Hardcover. Petaluma CA, Cameron, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages in color. Beginning in the late 1960s, graphic artist David Edward Byrd pioneered the iconic visual styles that have come to define rock 'n' roll graphics. Byrd created poster, concert, and album art for Jimi Hendrix, the Who, Lou Reed, Janis Joplin, Jefferson Airplane, Ravi Shankar, Traffic, Van Halen, the Grateful Dead, the 1969 Woodstock Festival, and KISS, among others. In fact, the 1968 poster that Byrd created for the Jimi Hendrix Experience was voted #8 in the Top 25 Rock Posters by Billboard. Beyond this, he created the iconic imagery for many Broadway shows, including Follies, Godspell, Jesus Christ Superstar, Little Shop of Horrors, and more. Clean copy.
Hardcover. Salem, MA, Essex Institute, 1983, Book: Very Good, Dust Jacket: Good, Hardcover. Reference guide to historical architecture in Salem, Massachusetts, with reviews of over 350 buildings. 311 pages, fully illustrated with black/white photographs and maps. Cloth bound book is in near fine condition, no internal marks; dust jacket has wear at the corners and on the ends of the spine, two rips along the top edge.
Hardcover. New York , W. W. Norton & Company, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Fold-out in slipcase. Like new in publisher's shrink-wrap. Launched on July 1, 1916, the Battle of the Somme has come to epitomize the madness of the First World War. Almost 20,000 British soldiers were killed and another 40,000 were wounded that first day, and there were more than one million casualties by the time the offensive halted. In The Great War, acclaimed cartoon journalist Joe Sacco depicts the events of that day in an extraordinary, 24-foot- long panorama: from General Douglas Haig and the massive artillery positions behind the trench lines to the legions of soldiers going "over the top" and getting cut down in no-man's-land, to the tens of thousands of wounded soldiers retreating and the dead being buried en masse. Printed on fine accordion-fold paper and packaged in a deluxe slipcase with a 16-page booklet, The Great War is a landmark in Sacco's illustrious career and allows us to see the War to End All Wars as we've never seen it before.
Softcover. Buffalo / NY, Albright-Knox / Abbeville Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 156 pages, illustrated throughout in color and b&w. Shows nearly a hundred of the American artist's paintings, includes an interview with Motherwell, and discusses the development of his career. Red pictorial stiff wrappers. Slight wrinkle to back cover and minimal wear to edges, else like new.
Hardcover. Koln, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, without dust jacket, as issued. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.
Hardcover. London, Country Life Books, reprint, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light edgewear, 155 pages. Beautiful color illustrations by Basil Ede throughout. Foreword by H.R.H. The Prince Philip, Duke of Edinburgh. This book is a record, in word and picture, of 56 British birds that may still be seen in and around English towns and villages. Each bird is described in detail and accompanied by a specially commissioned print showing them in typical surroundings. A useful and attractive reference book, ideal for both bird and art lovers. Clean copy.
Hardcover. New York, DC Comics, 2nd, 2002, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Art in America/ Stewart Tabori and Chang, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 270 pages, illustrated throughout with 134 plates in full color. Essay by Peter Schjeldahl. Edited by David Whitney. Illustrated with reproductions of 77 of Fischl's oil paintings from 1980-1987, 35 of his works on paper, and 12 seminal glassines. Includes a selected bibliography. Minor edgewear to white pictorial dust jacket . Else a clean, tight copy.
Hardcover. Dark Horse, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages in color. Since making his spooktacular cartoon debut in "The Friendly Ghost," Casper has become one of the most enduring and best-loved characters in the world. Now, in celebration of the sixtieth anniversary of Casper's comics debut, Dark Horse is proud to announce the publication of a special hardcover of not one, but two full-length, complete Casper comic books in sparklingly restored full color! Beginning with Archer St. John's 1949 first issue of Casper the Friendly Ghost, this sixtieth anniversary edition continues with Harvey Comics' premier edition of Casper from 1952. You'll thrill as timid Casper - defying his fellow ghosts' dictum that ghosts must scare people - makes friends with a host of cute kids and furry animals in two tales that will touch your heart and tickle your funny bone!
Hardcover. Milwaukie WI, Dark Horse Comics, 1st, 2021, Hardcover in pictorial boards, 96 pages. A collection demonstrating the effectiveness of the comics medium for telling the most personal of stories--the autobiography. Showcasing some of the first published autobiographical stories from living-legend artists, mainstream greats, and young "indie" up-and-comers!Featuring stories by Will Eisner, William Stout, Gabriel Ba and Fabio Moon, Stan Sakai, Sergio Aragones, and many more of comics' top talent! Clean copy.
