Art

Softcover. Provincetown MA, Provincetown Art Association, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, stapled, 12 pages, color and b&w illustrations. Biography by Kathryn Lee Smith, the artist's granddaughter. Clean, bright copy.

Softcover. NY, Berry-Hill Galleries, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. 5 b&w, 55 color plates. Issued in conjunction with an exhibition featuring the work of Ashcan artist Everett Shinn (1876-1953). A tremendous presentation of text and richly printed color illustrations. Clean copy

Hardcover. Chicago, A.C. McClurg & Co., 1st, 1904, Book: Good, Dust Jacket: None, Hardcover, folio size, unpaginated, profusely illustrated in b&w by the author. A fictitious chronicle in newspaper prose with cartoon illustrations satirizing society in a small mid-west community. Corners and edges show wear. Interior clean.

Softcover. New York, Associated American Artists, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover with blue wraps. Unpaginated. Compiled and edited by Sylvan Cole, Jr., 2 b&w frontispieces, 66 b&w plates, errata slip laid in. A clean, tight copy.

Hardcover. Dunlop Art Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 169 pages. Illustrated in color and b&w. Text in English and French. Clean, bright copy.

Softcover. London, Batsford, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 224 pages illustrated in color. Past is prologue in this stunning survey of vintage-inspired illustrations that employ classic styles of artistic expression for up-to-date effects. Organized by historical or cultural period, the book features hundreds of modern retro images, including pieces that incorporate the geometric beauty of Art Deco, the bold architectural lines of Soviet constructivist posters, and the graphic design of Blue Note's record sleeves. There are new perspectives on photorealism, comic art, and punk, as well. Hundreds of artists have contributed to this witty, exciting, and international collection. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. Published to accompany a touring exhibition during 2002 / 2004. Features reference to figures such as Richard Avedon, Everett Shinn, George W. Bellows, Pablo Picasso, Yasuo Kuniyoshi, Paul Manship, Morris Louis, Ralston Crawford, Salvador Dali, Andy Warhol, Jean-Michel Basquiat and many others. Color and b&w photos.

Hardcover. NY, Rizzoli Electa, 1st thus, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. In remembrance of revered American artist Wayne Thiebaud who passed away in 2021 at the age of 101, the definitive monograph of Wayne Thiebaud's work is now available in a reformatted, accessibly priced edition, including his last paintings.This is the most comprehensive monograph to date on Wayne Thiebaud, with new works added, in a reformatted size. Spanning the length of his career from the 1950s to the present, the book has been made in close collaboration with the artist. Thiebaud selected the works himself, making the book an act of autobiography in a sense. At age 100, he looks back over his life and his work, rich with breakthroughs in painting and masterful individuality.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Very clean, unmarked copy with still in publishers shrink wrap. Visions of an American Dreamland highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

Softcover. New York, Charles Scribner's Sons, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover. White glossy covers with b&w photographic plate of Louise Nevelson, perfect binding, introduction by John Canaday, profusely illustrated throughout with large b&w plates. Light rubbing to covers; otherwise a very clean, tight copy in great condition.

Softcover. NY, Marlborough Callery, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. Catalog for an exhibit held April 6-May 1, 1984. Color and b&w plates. Clean copy.

Softcover. San Francisco, Pomegranate, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Collects the cat paintings that Kliban did for a series of calendars from 1977 through 1986. All in full color. Like new, clean.

Hardcover. Los Angeles, CA, St. Ann's Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Limited to 200 copies. Presented here are the many black and white photographs of American icons and imagery that are thematically connected by Fee's obsession with the decline and destruction of the America that he knew as a young man: we see his series of New York imagery, including the Chrysler building and the Brooklyn Bridge; pictures of the crumbling Penn State penitentiary; Beat inspired series of photographs of the American road; a distinctive and unique series of nude imagery; as well as his innovative collaborations with multimedia artist George Herms.

Softcover. Saskatoon, Saskatchewan, Canada, Mendel Art Gallery, na, 1985, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Foreword by Linda Milrod. Essays by Jean-Christophe Ammann, Donald B. Kuspit, Bruce W. Ferguson. 21 full page plates in color and b&w. Cover in black with blue lettering. Creasing across front and back covers as well as rubbing, otherwise a very good clean copy.

