Art

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with price-clipped dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Softcover. Santa Monica, CA, Smart Art Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 34 items. Published for an exhibition of Burroughs' paintings from 1987 to 1996. Text and art by Burroughs, with color and B/W reproductions. Additional texts by Timothy Leary and Benjamin Weissman. No hardback issued. A scarce Burroughs title, in mint condition. 52 pages. Clean, unmarked copy with only minor to wrappers.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy

Softcover. US, Kitchen Sink Pr (Nrt), reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.

Hardcover. NY, Bloomsbury USA, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 96 pages. Clean, unmarked copy with only minor wear to dust jacket. Readers can't get enough of Roz Chast. Together, these cartoons, which originally appeared in The New Yorker, Scientific American, Redbook, and other publications, constitute a spot-on record of our increasingly absurd existence. The book is a powerful reminder of how lucky we are to have Roz Chast among us to tackle some of the toughest themes of the times with uproarious humor: genetically altered mice, birthday parties from hell, and comfort drinks in the age of insecurity.

Softcover. New York , Poster Auctions International, 1st, 2016, Book: Very Good, Dust Jacket: None, Unpaginated. Softcover. Color pictures throughout. Light edgewear to wrappers.

Softcover. Chicago, The David and Alfred Smart Museum of Art; Univ. of Chicago, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 20 page exhibition catalog with b&w photos of the sculptor's work. INSCRIBED by Uchida on the title page. Clean copy.

Hardcover. Porvoo Finland, Werner Soderstrom Osakeyhtio, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover, glossy illustrated boards with yellow and white lettering on front and spine. 311 pages. Translated by Michael Wynne-Ellis. Extensively illustrated, with many full-page color plates. Clean, bright copy.

Hardcover. Boston, MA, Houghton Mifflin Harcourt, 1st, 2006, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color comics in center. Celebrating the best in graphic storytelling and literary comics, a diverse collection, guest edited by the award-winning author of The Quitter and American Splendor, features excerpts from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web, from Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and others.

Softcover. Springfield MA, George Walter Vincent Smithy Art Museum, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 80 pages illustrated in color and b&w. Text by Richard Muhlberger. Includes an interview with Bother Thomas. Clean copy.

Softcover. Berkeley CA, Bijou Publishing Empire, 1st, 1970, Book: Good, Dust Jacket: None, Softcover in pictorial wraps, 50 cents cover price, 32 pages, some pages with wear, mild wrinkles, cover starting to split at spine top 2 inches. Cover art by Crumb, inside stories by Jay Lynch, R. Crunb, Justin Green, Jay Kinney.

Softcover. West Palm Beach, Norton Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, 120 pages. 26 color plates, 60 b&w illustrations. Softcover with light edgewear on wrappers. Published in conjunction with a major retrospective exhibition (opening at National Gallery of Art, Washington, in June 2012, then travelling to The Metropolitan Museum of Art, New York, in November 2012, before moving to Royal Academy of Arts.

Softcover. Taos NM, Michael McCormick Gallery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 20 pages, color and b&w plates. Essay by Frank Waters. Clean copy.

Hardcover. NY, Museum of Modern Art, 2nd Ed., 1938, Book: Very Good, Dust Jacket: None, Hardcover, quarterbound in burgundy cloth and gray paper with black titles. 116 pages with b&w illustrations throughout. Revised second edition. 69 b/w illustrations + 9 text figures, bibliography, index of artists. One of the handsomest of the early MoMA catalogues This revised edition (1938) was limited to 2,000 copies. No dust jacket. Clean.

Hardcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover. Over 400 pages of original art collected over 50 years. In the mid-sixties, Glenn Bray was a kid with a lot of money -- his family owned a very successful hardware store chain -- and an appreciation for obscure art that was prescient to the point of being visionary; he was a fanboy-turned-tastemaker who elevated his private collecting into something that would influence the evolution of the comic medium. He became a loyal and passionate patron of artists who went largely ignored, like some mellow, SoCal Medici. It seems crazy today, but original comic art pages were still considered 'by-products' of printing and publication when Bray began purchasing the black-&-white illustration-boards from EC greats like Wolverton, Kurtzman, Davis, Feldstein, Wood and Elder. More importantly, his original art purchases and private commissions were key in fostering the careers of unknown artists in his own age bracket, particularly now legendary Underground greats like R. Crumb, S. Clay Wilson, Robert Williams, Rick Griffin, and Gilbert Shelton. With a collection of original comic art and illustration spanning 6 decades, Bray has become vital to the work of establishing the official histories of comic art.

