Art

Softcover. NY, Pantheon, reprints, 1986/1991, Book: Very Good, Dust Jacket: None, Two matching softcover books, illustrated in b&w by Spiegelman, 159, 136 pages. Pulitzer Prize winner. Light shelf wear, clean copies.

Hardcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 208 pages illustrated in color by Carl Barks. A loony balloon, a fraidy falcon, and a new Woodchuck series! Carl Barks delivers another superb collection of outrageous hijinks, preposterous puzzlements, and all-around comics brilliance. Carl Barks's stories of the Junior Woodchucks starring Huey, Dewey, and Louie - written and penciled by Barks with finishes by internationally acclaimed Duck artist Daan Jippes - debut in this volume! Other stories include: When Gyro Gearloose invents a ten-story-tall Donald Duck balloon - bigger than anything ever seen at the Macy's Parade! - Donald decides to take a ride. But Gyro's "new balloon gas" is stronger than he thought it was, and Donald finds himself out of control, sailing higher and higher, until...Then, Huey, Dewey, and Louie try to help a "fraidy falcon" overcome his fear of flying by getting Donald to help, but Donald has his own ideas... Next, somebody's blowing up experimental rockets at the launchpad, and the nephews are on the trail of the spy, but Donald's sure of who it's not - until he finds himself on board the next rocket to blast-off...

Softcover. Melbourne, National Gallery of Victoria, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, profusely illustrated in b&w. The great Francesco Goya was pivotal to the development of European art. His engagement with dreams and fantasy link him to the Romantic era while his skeptical view of society, his questioning of the strictures of the Church and State, reflect Enlightenment attitudes familiar to contemporary viewers. His humane and shocking portrayal and denunciation of war still evokes an understanding and immediate response. This publication looks at the motivations of his art, to shine the light of Reason on human relations, and explores his patrons, his career and the times in which he lived. Clean, bright copy.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages, Catalogue for auction held Sunday, May 4, 2003 featuring American silent films, French travel posters, International posters, books and periodicals. Clean, very good.

Softcover. NY, La Follia , 1st, 1939, Book: Fair, Dust Jacket: None, Softcover 8.25" x 11"; 175 pages. As well as being one of the best known voices of his time, Mr Caruso was also a talented hand at the art of caricature and this volume reproduces hundreds of them from the worlds of entertainment, music, and politics. 276 caricatures organized in five sections: Auto-caricatures, including family; Evolutions and Transformations; Composers and Conductors; Sketches of Some Operas; and Rulers of the World and Celebrities, with photo of the artist on cover in his role as Pagliacci. Includes facsimile and transcript of last letter sent by Caruso to the publisher, Marziale Sisca two days before he died, with English translation. Covers soiled, chipped. Backstrip gone, upper and lower covers are detached and upper cover is damaged.

Softcover. Camarillo CA, About Comics, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. First published in 1934, in the midst of the Great Depression, these cartoons (by Reuben Award winner Otto Soglow, creator of The Little King, working with David G. Plotkin) gives us an insider's view of that difficult time. Even the title is a sign of the moment; in 1932, the Republican Party tried to convince people that, no matter what they saw around them, the Depression was already in the past, putting "Wasn't the depression terrible?" in big letters in newspaper ads and on billboards along commuter corridors in the northeast. (This failed to convince the Depression to go away.)Content note: This material includes common racial and social caricatures of its day, some of which will be considered inappropriate by modern audiences. Clean, like new.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 179 pages. From the prizewinning Jewish Lives series, a meditation on the deeply Jewish and surprisingly spiritual roots of Stan Lee and Marvel Comics Few artists have had as much of an impact on American popular culture as Stan Lee. The characters he created--Spider-Man and Iron Man, the X-Men and the Fantastic Four--occupy Hollywood's imagination and production schedules, generate billions at the box office, and come as close as anything we have to a shared American mythology. This illuminating biography focuses as much on Lee's ideas as it does on his unlikely rise to stardom. It surveys his cultural and religious upbringing and draws surprising connections between celebrated comic book heroes and the ancient tales of the Bible, the Talmud, and Jewish mysticism. Clean copy.

