Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, color illustrations throughout. "Combining pictures, words, and a wealth of personal ephemera, scrapbook makers preserve on the pages of their books a moment, a day, or a lifetime. This illustrated book focus on the history of American scrapbooks - their origins, their makers, their diverse forms, the reasons for their popularity, and their place in American cultural life." Examines the evolution of scrapbooks from the beginning of the nineteenth century to the present, concentrating on the first half of the twentieth century. She includes color photographs from more than two hundred scrapbooks, some made by private individuals and others by the famous, including Zelda Fitzgerald, Lillian Hellman, Anne Sexton, Hilda Doolittle, and Carl Van Vechten.
Softcover. Seattle, Fantagraphics, reprint, 2013, Book: Very Good, Dust Jacket: None, Softcover, A comic-book classic with timely resonance: Blazing Combat was an American war-comics magazine published by Warren Publishing from 1965 to 1966. Written and edited by Archie Goodwin , with artwork by such industry notables as Gene Colan , Frank Frazetta , John Severin , Alex Toth , Al Williamson, Russ Heath, Reed Crandall, and Wally Wood , it featured war stories in both contemporary and period settings, unified by a humanistic theme of the personal costs of war, rather than by traditional men's adventure motifs. What proved to be the most controversial were stories set during the then-contemporary Vietnam War; one such story caused key distributors to stop selling the title. Fantagraphics softcover edition of the sold-out 2011 hardcover, magnificently printed and bound, of these stories, superbly reproduced from the original printer's film negatives.
Hardcover. Chicago, IL, Art Institute of Chicago, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 397 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Bound in black fabric with gilt title on spine and front cover. Other than a bit of foxing on top edge, clean inside. In very good condition. Published to accompany exhibit at art Institute of Chicago, October 10, 1992-January 3, 1993.
Softcover. Bethel CT, Apple Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 28 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.
Hardcover. Ithaca NY, Cornell University Press, 1st thus, 1976, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers, 250 pages illustrated in color and b&w. Gilt title on spine. Chapters include: The heritage of Apelles; Light, form, and texture in fifteenth-century painting north and south of the Alps; The form of movement in water and air; The grotesque heads; The earliest description of the Triptych; 'As it was in the days of Noe'; From the revival of letters to the reform of the arts: Niccolo Niccoli and Filippo Brunelleschi; The leaven of criticism in Renaissance art: texts and episodes; The pride of Apelles: Vives, Durer and Bruegel. No dust jacket, clean copy.
Hardcover. Rutland VT, Charles E. Tuttle, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, 149 pages, illustrated throughout with over 70 plates including 44 in full color. No dust jacket.
Softcover. New York , Abrams, 1st wraps, 1987, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. Profusely illustrated in color and b&w. Published in conjunction with an exhibition held at the Houston Museum of Art. Clean, bright copy
Hardcover. New York, D.T. Valentine, N/A, 1856, Book: Very Good, Dust Jacket: None, B&w lithographic print of New York street scene for a proposed pedestrian overpass on Broadway, allowing horse-drawn vehicles to pass underneath. Image size 9 1/2" X 6 1/2", with matte 10 X 12". Two vertical creases where it was once folded. Matte has light soiling.
Softcover. Amsterdam, Van Gogh Museum / Mercatorfonds, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Vincent van Gogh may be the best-loved artist in the world today. His brilliant colors and energetic brushwork have a passionate appeal that touches nearly everyone. Few people, however, are familiar with van Gogh?s drawings. Van Gogh: Master Draughtsman will bring the reader to a new world of this astonishing artist?s imagination, a sensuous world of toned papers, vibrant lines of chalk and pen, veils of watercolor and pastel, and sparkling white highlights. Here we can truly see the artist at work, forming his first ideas, thinking them through, and bringing them to dazzling maturity. Created by the Van Gogh Museum in Amsterdam to accompany a traveling exhibition of the master?s works on paper, this beautiful book will be an indispensable joy and resource for artists and art lovers everywhere. Lavishly illustrated with 163 plates in full color, the panoply of van Gogh drawings is presented here in full flower. Clean copy.
Hardcover. NY, Assouline, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 400 pages. Illustrated in color, b&w. Very good flexi-cover (no dustwrapper as published) This book has chapters on skin stories; a planetary symbolism, the stuff of heroes, the black leather jacket, rebel rock, the age of ideals, leathersex, the body is staged, the triumph of accessories, leather in transformation.
Dayton OH, General Motors Inc, 1929, Book: Very Good, Dust Jacket: None, Art "This great service is offered only by Frigidaire", color art by E.M. Jackson. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Penn State University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages illustrated in color. Jean-Auguste-Dominique Ingres has long been recognized as one of the great painters of the modern era and among the greatest portraitists of all time. Over a century and a half of scholarly writing on the artist has grappled with Ingres's singular identity, his relationship to past and future masters, and the idiosyncrasies of his art. Ingres and the Studio: Women, Painting, History makes a unique contribution to this literature by focusing on the importance of Ingres's training of students and the crucial role played by portraits-and their subjects-for Ingres's studio and its developing aesthetic project. Rather than understanding the portrait as merely a screen onto which the artist's desires were projected, the book insists on the importance of accounting for the active role of portrait sitters themselves. Through careful analysis of familiar and long-overlooked works, Ingres and the Studio traces a series of encounters between painters and portrait subjects in which women sitters-such as the artist Julie Mottez, art critic, salonniere, and historian Marie d'Agoult, and tragic actress Rachel-emerge as vital interlocutors in a shared aesthetic project. Still in publisher's shrinkwrap.
Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2013, Book: Very Good, Hardcover, 400 pages. The Best American Comics showcases the work of both established and up-and-coming contributors. Editor Jeff Smith--creator of the classic comic Bone, a comedy/adventure about three lost cousins from Boneville--has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and web comics to create this cutting-edge collection.
Hardcover. Bangkok, Muang Boran Publishing House, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover. Color illustrations throughout. Navy blue cover boards (excellent), gilt title on spine and front cover board. Pages unmarked, clean. Dust jacket unclipped, has some slight shelfwear. In very good, colorful condition. Text in Thai and English. 94 pages of color photographs and 7 pages of b/w photographs of 14th-18th century mural paintings at this revered site.
New York, American Tobacco Co., 1915, Book: Very Good, Dust Jacket: None, Art "Bull Durham, the smoke of hospitality", 2-color art not credited. 10" X 14", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1965, Book: Very Good, Color art of patio overlooking vacation coastline by Szanton, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 180 pages. After 14 years, Fantagraphics' Feiffer resumes with late-fifties and early-sixties popular-magazine stories emphasizing social satire. "Passionella" is Cinderella gone Hollywood: a chimney sweep is transformed into a sexpot. Other stories depict a despondent neurotic who solves romantic problems by inventing a compliant robot, a self-absorbed man who has the entire moon to himself, and the world's greatest athlete, scorned for shunning competition--all done in Feiffer's sketchy, economical cartoon style. An illustrated fable about a village jester searching for his serious side and several one-act plays fill out the volume. In these trenchant pieces, the era's anxieties--conformity, male insecurity, troubled relationships--don't seem a half century old.
Hardcover. NY, Lippincott , 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover. Light edgewear to dust jacket. The illustrator of Winnie the Pooh recalls his London childhood.
Buffalo NY, F.F. Dalley Corp., 1919, Book: Very Good, Dust Jacket: None, Art "Keep your shoes neat", color art of players on golf course, not credited. 10" X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1967, Book: Very Good, Color art of blooming purple flower by Birnbaum, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Zach Feuer Gallery, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 70 pages. Priya Bhatnagar in Flash Art has written "Threatening to unravel pop culture's abstractions, Hawkins's images call into question the socially coded nature of its identities, icons, meanings and values while contesting its homogenization of beauty and fashion. Joel Sternfeld's foreword calls this survey of recent work "an achievement of the first magnitude." Inviting friends and strangers in Nepal to pose for the camera, Blue Eyes includes three photographic series and three video projects that reveal the ubiquity of American media culture while underscoring certain behaviors as they pertain to global capitalism and race. Each image investigates the experience of cultural imperialism as seen through the eyes of those living in the developing world. Hawkins highlights the visual dialogue that comprises consumer and popular culture and asks the viewer to consider a world of differences increasingly veiled by surface similarities.
Hardcover. London, Bradbury & Evans, 1st, Book: Good, Dust Jacket: None, 252 full page engravings of Leech's 19th century political cartoons. 3/4 leather front cover (detached) deletes "Early" from title. Back cover mostly detached, but good internally. Shipping extra for this volume.
Detroit MI, Ford Motor Co., 1927, Book: Very Good, Dust Jacket: None, Art "In its consistent development...", color art uncredited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1964, Book: Very Good, Color art by Kraus of customer buying paint brushes surrounded by art supplies. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Kitchen Sink Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. "Fearless Fosdick", a ruthless parody of Chester Gould's "Dick Tracy", was one of Al Capp's many brilliant creations within his comic strip masterpiece "Li'l Abner". It was also one of the funniest things ever to appear in the funny pages. Fosdick, a skinny, hatchet-jawed detective who is frequently riddled with enormous bullet holes (hence the title of this book), is the ideal of Abner Yokum and every red-blooded American boy, and stars in their favorite comic strip, within the "Abner" strip itself. Fosdick endures a world of corruption and his seventeen-year engagement to the beastly Prudence Pimpleton in order to slaughter members of the criminal underword for twenty-two-fifty a week.This handsome paperback from Capp's faithful re-publisher Denis Kitchen picks up where an earlier volume left off, collecting a handful of Fosdick stories (and one about Fosdick's fictional creator, Lester Gooch) from the late fifties and early sixties, as well as a few of Fosdick's "Wildroot Cream Oil" ads from the period. Dave Shreiner's commentary is, as always, insightful and intelligent.
Hardcover. Chesterfield MA, Chameleon Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Bright salmon cloth, bright salmon flyleaves, color illustrations. dust jacket, 260 pages. 140 color illustrations, 60 in b&w. Considers the life and work of American artist John George Brown (1831-1913). Treats Brown"s overall career and themes; his rural scenes and those of his contemporaries; his masterpiece, a view of New York City"s dockworkers and the subject matter for which he is best known, the New York City bootblack. This is the first lengthy treatment of his life and career. Like new in publishers shrink-wrap.