Softcover. Montpelier VT, Wood Art Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 63 pages illustrated in b&w. Lists 79 works exhibited. Thomas Waterman Wood was an American painter born in Montpelier, Vermont. Essay by William Lipke. Exhibition held at Robert Hull Fleming Museum, Burlington, Vt., Sept. 11-Oct. 5; the Currier Gallery of Art, Manchester, N.H., Oct. 14-Nov. 12; and the Wiggin Gallery, Boston Public Library, Nov. 16-Dec. 10, 1972. Includes bibliographical references. Clean copy.

Hardcover. Portland OR, Pomegranate, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 124 pages. MF Cardamone creates artwork that harks back to centuries past but is deeply rooted in the present. Her cultural and sociological commentary, delivered in words and images, reveals her sly sense of humor and love of all things botanical. An artist fluent in various media, including painting, sculpture, and limited-edition clothing, Cardamone discovered her passion for plants when she restored a garden at her seventy-five-year old farmhouse near Philadelphia. She enrolled in the Barnes Foundation Arboretum School and learned to collect specimens and create herbarium sheets, documenting the many medicinal uses of plants along with their history and landscaping potential. She picked up old books of botanical illustration, and herbals from a time when a pharmacist might prescribe a homemade tea to cure whatever ailed you. When her studies expanded to medical QiGong and Hatha yoga, her artwork took on a spiritual dimension. Cardamone begins with a plant specimen and watercolor paper, then turns to gouache, pen and ink, and digital imagery. She balances the scientific aspect of her work with a large dose of humor in the selection and placement of cultural icons from the plant's home environment

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 232 pages. Hardcover with dust jacket. Very clean, unmarked copy still in shrink wrap. Black & white and color photographs throughout. City scenes have been chronicled in photographs since the early 1800s, but street photography as traditionally defined has captured a relatively narrow field of these images. Revolutionizing the history of street photography, Unfamiliar Streets explores the work of Richard Avedon (1923-2004), Charles Moore (1931-2010), Martha Rosler (b. 1943), and Philip-Lorca diCorcia (b. 1951), four American photographers whose careers in fashion, photojournalism, conceptual art, and contemporary art are not usually associated with the genre.Bussard's lively and engaging text, a timely response to a growing interest in urban photography, challenges the traditional understanding of street photography and makes original and important connections among urban culture, social history, and the visual arts, constructing a new historical model for understanding street photography. Illustrated with more than one hundred images, this book provides an interpretation of a compelling genre that is as fresh as its consideration of the city streets themselves, sites of commerce, dispossession, desire, demonstration, power, and spectacle.

Softcover. Salem MA, Peabody Museum, 1st, 1949, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog. 36 pages illustrated throughout in b&w. Gray paper wrappers. Front cover lightly sunned, slight wear to edges, else a very nice, tight copy.

Hardcover. NY, HarperOne, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 208 pages. B&w art throughout by Krans. Visionary artist and New York Times bestselling author of The Wild Unknown Kim Krans returns with a decadently illustrated and incredibly raw graphic memoir that chronicles her multi-layered search for truth and recovery from an eating disorder and infertility in the throes of a health and wellness-obsessed culture, touching on the healing potentials of creativity and spirituality. Lacks dust jacket.

Hardcover. Burlington, VT, Lund Humphries, Reprint, 2008, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Tight copy. Power to the People presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in twentieth-century graphic design. Inspired by the traditional vernacular of political cartoons, by the lubok wood-cut technique of Russian folk art, and by the ideas of Futurism, the poster artists employed a new visual language to explain the results of the Revolution to the Soviet people. The Israel Museum's collection of Soviet propaganda posters is the largest museum collection of its kind outside Russia. This book illustrates the entire collection for the first time.

Softcover. San Francisco, Stephen Wirtz Gallery, 1st, 1978, Book: Very Good, Softcover, plastic comb binding, Soft white and color illustrated wraps with gray and black lettering. Color plates. Interior pages printed on thick, gray paper. Includes text by Stephen Wirtz. INSCRIBED BY THE ARTIST on the inside cover. Created to announce the exhibition "Harold Paris: The 26 Days of John Little", held from February 7 through March 8, 1978 at Stephen Wirtz Gallery in San Francisco, CA. Clean, bright copy.

