1913, Book: Very Good, Dust Jacket: None, Girl reading letter by the seashore, art by John Rae. 8 X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1901, Two color art of party with woman descending stairs by George Gibbs. 11 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. San Francisco, Rip Off Press, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 32 pages plus color wraps. Staple bound, $2.00 cover price. Color art by Selton inside- "The Idiots Abroad", part 1. Clean, bright copy.
1915, Book: Very Good, Dust Jacket: None, The Sandman, color art by Jessie Wilcox Smith. 12 X 15", very good. Mailing label.PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Italy, Cineteca di Bologna, 2015, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Illustrated with a great wealth of previously unpublished documents and photographs from the Chaplin archives, historic pictures of the theatrical world of Chaplin's youth and images from the author's private collection.
Hardcover. NY, Art Director's Club/Book Service Co., 1st, 1926, Book: Very Good, Dust Jacket: None, 136 pages plus ads. A wonderful collection of commercial art from 1925. Color art by Walter Biggs, Henry Raleigh, Edward Wilson, Merritt Cutler, others. Many b&w examples of illustration and photography from the period. Two-color boards with matching label on front. Excellent, clean condition. Small chips missing at top and bottom of spine causing dime size paper loss (smaller at bottom). Foxing to top edge. Light edgewear to boards. Scarce.
Hardcover. NY, Stewart, Tabori & Chang, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages illustrated in color. A complete guide to using wood in the home offers practical information and hard knowledge about types of wood and their uses, as well as inspiration on the uses for wood, complete with a buying guide and 250 color photos.
Hardcover. NY, Greenwich House, reprint, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Journeys through the world of Carl Faberge to explore some of his elaborate and exquisite gold pieces and to provide information on his craftsmen, art, and aristocratic patrons.185 photos with 100 in full color.
Hardcover. NY, The Artist Book Foundation, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Adolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine illustrator. As he toured Europe, Dehn quickly acclimated to the continental lifestyle and was adept at depicting its nuances and idiosyncrasies through his prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in pre-World War II Europe gave the Midwestern artist ample material for his growing body of work. Returning to the United States in 1930, Dehn exhibited his prints in several solo shows at the Weyhe Gallery in New York, starting in 1935. As an artist during the era of the Great Depression, Dehn did commercial artwork and contributed to popular magazines such as The New Yorker, Vogue, and Vanity Fair. In fact, his clever drawings that reflected the culture and fashionable society during the Jazz Age, made Dehn a favourite of Frank Crowninshield, Vanity Fair's renowned editor. 182 pages, clean, still in publisher's shrinkwrap.
Hardcover. NY, Random House, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, hundreds of b&w cartoons from the magazine's golden age. Tan cloth spine with blue boards. No lettering on spine. Clean copy, no dust jacket.
Hardcover. NY, VH1 Press , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. She was riveting to look at, a sprite of the zeitgeist, the living distillation of the over-amped vision of New York in the mid-sixties. Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed--became the symbol for all that was hip and stylish--and just as quickly began to disintegrate. Told with unsparing candor, and with images that capture her at the peak of her Factory stardom, Edie Factory Girl is the short but enduring cultural story of Edie Sedgwick--releasing in time for the film of the same name starring Sienna Miller, and including rare photos of Miller as Edie.
Hardcover. Baltimore, Johns Hopkins University Press, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 394 pages, b&w illustrations. The adventures of Tintin and his dog, Snowy, have captivated people worldwide since they first appeared as an insert in the Belgian Catholic newspaper Le Vintieme Siecle in 1929. Available for the first time in English, this insightful biography delves deep into the psyche of Tintin creator Georges Remi and his public persona Herge. Author of the critically acclaimed Tintin and the World of Herge and the last person to interview Remi, Benoit Peeters tells the complete story behind Herge's origins and shows how and why the nom de plume grew into a larger-than-Remi personality as Tintin's popularity exploded. Drawing on interviews and using recently uncovered primary sources for the first time, Peeters reveals Remi as a neurotic man who sought to escape the troubles of his past by allowing Herge's identity to subsume his own. As Tintin adventured, Herge lived out a romanticized version of life for Remi.