Softcover. Archie Comics, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in color by Bob Montana. Clean, very good. This volume moves Archie into perhaps the era that Archie is most associated with, especially by early baby-boomers; the era when Rock-n-Roll first made its influence known on Archie and the gang...the era of sock hops, malt shops and cruising. This trade paperback highlights the entire Archie gang in a collection of hilarious and nostalgic stories, brimming with 1950's allure.

Softcover. Seattle WA, Fantagraphics Books, reprint, 2009, Book: Very Good, Dust Jacket: None, 126 pages. Softcover. Extensive color and b&w illustrations by R. Crumb throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 240 pages, profusely illustrated in color and b&w. Quarter cloth with pictorial paper-covered boards. Like new in publishers shrink-wrap.

Softcover. Berkeley CA, Shambhala, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, red & green patterned wraps. 142 pages with primarily b&w plates, select color & color frontispiece. Clean copy.

Softcover. Montclair, NJ, Montclair Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 111 pages 49 b&w plates and 4 color plates, along with a catalog of works from the exhibit at the Montclair Art Museum from October 24 - November 28, 1971. Includes a biographical introduction. Overall, a good clean copy, pages unmarked.

Hardcover. New York, Abrams ComicArts, 1st, 2011, Book: Very Good, Dust Jacket: None, 176 pages. Hardcover. Extensive color illustrations by George Herriman throughout. Illustrated end papers and paste downs. Clean, tight copy. Krazy Kat & the Art of George Herriman is a tribute to one of the most influential and innovative comic strips and creators of all time. This unique collection of rare art, essays, memorabilia, and biography highlights the career of the first genius of comics, George Herriman, and his iconic creations, Krazy Kat and Ignatz Mouse. During its 31-year run, Krazy Kat was enormously popular with the public, as well as influential writers, artists, and intellectuals of the time. This book includes original essays by Jay Cantor, Douglas Wolk, Harry Katz, Richard Thompson, Dee Cox (Herriman's granddaughter), Craig McCracken, Bill Watterson, and authorized reprints of two seminal essays on Herriman by Gilbert Seldes and E. E. Cummings, alongside newly discovered vintage essays by TAD, Summerfield Baldwin, and Toots Herriman. With Krazy Kat & the Art of George Herriman, Craig Yoe reveals this influential artist and writer for a whole

Hardcover. US, Archie Comics, 1st, 2013, Book: Very Good, Dust Jacket: None, 157 pages, illustrated throughout in color. Light shelf-wear to boards with slight bump to lower edge of spine. Clean, tight copy. A beautifully designed celebration of over 70 years of comic book covers featuring America's reigning cartoon high school icons: Archie, Betty, Veronica and friends. Featuring beautiful full-color artwork by fan favorite artists Dan DeCarlo, Harry Lucey, Bob Montana, Dan Parent and many more in a deluxe, oversize hardcover edition, The Art of Archie: The Covers goes behind the scenes on the all-time best comic book covers in Archie's history with an insider's look at their inspiration, creation and ongoing cultural legacy.

Hardcover. London/NY, Bloomsbury, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, decorated orange boards with silver stamping; in clean, crisp dust jacket with just a touch of shelfwear. Cartoonist and British national treasure Ralph Steadman's unique take on a variety of extinct birds. Ralph documents them all in this series of remarkable paintings, featuring unique interpretations of well-known birds such as the Great Auk, Passenger Pigeon and Dodo, along with less familiar members of the feathersome firmament. Text by Ceri Levy. DOMESTIC SHIPPING ONLY.

Softcover. New York, Abbeville, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 154 pages, color illustrations throughout. Very light wear to corners. Else a very clean, tight copy. Mary Cassatt's paintings and prints have long been treasured as some of the finest examples of Impressionist art. A rebel by the Victorian standards of her time, Mary Cassatt moved from the art schools of staid Philadelphia to the boulevards of Paris, where the young Impressionist movement was flourishing. Degas, her friend and mentor, encouraged her involvement in the new art movement.Cassatt's luminous, observant, and innovative works-chiefly interiors with women and children-helped define Impressionism and have been compared to Raphael's paintings for their beauty and dignity. Frank Getlein, noted art critic and historian, has selected 72 of Cassatt's finest works, each reproduced here in full color. His accompanying text relates the intimate details of her life to her paintings while clearly defining her relation to fellow artists and her place in modern art.

