Art

Winston Salem NC, R.J. Reynolds Co., 1933, Book: Very Good, Dust Jacket: None, Art "The tobacco in camels is certainly much the best", color photo of diners at rooftop restaurant of the Saint Regis Hotel in New York. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color art by Mihaesco of long lines outside cinema. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Milwaukee WI, Palmolive Company, 1920, Color at by Neysa McMein, "Re-Incarnation of Beauty", from The Delineator 2/1920. 11 X 13", very good. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Lansing MI, General Motors, 1932, Book: Very Good, Dust Jacket: None, Art "Oldsmobile now offers a host of important..", color art unsigned but probably Ronald McLeod. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. Palo Alto CA, Jim Vadeboncoeur, 1st, 2003-14, Book: Very Good, Dust Jacket: None, Seven softcover magazines, all 40 pages each, filled with lavish reproductions of illustrations from the early 20th Century.

Hardcover. NY, Rizzoli International, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 296 pages in color. Interior designer Nancy Braithwaite s long-awaited first book is a striking tutorial in the power of simplicity in design. In the world of interior design, Nancy Braithwaite is known for her single-minded devotion to the principle that has guided her work for more than forty years: simplicity. Braithwaite s work is luxuriously minimalist, its beauty inextricably tied to its Shaker-like purity. While her work varies from art deco to country, the underlying rules remain the same: every element should strive to be simple and powerful without compromise, and every room must have a level of power that comes from commanding scale, repetition of elements, subtleties of color, or the sheer beauty of forms. Clean copy. DUE TO WEIGHT DOMESTIC SHIPPING ONLY.

1909, Book: Very Good, Two-color art by Edward Penfield. 10 X 14", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Knopf, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, b&w cartoons by Feiffer, mostly political, in a bright dust jacket.

Softcover. NY, Rosenberg & Stiebel, Inc., 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, illustrated throughout with photos in b&w. Pictorial stiff wrappers. Light wear and rubbing to edges and slightly foxed spine, else a very nice, tight copy. Good scope to text and examples: Mounts and corner mounts on all manner of furniture and decorative arts.

Hardcover. Boston, David R. Godine, 1st US, 2002, Book: Very Good, Dust Jacket: None, Hardcover, oblong volume, 128 pages. The much-admired English artist enjoyed adding artistic touches to letters he sent to friends, and this collection displays some of these delightful drawings. With examples throughout in color and black and white, as well as at endpapers. No dj issued, clean copy.

Hardcover. San Francisco , Pomegrante Artbooks, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, XV pages + 36 plates in full color. Light blue cloth, blue pictorial dust jacket. Light edgewear to jacket, else like new

Minneapolis MN, Washburn Crosby Co., 1911, Book: Very Good, Dust Jacket: None, A nicely designed recipe for bread. Two-color photo of a woman baker with directions and illustrations on each side. Would make a wonderful framed poster for the kitchen. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. China, Moko Press , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover with dust jacket. SIGNED BY AUTHOR with illustration on title page. Extensive color illustrations throughout. 65 out of 500 printed. Clean, unmarked copy with only minor wear to dust jacket.

NY, Roto Vision for the Art Directors Club, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 568 pages, colour & b/w illustrations. Cover & section designs by Kit Hinrichs. Hall of Fame features on Rudolph de Harak & Raymond Loewy. Includes work by David Carson, Tocani, Massimo Vignelli, Michael Bierut, Seymour Chwast, Pushpin, Woody Pirtle, Paula Scher, Stefan Sagmeister, April Greiman, Milton Glaser, Trickett & Webb, Ivan Chermayeff, Andy Warhol, Irving Penn, Henry Wolf, Tibor Kalman, Chip Kidd, Art Spiegelman, Joe Pytka, Adrian Lyne, David Bailey, David Lynch, John Rushworth, David Hillman, Alan Fletcher, Marcello Minale, Bruce Duckworth, Mary Lewis, Derek Birdsall, Mervyn Kurlansky, among others. Clean.

Hardcover. France, Editions du ChIne, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black & white and color photographs throughout.

Softcover. Fairfield CT, Cartoonist Profiles, 1982, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on the annual editorial cartoonist convention, Al Hirschfeld, comic strip balloons by Jack Markow, Karl Hubenthal, British cartoonist Clive Collins, editorial cartoonist Mike Keefe, others.

