Art

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White's photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.

Softcover. San Francisco, Rip Off Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Color art by Selton inside- "The Idiots Abroad", part 1. Clean, bright copy.

Hardcover. Seattle, Fantagraphics Books, Revised Ed., 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 272 pages. The definitive retrospective of Dan DeCarlo, the great Archie Comics artist -- a fitting tribute to the life and art of one of the world's all-time best cartoonists, lavishly designed and now expanded with nearly 350 illustrations, including rare cartoons and strips, and of course, lots of those fabulous DeCarlo ladies!Dan DeCarlo worked mostly on wholesome all-American features like Archie's Girls Betty and Veronica and My Friend Irma, but he populated these innocent stories with his irresistibly attractive women. His unique blend of hilarious homespun humor and libido-sparking art made DeCarlo's work outshine the competition. Though best known as the definitive Archie Comics artist and creator of Josie and the Pussycats and Sabrina the Teenage Witch, DeCarlo also brought his unique style to dozens of other characters including Millie the Model, Big Boy, Batman, and The Simpsons.Fan, friend, and fellow cartoonist Bill Morrison has produced the ultimate book on this remarkable artist, lavishly designed with nearly 350 illustrations. Included are rare World War II-era cartoons, original Humorama pinups, seldom-seen newspaper strips, examples of his justly famous commercial comics work, and of course, lots and lots of those fabulous DeCarlo ladies! Full color and black-and-white illustrations and photographs throughout. First published in 2006 with 40 fewer pages, this is the new, revised and expanded edition. Clean, bright copy.

Hardcover. New York, The Museum of Modern Art, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover. Published to accompany an exhibition celebrating the prints of Jasper Johns. Includes 106 reproductions (43 color, many full-page) of pieces by Johns. Also contains many statements by the artist within the essay by Riva Castleman. Near fine condition, only slight wrinkling on the dust jacket.

Hardcover. NY, Harry N Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A groundbreaking presentation of rarely seen photographs, history, social observation, and pictorial analysis provides an entirely new perspective on male friendship in the nineteenth century and suggests a surprisingly broad-minded attitude toward physical intimacy between men. The book collects more than 100 portraits -from daguerreotypes to cartes des visites and early photographic postcards--depicting affectionate male friendships whose precise nature, whether platonic or sexual, will never be known. Editor David Deitcher, who teaches art and critical theory at the Cooper Union, reflects on the history of these images and their possible significance. Clean copy.

Hardcover. NY, Art Director's Club/Book Service Co., 1st, 1926, Book: Very Good, Dust Jacket: None, 136 pages plus ads. A wonderful collection of commercial art from 1925. Color art by Walter Biggs, Henry Raleigh, Edward Wilson, Merritt Cutler, others. Many b&w examples of illustration and photography from the period. Two-color boards with matching label on front. Excellent, clean condition. Small chips missing at top and bottom of spine causing dime size paper loss (smaller at bottom). Foxing to top edge. Light edgewear to boards. Scarce.

Hardcover. NY, McGraw-Hill, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket with light wear, 293 pages, b&w illustrations. Nowhere is the complex and destructive painter Jackson Pollock (1912-1956) revealed with more compassion and insight than in this exemplary biography. Friedman, a friend of Pollock's and active in the art world, shows him to be a brilliant man tormented by his relationship to his family; an artist who worked hard through years of poverty to achieve his controversial painting technique; the first American painter to gain an international reputation for himself and for what has been variously called Action Painting or Abstract Expressionism; and a man who struggled with alcohol and the tension between gentleness and violence. Light tape repair to dust jacket on reverse. Otherwise clean.

Hardcover. Intercourse, Pennsylvania, Good Books, 1st, 1991, Book: Near Fine, Dust Jacket: Very Good, The furniture tradition of the Mennonites, Russian immigrants in North America. 231 pages illustrated with several maps and 241 (mostly color, some black/white) photographic illustrations. Book is in near fine condition, dust jacket is in very good condition with some signs of edge wear.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World" a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King" during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.This volume will be rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies such as a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art. As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.

