to help plot the strip but it's Dick Moores who takes center stage. More so than any other newspaper strip, Gasoline Alley is renowned for its strict continuity and this is our chance to see Moores -- who continued writing and drawing the strip until 1986 -- make it his own.

Hardcover. NY, Random House, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, hundreds of b&w cartoons from the magazine's golden age. Tan cloth spine with blue boards. No lettering on spine. Clean copy, no dust jacket.

1929, Book: Very Good, Color art of two little girls, one happy the other sad, by Jessie Wilcox Smith. 8 1/4 X 11 1/2". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: None, 256 pages. Oversize hardcover with no dust jacket. Very clean, like new copy still in publishers shrink wrap. Large black and white & color photographs throughout. Tight copy. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

Hardcover. New Haven, Yale University, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket issued. Like new in publisher's shrink wrap. Clean, tight copy. One of the greatest American painters of the 19th century, Winslow Homer (1836-1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer's art, this volume exposes Homer's own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer's understanding of the camera's ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America's most original painters.

Hardcover. New York, Robert Miller Gallery, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 92 pages, still in plastic shrink wrap. Color and b&w illustrations throughout. Beautiful copy.

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Softcover. Paris FR, Paris-Musees, 1st, 1993, Book: Very Good, Dust Jacket: None, Flexible cloth covers, profusely illustrated, 463 pages, FRENCH TEXT. "This well-illustrated catalogue provides a fine review of the early years of the German Expressionist movement through a presentation of some 400 paintings, prints, drawings and sculptures by members of the Brucke in Dresden (Heckel, Kirchner, Mueller, Pechstein, Schmidt-Rottluff and Nolde) , the Blaue Reiter artists in Munich (Jawlensky, Kandinsky, Klee, Macke, Marc, Munter and Werefkin) and Berlin painter Ludwig Meidner. Sixteen wide-ranging essays are supplemented by detailed entries for most of the exhibited works, a selection of texts and letters by the featured artists, and a chronology of important cultural and political events in Dresden, Munich and Berlin from 1905 to 1914." Clean copy.

Hardcover. NY, Farrar Straus Giroux, 1st US, June 12, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 458 pages, b&w illustrations. Brown cloth, gilt lettering to spine, pictorial dust jacket. Lovely copy. Like new.

Softcover. US, Poster Auctions International, 1st, 2015, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Hardcover. Chicago, University Of Chicago Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages. One of the leading artists of his generation, the Spanish sculptor Juan Munoz (1953-2001) was known for his diverse and highly original body of work centering on the narrative possibilities of figures in environments. Juan Munoz illustrates in full color approximately sixty works, including sculptures, drawings, and several major installations, which were included in a major exhibition presented by the Hirshhorn Museum and Sculpture Garden and the Art Institute of Chicago in October 2001.

Hardcover. Hingham, MA, Pierce Galleries, 1st, 1980, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 253 pages. b&w illustrations and color plates throughout. Documents Tarbell's journey from being labeled "just a Boston painter" to being one of the most sought-after, outspoken, teachers in the country. Black leatherette, gilt lettering to spine and front cover. In mint condition. Looks brand new.

Softcover. New York, Harper and Row, 5th pr., 1984, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with black and white drawings by Roz Chast. Clean, tight copy with minor wear to paper edges.

Softcover. Athens, Blurb Inc., Reprint, 2010, Book: Very Good, Dust Jacket: None, 384 pages. Softcover printed to accompany the exhibition by the same title, appearing in multiple venues, including, Ruby Green Gallery, Nashville TN May - June 2003 and Athens Institute for Contemporary Art, Athens GA, August - September 2010. Bright, full page, full color photographs throughout. Clean, unmarked copy.

Hardcover. New York, Abbeville Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Large format hardcover, 256 pages. 338 illustrations, 113 in color. Bright, tight copy with very good dust jacket.

Hardcover. Nantucket MA, Nantucket Historical Association, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with color pastedown on front cover, gilt lettering on spine. 269 pages illustrated with color and b&w plates. Number 1242 of 2000 copies. Introduction by Stuart P. Feld. Printed dedication to Walter Beinecke. No dust jacket, a clean, bright copy.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with minor closed tears to dust jacket.

Hardcover. Stichting Kunstboak , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated in color and b&w.

Hardcover. New York , Hyperion Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 209 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Animation historian John Canemaker chronicles the lives and work of sketch artists at Disney from the 1930s to the present.

Hardcover. New York, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, 415 pages with 18 Color and 136 Black and White Plates. Cream colored boards. A reprint of the 1931 Doubleday edition. Some foxing to boards and edges, else very good. No dust jacket, as issued. Light smudging to covers and top and bottom edge. Else a very clean, tight copy.

Hardcover. NY, Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover. Beautiful copy of this detailed study of the American illustrator. Color, black & white plates. 206 pages. In a bight, unclipped dust jacket.

Hardcover. Boston, Houghton Mifflin Harcourt, 4th printing, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 327 pages, illustrated throughout in color and b&w. Light shelf-wear to illustrated boards, else a clean, tight copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket In this book, 380 pages, illustrated in color. The award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color progression from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These color stylists, color forecasters, and color engineers helped corporations understand the art of illusion and the psychology of color. Clean copy.

1965, Book: Very Good, Color art by Getz of worker buffing floor of large public space, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Univ of Washington Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 111 pages. America between 1885 and 1905 was in the heat of a poster craze. The country's finest artists and illustrators were commissioned to design advertising posters whose popularity soon overshadowed the products they were meant to promote. Designed to Sell presents vintage posters by 45 artists, including Maxfield Parrish, Blanche McManus, and Maurice Prendergast. Essays describe innovations in printing, compare American and European posters, and explain the emergence of a new profession -- graphic design. Biographical notes on the artists include eight women. Special technical notes outline historic printing methods and explain how an artist's drawing becomes a poster.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers.

1967, Book: Very Good, Color art of woodpecker showing children how its done. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Koln GR, Walther Konig, 1st, 2008, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 118 pages, no dust jacket issued. English and French text. On the occasion of what would have been Andy Warhol's eightieth birthday, in 2008, this exquisitely produced volume examines one essential but miraculously under-studied element of the artist's work: The shadow. Beginning with photographic still lifes of skulls and taxidermied animals, then moving on to male nudes, tabletops and table settings, celebrity portraits, gems, fruits and many amazing still lifes of hammers, sickles, shoes and other ordinary objects that presage Fischli & Weiss' Equilibres by several years, Shadows and Other Signs of Life concludes with Warhol's photographs of actual shadows and an outstanding selection of abstract silkscreens, stenciled works and piss paintings. Published to accompany the eponymous exhibition at Paris' Galerie Chantal Crousel, this volume contains illuminating short texts--Anniversary Notes for Andy Warhol--by Benjamin H.D. Buchloh.

Hardcover. Milan, Charta/Deitch Projects, 1st, 2007-08-01, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 256 pages illustrated in color. Examines the development of early artistic notions rooted in self-fragmentation, a questioning of western rationality, and the refutation of capitalist ideals. With over a hundred works, this survey traces the link between Clemente's ink on paper works and conceptual photographs, heightened exponentially by the transferrence of both styles to canvas.