Hardcover. Secaucus NJ, Chartwell Books, 1st US, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn and chipped dust jacket. Catalogue of the posters by Gloria Picazo. 119 posters reproduced in full color. 269 pages. Thick 4to, beige boards. Inscription on front fly leaf, therwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Montreal/NY, Drawn and Quarterly, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, unpaginated. Lulu Moppet is an outspoken and brazen young girl who doesn't follow any rules. A reissue series of Lulu's suburban hijinks: she goes on picnics, babysits, and attempts to break into the boys' clubhouse again and again. The cartoonist John Stanley's expert timing and constant gags made these stories unbelievably enjoyable, which made Marge's Little Lulu a defining comic of the postwar period. First released in the 1940s and 1950s as Dell comics, Little Lulu as helmed by Stanley remains one of the most entertaining works in the medium.

Hardcover. Washington, Prestel, 1st, 2016, Book: Very Good, Dust Jacket: None, 288 pages. Softcover. Very clean, like new in publishers shrink-wrap. This book pays tribute to the mature work of Stuart Davis, a distinctly American artist who adapted European modernism to reflect the sights, sounds, and rhythms of popular culture. Beginning in 1921, a series of creative breakthroughs led Davis away from figurative painting and toward a more abstract expression of the world he inhabited. Drawing upon his admiration for Cezanne, Leger, Picasso, and Seurat, Davis developed a style that would evolve over the next four decades to become a dominant force in postwar art. His visionary responses to modern life and culture both high and low remain relevant more than 50 years after his death. Focusing on the images and motifs that became hallmarks of his career, this book features approximately 100 works-from his paintings of tobacco packages of the early 1920s, the abstract Egg Beater series, and the WPA murals of the 1930s, to the majestic works of his last two decades. The authors take a critical approach to the development of Davis's art and theory, paying special attention to the impact his earlier work had upon his later masterpieces. They also discuss Davis's unique ability to assimilate the lessons of Cubism as well as the imagery of popular culture, the aesthetics of advertising, and the sounds and rhythms of jazz-his great musical passion. Informed by previously unpublished primary documents, the detailed chronology is, in effect, the first Davis biography. Together, these elements create a vital portrait of an artist whose works hum with intelligence and energy.

Hardcover. Los Angeles, CA, Ward Ritchie Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Published to accompany an exhibition at the Pasadena Art Museum. Features writings by the artist, including his proposals for monuments, as well as illustrations (mostly black/white, few color) of his sculptures and drawings. Also contains chronology of the artist's life and work. Cloth bound book is in very good condition. Dust jacket has some scratches/wear.

Hardcover. London, White House Editions, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages. b&w and color photos throughout. Beautifully illustrating the art of the Circus, with thematically arranged chapters. Rare. Folio. Red cloth, gilt lettering to spine and front cover. Original slip case decorated by Fred Fowle. Minor wear to slip case opening edge, still very good copy, DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Salt Lake City, Peregrine Smith, Inc, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Green cloth cover with gilt lettering to spine, color illustrated dust jacket, 256 b&w plates, some in color. Light wear to dust jacket; overall a tight, clean copy.

Hardcover. New York, D.T. Valentine, N/A, 1856, Book: Very Good, Dust Jacket: None, B&w lithographic print of New York street scene for a proposed pedestrian overpass on Broadway, allowing horse-drawn vehicles to pass underneath. Image size 9 1/2" X 6 1/2", with matte 10 X 12". Two vertical creases where it was once folded. Matte has light soiling.

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. As the 1970s wind down, the last two recurring Peanuts characters have fallen into place: Snoopy's brother Spike and the youngest Van Pelt sibling, Rerun. But that doesn't mean Schulz's creativity has diminished. For instance, in an epic five-week sequence, when Charlie Brown, found guilty by the EPA of biting the Kite-Eating tree, he goes on the lam and ends up coaching the "Goose Eggs," a group of diminutive baseball players, Austin, Ruby, Leland, and -did you know there was a second Black Peanuts character, aside from Franklin?-Milo. Also: a tennis-playing Snoopy ends up reluctantly teamed with the extreme Type "A" athlete Molly Volley... who then reappears later in the book, nowfacing off against her nemesis, "Crybaby" Boobie. All in addition to the usual cast of beloved characters.

Hardcover. New York, E. P. Dutton, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages, b&w illustrations. White cloth spine, red boards. Pictorial dust jacket. For-edge rough cut. Light wear to edges and covers, slight bump to lower edge of spine, else a very nice, tight, clean copy.

Hardcover. Marina del Rey, CA, Graystone Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover. Printing limited to 5000 copies. 113 pages. B&w and sepia photographs throughout. Sepia photo plate on front of ivory cloth cover. Light soiling and rubbing to back cover. Light edgewear to cover. Else a nice, clean copy. A collection of images by De Meyer of his wife Olga who was rumored to be the daughter of Edward VII.

Softcover. Minneapolis, MN, Zenith Press, 1st, 2004, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. The Marines of Operation Iraqi Freedom highlights the human side of war, the day-in-the-life of U.S. Marines stationed in that volatile region. Dramatic, harrowing, and simply unbelievable images of the marines of Operation Iraqi Freedom, personal letters, and stories of coping with the pain of separation from their families and the horrors of war. Russ Bryant's photography chronicles every aspect of the daily lives of these marines: lazy camels amble by a cargo drop; blinding sandstorms threaten to blow away tents, supplies, and marines alike; Scud missile attack sirens send marines scuttling to their bunkers; sniper fire crisscrosses marine convoys moving into Iraq; tanks and bombs topple the portraits of Saddam that seem to loom over every Iraqi village; shelled-out tanks, armored vehicles, and even busses litter the road on the way to Baghdad; medical personnel attend to fallen marines and prisoners alike; the occasional silent interlude allows time for prayer and remembrance.

1933, Book: Very Good, Color art of woman in profile wearing headscarf playing the accordian by Herbert Paus. 9 X 12", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. New Haven CT, Yale School of Architecture/Norton, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 194 pages illustrated in color and b&w. The fifth in a series documenting the Edward P. Bass Visiting Fellowship in Architecture at Yale, this book chronicles the collaboration of Fellow Chuck Atwood, the former vice chairman of Harrah's board of directors, with Davenport Visiting Professor David M. Schwarz, assisted by Brook Denison and Darin Cook. Focusing on Las Vegas's lack of pedestrianism, they asked the students to investigate vital urban sites around the world and then apply theses lessons learned to the automobile-centric Strip. The students met with Las Vegas Mayor Oscar Goodman, Harrah's CEO Gary Loveman, and private-equity managers David Bonderman and Marc Rowman as they devised ways to transform the world's premiere themed playground into a livable and pedestrian-oriented city. Documents the development of plans for a campus of resorts on the Las Vegas Strip by a studio of ten Yale students. Clean copy.

Hardcover. Washington, DC, National Gallery of Art, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Exhibition catalog. Hardcover, 331 pages, illustrated throughout in color and b&w. Remainder mark on bottom edge, otherwise like new.

Hardcover. New York, Gallery Books, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, 390 pages, illustrated throughout in color. INSCRIBED BY YOSHIDA on half title page. Large, very heavy book. Light shelf-wear to dust jacket. Clean, tight copy.

1904, Book: Very Good, Color art of a Gibson Girl dressed as a Revolutionary soldier by Charles Dana Gibson. 8 X 10 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, McGraw-Hill , 3rd pr., 1992, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. 191 b&w figures. An in-depth look at the history of ornamental ironwork and ironworkers in American architecture. Well illustrated with many photos. Clean copy.

Hardcover. New York, Clarkson N. Potter, inc., 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 246 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Just a little yellowing to dust jacket flaps, otherwise very clean inside and out. In very good condition.

Softcover. NY, Frank Tousey, 1st, 1909, Book: Fair, Dust Jacket: None, Stapled wraps in color, worn, chipping, short tears to margin, chipping of cover but not affecting image. Cover art is bright. Owner's name written in ink above masthead. 30 pages, cheap pulp paper. Offered for cover art.

Hardcover. US, Thames & Hudson, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 247 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Lucian Freud, perhaps the world's leading portrait painter, spent seven months painting a portrait of the art critic Martin Gayford. Gayford describes the process chronologically, from the day he arrived for the first sitting through to his meeting with the couple who bought the finished painting, and he vividly conveys what it is like to be on the inside of the process of creating a work of art. As Freud completes his portrait of Gayford, so the art critic produces his own portrait of the artist, giving a rare insight into Freud's working practice. Through their wide-ranging conversations, the reader learns not only about Freud's choice of models, lighting, setting, pose, and colors, but also about his likes and dislikes, his encounters and experiences, and the ways in which he approaches his relationship with each portrait subject. Gayford records Freud's observations on the work of Michelangelo, Vermeer, Titian, Chardin, Goya, van Gogh, Mondrian, and his great contemporary Francis Bacon. The book is full of revealing anecdotes about the people Freud has met in the course of his long career, including Max Ernst, Man Ray, Pablo Picasso, Henry Moore, George Orwell, W. H. Auden, Greta Garbo, and his grandfather Sigmund Freud.

Hardcover. Giles , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with a color illustration label, 64 pages. Marking the 350th anniversary of the death of Rembrandt van Rijn, this fourth volume in the Frick Diptych series offers fresh insight into one of the artist's most romantic and enigmatic portraits-The Polish Rider. This painting has been on view at The Frick Collection since the museum opened to the public in December 1935, and has inspired countless theories about its subject, meaning and history. An illuminating essay by Xavier F. Salomon, the Frick's Peter Jay Sharp Chief Curator, addresses the many questions of provenance, attribution, and historical and artistic context. In a creative, vibrant piece, New York based author and illustrator Maira Kalman, captures the elusive nature of the painting; an imaginary musing about Rembrandt, being Polish, a traveller, and her enduring fascination with the Frick. Still in publisher's shrinkwrap.

Hardcover. NY, Abrams, 1st , 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of Pierre Matisse, his father, Henri Matisse, his gallery in NY and the European artists he introduced to America. 415 pages. Color, black & white illust. Dj price clipped.

Hardcover. Slovenia, SAF Comics, 1st English Ed,, 2004, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 58 pages illustrated in color.

Hardcover. New York , Metropolitan Books, 1st US, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 191 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. Over the past decade, Joe Sacco has increasingly turned to short-form comics journalism to report from conflict zones around the world. Collected here for the first time, Sacco's darkly funny, revealing reportage confirms his standing as one of the foremost war correspondents working today. Journalism takes readers from the smuggling tunnels of Gaza to war crimes trials in The Hague, from the lives of India's "untouchables" to the ordeal of Saharan refugees washed up on the shores of Malta. And in pieces never published before in the United States, Sacco confronts the misery and absurdity of the war in Iraq, including the darkest chapter in recent American history-the torture of detainees.

Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.

Hardcover. Koln, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, without dustjacket, as issued. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.

Hardcover. Paris, Casterman, 1st, 1979, Book: Very Good, Dust Jacket: None, 48 pages. Hardcover with no dust jacket. Laminated cover boards. FRENCH TEXT. Clean, tight copy with comics drawings by Gilles Chaillet.

Hardcover. Cambridge MA, Harvard University Press , 1st, 1982, Book: Very Good, Dust Jacket: None, Two volumes in a cloth slipcase, 336, 356 pages. Illustrated throughout with color and b&w plates. The Ailsa Mellon Bruce Studies in American Art, published for the National Gallery of Art. Some soiling and browning to the white cloth part of the two-color covers. No dust jackets issued, nice rust-color slipcase. Overall very good.

Softcover. Los Angeles, Getty Conservation Institute, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 138 pages illustrated in color. As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as for figural scenes depicting the interests and activities of the patrons who commissioned them--scenes of daily life, athletic contests, gladiator spectacles, and classical literature and mythology.Abundantly illustrated throughout, Tunisian Mosaics: Treasures from Roman Africa offers the general reader a lively introduction to this extraordinary ancient art. Initial chapters survey the historical background of Roman Africa and discuss the development of mosaic art in the Mediterranean. Subsequent chapters profile Tunisia's major mosaic sites and tour the collections of important museums. A final chapter surveys current initiatives to preserve this heritage for future generations. Clean copy.

Softcover. New Haven, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Large softcover, 287 pages, b&w and color illustrations throughout. A very clean, tight copy. Published on the occasion of the exhibition at the Frances Lehman Loeb Art Centre, New York. Illustrated card covers with long inside flaps, minimal wear. An exhaustive compilation of the best graphic work of Steinberg covering his life in advertising, graphic design and fine arts.

Softcover. Toronto , Dragon Lady Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 70 pages of b&w Little Orphan Annie strips: (9/3/45- 2/9/46). Clean, very good.

Softcover. NJ, Montclair Art Museum, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 90 pages. 85 illustrations (41 color). Checklist of 54 exhibits, including 34 works by Bierstadt (28 paintings and oil sketches, 3 sketchbooks, 1 chromolithograph, and 2 stereographs). Foreword by Patterson Sims; Introduction, "The Return of History: America Rediscovers Albert Bierstadt" by Linda S. Ferber; "The Story of the 'Plainfield Bierstadts': Shifting Perspectives, Changing Times" by Diane P. Fischer; "Autumn in the Sierras: A Remote Location Revealed" by John Zielenski; "A Cherokee Artist Looks at The Landing of Columbus at San Salvador" by Kay Walkingstick; chronology; bibliography.

Softcover. Reunion des Musees Nationaux, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. FRENCH TEXT. Illustrated in b&w, some color. Clean, bright copy.