Softcover. US, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. Like new in publishers shrink-wrap. A canonical figure in American painting, George Inness (1825-1894) is widely admired as the pioneer of the landscape aesthetic known as Tonalism, which is distinguished by soft focus and diaphanous layers of paint. This is the first book about the artist's two Italian sojourns (1851-52 and 1870-74) and their formative impact on his work. Italy--its art and its landscape--offered Inness a font of inspiration as he developed his unique artistic vision. This handsome book presents ten oil paintings surveying Inness's Italian subjects dating from 1850 to 1879, including the Philadelphia Museum of Art's recently restored Twilight on the Campagna, which has not been on view since 1952. This was the first of Inness's works completed in Italy, and its reemergence offers a unique opportunity to reconsider the career of a leading American artist.
Hardcover. New York , Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.
Hardcover. Geneva, Albert Skira, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Green cloth boards with gilt lettering. Clean, bright copy with tipped-in color plates throughout, 193 pages.
Softcover. New York, Charta, 1st, 2006, Book: Very Good, Dust Jacket: None, 95 pages. Softcover. Very clean, unmarked copy still in shrink wrap. 80 photographs in black and white. A collection of portraits from throughout the 1960's.
Softcover. Berlin GR, Walther Konig/Contemporary Fine Arts, Berlin, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 56 pages, color and b&w illustrations. Collection of new works on paper by the German neo-Expressionist Georg Baselitz is beautifully printed on deluxe paper and includes a tipped in centerfold on glossy paper. Here Baselitz revisits and remixes early works in fresh new ways. Bright, clean copy. English and German text.
Softcover. US, Carlton Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 9" x 6", 400 pages, profusely illustrated in color - 300 classics from rare vintage to latest designs. Like new in publisher's shrink-wrap.
Canajoharie NY, Beech-Nut Brand, 1918, Book: Very Good, Dust Jacket: None, Art "The rational meal-time drink for all ages"..., color art not credited. 12 X 15", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, B. T. Batsford Ltd, 1st, 1949, Book: Good, Dust Jacket: Good, Hardcover, 96 pages, with a foreword by A. E. Richardson, color and black & white illustrations and watercolors throughout. Dust jacket worn with fading and rubbing, closed tear on back cover, otherwise, internally very clean and tight.
Hardcover. London, Royal Academy Publications;, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages. In recent years renowned artist David Hockney has returned to England to paint the landscape of his childhood in East Yorkshire. Although his passionate interest in new technologies has led him to develop a virtuosic drawing technique on the iPad, he has also traveled outdoors with a traditional sketchbook, an invaluable tool as he works quickly to capture the changing light and fleeting effects of the weather. Executed in watercolor and ink, these panoramic scenes have the spatial complexity of finished paintings--the broad sweep of sky or road, the patchwork tapestry of land--yet convey the immediacy of Hockney's impressions. For those who know the East Yorkshire Wolds, the location of the sketches is unmistakable; for those who don't, its features will come to life in these pages.
Hardcover. New York, Simon and Schuster, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 b&w cartoons originally published in the New Yorker. Dust jacket with light edgewear, soil.
Hardcover. Princeton NJ, Princeton University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 279 pages. Hardcover. Extensive color illustrations throughout. Includes extensive notes and appendices. Gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. Paris, Books & Co., 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 169 pages. A volume on French Art Nouveau design, architecture and interior decoration. Features designs by Emile Galle, Alphonse Mucha, Paul Signac and others. Color illustrations throughout.
Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Steinberg's high-concept graphic art--epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins--is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith, a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years, surveys six decades of Steinberg's pieces, including all 89 New Yorker covers (in full color), cartoons, wartime sketches from overseas, evocative (but never literal-minded) illustrations for articles, and unpublished items from the artist's portfolio. The material is arranged thematically, examining such recurring motifs as cats, pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work, where symbolic graphic representations of sound, abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style, one with "a wry, informal wit... attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed, and so will this splendid memorial to a 20th-century artistic landmark.