Hardcover. US, Conran, 2009, Book: Very Good, Dust Jacket: Very Good, Like new hardcover in publisher's shrink-wrap. 336 pages. In this endlessly provocative volume, Stephen Bayley, design authority and cultural critic, takes on the female body, analyzing each crook and every curve as a sign, a symbol, and as a designed object. From Aphrodite to the industrialization of the breast, and from pin-ups to the future of sex, WOMAN AS DESIGN is a fascinating mix of design, cultural history, erotica, fashion, and fetishism.
Softcover. Berkeley CA, Last Gasp, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, created by Robert Crumb, his wife Aline, and others; with a color front and rear cover by Crumb, work entitled Uncle Bob's Mid-Life Crisis (eight pages), Robert Williams, a photo piece called Slaves Of The Comicbook Factory, Jeff John, Trashman by the legendary Spain, Dori Seda, C.P.Grimsley, and others; this true first printing, in stapled wrappers.
Hardcover. NY, Bloomsbury, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. This wonderfully comprehensive collection spanning nearly three decades and arranged chronologically-and drawn from the pages of magazines including Scientific American and Redbook as well as The New Yorker-brings together, for the first time, the very best of Roz Chast, whom O Magazine called "the wryest pen since Dorothy Parker's."
Hardcover. NY, George Braziller, 1st, 1959, Book: Good, Dust Jacket: Good, Hardcover in an edgeworn, price-clipped dust jacket, 111 pages. Wonderful b&w illustrations by Ronald Searle. The first collaboration between these Atkinson and Searle, a look at the 'new poor' in the London of the 1950's. Taking Henry Mayhew's 19th century work 'London Labour and London Poor' as their guide, the writer and artist take a perceptive, compassionate and subtly humorous, look at how the burden of poverty has shifted into some surprising quarters - including a look at a literary exile, an aging actress, enclyopedia salesman, ice cream seller and more. Shelfworn copy, but sound with a light ownership stamp to front fly leaf.
Hardcover. Chapel Hill, NC, Univ of North Carolina Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 86 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket edges. Minor shelf wear on front cover. Black and white images throughout. Tight copy.
Hardcover. Paris, France, Guy Delcourt Productions, 1st Edition, 1989, Book: Very Good, Dust Jacket: None, 48 pages. Hardcover. FRENCH TEXT. Color illustrations throughout. Decorated cover boards, glossy, very good. Pages and edges clean and unmarked. Binding tight, spine straight. In excellent condition. Coutoo is dead. But Coutoo lives again. Coutoo, the mad killer with the terrifying face, once again haunts the streets of New York. Like his father before him, Inspector Krafft goes up the bloody trail taken up by this monstrous psychopath.
Hardcover. Lanham MD, Derrydale Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 149 pages. Hardcover. Extensive b&w and color illustrations throughout. Clean, unmarked copy with only minor wear to wrappers. The definitive book on an artist who is widely regarded as the preeminent American illustrator of equestrian subjects. Based on extensive interviews with Brown's family, friends, and artistic contemporaries, Paul Brown includes a biography of the man and contains a complete listing of all the published works that include Brown's art as well as listings of all of Brown's prints, items sometimes attributed to Brown, and methods of identifying first editions of Paul Brown's art. Although Brown is primarily known for his wonderful paintings, drawings and sketches of horses and equestrian sports, he is also well known for his elegant and prolific illustrations for Brooks Brothers catalogs over three decades.
Hardcover. NY, Simon & Schuster , 5th Ed., 1953, Book: Very Good, Dust Jacket: None, Hardcover, blue glossy boards with gilt lettering, beige cloth spine, 319 pages. No dust jacket. Lavishly illustrated with color, black and white photographs. Many rooms illustrated were by well-known interior designers and belonged to the rich and famous of the 1940s. Valuable reference for movie or live theatre sets featuring interiors in the 50's, whether traditional or modern. Clean, bright copy.
Softcover. Washington , Smithsonian Institution Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Exhibition catalog. 202 pages, illustrated throughout with 148 plates in b&w. White pictorial stiff wrappers. Light wear to covers, small tear to upper edge of spine, else a very nice, tight copy.
Hardcover. New York, Watson - Guptill, 1st, 1949, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Illustrated with black & white examples of pen and ink drawing and brush techniques. Previous owners signature on front endpaper and bookplate on inside front cover. Light wear to dust jacket.
Hardcover. Neshannock PA, Hermes Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Clean, bright copy in a similar dust jacket.