Hardcover. New Haven, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 304 pages illustrated in color and b&w. A thought-provoking examination of the challenging and sometimes sinister roles that fashion has played in the history of cinema.

Hardcover. New York , Grosset & Dunlap, 1st, 1946, Book: Very Good, Dust Jacket: None, Unpaginated, a collection of over 250 b&w cartoons by artists like Syd Hoff, Ali, Garrett Price, Soglow, Dave Breger, and many others. Illustrated cardboard covers with light wear.

Hardcover. Seattle, Fantagraphics, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. Meticulously and lovingly restored, this Eisner Award-nominated series showcases one of the most renowned and celebrated comic strips in the art form's history. This exquisite, generously sized volume finishes up the 1920s collecting the acclaimed and groundbreaking Krazy Kat Sunday strips in an archival hardcover edition. Volume 5 in the series. Mostly b&w, some color. A bright, clean copy.

Softcover. NY, Reporter Publications, Inc., 1957, Book: Very Good, Dust Jacket: None, Softcover magazine. Articles on Elvis with drawings by Felix Topolski, Sugar Ray Robinson, Maria Callas, touring cars, building your own golf course, writing by W. Eugene Smith, James Beard, and others. And men's fashion, of course. Red spine faded. Clean.

Softcover. London, Tate, 1st, 2012, Book: Very Good, Dust Jacket: None, 208 pages. Softcover. Color and black and white pictures throughout. Light edgewear to wrappers.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. Cloth 3/4 spine cover with gilt lettering, with silver foil decoration and illustration on front. Remainder mark on bottom page block, Clean, otherwise unmarked copy with only minor wear to corners.

Softcover. New Haven, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Explores the various uses of images with and without text in the work of over thirty artists from around the world. B&w illustrations.

Hardcover. New York, Knopf, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. Brings together for the first time the artist's extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs--his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist's extraordinary output.

Hardcover. Ciudad de Mexico, Frente de Afirmacio?n Hispanista, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages, 23 overhead transparencies in an envelope laid in. Text in English and Spanish. Translated by Henry Hinds. Introduction by Fredo Arias De La Canal. Color plates throughout,

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, 256 pages, 163 color plates, roughly 150 figures, most in color. 4to, cloth. The full range of Hockney's portrait work in all media - painting, drawing, photographs, and prints - from the past 50 years is given a thorough overview in this well-illustrated exhibition catalogue. Featured subjects include members of Hockney's family and private circle, as well as portraits of artists and cultural figures.

Softcover. Santa Fe, Museum of New Mexico Press, 1st revised, 2003, Book: Very Good, Dust Jacket: None, Softcover, pages. Maria, the potter of San Ildefonso (1887-1981), is not only the most famous of Pueblo Indian potters but ranks among the best of international potters. Her work Is collected and exhibited around the world, and more than any other artist, Maria Martinez brought "signatures" to Indian art. She and other members of her family revived a dying art form and kindled a renaissance in pottery for all the Pueblos. She raised this regional art to one of international acclaim. This lavishly illustrated book draws from Spivey's 1979 classic work. Featuring entirely new photography and 120 added pots as well as a significantly expanded text, this volume considers the entirety of this artist's immense oeuvre and important works and developments in her collaboration with Julian, and after his death, with her daughter-in-law Santana, son Popovi Da, and grandson Tony Da, bringing the legacy of Maria into the bright future of Pueblo ceramics.