Hardcover. New Haven CT, Yale University Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Two hardcovers in a black cloth slipcase. Josef Albers's masterwork, Interaction of Color, is one of the most influential books on color ever published. Originally issued in 1963 as a limited-edition set of commentary and 150 silkscreened color plates, the book introduced generations of students, artists, designers, and collectors to Albers's unique approach to complex principles. This beautiful edition brings Interaction back into classrooms and studios and onto bookshelves, where it will find an eager new audience. It replicates Albers's revolutionary exercises, explaining concepts such as color relativity and vibrating and vanishing boundaries through the use of color, shape, die-cut forms, and movable flaps that illustrate his astonishing demonstrations of the changing and relative nature of color. Also included for the first time are studies from the Albers archive, produced by the artist's students in the early 1960s. Clean set.

Hardcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere--but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page

Hardcover. Albuquerque, NM, University of New Mexico Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. The 1901 expedition documented in this fascinating new book was organized to deliver supplies to Peary and to search for his wife and child. The book comprises the annotated diaries and photographs of two participants in the expedition, Clarence Wyckoff and Louis Bement, close friends from Ithaca, New York who paid to join the voyage.

Softcover. Washington, DC, Smithsonian Institution, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, b&w and color illustrations. Very light edge wear; else a very clean, tight copy.

Softcover. NY, Martha Jackson Gallery, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, color and b&w plates. Exhibition catalog, Clean, bright copy.

Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.

Softcover. Richmond, VA, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, 93 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. In an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.

Softcover. NY, Pace Gallery/Wilderstein, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog that is actually two catalogs published back to back (unusual format). One side is Maquettes for Monumental Sculpture and the other Wood Sculpture and Collages. Approx. 60 pages all together. B&W and color photography throughout. Sewn bindings with slight wear. Overall, a nice, clean copy.

Hardcover. NY, The Century Company, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, 381 pages, b&w illustrations. VOLUME 2 ONLY of a scarce set on the life and works of Augustus Saint-Gaudens (1848-1907), an American Beaux-Arts sculptor who is best known for his statues commemorating Abraham Lincoln and Union officers of the Civil War, including Robert Gould Shaw, William Tecumseh Sherman, and John Logan. Edited by his only child, Homer (1880-1953), an artist and museum administrator in his own right. Owner's bookplate on front fly leaf otherwise clean.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Alongside more than 172 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York's famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York's art and literary circles.

Hardcover. NY, Flammarion, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume--which features an open spine binding so that it lays flat to show off the photographs to their best advantage--showcases Doisneau's best photographs for Vogue Paris. Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the cafe society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life--from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau's photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux's personal homage to the photographer--who was her friend and colleague--offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.

Hardcover. Nieuwkoop , B. de Graaf, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth covers with gilt lettering, 159 pages with b&w diagrams and illustrations. Subjects include: The base of perspective illussions, third dimension, euclid, anamorphoses, the concave surface of the retina, Schickhardt's problem, eccentric positions of the observer's eye, rotations of the eyeball, visual size, pleudo-perspective, axial construction, rebirth of central perspective, Leon Battista Alberti, Paolo Uccello, the oblique position, Piero della Francesca etc.

Hardcover. NY, Rizzoli International, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 296 pages in color. Interior designer Nancy Braithwaite s long-awaited first book is a striking tutorial in the power of simplicity in design. In the world of interior design, Nancy Braithwaite is known for her single-minded devotion to the principle that has guided her work for more than forty years: simplicity. Braithwaite s work is luxuriously minimalist, its beauty inextricably tied to its Shaker-like purity. While her work varies from art deco to country, the underlying rules remain the same: every element should strive to be simple and powerful without compromise, and every room must have a level of power that comes from commanding scale, repetition of elements, subtleties of color, or the sheer beauty of forms. Clean copy. DUE TO WEIGHT DOMESTIC SHIPPING ONLY.

Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, No dj, as issued. 197 pages with 184 color illus. and several bw archival photos. Presenting work from every stage of the versatile artist's career, this book is the first to focus solely on Max Beckmann's still lifes. Featuring nearly eighty paintings and watercolors, this volume covers a half-century of the artist's forays into the genre. With several essays. Published to coincide with the exhibition held at the Kunsthalle, Hamburg, from September 2014 to January 2015. Bottom corners bumped otherwise like new.

Softcover. Zurich, Graphis Press, 1st, 1975, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Very good.

Softcover. London, Sotheby's, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, Sale #LO1292, 170 pages, illustrated in color, 264 lots. Clean copy.

Hardcover. NY, Stewart, Tabori and Chang, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 271 pages, illustrated throughout in color. Folio. Clean, unmarked copy with only minor wear to dust jacket. You learn from people with great taste, says Bunny Williams. She should know. As a novice, Williams worked for legendary decorators Sister Parish and Albert Hadley, absorbing everything she could of their peerless design sense. Striking out on her own, she rose to the top rank of the interior design profession, where she has stylishly remained for the last 30 years. Now, it's our turn to learn from her. Part memoir and part how-to manual, Bunny Williams' Point of View showcases many of the drop-dead chic but always cozily comfortable residences whose interiors Williams has designed during her astounding career. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. New Yory, Sterling, reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Originally published in 1990 by Kitchen Sink Press. Color throughout. 208 pages.

Hardcover. Paris, Librairie d'Art, 1st, 1889, Book: Good, Dust Jacket: None, Hardcover, 348 pages, half leather with decorated cloth, raised bands on spine, red leather label with gilt title. Profusely illustrated throughout in b&w with FRENCH TEXT. Minor corner and edge wear and fade, otherwise, very clean and tight copy.

Hardcover. Hanover NH, University Press of New England, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 214 pages, color and b&w illustrations. Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. Clean copy.

Hardcover. Washington DC, National Gallery /Yale University, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 231 pages, numerous color and bw plates. Catalogue of a de Kooning exhibition, organized by the National Gallery in association with the Tate Gallery and the Metropolitan Museum of Art. This illustrated survey of de Kooning's paintings covers the period from 1938 through 1986. The catalogue, by curator Prather, is preceded by two critical essays: Sylvester's "Flesh Was the Reason" and Shiff's "Water and Lipstick: De Kooning in Transition." 12'' x 9.75''. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Christopher Felver has collected over 240 photographs from tours and encounters with musicians over the past 25 years. From Doc Watson to John Cage and Mavis Staples to Sonny Rollins, this collection celebrates the tapestry and diversity of musical styles that make up the American sonic landscape.

Hardcover. Chicago, The Caxton Club, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth stamped in dark blue, 287 pages. SIGNED BY MCCUTCHEON with a pen and ink sketch on notepad paper pasted to front fly leaf. His b&w illustrations throughout. Minor edge wear and fade, previous owner's bookplate on front endpaper, otherwise, very clean and tight, 1 of a limited 1000 copies.

Softcover. NY, Sotheby's, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, Sale #N08089, 216 pages, illustrated in color, fold-out plates. 65 lots. Clean copy.

NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of a older backwoods-type seated in front of a music stand, playing his flute by Anton Otto Fischer. 10 X 13".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. New York, St. Martins Press , 1st US, 1975, Book: Very Good, Dust Jacket: None, 122 pages. Softcover. Small marking to front cover. Otherwise clean copy with minor edgewear. 107 illustrations, including 16 in color. Walter Crane, artist of Kensington, was a man of many talents, but is possibly best known for his original and charmingly executed designs which made him the leading illustrator of children's books of the Aesthetic Movement period. In the face of the commercial vulgarity and ugliness of Victorian industrialised society, he created a delicate and escapist fairy world which, with its emphasis on spontaneity and mobility of line, and its clever use of background and colour, popularised a completely new style of tasteful book designs, and brought them within reach of everyone. The influence of Crane's work and his highly novel theories of design make him an important figure in nineteenth century art history. Rodney Engen, American-born painter and lecturer, discusses Crane's style and ideas in a study delightfully arranged after Crane's own rules and book design.