Hardcover. NY, NBM, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Early b&w comic strips. Mutt and Jeff was the first successful daily comic strip; before it, the funnies were Sunday features. It debuted in 1907, however, as A. Mutt, limning the follies of lanky racetrack gambler Augustus Mutt. Diminutive sidekick Jeff appeared the following year to form a partnership that lasted until the strip's overdue demise in 1983. Mutt and Jeff was the first strip to essay weeks-long story lines, such as a trip to Mexico to join Pancho Villa's revolution. Compared to better-remembered strips of the era, Mutt and Jeff was crudely drawn, yet it captured the nation's fancy. Despite its significance in comics history, Mutt and Jeff is scantly regarded today. By the mid-1920s, Fisher handed creative duties over to ghosts to free up time for the playboy lifestyle that the strip's sizable revenues allowed him. Clean copy.
Hardcover. UK, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects December 1951 - April 1952 Issues 26-30. Foreword by David Tosh.
Hardcover. NY, Quantuck Lane, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages. Every day, beginning in 1964, painter John Evans created a collage from found objects ranging from clippings, business cards, product stickers or labels, and ticket stubs to bits of ephemera or anonymous snapshots found on the streets of his East Village neighborhood. Using colored inks, he built upon and embellished the collage elements, creating lively, vibrant compositions. His astonishing work continued through the end of 2000, which seemed an appropriate date to stop. Apart from their beauty, Evans collages are mini-time capsules that mark the end of the Vietnam war, the fiscal crisis in New York City during the 1970's, the burgeoning economy, club scene and are market of the 1980's, and the AIDS crisis. They are also autobiographical with postcards, snapshots, and other connections to Evan's daily life. The 365 collages selected for this monograph, focusing on the 1970s through the 1990's, represent a year, but are drawn from different years. They illustrate the full range of Evans' mastery of his medium and attest to the artist's self discipline in adhering to the demanding regimen of creating a college every day. 365 color plates.
Hardcover. Amon Carter Museum , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages. Illustrated with 119 plates (some color), b/w text drawings and photos + 1 map (3 panel fold-out). 4to. Catalogue Raisonne by Karen Reyn.
Hardcover. London/NY, The Studio Ltd., 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth with white stamping. 192 pages, 150 beautiful b&w woodcuts from the era. Review slip laid in, former copy of American illustrator Aldren Watson with his stamp on half-title page. Minor fraying to top of cloth spine.Otherwise a tight, clean copy. No dust jacket.
1930s, Book: Very Good, Dust Jacket: None, Art "The girl I love-", photo-strip story. 10 X 13", very good.PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Geneva, Edito-Service, 1st English Ed., 1968, Book: Very Good, Dust Jacket: None, Hardcover, pebbled red cloth with gilt decoration and color label on front cover. Good general overview of painting in Western Europe during the later Medieval period. Illustrated in color and b&w. Clean copy.
Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 272 pages, illustrated throughout in color. Clean, tight copy. Tales exploring the supernatural featuring featuring Issues 6-11 from May/June 1952 to November 1952 of the ACG classic Forbidden Worlds. This second volume has been meticulously compiled from the original source material and painstakingly digitally restored.
Hardcover. NY, Grove Press, Ltd Ed., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a lightly worn dust jacket. "No. 880 of a Special Limited Numbered Edition of 1000 Copies" written in pen on the back of the half title. 85 pages of Bellmer's surreal, erotic artwork. No slipcase.
Softcover. Hong Kong, Christie's Inc., 1st, 2007, Book: Very Good, Dust Jacket: None, 113 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.
Hardcover. Acoustic Learning , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Go back in time to the prehistoric kingdom of Moo and follow the fantastic, whimsical -- and often cleverly satirical -- Stone Age adventures of V. T. Hamlin's irrepressible caveman, Alley Oop! This oversized volume collects every Alley Oop Sunday strip from 1939through 1941 in full color.