Hardcover. London, Knockabout Comics, 1st, 2012, Book: Very Good, Dust Jacket: None, 264 pages. Hardcover, no dust jacket issued. Extensive b&w and color illustrations by the two Crumbs. Illustrated paste downs and end papers. Includes appendix of portraits. Clean, tight copy.
Hardcover. NY, Goodman, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. For 40 years Rob Roth has collected rare examples of rock tour posters, advertising posters, rock memorabilia, and original artwork. His vast spectacular collection has never been displayed publicly; only visitors to his spacious New York loft--visitors like Elton John and Alice Cooper--have glimpsed his amazing treasures. This lavishly produced volume presents some of the most vivid and exciting images from the rock world featuring classic artists like the Rolling Stones, Queen, Pink Floyd, the Who, Led Zeppelin, Elton John, Alice Cooper, and David Bowie.
Softcover. Dublin, Ireland, Irish Museum of Modern Art, 1st, 2008, Book: Very Good, Dust Jacket: None, 436 pages. Softcover. Very clean, unmarked copy still in shrink wrap. Includes 405 illustrations with 384 in color. A collection of works by Jack Pierson.
Hardcover. San Diego. CA, IDW Publishing, 1st, 2015, Book: Very Good, Dust Jacket: None, This volume collects the initial four stories from 1929 and 1930. 322 pages, b&w illustrations. Hardcover no dust jacket. Clean, unmarked copy in excellent condition. Ribbon page marker.
Hardcover. Cambridge, MA, Harvard University Press, 1st, 1966, Book: Very Good, Dust Jacket: None, 2 Volumes: Volume I, Copley in America, 244 pages. Volume II, Copley in England, 472 pages. Brown and blue cloth covers with gilt lettering to front and spine, blue slip case with b&w illustration, previous owner's pencil inscriptions to front endpapers of both volumes. 334 b&w plates to volume I, 334 b&w plates to volume II. Light wear to slip case and edges of covers; overall both volumes are clean, tight copies.
New York, Ethyl Gasoline Corp., 1938, Book: Very Good, Dust Jacket: None, Art "There's three kinds of fishin'...", color cartoon art featuring Skippy by Percy Crosby. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. San Diego, CA, IDW Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 334 pages. Hardcover. Extensive color and b&w illustrations by Milton Caniff throughout. Illustrated pastedowns and end papers. Clean, unmarked copy with only minor wear to dust jacket. In the third volume of The Complete Steve Canyon -- reprinting every strip from 1951 and 1952 -- new and old characters are paired off. Breck Nazaire and Dr. Deen Wilderness return. Steve meets the lovely Duchess of Denver and the sadistic Fungo; gets assigned to Eel Island, where he encounters crusty Colonel Index and his not-so-blushing bride; is sent to protect a government secret at Maumee University, only to reconnect with Summer Olson and meet her mysterious friend, Kate Subjekt; and eventually gets caught in the deep woods with Miss Mizzou and Roy Himmerskorn before coming face-to-face yet again with not only Summer, but the Copperhead herself -- Copper Calhoon!
Hardcover. Germany, Steidi Publishers, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 295 pages. Hardcover in a bright dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to text block edges. Black and white photographs throughout.