Hardcover. NY, The Artist Book Foundation, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Adolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine illustrator. As he toured Europe, Dehn quickly acclimated to the continental lifestyle and was adept at depicting its nuances and idiosyncrasies through his prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in pre-World War II Europe gave the Midwestern artist ample material for his growing body of work. Returning to the United States in 1930, Dehn exhibited his prints in several solo shows at the Weyhe Gallery in New York, starting in 1935. As an artist during the era of the Great Depression, Dehn did commercial artwork and contributed to popular magazines such as The New Yorker, Vogue, and Vanity Fair. In fact, his clever drawings that reflected the culture and fashionable society during the Jazz Age, made Dehn a favourite of Frank Crowninshield, Vanity Fair's renowned editor. 182 pages, clean, still in publisher's shrinkwrap.

Softcover. Seattle WA, Frye Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 108 pages in color. Catalogue of an exhibition held at Frye Art Museum, Seattle, WA, 2002. Firm binding, clean inside copy. *** A major exhibition devoted to the American painter William Beckman, one of the leading exponents of the Realist "school." A figurative artist, he leans heavily upon classical tradition. The nude portraits can be sometimes jarring. Less well-known are his scenes of rural America, with farms and silos. *** "William Beckman (b. 1942) paints himself, loved ones, and the land he has lived upon, creating edgy portraits and landscapes. His subjects, whether mother or lover, are delivered to the viewer with gripping details, without embelishment. He creates his figurative art using a unique method. He applies paint, then shaves of layer after layer from the surface with a razor, repainting and polishing the canvas to create lustrous, absorbing images. His realism is stripped of sentiment, his idealized portraits scrupulously rendered, and his expansive tracts of Minnesota farmland theatrically scaled. Each painting is epic in significance and matter-of-fact at the same ime. This is the first book that offers a comprehensive view of Beckman's art and career.

Softcover. NY, Pace Gallery/Wilderstein, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog that is actually two catalogs published back to back (unusual format). One side is Maquettes for Monumental Sculpture and the other Wood Sculpture and Collages. Approx. 60 pages all together. B&W and color photography throughout. Sewn bindings with slight wear. Overall, a nice, clean copy.

Hardcover. NY, Abrams ComicArts, 1st, 2018, Hardcover, 26 pages fold-out accordion style, all in color by the author. "By focusing on the narrative of one immigrant worker, Tonatiuh breaks the mammoth issues of immigration and workers rights into an easy-to-swallow bite, allowing the reader to easily engage with an often intimidating topic. The personal is again political. Highly recommended." In a cardboard slipcase with a color label. Like new.

Hardcover. New York, Norton, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 458 pages, b&w illustrations. Sam Wagstaff, the legendary curator, collector, and patron of the arts, emerges as a cultural visionary in this groundbreaking biography. Even today remembered primarily as the mentor and lover of Robert Mapplethorpe, the once infamous photographer, Wagstaff, in fact, had an incalculable-and largely overlooked-influence on the world of contemporary art and photography, and on the evolution of gay identity in the latter part of the twentieth century. Born in New York City in 1921 into a notable family, Wagstaff followed an arc that was typical of a young man of his class. He attended both Hotchkiss and Yale, served in the navy, and would follow in step with his Ivy League classmates to the "gentleman's profession," as an ad executive on Madison Avenue. With his unmistakably good looks, he projected an aura of glamour and was cited by newspapers as one of the most eligible bachelors of the late 1940s. Such accounts proved deceiving, for Wagstaff was forced to live in the closet, his homosexuality only revealed to a small circle of friends. Increasingly uncomfortable with his career and this double life, he abandoned advertising, turned to the formal study of art history, and embarked on a radical personal transformation that was in perfect harmony with the tumultuous social, cultural, and sexual upheavals of the 1960s.

Hardcover. Paris, Editions Gallimard, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, large heavy volume in glossy pictorial boards. 495 pages with index. Accompanying DVD in rear pocket inside cover. Girodet was one of the greatest French painters of the early 19th century. His career reached its height under the reign of Napoleon. Illustrated throughout in color, scholarly essays by various experts, a chronology. No dj issued, minor bump to lower corner of cover, otherwise like new. DOMESTIC SHIPPING ONLY.

