1962, Book: Very Good, Color cartoon of father reading to daughter with nativity scene in background. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. Faint crease down center. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Berkeley, University of California, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with sunned dust jacket. INSCRIBED BY AUTHOR ON FRONT FLY LEAF. Clean and tight copy. Color and black and white photographs throughout.
Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.
1970, Book: Very Good, Color art by Francois of elevator with clouds entering. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Burt Franklin, reprint, 1969, Book: Very Good, Dust Jacket: None, Reprint of the original 1898 edition. 15 b&w plates. Red cloth, gilt lettering to spine. Oblong. Spine somewhat loose, not affecting binding. Small stains near spine, else a very nice copy. No dust jacket.
Hardcover. New York, Thames and Hudson, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 280 pages. Black cloth covers with silver titles to spine, silver pictorial to front, silver dust jacket and slipcase with color illustration, 191 illustrations throughout. 1"x3" strip missing from upper right corner from front endpaper, slight rubbing to dust jacket and slipcase, clean covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.
1972, Book: Very Good, Color art by Martin of a TV camera aimed at sporting event below (Olympics). 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Montreal, Drawn and Quarterly, reprint, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 48 pages in color by Clowes. Teen outcast Andy is an orphaned nobody with only one friend, the obnoxious-but loyal-Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget-a hideous compliment to his seething rage-that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre-origin, costume, ray gun, sidekick, fight scene-and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche. Originally published as a paperback in Eightball #23 in 2004, here beautifully reproduced on heavy stock with new end paper illustrations and a new cover.
Hardcover. Montreal, Drawn & Quarterly, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 244 pages of color comics plus 30 pages of additional material. Essay on Stanley by Frank Young. Lulu is a strong, assertive young girl who is both entertaining and empowering to girls and women of all ages-even if she sometimes finds herself in hot water. In Little Lulu: The Fuzzythingus Poopi, she outsmarts criminals, sabotages the boys in a masterful snowball fight, and solves the crime of the missing piggy bank! Over the course of these stories, Stanley excels at visual gags, from Lulu winning the soap box derby by turning her frock into a sail, to a lonely cloud almost getting sucked up by a vacuum. This is the second installment in Drawn & Quarterly's landmark reprint series of the classic John Stanley comic strip that was first published by Dell Comics in the 1940s and '50s.
1976, Book: Very Good, Color design by Myers creating a profile of Uncle Sam out of patriotic written words. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1933, Book: Very Good, Color art of sailors laboring to roll up ship's canvas during storm. Painting by Anton Otto Fischer. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
New York, Kaywoodie Co., 1949, Book: Very Good, Dust Jacket: None, Art "Kaywoodie remembers when...", color art of Colorado River in the Grand Canyon by Norman Price. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1972, Book: Very Good, Color art of yellow rowboat sitting on shore by Martin. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Hudson Hills Press, 1st, January 25, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 206 pages with 60 color and 117 b&w plates. Still wrapped in plastic. Oversized. A bright, beautiful copy. This comprehensive book brings together nearly two hundred illustrations from Ore, The Inland Printer, The Chap-Book, Collier's Weekly, and other periodicals, books advertisements, and ephemera. Adding to the volume's reference value are an extensive list of Bradley's published works, bibliography, lists of public collections and exhibitions, and an appendix reprinting his "Primer of Ornament and Design," including previously unpublished material.
Softcover. Northhampton, MA, Kitchen Sink Press, 2nd printing, 1994, Book: Very Good, Dust Jacket: None, 56 pages. Softcover. Wrapper very good, glossy, vibrant. Wrapper has a touch of rubbing to the back. Color illustrations throughout. Pages clean and unmarked. Binding tight. In great condition. The first complete collection of the legendary work of one of comics' all-time greatest cartoonists.
Hardcover. London, M Q Publications, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, Clean, unmarked copy with only minor wear to dust jacket. Like new. An exclusive collection of drawings that reveal the tender side of R. Crumb. Evocative haunting images of people and places such as Aline, his daughter Sophie, scenes from the village and region he lives in the South of France, Jesse Crumb, his first wife Dana and their son Jesse and of course the Blues musicians he treasures from his 78rpm record collection. Unpaginated, but about 120 pages.
1968, Book: Very Good, Color art of a landscape populated with Steinberg's iconic images. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Indianapolis, IN, Indianapolis Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Volume devoted to the work of painter and portraitist William McGregor Paxton. Includes 30 black/white and 52 color plates, many full-page. Includes essay on Impressionism and biographical information on the artist. Very good condition; dust jacket shows some wear on the edges, but cloth bound book has no internal flaws. 165 pages, essay by R.H. Ives Gammel.
Hardcover. London, Punch Office, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, Beige cloth titled in red, cover soil, spotting, else clean internally. A decade of May's work which originally appeared in Punch Magazine. 111 b&w drawings. Published on the ocassion of his death in 1903.
Softcover. Park Forest IL, Ken Pierce, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, b&w art. Reprinting of the 1937, 1941 and 1942 Abbie an' Slats comic strip. Introduction by Herb Galewitz. Clean, bright copy.
1969, Book: Very Good, Color cartoon of partygoers holding drinks on separate islands by Saxon. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1932, Color art of three young women running to avoid the rain by John LaGatta. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 151 pages, illustrated throughout with plates in full color. Illustrated boards, no dust jacket issued. Light wear to edges of spine, else a clean, tight copy.
Hardcover. Hanover, University of New England Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 356 pages. Illustrated with black & white photographs. Clean, bright copy wth a dust jacket. Indexes. Bibliography. Appendixes. Catalog. Foreword by John Wilmerding. Over 500 illustrations depicting the cameos, sculptures, bas-reliefs, bronzes, coins and medal forming the Saint-Gaudens oeuvre. The most complete compendium ever attempted of Saint-Gauden's life and work.
Softcover. Duke University Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 381 pages, color and b&w illustrations. Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's writings to the work of Kara Walker and Roland Barthes's famous Winter Garden photograph, the contributors explore what photography can teach us about the nature of the unconscious. They attend to side perceptions, develop latent images, discover things hidden in plain sight, focus on the disavowed, and perceive the slow. Of particular note are the ways race and colonialism have informed photography from its beginning. The volume also contains photographic portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to the optical unconscious while demonstrating how photographs communicate on their own terms. The essays and portfolios in Photography and the Optical Unconscious create a collective and sustained assessment of Benjamin's influential concept, opening up new avenues for thinking about photography and the human psyche. Clean, bright copy.
1930, Book: Very Good, Color portrait of a woman in a black hat by McClelland Barclay.10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. London , Thames & Hudson, reprint, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive b&w photography throughout with accompanying notes. Clean, unmarked copy with only minor wear to wrappers.
1978, Book: Very Good, Color art by Getz of 4 bike riders near seaport area. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1930, Book: Very Good, Color portrait of bride holding a lily by McLelland Barclay. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Paris, Dargaud , reprint, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards, 64 pages illustrated in color by Savard. Light waviness to early pages. Clean, very good. FRENCH TEXT.
Hardcover. New York, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 137 pages. Hardcover. SIGNED BY AUTHOR ON TITLE PAGE. Illustrated with full color photographs. Light wear. Clean, tight copy.
1973, Book: Very Good, Color art by Martin of yellow sawhorse blocking traffic. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Winston Salem NC, R.J. Reynolds Co., 1930, Book: Very Good, Dust Jacket: None, Art "When pleasure is the goal", color art of couples at a football game, not credited. 8" X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New Haven, Yale University Press in association with the Yale University Art Gallery, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Folio. Like new in publishers shrink-wrap. 230 pages, 302 color illustrations, 62 black and white reproductions. Includes contributions by Ruth L. Bohan, Susan Greenberg, David Joselit, Elise K. Kenney, Dickran Tashjian, and Kristina Wilson. History of the "Societe Anonyme", an organization founded in the 1920's, which acted as America's first "experimental museum" for modern art.