Hardcover. NY, Abbeville, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Hank Ketcham, the self-styled "Merchant of Dennis," passed away in 2001 at the age of 81, but not before writing this engaging memoir. In this volume, the Dennis the Menace creator charmingly tells his own colorful story, starting when he was about "five-ana-half" and first picked up the "magic pencil." A child of the Great Depression from Seattle, Ketcham abandoned college for Hollywood, to pursue a dream of making drawings for Walt Disney films. Initially rebuffed at Disney, he persisted in huffing and puffing at the Mouse Factory door (all the while drawing "Andy Pandas, rabbits, squirrels, and monkeys" at Walter Lantz studio) until finally he was let inside to labor happily on Pinocchio, Bambi, Fantasia and a host of Donald Duck shorts. World War II intervened, but Photographer's Mate Ketcham was, nevertheless, able to resume his artistic career in the Navy, where, in Washington, D.C., he created cartoons for the War Bond program. Following the war, Ketcham developed into a successful freelancer, placing cartoons in The New Yorker, Saturday Evening Post and Collier's.Then one fateful day, his harried wife screamed at him that his son Dennis was a menace! That, of course, sparked an idea that subsequently was sold to a newspaper syndicate in the fall of 1950. Within a year, Dennis the Menace was up to a hundred daily subscribers-a figure that climbed steadily.The Merchant of Dennis the Menace not only traces the humorous adventures of Hank Ketcham-with copious illustrations of his artistic development from a kid with an early knack for copying cartoon characters to a mature and masterful artist of everyday life in the Mitchell and Wilson households-it also offers a special insight into the life and times of the half-pint "Menace." In one unique section, Ketcham takes us behind the scenes of Dennis and provides complete backgrounds for all the major characters, including their genealogies. We are also treated to official model sheets, in-depth analysis of each character's personality and motivations, and an exclusive peek at the private sketches that Ketcham referred to of rooms in the Wilson and Mitchell homes, their backyards, and the neighborhood. To top it all off, the book includes a dozen of Ketcham's hand-picked, all-time favorite strips.
Hardcover. New York, DC Comics, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages in color. Like new in publisher's shrink-wrap. Will Eisner's classic 1940s crimefighter returns! This second volume finds America about to enter World War II -- and the Spirit facing Fifth Columnists, spies and saboteurs, as well as meeting the series' first great femme fatale, Silk Satin! These highly atmospheric stories, which ran weekly in newspapers, range from humorous to darkly moody.
Softcover. Malmo, Sweden, Malmo Konsthall, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 48 pages, color illustrations. Text in English and Swedish. Essay by Susan Harris. This catalog was prepared to accompany the exhibition in Sweden at the Malmo Konsthall from September 3 to October 16, 1994. In this exhibition Nancy Spero printed her drawings directly on the walls to create the work.
Hardcover. New York, Dutton, 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. The second collection of Hazel cartoons by Ted Key from The Saturday Evening Post. Dust jacket with light edgewear, clean.
Hardcover. Washington, Smithsonian Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Color and black and whote photos throughout. Clean, tight copy. The Smithsonian holds more than 13 million images spanning over 150 years of taking and collecting photographs. This largely unknown body of photography (most never before published) represents nothing less than the Smithsonian's effort, in the name of all Americans, to describe and comprehend the world. Open anywhere in these pages to be plunged into the history of our modernity, and see what the Smithsonian deemed important to document and preserve. The famous, the infamous, and the never-before-seen are here in a remarkable "democracy of images": Amelia Earhart, Abraham Lincoln, P.T. Barnum and Tom Thumb, John Brown, Frederick Douglass, Lucille Ball, Greta Garbo, Babe Ruth; the earliest views of the moon and the earliest panoramic view of Damascus; rare Native American photography; views of Asia, Africa, and the American West; photographs of early flight, and much, much more. By recording the act of seeing, and of what was seen, both photography and the Smithsonian have shaped our sense of ourselves, as individuals, as a people, and as a country.
Hardcover. New York, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. The book features images by a who's who of legendary photographers: Anton Corbijn, Patrick Demarchelier, Steven Klein, Annie Leibovitz, Helmut Newton, Irving Penn, Mario Testino, Tim Walker, and Bruce Weber. The book includes a foreword by Anna Wintour and is punctuated with Posnick's personal memories and irreverence.