Softcover. Athens, GA, University of Georgia Museum of Art, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, 80 b&w images. Light edge wear to wrappers. Light foxing on rear cover. Else a clean, tight copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover. Over 400 pages of original art collected over 50 years. In the mid-sixties, Glenn Bray was a kid with a lot of money -- his family owned a very successful hardware store chain -- and an appreciation for obscure art that was prescient to the point of being visionary; he was a fanboy-turned-tastemaker who elevated his private collecting into something that would influence the evolution of the comic medium. He became a loyal and passionate patron of artists who went largely ignored, like some mellow, SoCal Medici. It seems crazy today, but original comic art pages were still considered 'by-products' of printing and publication when Bray began purchasing the black-&-white illustration-boards from EC greats like Wolverton, Kurtzman, Davis, Feldstein, Wood and Elder. More importantly, his original art purchases and private commissions were key in fostering the careers of unknown artists in his own age bracket, particularly now legendary Underground greats like R. Crumb, S. Clay Wilson, Robert Williams, Rick Griffin, and Gilbert Shelton. With a collection of original comic art and illustration spanning 6 decades, Bray has become vital to the work of establishing the official histories of comic art.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 233 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects October 1952-October 1953, Issues 15-21.

Hardcover. NY, Columbia University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 280 pages. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury's Garry Trudeau, and why reporter Syd Schanburg-whose story was told in the movie The Killing Fields-stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon.All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. Clean, bright copy.

Softcover. New York, Harry N. Abrams , reprint, 2002, Book: Very Good, Dust Jacket: Very Good, 263 pages, softcover with French flaps. A major contribution to the social and art history of Paris in the early 20th century. Heavily illustrated with black-and-white photographs. Minor rubbing and edgewear to wraps. Unmarked. A clean and tight copy.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Tales exploring the supernatural featuring featuring Issues 12-18 from December 1952 to June 1953 of the ACG classic Forbidden Worlds. This third volume has been meticulously compiled from the original source material and painstakingly digitally restored.

Hardcover. US, Antique Collectors Club Dist, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Throughout the 1960s and 70s John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore.

Hardcover. Cobb CA, First Glance Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. Color plates throughout. small sticker on front fly leaf otherwise clean.

Hardcover. New York, Praeger, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover. 116 pages. Illustrated in full color and black & white. Small chunks missing at top edge of spine and right corner of dust jacket. Clean, tight copy.

Hardcover. Clover Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 11 X 14". Volume 2 of this landmark series-reproduced from Milton Caniff's personal set of color syndicate tabloid proofs-features the iconic 1936 daily and Sunday adventures, which continue their separate paths until the end of August when the stories-and cast of characters-are happily united once and for all.In the Sunday Saga, Pat and Cap'n Blaze have it out across a checker board! Then things get really hot when the Dragon Lady and her men lay siege to Blaze's encampment! A twist of fate puts Pat in charge of the Dragon Lady's forces, but they're mistaken for soldier-of-fortune pirates when the Chinese Army storms their position. It takes timely intervention from a surprising source to gain their freedom.Meanwhile, in the Daily Saga, fists fly when Terry, Connie, and Pat are taken prisoner by the insidious Captain Judas-and sparks fly when the boys have their first meeting with beautiful, blonde Burma! The famous strips from March 16-21 steamed up the national audience and became one of the most imitated sequences in comic strip history. Later, cat claws are unsheathed against the backdrop of plague on the planation run by Stan and Wendy Wingate, Burma takes a dive, and with the daily and Sunday strips integrated into a unified storyline the boys once again confront the Dragon Lady before running afoul (accent on the foul!) of Papa Pyzon.

Hardcover. US, The Mainstone Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Clean, unmarked copy with only minor wear to dust jacket. A stunning example of how a digital process, overseen by a keen and aesthetic team, can rejuvenate an artist's work. This as new first edition thus reveals the wonderful craft of Ravilious as if he had just completed the blocks. A great tribute to a fine engraver.

Hardcover. Geneva, Skira, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, 115 pages with tipped-in color plates. publisher's textured white cloth, red lettering on spine, Skira "S", red, embossed on cover. Translated by James Emmons. Chronological Survey. Bibliography. Index. The first title in "The Taste of Our Time" Series. No dust jacket, a clean, bright copy.