Softcover. Seattle, WA, University of Washington Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. Published to accompany traveling exhibit. Color and b/w illustrations and photography throughout. Photographs, sculpture, paintings, and works on paper from: Max Belcher, Beverly Buchanan and William Christenberry. Small rip along spine, cover slightly yellowed with age. Clean inside.
Hardcover. Baltimore Museum of Art/Pennsylvania State University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 297 pages. 119 color illustrations and 10 b&w. With an essay by Thomas Primeau. Catalogue entries by Deborah Carton, Susan Dackerman, Richard S. Field, Katherine Crawford Luber, Elizabeth Mansfield, Walter S. Melion, Thomas Primeau and Robert Wheaton. An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning. Clean, bright copy. NOTE: Due to size and weight, DOMESTIC SHIPPING ONLY.
Toledo OH, Willys-Overland , 1925, Book: Very Good, Dust Jacket: None, Art "This fine car's luxury...", color art not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. New York, Fantagraphics Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 199 pages. Softcover with minor wear to paper wrappers. Spine cracked on sencond page. Library embossed stamp on front cover, otherwise clean, tight copy. Minor wear on edges.
Hardcover. NY, Random House, Revised Ed., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, in a bright, price-clipped dust jacket. Clean copy. First published in 1960, this is the 1988 revised edition of the classical work by Lieberman, friend of artists. Includes photos not used in the 1960 edition.
Hardcover. Chicago, University of Chicago Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 320 pages. The livre d'artiste, or "artist's book," is among the most prized in rare book collections. Henri Matisse (1869-1954) was one of the greatest artists to work in this genre, and he created his most important during a period of intense personal and physical suffering. Brimming with powerful themes and imagery, these works are crucial to understanding Matisse's oeuvre. With deftness and sensitivity, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each volume, Matisse constructed an intriguing dialogue between word and image. Examining this page-by-page interplay, translating key sequences, and discussing the books' distinct themes and production histories, Lalaurie offers the thoughtful analysis these works deserve. Together Matisse's artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment, and the women in his life. In addition, Lalaurie illuminates Matisse's often misunderstood political affinities--though Matisse was vilified in his time for choosing to live in the collaborationist Vichy zone, his wartime books reveal a body of work that stands as a deeply personal statement of resistance. Still in publisher's shrinkwrap.
Philadelphia, 1934, Book: Very Good, Color art by John LaGatta, romantic couple on a summer evening. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Battle Creek MI, W.K. Kellogg Co., 1912, Book: Very Good, Dust Jacket: None, Art "Nothing to do till tomorrow", art not credited. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
New York, Paramount Pictures, 1930, Book: Very Good, Dust Jacket: None, Art "The first lady of the screen", Ruth Chatterton in The Right to Love. Two-color ad, 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. SIGNED AND INSCRIBED TO FRAN BULL BY WILLIAM CHRISTENBERRY. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.
Hardcover. New Texture, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 135 pages. A prolific men's action magazine illustrator from the magazines' start in the 1950s until their passing from American newsstands in the 1970s, POLLEN IN PRINT's complete, chronological presentation of Pollen's contributions serves as its own visual history, illuminating both Pollen's growth as an artist, as well as the magazines' (and their readers') shifting focus and changing interests across three decades. Clean copy.
Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Red cloth cover with embossed title and gilt lettering to spine, acetate-protected color-illustrated dust jacket, 301 illustrations with 100 in full color. Book in excellent condition.
NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Two color sketch of a woman by R. Crosby. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Alfred A. Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. INSCRIBED BY STEINBERG in blue pencil and dated Oct 79 on the half-title page. Inscribed to Silvano Arieti (1914-1981), a psychiatrist, regarded as the world's foremost authority on schizophrenia. He was also a longtime professor at New York Medical College. 256 pages, black and white and color reproductions, publisher's brown cloth-backed tan papered boards, lettered in gilt at spine, brown endpapers (minor chipping to rear bottom edge. Pictorial dust jacket minor toning and wear mostly to edges, very good.