Softcover. New York, Forge, 1st, 1996, Book: Very Good, Dust Jacket: None, 237 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Nearly 150 Gahan Wilson cartoons appear for the very first time anywhere in Gahan Wilson's Even Weirder. An additional 90 cartoons make their debut in book form, after initial publication in The New Yorker, Playboy and other magazines.
Softcover. Greenwich CT, Fairview Printers, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, glossy pictorial stiff wraps, softcover; 187 pages plus index; black and white illustrations and photographic illustrations; very good.
Paperback. New York, Prestel, Revised, 2007, Book: Very Good, Dust Jacket: Very Good, 335 pages. Oversize hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Now available in a revised and expanded edition, this book offers the first comprehensive critical examination of one of America's most celebrated living artists. Chuck Close reinvented portraiture almost four decades ago with a series of nine-foot-tall, black-and-white likenesses of himself and fellow artists, which astonished an art world dominated by minimalism and conceptualism. Close has since explored an array of mediums. This lavish, large-format volume is the first to deal with all aspects of Close's career and to place them in a biographical context. Christopher Finch's insight into CLose's achievement comes by way of hundreds of studio visits and thousands of hours of conversation since he met Close in 1968. Finch provides an engaging, in-depth analysis of Close's portraits on canvas, from the continuous-tone airbrushed heads of the 1960s and '70s to the painterly "prismatic grids" of the past two decades. The more than 300 illustrations features in the book survey almost all of CLose's paintings, including his most recent work, together with a selection of his prints and multiples, and examples of his photographic oeuvre. This beautifully designed volume reveals not only the variety of pictorial strategies Close has devised, but the extrordinary personality of the artist behind the work.
Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.
Softcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 201 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minor wear to edges, slight wrinkle to lower front cover, else like new. This exhibition catalog explores the artist, his history, his views and his works in as comprehensive a fashion as any living artist could desire. Black and white and full-color plates on heavy coated paper. Essays by Mark Rosenthal and Richard Marshall. Exhibition travelled to Philadelphia, the Whitney in NY, Berkeley U. Art Museum, Walker Art Center and the Corcoran in Washington.
Hardcover. Seattle, Fantagraphics Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, color illustrations. A critical biography of Mort Meskin, one of the 20th century's most influential comic book artists. Clean copy in a bright dust jacket.
Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages, illustrated in b&w and color. Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Realisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world. Clean copy.
Hardcover. Simcoe, Ontario, The Norfolk Historical Society/Fanshawe College, 2nd revised, 1977, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in black. Unpaginated. 16 full color reproductions of family members in Colonial costumes. Intact and very clean. No dust jacket.
Hardcover. Flagstaff, Arizona, Northland Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages. Dark brown cloth cover with gilt lettering to spine, color illustrated dust jacket, numerous color and b&w plates of Russell's oils, drawings, watercolors, bronzes and illustrated letters. Light wear to dust jacket; overall a tight, clean copy.
Softcover. Princeton, New Jersey, Princeton University Press, 1998, Book: Very Good, Dust Jacket: None, Softcover. Historical and biographical volume on the architect Frank Lloyd Wright. 544 pages. Includes drawings, notes, and writings by Frank Lloyd Wright. Near fine condition; book is still in shrinkwrap that has some tears near the spine and on some corners.
Softcover. Seattle, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. Contributions by Andrice Arp, Tim Hensley, Anders Nilsen, Paul Hornschemeier, Sophie Crumb, others.
Hardcover. Milan, Skira, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 185 pages. Hardcover with dust jacket. Clean, tight copy. This book accompanies an exhibit a the Peggy Guggenheim Collection in Venice, the first show solely devoted to Brancusi's photography.