Softcover. Chapellier Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, 71 plates, mostly color. Bibliography. Wrapper with light wear.

Hardcover. Cultureshock, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. This privately commissioned book celebrates the life and achievements of Laurence Graff whose passion for diamonds has been inspiring him to create the most fabulous jewels in the world for 30 years.

Hardcover. New York, Kennedy Galleries, Inc., & Da Capo Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Biography of painter Gilbert Stuart. Contains 7 black/white illustrations; 6 are reproductions of Stuart's work, and one is a portrait of the artists himself. Very good condition; brown cloth with gilt lettering, corner of the back cover bumped. This edition is an unabridged republication of the first edition published in Cambridged, Massachusetts, in 1932. It is reprinted by arrangement with Harvard University Press.

Hardcover. London, Routledge and Kegan Paul, 1st, 1951, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket that has been price-clipped. Miniature studies of bird and animal life with lovely wood engravings by Brian Hope-Taylor. Translated from the Russian by W.L. Goodman. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 320 pages. Like new in publisher's shrink-wrap. Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings-many of them newly discovered in private collections-and more than 75 prints and drawings, providing a reassessment of his place in the history of art.

Hardcover. Albany , State University of New York, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 737 pages, illustrated in color and b&w. A look at American artist Charles Burchfield (1893-1967) through his own words. This volume contains the edited contents of more than 10,000 pages of journal entries, illustrated by the artist's own works. The dreams, memories, and observations of one of America's most brilliant and idiosyncratic artists. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Posters Please, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, catalog for poster auction held Sunday, May 2, 2004 featuring American show posters, PKZ posters, Olympic posters, International posters, books and periodicals. Bright, clean covers.

Hardcover. New York, NY, Frederick A. Praeger , 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 195 pages. 182 black-and-white illustrations. Quarto Format. Plates; Chronology; Bibliography. Foreword by Jacques Lipchitz.

Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Like new in publisher's shrink-wrap. In the 1940s Joe Simon and Jack Kirby started their partnership and created memorable characters such as Captain America and Sandman. This book includes artwork from Joe Simon's private archive, some of them have never been seen.

Hardcover. Hanover NH, Hood Museum of Art, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 86 pages. Exhibition catalog for a show that ran March 25 through June 25, 1989 at the Hood Museum of Art and then September 9 through October 15, 1989 at the Currier Gallery of Art. Features a preface by Timothy Rub, an introduction by Robert M. Doty and the poem "Chariot" by Stanley Kunitz. Includes color and black and white numerous illustrations, a checklist, biographical information, and a selected bibliography. Boghosian, (1926-2020), constructed his works from found objects. "Building upon the traditions of Surrealism and Dada Boghosian's assemblages and collages playfully contemplate the boundaries between dream and reality. In creating his art, Boghosian draws heavily on his extensive personal archive of found objects, gathered together in his home and studio. A one inch tear at the top of the jacket has been repaired with tape on the reverse side. Name on first blank page, otherwise clean.

Hardcover. Toronto, McClelland & Stewart, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, A fully illustrated, stylish look back at the story behind a Canadian design icon. With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography,The Art of Clairtone is a candid and in-depth look at the company's skyrocketing success and sensational collapse.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 324 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This newest edition to the Best American Series--"A genuine salute to comics" (Houston Chronicle)--returns with a set of both established and up-and-coming contributors. Editor Lynda Barry and and brand new series editors Jessica Abel and Matt Madden--acclaimed cartoonists in their own right-- have sought out the best stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web to create this cutting-edge collection "perfect for newbies as well as fans"--The San Diego Union Tribune. This newest volume features luminaries like Chris Ware, Seth, and Alison Bechdel alongside Paul Pope's "Batman" and beloved daily cartoonists like Matt Groening.

Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.

Hardcover. NY, George Braziller , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. Oblong format. 33 color plates of the artist's fresco in the Vatican. Other b&w illustrations. Recognizing the precocious talent of Raphael, then age twenty-six, Pope Julius II commissioned the artist in 1509 to paint four monumental murals and numerous smaller scenes that gave visual form to the enlightened world of the Renaissance. Guided by the leading scholars of his day, Raphael chose themes that glorified the four branches of learning required for a general education, particularly that of a pope: Theology, Poetry, Jurisprudence, and Philosophy. The painting of the latter, perhaps best known today as "The School of Athens," shows Plato and Aristotle striding through a vast, open hallway and flanked by scientists and philosophers of the ancient world; rediscovered in the Renaissance, they hold a convention where they discuss issues that will inspire a new age. Short inscription on front fly leaf, otherwise clean.

Hardcover. NY, Harry N Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated in b&w and color. Long before the movies were created, peepshows were appealing to a public eager for entertainment and enlightenment. The peepshowman and his box were a common sight on bustling city streets and quiet village greens. The book includes nearly 200 annotated images, many never before published.

Softcover. Sacramento CA, Crocker Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, 47 pages, illustrated throughout in color. SIGNED BY ARTIST on front end paper. Clean, unmarked copy with only minor wear to wrappers. Robert Cremean (1932 - Present) is a sculptor (and occasional painter) born in Ohio, now based in Tomales Bay, California. Cremean does superlative figurative work. However, he has largely isolated himself from the American art mainstream to the extent that any showing is a considerable rarity. He's developed, via a benefactor, an "arrangement" with the Fresno Art Museum whereby it displays most of his new work. This book is from a show at the Crocker Art Museum, Sacramento, in 2005. Now 88, Cremean was early--and unsurprisingly-- influenced by medieval art, particularly the illuminated Chaucer manuscript at the Huntington Library. "I was amazed at the way the words and pictures met one another on the page." Most of his painted words are transcribed from his own notebooks.

Softcover. Raleigh NC, TwoMorrows Publishing , 1st pbk, Book: Very Good, Dust Jacket: None, Paperback, 256 pages, illustrated in color. From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach on everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and sci-fi for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the THUNDER Agents and Edgar Rice Burroughs characters; and even Flash Gordon for King Features. Comic art historian Roger Hill has compiled a complete and extensive history of Crandall's life and career, from his early years and major successes, through his tragic decline and passing in 1982. This full-color softcover includes never-before-seen photos, a wealth of rare and unpublished artwork, and over eighty thousand words of insight into one of the true illustrators of the comics. Bookplate signed by Roger Hill laid in.

Hardcover. Taschen, reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Though her work has often been overshadowed by that of her peers such as Le Corbusier and Marcel Breuer, Irish designer, lacquer-artist, and architect Eileen Gray (1878-1976) is now widely recognized as a designer of great talent and individuality. She first excelled in the exacting craft of lacquer, creating screens, panels, furniture, and objects of technical virtuosity and poetic strength. Eileen Gray then developed an interest in architecture, designing two houses, "E-1027" (completed 1929) and "Tempe a Pailla" (completed 1934) in the south of France, which are seminal examples of the spirit of the Modern movement. This book analyses and illustrates the full range of her furniture, interiors, and completed architectural projects. Reprint of the edition of 1993.

Hardcover. West Plains MO, Russ Cochran, 1st, 1982, Book: Very Good, Hardcover Very Good+ Two volume set in a slipcase. Volumes entitled: Weird Science-Fantasy No. 23-29 and Incredible Science Fiction No. 30-33. Black and white reproductions of the comics with color reproductions of the covers. Featuring tales by Frank Frazetta, Wally Wood, Al Williamson, Reed Crandall, and Joe Orlando.

Softcover. Berkeley CA, Celtic Book Company, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. Color reproductions from the golden age of one of America's most popular comic strips.

Hardcover. NY, Hyperion, 2nd Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Canemaker's second volume on Disney animation (his first was Before the Animation Begins, pub. 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.

Softcover. Washington DC, The Corcoran Gallery Of Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover in stapled gray wraps 24 pages, color plates. Introduction by Paige Turner. Clean, like new exhibition catalog.

Hardcover. NY/London, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 448 pages, color illustrations. Over 2, 000 patterns and pieces by ceramicist Clarice Cliff and her colleagues at the Wilkinson Pottery: the most complete guide ever published to Cliff's colorful, delightful, and highly collectible work. All fully referenced and indexed, along with a history, bibliography, and glossary.