New York, Standard Oil Co., 1933, Book: Very Good, Dust Jacket: None, Art "The girl or the car", 2-color ad with b&w photos of movie star Clark Gable and MGM starlet Una Merkel. 10" X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1964, Book: Very Good, Color art of Japanese torch bearer done in classic woodcut style by Kovarsky. Celebrating the Tokyo Olympics. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Boston, Houghton Mifflin, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 392 pages, selections from her previous "Dykes to Watch Out For" books plus new material. B&w comic stories throughout.
1930, Book: Very Good, Dust Jacket: None, Portrait of blonde with bob cut. art by McClelland Barclay. 10 1/2 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1962, Book: Very Good, Color art of turkey as the national bird by Kovarsky. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Nostalgia Press/King Features, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Reproduces the Prince Valiant cimic strips beginning with "The Prophesy" of 1937, "The Ogra" (1937-38), "The Fairy Morgana" (1938), "Prince Arn" (1938), "In The Service Of King Arthur" (1938-39), "Knight Errant" (1939), "The Grand Victory' (1939-40).
Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010-06-23, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.
Cincinnati OH, Proctor & Gamble, 1919, Book: Very Good, Dust Jacket: None, Art "Such good strawberry shortcake..." , color art of three ladies eating. Art credit difficult to read but probably John Newton Hewitt. 12 X 15", very good.
1970, Book: Very Good, Color art of two hockey players battling for the puck. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Liveright, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Who could have imagined that in 1972, when Aline Kominsky, a Long Island escapee and bodaciously talented artist, broke her foot one rainy fall day, it would result in the most unique collaboration in comics history? Laid up in her house, she was persuaded by R. Crumb, her nerdy, neurotic boyfriend, to pass the time drawing together a "two-man" comic. The result is a jaw-dropping yet tender account, not only of the joys and challenges of a legendary marriage but also of the obstacles faced by struggling female artists. In Drawn Together, our foremost male-female cartooning couple recall their success at shocking America with Weirdo Magazine, the life-altering birth of their precocious daughter Sophie, and their astonishing move to the safe haven of France. With an irresistible introduction and a striking four-color section, Drawn Together becomes a graphic cause-celebre and a must-have for any comics devotee.
Hardcover. New York , Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. "Christian M. Nebehay, a leading Klimt scholar who knew the artist personally in the last year of his life, places Klimt in the context of the society which he both shocked and delighted. The best of his abundant sketches and the finished paintings which they precede are brought together for the first time, juxtaposed to alllow direct comparison" With 370 illustrations including 135 plates in full color.
Book: Very Good, Dust Jacket: None, Art "Even youngsters recognize the difference", color art of mother handing out sandwiches to kids in snow. Not credited. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1972, Book: Very Good, Color art by Martin of colorful umbrella sitting open in hallway. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages. A rediscovery of one of the most powerful schools of Modernism. On the one hand sensual and warm, on the other rational yet rhythmic, Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature and built forms, so that the one was not dominated by the other but rather embraced by it. The undulating and amorphous buildings of Oscar Niemeyer are perhaps the best known expressions of this philosophy, in which the typical straight line of Europe's Modern home becomes a graceful arabesque. The story of the Brazil Modern house is a tradition, a great flowering of talents and vision and a revealing new experience of Modernism, that until now has not been properly documented. Casa Modernista is the first volume to comprehensively cover this extraordinary architecture. Within its pages is featured not only the work of Niemeyer, but also that of all the most important modern architects of this extremely rich, multifaceted nation, including Affonso Eduardo Reidy, Jorge Machado Moreira, Carlos Leao, Alvaro Vital Brazil, Paulo Mendes da Rocha, Joao Walter Toscano, and Abrahao Sanovicz.
Hardcover. La Fabrica, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 391 pages, profusely illustrated. This excellent catalog contributes a wealth of new information, providing a valuable contribution to our understanding of Man Ray. The treasure trove of images and objects collected here is drawn from the large archives of the Man Ray Trust in Long Island, New York, and includes little known early works, documents and objects from his private life, working drawings and sketches for major works as well as innumerable familiar masterpieces.
Proctor & Gamble, 1958, Book: Very Good, Dust Jacket: None, Look, Mom - Jimmy Ryan. Color art by Norman Rockwell, 10 1/4 X 13 1/2". very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1977, Book: Very Good, Color art of winter from inside a greenhouse by Getz. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enriquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquin Torres-Garcia,Jose Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.
Hardcover. Germany, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. A new pictorial hardcover book with no dust jacket. Text is in German. Features the multimedia works of Robin Rhode, including photography, performance art, film and sculpture..
Hardcover. Munchen GR, Anton Schroll, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 385 pages, b&w plates throughout. Clean copy with a very good dust jacket with minor edge wear. GERMAN TEXT.
1972, Book: Very Good, Color art of a busy singles bar by Getz.8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World" a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King" during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.This volume will be rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies such as a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art. As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.