Softcover. New York, NY, Hirschl & Adler Galleries, 1st, 1989, Book: Good, Dust Jacket: None, Softcover, 79 pages. Exhibition catalog. Black-and-white and color illustrations. Some shelf-wear on rear cover. Light sun-fade to spine. A little soiling to bottom edge. Otherwise, clean, tight copy.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages illustrated in b&w by Beaton. Before there was Kate Beaton, New York Times best-selling cartoonist of Hark A Vagrant, there was Katie Beaton of the Cape Breton Beatons, a tight-knit seaside community. After university, Katie heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coast Canadians who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Katie will be far more than she anticipates. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people. Clean copy.

1911, Book: Very Good, Dust Jacket: None, Illustration of Napoleon at the Battle of Rivoli with a list of the flour company's distributors below. Approx. 10 X 13".PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. New York, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 262 pages. Hardcover with dust jacket. Sunfading to spine. Minor soiling to dust jacket. An otherwise very clean, unmarked copy with only minor edgewear. Rooms celebrates some of the most luxurious and bold interiors around the globe and the creative sensibilities of the people who inspired them. Beautifully presented through the sumptuous photography of Derry Moore, the 12th Earl of Drogheda, who has photographed some of the world's most spectacular houses as well as some of the most notable personalities in their homes, this lavish publication captures the dramatic spirit of such vivid figures as famed early twentieth-century interior designer Elsie de Wolfe, contemporary design legend Renzo Mongiardino, and the legendary decorator Nancy Lancaster. Moore revolutionized interior photography with his technical acuity, his keen aesthetic eye and his impeccably good taste. This vision culminated in an inspired collaboration with Joseph Holtzman, founding editor in chief and art director of the celebrated and controversial magazine Nest, and one of the great tastemakers of our age. This long-awaited book features a remarkable array of spectacular interiors, ranging from Charleston, the famed haunt of the Bloomsbury group, to India's Falaknuma Palace, Pauline de Rothschild's London residence, and Chatsworth Hall, Derbyshire, the grandest of English country houses.

Hardcover. Boston, Houghton Mifflin, 1st, 1991, Book: Very Good, Dust Jacket: Good, 212 pages, hardcover with dust jacket. Essays and cartoons from Pulitzer winning cartoonist. Bottom corner bumped, light edgewear to dust jacket. Price sticker residue on half title page. Unmarked.

Softcover. PS Artbooks, reprint, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. From December, 1941. Art by Mac Raboy, C. C. Beck et al. A key issue, with Captain Nazi jumping over from the pages of Master Comics to fight CM and it all brings about, right here, the origin of Captain Marvel, Jr. Capt. Nazi attacks a young boy and leaves him crippled, which can't be reversed. But CM goes to his mentor Shazam and agrees to give some of his power to the boy, so that when Freddy says "Captain Marvel" he turns into the super-powered Captain Marvel, Jr. CM then sends him back to Master Comics (yes, really) to aid Bulletman in his own battle with Captain Nazi. All of this is part of a 3-part origin story. CM Jr. immediately became the long running cover feature of Master Comics.

NY, ADC, 1st, 198, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. No markings. Index, b/w & some color illustrations. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Portland, OR, Nazraeli Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 108 pages. This printing limited to 1000 copies. Hardcover with no dust jacket. Creasing to a few pages. An otherwise clean, unmarked copy with only minor edgewear. In the mid-1980s, Stu Levy began making 'grid-portraits' in order to overcome his his frustration with traditional portraiture's limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject's living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects' studios or living spaces and serve as a backstage tour of the artist s mind and creative process. Levy is fascinated by the artifacts that fill these spaces the possessions by which the subjects are themselves possessed. Rather than confining himself to a single 'decisive' moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a 'snapshot' of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments. Among the subjects included in this important new monograph are Dr. Stanley Burns, Linda Connor, Barbara Crane, Jay Dusard, David Hockney, Graham Nash, and Jerry Uelsmann. Beautifully printed in duotone on matt art paper and bound in black Japanese cloth, this first printing of Grid-Portraits is limited to 1,000 copies.

Hardcover. Woodbury, NY, Barron's, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 81 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout.