Art

Hardcover. Paris, Casterman, reprint, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 68 pages illustrated in color by Rossi. Clean, very good. FRENCH TEXT.

Softcover. Berkeley, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 536 pages. Illustrated in color and black-and-white. A landmark study of California's visual arts and poetry, 1925 to 1975, Utopia and Dissent demonstrates the profound influence this regional culture had on American art and thought. Bookselle's label on rear cover, wrinkle to page 513, otherwise clean, very good.

Hardcover. Naples, Banco Di Napoli, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 542 pages, Illustrated in color and b&w. Clean and tight copy.

Softcover. New York, Museum of Modern Art, First Edition, 1987, Book: Very Good, Dust Jacket: None, 344 pages. Softcover published on occasion of the exhibition by the same title, touring various locations including the Museum of Modern Art, February 12 - May 5, 1987. Full page, full color and bw illustrations throughout. Frontis illustration, Twittering Machine, 1922. Light toning to spine. Otherwise clean, unmarked copy.

Softcover. New York, Pantheon Graphic Library, reprint, 2003, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light edgewear to cover wrapper. Color comics throughout by Chris Ware. Clean, tight copy. This first book from Chicago author Chris Ware is a pleasantly-decorated view at a lonely and emotionally-impaired "everyman" (Jimmy Corrigan: The Smartest Kid on Earth), who is provided, at age 36, the opportunity to meet his father for the first time. An improvisatory romance which gingerly deports itself between 1890's Chicago and 1980's small town Michigan, the reader is helped along by thousands of colored illustrations and diagrams, which, when read rapidly in sequence, provide a convincing illusion of life and movement. The bulk of the work is supported by fold-out instructions, an index, paper cut-outs, and a brief apology, all of which concrete to form a rich portrait of a man stunted by a paralyzing fear of being disliked.

Softcover. New York, Solomon R. Guggenheim Museum, 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 288 pages, illustrated throughout in b&w. Light edgewear and rubbing to wrappers. Slight tanning and foxing to pages, else a clean, tight copy.

Hardcover. NY, Golden Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, A book of essays and cartoons given out by Volkswagen dealers to their customers. Contributions by artists and writers such as Charles Addams, Harry Golden, William Steig, Jean Shepherd, Virgil Partch, George Price, Roger Price, Charles Saxon and others. Photos of a number of the contributors. Clean copy.

Hardcover. NY, Nostalgia Press], 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, A complete story reprinted as it originally appeared in the newspaper comic strips of 1938, b&w illustrations. No. 7 in the publisher's Golden Age of the Comics series. Dust jacket with chunk gone from front top edge.

Hardcover. Camden SC, Briar Patch Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 200 pages, illustrated in color and b&w. Oblong folio, 11 X 12, embossed blue cloth binding stamped in gilt. Dust jacket has some fading to colors at the edges. Book is clean, very good.

Softcover. Allworth Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Ranging from earthworks to conceptual art, this illuminating read offers an integrated view of all the significant artistic developments of one crucial decade, the extraordinary explosion that occurred between 1965 and 1975. The author, a leading art critic, focuses a new lens on this radical movement, showing the nuances that defined Minimalism in its various phases, as characterized by the inflected object, the disintegrated object, the ironic object -then the transition from the object to architecture, space, landscape, cityscape, body, performance, and conceptual art. No other account has documented in such detail the scope and impact of this artistic revolution, which the author argues spanned all mediums and pushed every aesthetic possibility of Minimalism to an extreme.

Softcover. New York, American Art Association, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover. 150 pages. Reprint of 1926 auction catalog. Orange wrappers with black titles, perfect binding, profusely illustrated with b&w plates, foreword by Dana H. Carroll. Slight rubbing to covers; a very clean, tight copy.

Hardcover. Antwerp/Paris, Fonds Mercador/Alpin Michel, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages, color and b&w illustrations. Slipcased. Text in Dutch. Original illustrated dustjacket over white quarter paper and black cloth with gilt-stamped lettering on spine and initials on cover. Black illustrated endpapers. Two frontispieces, a Masereel woodcut and 1923 self-portrait woodcut. Sound monograph profusely illustrated with 284 mostly b/w Masereel woodcuts and drawings, two fold-outs and 7 color plates. Includes indices with Masereel's published artwork, partly with b/w thumbnail reproductions and list of illustrations.

Softcover. Berkeley CA, Last Gasp Eco-Funnies, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover. Comic Book. Standard Format and Size. First Printing. This is the #2 issue of the series, published December 1977 with a washtub on the cover. Cover price $1.00. Art by R. Crumb and his longtime girlfriend, Aline Kominsky.

Hardcover. New York, Taschen, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover. Illustrated throughout in color. Still in publisher's shrinkwrap. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.

Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Hardcover. NY, Abrams, 3rd Ed., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket, still in publisher's shrink wrap. Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg (1925-2008) and the art he made over his career. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg was a pivotal figure in the creative explosion of art following WWII. This revised edition of the classic biography of the artist adds a new chapter covering the significant moments in the final years of his life, and offers an in-depth look at his legacy and continued influence on the postmodern art world. It includes new photography and interviews with friends, colleagues, critics, and art historians.

Hardcover. New York, Bloomsberg Press, 1st Edition, 1998, Book: Very Good, Dust Jacket: Very Good, 110 pages. Hardcover. B/w illustrations throughout. Gray cover boards, green quarter cloth, gilt title on spine. Binding tight. Spine straight. Pages clean and unmarked. Dust jacket unclipped, excellent. In beautiful condition. Spanning the years from 1938-1998, each of these 100 classic cartoons pack a time-lsss, powerful punch.

Hardcover. Valby, Borgens Forlag, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover in a bright, unclipped dust jacket. Text in Danish and English. Illustrated in full color. Clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1990, Hardcover in a bright dust jacket. 247 pages with 105 plates (many color)."Annibale Carracci, Nicolas Poussin, and Claude Lorrain were the masters of ideal, or heroic, landscape painting in the seventeenth century. In this original and highly sophisticated book, Margaretha Lagerlof interprets these paintings in a new way, examining them from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism, and metaphysics."

Softcover. San Diego, CA, IDW Publishing, 1st Edition, 2011, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. INSCRIBED BY AUTHOR/ILLUSTRATOR. Created, written, drawn and colored by Palle Schmidt. Color illustrations throughout. Clean and tight copy, inside and out.

Hardcover. The Monacelli Press , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 264 pages. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protege of founder Laszlo Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988.With a foreword by Laszlo Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars--several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history--the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

Hardcover. NY, Taschen, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages, b&w and color photographs throughout. Light edge wear, rubbing to dust jacket. Else a clean, tight copy. For adults only.

Hardcover. New York , DC Comics, 1st thus, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Light edgewear to dust jacket, else a clean, tight copy. Reprints early Superman stories in which the Man of Steel deals with corrupt officials, black-marketeers, and costumed villains with occasional help from Lois Lane. Issues 5-8 of Superman comics. Color illustrations. Still in publisher's shrinkwrap.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, with some sun-fade to spine and slight soil to rear cover. Previous owner's signature on front end paper. Neat, tight copy.

Softcover. New York, Wm. H. Wise, 1st, 1930, Book: Very Good, Dust Jacket: None, Non-Paginated. Comic strips by Clare Briggs that originally appeared in the New York Herald-Tribune. This being one volume of a seven volume set. Light wear to cover corners and edges. Clean, tight copy. Pebbled flexible cloth covers. Clean.

Minneapolis MN, Washburn-Crosby Co., 1909, Book: Very Good, Dust Jacket: None, Art "Start housekeeping right...", seated housewife by a bag of flour. 11 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Seattle, Fantagraphics Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. This volume includes a pig with an ominous resemblance to Nikita Khrushchev and a scruffy goat who looks exactly like Fidel Castro. Both assure Okefenokeeans that a one-party system is the way to go; all will be well economically, they explain, because "the shortage will be divided amongst the peasants." Other storylines spotlight Kelly's remarkable cast: Pogo Possum, Albert Alligator, Howland Owl, "Churchy" LaFemme, Beauregard Bugleboy, Porky Pine, Miz Ma'm'selle Hepzibah, Deacon Mushrat, and so many others. All 104 Sunday strips from those two years are included, with supplementary features (including comprehensive annotations and index) by comics historians R.C. Harvey, Maggie Thompson, and Mark Evanier. Clean copy.

Hardcover. Berkeley CA, Ten Speed Press, Revised Ed., 2000, Book: Very Good, Dust Jacket: Very Good, Revised Edition of a book first published in 1990 in London. 204 pages illustrated with detailed color and b&w photographs. Court fashion of the Qing Dynasty (1644-1911).

Softcover. Bethel CT, Apple Comics, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled comic book with color wraps, 30 pages illustrated in b&w by Lomax. Creator Don Lomax, a Vietnam War veteran, has entrenched his Vietnam Journal as one of the most realistic graphic representations of the Vietnam War. Recommended by The Military Book Club. Clean, bright copy.

Softcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover. This book of 22 detachable vintage cycling posters captures the sport's style and speed throughout the years.Dating from the late 19th-century to the 1970s, this collection features vintage posters from cycling's most iconic brands--such as Bianchi and Peugeot--as well as races--such as the now-defunct Peace Race, the Olympics, and Paris-Brest-Paris. Featuring artwork by A. M. Cassandre, Henri de Toulouse-Lautrec, and other significant names in design history, alongside extraordinary works from lesser known artists and designers, each impeccably reproduced poster is detachable from the spine, ready for framing. The reverse side of each image includes information about the artist and subjects depicted, and a brief introduction offers an overview of the origins, rise and development of the posters. Spanning decades and continents, these striking full-color posters celebrate the beauty of cycling and are the perfect gift for bicycle enthusiasts.

Hardcover. AU, Lannoo, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. A glimpse into the private world of an interior designer.

Hardcover. New York, Guggenheim Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, 544 pages, illustrated in color and b&w. Essays by various scholars on over 100 artists working in France, bibliography. Illustrated boards. In publisher's shrinkwrap.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. A very clean, unmarked copy like new in publishers shrink-wrap. The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. For this volume, author Didier Ghez has unearthed hundreds of enchanting images--from early sketches to polished concepts for iconic features--by five exceptional artists who shaped the style of the Studio's animation during this period of unbridled creativity. With evocative descriptions and excerpts from the artists' journals and autobiographies, this magnificent collection offers a rare look at the visionaries who breathed life into some of the most beloved films of our time.

Softcover. Delaware, Delaware Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Pictorial green wrappers, full-cover color painting on front cover. 174 pages, profusely illustrated in b/w, some color. Back cover slightly scratched and spine slightly worn, otherwise, tight, clean copy. Essay by Helen Farr Sloan, catalogue and prologue by Bennard B. Perlman. Chronology, bibliography, list of exhibitions. Catalogue lists 100 works.

Softcover. NY, Watson-Guptill, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. For the aspiring artist who wants to become an expert comic book inker, The DC Comics Guide to Inking Comics is the definitive, one-stop resource!Americas leading comic book publisher brings its superstar creators and classic characters to the third in an authoritative series of books on how to create comics. Legendary comic book inker Klaus Janson uses DCs world-famous characters-including Batman, Superman, and Wonder Woman-to demonstrate an array of inking techniques, covering such topics as using textures, varying line weights, creating the illusion of three-dimensionality, and working with light and dark. Jansons lively, step-by-step instructions are informative, exciting-and clear enough for even beginners to follow. In addition, every technique shown in this guide conforms to actual industry standards.The perfect how-to on everything from basic inking materials to storytelling techniques, this one-stop sourcebook is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring comic artist.

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Softcover. London, Academy Editions, 1st pbk, 1975, Book: Very Good, Dust Jacket: None, Softcover, 130 pages, 8 color plates, 114 b&w illustrations. Quentin Bell justifies his study of Victorian painters and graphic artists not as a revivalist, but as an historian who feels the need to "exhibit the evidence" of a period not adequately covered by others. The chapters are: the age of fragmentation; the Teutonic influence; hard-edged Pre-Raphaelism; Academy notes; low art; from Rossetti to Art Nouveau; the New English Art Club; Sickett & the post-impressionists. Bookplate on inside front cover, small stamp on front fly leaf, otherwise clean, bright copy.

Hardcover. London, Phaidon, 1st, 2005, Hardcover, 360 pages. A compelling insight into Gilbert & George's everyday enigma. The artists' unfailing politeness, consideration for others and open nature exert an irresistible charm. But it's Jonquet's walks with G & G around their home patch of Spitalfields that shed new light on the work, lavishly illustrated with accompanying personal photos.

Softcover. Northampton MA, White Star Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, exhibition catalog. Full of b&w plates. . Catalogue of works from the Charles Derby collection of African art. 136 pieces are pictured and described in brief. With an introduction by Derby, an exhibition checklist, and addendum.

Hardcover. New York , W.W. Norton & Co., 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, b&w art throughout by Crumb. Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible's language, "a text so great and so strange that it lends itself readily to graphic depictions," that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible. As Crumb writes in his introduction, "the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself." Crumb's Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses.

Softcover. Washington, National Gallery of Art, 2nd printing, 1988, Book: Very Good, Dust Jacket: None, 519 pages. Softcover. Previous owner's bookplate on front endpaper. Color and b/w illustrations throughout. Wrapper excellent, in beautiful condition. Pages clean and bright, unmarked. Binding tight. Published to accompany exhibition: National Gallery of Art, Washington, 5/1-7/31/88; The Art Institute of Chicago, 9/17-12/11/88; Grand Palais, Paris, France, 1/10-4/20/89.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Like new in publisher's shrink-wrap. Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole--helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury's paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors' fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock 'n' roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.

Softcover. Baltimore MD, Maryland Historical Society, 1st, 1987, Book: Very Good, Dust Jacket: None, Pictorial wraps with color illustration and white lettering; 173 pages. 45 color, 88 b&w plates. Exhibition catalogue lists 83 extensively annotated works, and a Supplemental Catalogue lists an additional 13 works. Selected bibliography and short-list of titles. Each essay includes extensive notes. The definitive work on the early Afro-American portrait painter. Published to accompany the exhibition held in Baltimore, MD: Maryland Historical Society, Sept. 26, 1987 to Jan. 3, 1988, three other locations. Scarce. Previous owner's stamp and bookplate, short inscription on inside front cover. Related clipping, brochure laid in.

Hardcover. New York , Harrison House, reprint, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. 150 vintage black-and-white 1920s and 1930s Hollywood star portraits (many/most full-page) with accompanying descriptive captions. "This book lets us see, with dramatic impact, the artistry of the Hollywood studio photographers, whose portraits (reproduced by the millions as cheap fan photographs) of Crawford, Garbo, Cooper and the others both revolutionized photographic portraiture and, to an enormous extent, formed our vision of the great Hollywood faces." 292 pages. Small previous owner's stamp on front fly leaf otherwise clean.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Softcover. Seattle, Fantagraphics Books, 1st thus, 2007-12-05, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Having mastered comic books and gag cartoons, in 1958 Jack Cole set his sights on the cartoonist's pot of gold--a syndicated newspaper strip. He hit the bull's-eye with Betsy and Me, a breezy domestic farce focusing on a middle-class urban couple and their smart-aleck genius son. Betsy and Me was an instant success and newpapers were lining up to buy it. Then, with only two-and-a-half month's worth of strips completed, Cole purchased a .22 caliber pistol and ended his life. For Betsy and Me, featuring city dweller Chet Tibbit's day-to-day stuggles and achievements, Cole stripped his style down to its bare essentials, creating a strip that sparkles with economy, wit, and charm. What gave the strip its edge, however, was Cole's innovative storytelling. As R.C. Harvey writes in his introduction, "Cole's storytelling manner was unique: the comedy arose from the pictures' contradicting the narrative prose. Cole's fatuous protagonist and narrator would say one thing in the captions accompanying the drawings, but the pictures of his actions showed the opposite, revealing [him] to be a trifle pretentious and wholly delusional." Harvey's intro also serves as a biographical sketch and sheds light on the circumstances surrounding Cole's suicide.

Softcover. San Francisco, Chronicle Books, 1st, 2018, Softcover, 128 pages. Includes essays by Ai Weiwei, Cheryl Haines, Jasmine Heiss, and David Spalding. Renowned artist Ai Weiwei engaged nearly 900,000 visitors in a conversation about human rights with his art installation @Large: Ai Weiwei on Alcatraz. In one participatory piece, Yours Truly, visitors sent 92,829 postcards to prisoners of conscience around the world. This book delves into those postcards' lasting impact. Five former prisoners and their loved ones reflect on the experience of receiving hundreds of postcards while imprisoned. Essays and a statement by Ai Weiwei contextualize this extraordinary project. And photographs taken during the exhibition show visitors and the messages they wrote. The book also includes four pre-addressed, tear-out postcards, inviting readers-whether art lovers or activists-to send hope to individuals still imprisoned for defending human rights. Clean copy.

Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. In 1958, Al Capp turned his sights on Organized Crime in the outrageoue tale of the Lady in Red, the most beautiful mobster ever drawn, who makes Dogpatch her hideout! America was fascinated with the Mafia after Congressional hearing had exposed its inner workings, and Capp takes readers on a wild ride as the gorgeous gangster impersonates Daisy Me, leaving Abner's long-suffering spouse to pay for her crimes! Also in this volume, Gloria Van Welbilt roars through Dogpatch with her flying pig, Abner is captured by statuesque Amazons and ends up with his head shrunken, and aliens from Planets Pincus try to turn Manhatten into a Disneyland-type amusement park called Crazyland!

Hardcover. NY, William Morrow, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 8'' x 5 1/4 ''. Contains 92 printed pages of large text with color illustrations throughout.

Softcover. Berkeley CA, University of California Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 118 pages, illustrations in color. Clean, unmarked copy in excellent condition. In Telling Stories, David Kaufmann focuses on Philip Guston's controversial figurative paintings of the late 1960s and 1970s. He looks at the early critical reception of these works to see what the artist was actually doing and, at another level, to investigate the odd alchemy of artists and their audiences. Grounding his historical approach in careful readings of the paintings, Kaufmann pays close attention to Guston's intense and complicated relationship to Judaism. At the same time, by situating Guston in the context of the fashions of the New York art world, Kaufmann provides unique insight into the workings of that world at the moment when the strictures of artistic modernism began to fade.