Hardcover. GR, Editorial RM, 1st, 2009-07-31, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, Like new in publishers shrink-wrap. With an all-black velvet cover and beautifully printed inside, Health and Efficiency is a sexy little book. The pieces are all derived from a pile of old nudist camp magazines he picked up in Brick Lane market in East London. In the original clippings nubile porcelain-white maidens pose puritanically next to ponds and lillies. But in Lakra's versions they have sailor tattoos and get skewered by monochrome skeletons and mugwumps.
Hardcover. Montreal, Montreal Museum of Fine Arts, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover with dust jacket. Small stain on fore edge of textblock. Otherwise, a very clean, unmarked copy with minor rubbing and edgewear to dust jacket. Small tear to top edge of rear dust jacket cover. A tight copy. Black & white and color illustrations throughout.
Hardcover. London, John Lane The Bodley Head, 1st, 1925, Book: Fair, Dust Jacket: None, 162 b&w plates by Beardsley with tissue guards. Introduction by C. Lewis Hind, a color plate featuring a caricature of Beardsley by Max Beerbohm. Gray dust jacket worn, chipped. This heavy book has been shaken, the signatures are loose. But it is complete and the interior pages are very good, despite the loose binding.
Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Reproduces all 728 of the magazine's covers and includes behind-the-scenes stories and excerpts from articles and interviews with the idols of rock and rythym-and-blues.
Softcover. Augusta GA, Morris Communications Company, 1st, 2004, Book: Very Good, Dust Jacket: None, 100 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Retrospective exhibition monograph, showcasing the work of a prominent Alaskan artist.
Hardcover. US, Gestalten, 1st, 2012-04-25, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages. Like new in publisher's shrink-wrap. Girl's Best Friends features work by outstanding jewelry designers including Ted Noten, Saskia Diez, byAMT, and Kelsey Quan; fashion labels such as Commune de Paris 1871; artists such as the duo Confettisystem; and a range of innovative designers from other disciplines. The most comprehensive showcase of the innovative jewelry being created today.
Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with lavender cloth spine. 160 pages in color. The audacious exploits of ten great adventurous female stars from the Golden Age of comic strips.In the 1920s they were socialites and flappers. In the 1960s they were homemakers and heartthrobs. But from the late 1930s to the early 1950s, female stars of the newspaper comic strips were detectives, spies, soldiers of fortune, even superheroes. Accomplishing everything the male comics stars of the time achieved, except they did it in high-heels and flowing skirts. Follow the daring exploits of these smart, tough, independent AND sexy Dauntless Dames.Both a product of their era and ahead of their time, the women in these stories gave their audience just what they needed. Through the Sunday Comics readers could escape from the woes of the Depression, travel to exotic foreign lands, feel the glamor and gangsters of the entertainment world, and support the Allied efforts in World War II. Presented in an extra-large format, here are the colorful, pulse-pounding tales of ten incredible women, both known and unknown to comics fans - and most are reprinted here for the first time in three-quarters of a century! The book also includes a special bonus: an insert section with a dozen paper doll cutouts starring the most popular women comic strip characters of the day. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. Hong Kong, The Urban Council, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 146 pages. Illustrated in b&w, some color. Clean, bright copy.
Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcasse. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations
Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.
1967, Book: Very Good, Color art of moon over house by Francois.8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.
Hardcover. Gloucester MA, Rockport Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, illustrated throughout in color. Light edgewear to dust jacket, else a clean, tight copy. Work from a diverse pantheon of internationally known designers captures the fluidity, the sensitivity and the art of designing with type. These stylists and practitioners of typographic virtuosity provide a range o work which has individuality, attitude and graphic flair. Collectively they demonstrate the power of type in contemporary design.
Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.
Book: Very Good, Color art by Low of fishing boat with colorful creatures under the water. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. Rutland VT, Charles E. Tuttle, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 149 pages, illustrated throughout with over 70 plates including 44 in full color. Light edgewear and chipping to dust jacket, else a clean, tight copy.