Hardcover. Los Angeles, CA, Aperient Press, 4th printing, 2001, Book: Very Good, 220 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Many full color illustrations and black & white sketches throughout. Tight copy. Yes, that's right, this fancy hardcover book reproduces tons of Coop's posters and stickers and thangs, all in color. Step right up. "While illustrating record covers and ads for Long Gone John Mermis of Sympathy for the Record Industry, Coop made the acquaintance of the popular poster artist Frank Kozik. With Frank's influence, Coop set off in a career direction that eventually put him on the same level enjoyed by the psychedelic poster artists (Griffin, Moscoso, Kelley & Mouse, etc.) three decades earlier. Doing poster work with name bands, like Rocket From The Crypt, Soundgarden, Nirvana, and the Lords of Acid, elevated Coop's public visibility, and with it his recognition. . But the number one, singular form of expression that regurgitated his name from ear-to-ear was his aptitude for emblematic imagery which began showing up on stickers. Common is the sight of plump female figures, in coy positions (sometimes femme devils), as pressure sensitive stickers, glaring off the back window of some young gentleman's primer grey old car (and a lot of new cars too). It is with this kind of exposure that the name Coop has come to typify art for many people who simply like visual stimuli. And, of course, this visual voice speaks just as clearly (but more permanently) in the form of tattoo design. As I mentioned in the beginning, Coop doesn't exploit the occult metaphysics of satanic malarkey. Why should he? This gifted wonder-boy is the devil himself." - from the forward by Robert Williams

Hardcover. New York , Museum of Modern Art, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 238 pages, 150 color and b&w illustrations. 4to, boards. New Exhibition also at the Tate Modern, London, the Los Angeles County Museum of Art, and the Salvador Dali Museum, St. Petersburg, FL.

Hardcover. Milan, Baldini Castoldi Dalai Editore Inc, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages, photos in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Recounting the 30 years that turned Giorgio Armani into an international fashion icon, this investigation of the man and the myth he built around himself explores how he maintained a distinct identity in an industry built upon rapid changes. Written with the designer's cooperation and access to his personal archives, Armani's story is accurately rendered, from his modest beginnings and early home environment to the influences and colleagues who helped build his name. Yet ultimately, this is the story of a man with an innate sense of style and unmatched entrepreneurial strategy, both of which allowed him to create a new way of thinking--an aesthetic genre that went beyond a world of appearance and clothing--that single-handedly changed the face of fashion forever.

Softcover. Seattle, Fantagraphics, 2nd printing, 2006, Book: Very Good, Dust Jacket: None, 147 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers.

Softcover. New York, Faber & Faber, 1st, 2002, Book: Very Good, Dust Jacket: None, 342 pages. Softcover. Light edgewear to wrappers otherwise Clean, unmarked copy in very good condition.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 280 pages. Our big-eared hero is back with more edge-of-your-seat adventures: traveling from Umbrellastan to Texas - and duking it out with villains like Dr. Vulter, Pegleg Pete, and malicious miser Eli Squinch! In this volume, you'll saddle up for Gottfredson's two most famous Wild West epics: a "Race for Riches" amid rockslides and rustlers, then a dead-shot showdown with the brutal "Bat Bandit!" Back home in Mouseton, the mayhem continues when Mickey, Donald, and Goofy run a crime-fighting newspaper - and face trouble with mobsters and speeding black sedans!

Softcover. New York, Nantier Beall Minoustchine, 1st, 1987, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. First volume of reprinting, covering 1924-1925. With an introduction by Bill Blackbeard. An unmarked, clean and tight copy with only light edge wear to wrappers.

Hardcover. London, Chartwell Books, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover. Extensive b&w photography throughout. Slight edge wear, otherwise clean, tight copy. Many photos of old saloons, both interior and exterior shots. From Alaska, Arizona, California, Minnesota, Texas, and all over the country.

Hardcover. UK, Book Sales, reprint, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 319 pages. A visual survey of all forms of propaganda used by Allied and Axis powers immediately before and during World War II.

Hardcover. New York, Riverhead Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. Very clean, unmarked copy with very minor wear to dust jacket edges. This lavish full-color collection showcases more than a quarter century of Blitt's work: his wry and provocative New Yorker covers. Featuring the author's hand-scrawled annotations and self-deprecating witticisms, more than one hundred never-before-seen sketches and drafts.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Titian (Tlziano Vecellio, c. 1488/90-1576) was an outstanding painter of the Renaissance. An Ideal introduction to Titian's life and work for the general reader and scholar alike. Places Titian's career and work into the social and historical context of sixteenth-century Italy and explores his approach to a number of themes.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 199 pages. The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism. Still sealed in publisher's shrinkwrap.

1918, Color art of child on knees praying by Jessie Wilcox Smith. 8 1/4 X 11 1/2". Two mild scratches. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Gilt titles on spine and cover. Like new in publisher's shrink-wrap. No dust jacket issued. Examines the life and work of possibly the most celebrated religious painter of the Italian Early Renaissance, Fra Giovanni da Fiesole, known as Fra Angelico. From the delicate altarpieces to the serene frescos in the monastery of San Marco in Florence, this book discusses the context of the time and places in which his works were created.

Softcover. Chicago, Bijou Publishing Empire, 2nd pr., 1972, Book: Very Good, Dust Jacket: None, Softcover, 32 pages with semi-glossy color covers, and b/w interior. Cover by Robert Crumb. Stories and art by Robert Crumb, Jay Lynch, Justin Green, and Skip Williamson. Saddle-stapled wraps. Light shelfwear.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Edited and designed by Dean Mullaney with an Introduction by Mark Waid, the first book in IDW's The Library of American Comics' Superman Sundays series collects 170 sequential Sunday pages that have never been reprinted. These classic comics, beginning May 9, 1943 and continuing through August 4, 1946, fill another major gap in the Superman mythos.

Hardcover. Seattle WA , Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 191 pages. Hardcover. Extensive color illustrations by Don Rosa throughout. Includes appendix of color comic book covers by Don Rosa. Clean, tight copy in excellent condition. Uncle Scrooge, the world's richest duck, knows exactly where he got every coin he ever earned. And in this fourth book of Duck epics by Don Rosa, that story begins to unfold at last! Relive Scrooge's Scottish boyhood as Last of the Clan McDuck,then his teenage years as Master of the Mississippi on Uncle Pothole's steamboat! Witness Scrooge's first fights with the Beagle Boys and Flintheart Glomgold and in a bonus chapter, his earliest meeting with Magica De Spell! Presented with brilliant color and a treasure trove of Rosa's cover art and behind-the-scenes factoids, these Duckburg epics are back in a definitive, comprehensive edition.

Hardcover. NY, Abrams, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, off-white cloth over boards; b&w image on front cover and black lettering on spine; 200 pages. 52 color, 240 b&w plates and figures. Includes a chronology of Brancusi's life, as well as an essay, by Geist; Wonderfully illustrated and with a tipped-in plate opposite the title page. Lacks dust jacket.

Hardcover. London, Little, Brown UK , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, lavishly illustrated in color. This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

Hardcover. San Diego , IDW Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 187 pages. Hardcover. Extensive color illustrations by Wayne Boring. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Rebellion, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages, mostly b&w, some color. Charts the stratospheric rise of romance comics in postwar Britain with a selection of the greatest romance comics ever printed in the UK. Featuring an eclectic mix of artists from Spain, Italy, and the UK, this collection unearths the sensual art and emotional writing which delighted generations of comics readers. Featuring over 50 comics stories - many of which have never been reprinted before - this lavish book is a stunning tribute to the often uncredited creators who crafted an industry of love. Clean copy.

Hardcover. Hermes Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Here we have the third volume of the complete reprinting of Buck Rogers dailies. This volume picked up where the last one left off, reprinting the next 6 stories: "Beneath the Greenland Ice Sheet" (5/16/32 to 8/29/32), "Asterite Invaders" (8/30/32 to 2/24/33), "The Great Wolves of Jupiter" (2/25/33 to 6/22/33), "In the City of Floating Globes" (6/23/33 to 9/1/33), "Depth Men of Jupiter" (9/2/33 to 11/8/33), "Tika of the Tidegates" (11/9/33 to 1/20/34). As in previous volumes, there is an introductory article, this one by Flint Dille, the current head of the Dille Family Trust, which owns the Buck Rogers property.

Hardcover. New York, Doubleday, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages, b&w cartoons by Chon Day. The second collection of Brother Sebastian cartoons which ran in Look Magazine. Dust jacket with light edge wear, price clipped. Previous owner's inscription on front fly leaf.