Hardcover. London, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout. In the 1960s, fashion changed dramatically. At the end of the 1950s, Yves Saint Laurent was starting to look for new ways to define the female form; by the 1970s, styles, markets, materials, demographics, inspirations, and the very definition of fashion had been utterly transformed. Richly illustrated with contemporary imagery, including fashion shots, advertising, and magazine features, this is an essential sourcebook. The story begins with the new internationalism that changed the fashion landscape as New York, San Francisco, Florence, London, Madrid, Rome, and Hong Kong challenged the dominance of Paris haute couture. 306 illustrations, 176 in color.

Hardcover. Germany, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, 262 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs throughout. Tight copy. The High and Lonesome Sound combines Cohen's vintage photos, film and musical recordings as well as an anecdotal text into a multimedia tribute to this underappreciated legend of American music whose every performance was, in Cohen's words, "not just a rendition of music, but a test of something to be overcome."

Softcover. Washington DC, National Gallery of Art, 1st, 1995, Book: Near Fine, Dust Jacket: None, 118 pages, illustrated in color and b&w. INSCRIBED BY CHOTNER TO JOHN (WILMERDING) on title page. Softcover exhibition catalog in like new condition.

Hardcover. NY, Rizzoli, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. A rare and poignant compilation of photography and written anecdotes by American photographer and artist Lee Jaffe that captures his close friendship, collaboration, and travels with the artist Jean-Michel Basquiat as they traversed Japan, Thailand, and Switzerland in 1983. Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world's true legends through an unfiltered and authentic lens. Basquiat and Jaffe connected over reggae music at a mutual friend's art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. "For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics," Jaffe says. "With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place." This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe's unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.

Hardcover. Boston, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Featuring eighty-seven photographs, all drawn from the collection of the J. Paul Getty Museum, that span nearly 150 years of image making.

Hardcover. New York, Abbeville Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Large format hardcover, 256 pages. 338 illustrations, 113 in color. Bright, tight copy with very good dust jacket.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 60 pages, 15 color and 1 b&w illustration. Text in German and English. With a chronology. This is the hardbound catalogue published in conjunction with noted Leipzig-based artist Neo Rauch's 2004 exhibition of recent large scale works on paper held at Vienna's Albertina. Essay by Harald Kunde.

Softcover. Koln GR, Jablonka Galerie, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog, 16 pages, eight color plates.

Softcover. Denver, Denver Art Museum, 1st, 1981, Book: Very Good, Dust Jacket: None, 112 pages, 95 color plates. Softcover exhibition catalog. Clean, tight copy.

Hardcover. London/NY, The Studio Ltd., 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth with white stamping. 192 pages, 150 beautiful b&w woodcuts from the era. Review slip laid in, former copy of American illustrator Aldren Watson with his stamp on half-title page. Minor fraying to top of cloth spine.Otherwise a tight, clean copy. No dust jacket.

Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The 1901 expedition documented in this fascinating new book was organized to deliver supplies to Peary and to search for his wife and child. The book comprises the annotated diaries and photographs of two participants in the expedition, Clarence Wyckoff and Louis Bement, close friends from Ithaca, New York who paid to join the voyage.

Softcover. Fairfield CT, Cartoonist Profiles, 1978, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Allen and John Saunders of Mary Worth and Steve Roper, the dog artist Edwina, Sherlocko the Monk, Newton Pratt editorial cartoonist, Roy Crane's sketchbook, behind the scenes at the Disney animation studio, cartoonist Jack Markow.

Softcover. NY, Phaidon, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 9 x 10". 448 pages. Michelangelo Merisi da Caravaggio (1571-1610) was one of the most innovative painters of his time, and one of the most momentous artists of any era. Rescued from neglect, he has become a cultural icon in the late twentieth century, not only for his art but also because of his violent and tragic life. Catherine Puglisi's highly praised monograph, supersedes all previous studies of the artist by far. Making full use of the latest research and a series of dramatic recent discoveries, she has produced a concise, clear-headed and comprehensive work of scholarship that also provides a moving biography of the artist and an incisive deconstruction of the genius with which he absorbed and transformed the artistic tradition of his time. Clean copy.