Softcover. Raleigh NC, TwoMorrows Publishing , 1st pbk, Book: Very Good, Dust Jacket: None, Paperback, 256 pages, illustrated in color. From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach on everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and sci-fi for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the THUNDER Agents and Edgar Rice Burroughs characters; and even Flash Gordon for King Features. Comic art historian Roger Hill has compiled a complete and extensive history of Crandall's life and career, from his early years and major successes, through his tragic decline and passing in 1982. This full-color softcover includes never-before-seen photos, a wealth of rare and unpublished artwork, and over eighty thousand words of insight into one of the true illustrators of the comics. Bookplate signed by Roger Hill laid in.
Softcover. New York , Tom Doherty, 1st, 1994 , Book: Very Good, Dust Jacket: None, Softcover, 287 pages, in excellent condition. A cartoon collection from the master of macabre.
Softcover. San Francisco, Rip Off Press, 1st pr., 1977, Book: Very Good, Dust Jacket: None, Softcover, 52 pages including semi-glossy color covers and b/w interior. Saddle-stapled wraps, 75 cent cover price. The main art on the cover is the same as #2 in the series. The rest is all new. This is one of the five small collections of those strips. Small ink notation at top of copyright page otherwise a clean, bright copy.
Hardcover. New York , McGraw-Hill, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio, 159 pages, index, 60 beautiful tipped-in color plates of ancient Mexican sites after photographs by Irmgard Groth. Original gilt-lettered burgundy cloth in original color pictorial dust jacket that has a small chip to top of spine. The author of this book, Ignacio Bernal (1910 - 1992), was an eminent Mexican anthropologist and archaeologist. Bernal excavated much of Monte Alban, originally starting as a student of Alfonso Caso, and later led major archeological projects at Teotihuacan. In 1965 he excavated Dainzu. He was the Director of Mexico's National Museum of Anthropology 1962-68 (at the time of this publication) and again 1970-77. In 1965, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences. Bernal was awarded the Premio Nacional in 1969. He was a founding member of the Third World Academy of Sciences in 1983. This book includes 60 hand-mounted colour plates and 1 map (all framable); each chosen by Bernal photographed by Mrs. Irmgard Groth, a gifted photographer whose special field was Mexican archaeology. In these plates we see the extraordinary sculpture of the Omecs; the Pyramid of the Moon of Teotihuacan; the Maya temples of Palenque; the Pyramid of the Niches of Tajin on the Gulf Coast; the temples at the great city of Chichen Itza; the gold ornaments of the Mixtecs at Monte Alban; the temple carved by the Aztecs out of the Cliffside at Malinalco; and many other buildings and artifacts, the surviving testimonials - sometimes exquisite, sometimes aw-inspiring - to the greatness of a long-vanished culture.
Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. Known for his cool, clean, comics-inspired pictorial language, Julian Opie has been one of the leading figures in contemporary British art since the early 1980s. Equally at home in museum settings--like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one-person exhibitions and projects--and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer-assisted abandon. In the early days, Opie transgressed the boundaries between painting and sculpture by applying paint to the everyday articles he used in his steel objects. More recently he has experimented with digital technologies in the applied arts. Now, he is probably best-known for his hypnotically low-tech moving images generated by LCD and LED technologies. This volume assembles a representative collection of portraits, half-length figures and new works that draw from the motifs of baroque portraiture.
1964, Book: Very Good, Art of ballet dancer done with black brush line by Birnbaum. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Harper and Brothers, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 146 pages. A collection of Mauldin's political cartoons from the late 50s and early 1960s. Dust jacket with light wear, price-clipped.
Softcover. New York, MOMA, 1st, 1963, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Illustrated with black & white photographs. Some light fading, spotting to cover edges. Clean, tight copy.
NY, Penguin Press, 2005, Book: Very Good, Dust Jacket: None, Hardcover, no dj issued. Illustrated by Maira Kalman in color. The Elements of Style is a prescriptive American English writing style guide in numerous editions. The original was composed by William Strunk Jr., in 1918, and published by Harcourt, in 1920, comprising eight "elementary rules of usage", ten "elementary principles of composition", "a few matters of form", a list of 49 "words and expressions commonly misused", and a list of 57 "words often misspelled".
1976, Book: Very Good, Color art of woman making coffee in kitchen as dog watches. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.