1963, Book: Very Good, Color art by Dunn of cars on Park Avenue with Pan Am building in background. 8 3/4 X 12", very good. Faint crease down center. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. NY, Simon & Schuster, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages. Design writer Siegel takes us on a inspiring tour of the history, stylistic concerns and uses of tiles. Though their cool, hard surface might seem best suited to Mediterranean climates, tiles have enjoyed wide use as far afield as the Netherlands, and any area subject to heavy foot-traffic could benefit from their easily cleaned faces. Lavishly illustrated with color photographs supplied by Country Floors, a well-known tile importing company, the book emphasizes the traditional "country" look; a brief, less successful foray into modern styles relies heavily on simple geometric patterns. In his introduction, Country Floors owner Norman Karlson tells how his fascination with tiles developed. Seemingly meant as a sourcebook for designers and tile enthusiasts, the volume offers scant information on the proper application of tiles--only instructions for care and maintenance. Installation, it is hinted, should be left to a specialist.
Hardcover. San Francisco, Chronicle Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 144 pages, color throughout. Delicious Metropolis brings together two of Wayne Thiebaud's most celebrated bodies of work: desserts and cityscapes. Between the two, fascinating juxtapositions develop. The layers of a Neapolitan cake echo the shadows cast across a street in the late afternoon. The pastel hues of iced sponge cakes match California's candy-colored houses. Curators, critics, and artists guide the reader through the book via insightful bite-size essays. This gorgeous hardcover offers fans and newcomers a refreshing and accessible way to enjoy the oeuvre of this iconic American painter.
Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages. Strange & Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.
Hardcover. US, NBM Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 110 pages, illustrated throughout in color and b&w. Clean, tight copy.
Hardcover. London, Frederick Muller Limited, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. White cover with gilt lettering to spine, color illustrated dust jacket, 32 pages of 87 color plates of stain glass in England. Light wear to dust jacket; overall a clean, tight copy.
Hardcover. Kunsthalle Bremen & Verlag Fred Jahn, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Black cloth with dust jacket. Text in German by numerous contributors. illustrated checklist to the exhibition. 170 pages with 69 four-color plates and numerous b/w reference illustrations. GERMAN LANGUAGE.
Hardcover. Boston, Museum of Fine Arts, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. , 144 pages illustrated in color and b&w. During the global postcard craze that peaked around 1900 and continued for several decades thereafter, photographers in Africa grasped the opportunity to serve a lucrative market for images of the continent, both locally and worldwide. Their picture postcards now contribute to understanding political and cultural changes in Africa at the time, as the rise of the new medium coincided with the expansion and consolidation of colonial rule. They also provide a way to reconstruct the life and work of the photographers of European, African and other backgrounds who created these images-which often survive only in postcard form-and in some cases published them as well. The cards were produced for residents and travelers in Africa, as well as for buyers and collectors who had never set foot on the continent. Their depictions of colonial administrations and the exploitation of resources and peoples, as well as images inscribing tribal identities and racial classifications, often reflect the colonizers' worldview. Yet it is also possible to recover the authorship of some of the African women and men who participated in these photographic encounters. For instance, some cards show that members of Africa's elites recognized the power of photographic images to enhance their standing and present their own narratives.
 "George Inness in Italyby: Mitchell, Mark D.")
 "The Great Centuries of Painting - Greek Painting by: Martin Robertson")
 "Sneakers: Over 300 Classics From Rare Vintage to the Latest Designsby: Heard, Neal")
 "Drawn Togetherby: Crumb, Robert and Aline")
 "Steve Canyon Vol. 3 1951-1952by: Caniff, Milton/ Dean Mullaney (Ed.)")
 "Spirit, The - Archives, Volume 2: January 5 - June 29, 1941 (Spirit Archives) by: Eisner, Will")
 "Jonathan Borofskyby: Rosenthal, Mark & Richard Marshall")
 "MOME Fall 2006by: Gary Groth/ Eric Reynolds")
 "Delicious Metropolis: The Desserts and Urban Scenes of Wayne Thiebaudby: Wayne Thiebaud")
 "Happy Hooligan (Forever Nuts: Classic Screwball Strips)by: Opper, Frederick Burr")
 "Postcards from Africa: Photographers of the Colonial Eraby: Christraud M. Geary")