Softcover. Richmond, VA, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, 93 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. In an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.

Softcover. Fairfield CT, Cartoonist Profiles, 1984, Book: Very Good, Dust Jacket: None, 82 pages, b&w illustrations throughout. Quarterly magazine for cartoon fans, articles, interviews and biographies on cartoonists and their work. Articles on Milton Caniff & real people, editorial cartoons from the Sacramento Bee, Hanna-Barbera animation, Fenton by David Wiley, Frank Johnson of Jiggs and Maggie, others.

Hardcover. NY, The Museum of Modern Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Name and date on front fly leaf, otherwise a clean and bright copy. Published in conjunction with the first solo museum exhibition of the work of Sanja Ivekovic in the United States, this volume is the most comprehensive survey on the artist available in English. A feminist, activist and video and performance pioneer, Ivekovic came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings. This catalogue presents an overview of the artist's projects from the early 1970s to 2011 in all mediums, offering a fascinating view of gender roles, the official politics of power and the paradoxes inherent in a society's collective memory. Featured works include Ivekovic's historic single-channel videos, performances and sculptural installations as well as a selection from Double Life (1975-76), her celebrated series of 64 photocollages. Weaving together art-historical analysis and political theory, the publication offers a critical examination of the neo-avant-garde in former Yugoslavia and investigates the theme of violence in art.

Hardcover. NY, Flammarion, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume--which features an open spine binding so that it lays flat to show off the photographs to their best advantage--showcases Doisneau's best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the cafe society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life--from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau's photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux's personal homage to the photographer--who was her friend and colleague--offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 551 pages, profusely illustrated in color and b&w. Clean, tight copy in a bright dust jacket. 894 illustrations, with 163 in full color. An exhaustive and lavishly illustrated history of the legendary print publisher Universal Limited Art Editions, and its founders Tatyana and Maurice Grosman. NOTE: THIS LARGE HEAVY VOLUME UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Softcover. NY, 1947, Book: Very Good, Dust Jacket: None, Softcover magazine, digest size. Articles on Norman Rockwell (The People's Painter) and Milton Caniff (Secrets of a Comic Strip Artist). Nice copy. Wrap-around cover illustrations by Stan Eckman.

Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, No dj, as issued. 197 pages with 184 color illus. and several bw archival photos. Presenting work from every stage of the versatile artist's career, this book is the first to focus solely on Max Beckmann's still lifes. Featuring nearly eighty paintings and watercolors, this volume covers a half-century of the artist's forays into the genre. With several essays. Published to coincide with the exhibition held at the Kunsthalle, Hamburg, from September 2014 to January 2015. Bottom corners bumped otherwise like new.

Hardcover. Paris, Maeght Editeur, 1st Ltd. Ed., 1977, Book: Very Good, Dust Jacket: Very Good, 217 pages, #647 of 5000, off-white cloth covers with black lettering on spine. Color and b&w illustrations including 5 original lithographic plates and lithographic wrap-around dust jacket. Dust jacket with minor edgewear, acetate wrapper chipped, worn.

Philadelphia, Saturday Evening Post, 1950, Book: Very Good, Dust Jacket: None, His date bowling a strike as he looks amazed. Painting by George Hughes. Approx 9 X 12". No label.PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New Yory, Sterling, reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Originally published in 1990 by Kitchen Sink Press. Color throughout. 208 pages.

Hardcover. New Haven/Atlanta, Yale/High Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, color illustrated. Like new copy in a bright dust jacket. Expressing the anxieties of the late nineteenth century and the uncertainties of the modern world, Edvard Munch (1862-1944) often depicted in his works dangerously seductive fin de siecle women, sickly figures, and isolated characters in barren landscapes. These powerful, haunting paintings are widely recognized and revered, especially his iconic work The Scream (1893). Yet few admirers of Munch's early works realize that the artist lived well into the twentieth century and was enormously productive almost to the time of his death. This compelling book, focusing on more than sixty of Munch's later paintings, reveals the surprising, vibrant work of a fascinating man who never ceased to grow as an artist. Following decades of restless wandering among the capitals of Europe, Munch suffered a breakdown in Copenhagen in 1908 and retreated to his native Norway. In 1916 he purchased an estate near present-day Oslo where he lived and worked, mostly in his outdoor studio, for the next twenty years. Although Munch never abandoned a deeply introspective approach to image-making,