Hardcover. Leicester VT, Gala Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 218 pages. Includes 3 essays: Hiding in Plain Sight: Decoding the Homoerotic and Socio-Political Imagery of Grant Wood. Charles Sheeler and Albert Einstein: Pioneers in the Exploration of Spacetime!The Case for Reattributing George H. Durrie's "Genre" Paintings to James Goodwyn Clonney. Rear panel of dust jacket wrinkled otherwise very good, clean copy.
Hardcover. Boston, Little Brown, reprint, 1991, Book: Very Good, Dust Jacket: None, Seven volumes bound in illustrated glazed boards. Each volume with 3 complete Tintin stories illustrated in full color by Herge. One volume slightly cocked, otherwise clean, very good. No slipcase.
Softcover. New York, Wm. H. Wise, 1st, 1930, Book: Very Good, Dust Jacket: None, Non-Paginated. Comic strips by Clare Briggs that originally appeared in the New York Herald-Tribune. This being one volume of a seven volume set. Light wear to cover corners and edges. Clean, tight copy. Pebbled flexible cloth covers. Clean.
Hardcover. Prestel, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. The first overview of the work of lighting designer Ingo Maurer, the "poet of light."Ingo Maurer has been illuminating lives since 1966, when he designed his first light fixture for an installation at the Herman Miller showroom in Munich. His creation was entitled Bulb and featured a light bulb within a light bulb. The design was so successful that Maurer had to produce more to match the demand. Since then, his fascination with lighting, his pursuit of simplicity of form, and his talents as a graphic designer and typographer have brought him to the forefront of his field. His work has been exhibited in countless museums and it has brightened urban bridges, artistic exhibitions, retail and commercial spaces as well as numerous private homes. Arranged thematically, this dazzling retrospective brings together an extensive and representative selection of Maurer's lamps and lighting systems. Contributions by design experts, including Issey Miyake and Paola Antonelli, round out this portrait of a creative mind who continues to push the boundaries of lighting design.
Hardcover. NY, Abbeville Press, 1st, 1991, Hardcover in a bright dust jacket, 397 pages, illustrated in b&w and color. In this thoughtful and thought-provoking art historical study, Peters first traces strands of Art Nouveau and Symbolist theory in the art of Georgia O'Keeffe. She then discusses other influences, from Arthur Dow as teacher to Paul Strand as photographer and friend. But by far the most sustained study in the text is the relationship between O'Keeffe's painting and the photography and philosophy of her husband, Alfred Stieglitz. Peters argues lucidly and always in accessible language for O'Keeffe's emergence as a great and deeply individual artist while illuminating these many influences and illustrating her points with lavish use of excellent reproductions. Clean copy.
Hardcover. New York, Pantheon, 1st, 1948, Book: Very Good, Dust Jacket: None, 300 pages, b&w illustrations. Title on spine: "The American Art Museum". Blue cloth, gilt title, no dust jacket. Light wear to edges and spine, slight foxing to top edge, else a very nice, tight, clean copy.
Softcover. Long Beach CA, Tony Raiola, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 40 pages illustrated in b&w by Falk. Clean, bright copy.
Hardcover. NY, Phaidon Press, 1st, 2008, Book: Very Good, Dust Jacket: None, This slip-cased, oversized book, weighing 20 pounds and containing over 2000 illustrations, summarizes the life and work of the most important modern architect of the 20th century: the legendary, controversial, and confrontational Le Corbusier. Le Corbusier was not exclusively an architect but an artist (painter and sculptor), urbanist, author, furniture designer, world traveler, and media figure. What is most impressive in this volume are the huge-scale photographs drawn from the Le Corbusier archives at the Fondation Le Corbusier in France. These photographs are personal, professional, indicative, anecdotal, illustrative, and symbolic of the entire saga of Le Corbusier's life and career over 60 years. They make this book an absolute gold mine for anyone wanting to understand and steep themselves in the spirit and character of this greatest modern architect of the last century. The written material is also first-rate: Jean-Louis Cohen, France's best-known historian of modern architecture, contributes an informative introduction, and Tim Benton, a well-known British architectural historian, writes opening texts for individual chapters. Recommended for architecture and art libraries as well as public libraries with serious art collections.--Peter S. Kaufman, Boston Architectural Ctr. NOTE; DUE TO SIZE AND WEIGHT THIS VOLUME CANNOT BE SHIPPED OUTSIDE THE U.S.
Hardcover. London, Conway, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages. During World War II, the British government issued a series of public warnings in the form of witty posters by the brilliant cartoonist Fougasse, a.k.a. Cyril Kenneth Bird. ("Don't forget that walls have ears!" a fashionable woman whispers to a friend, as Hitler's face peers ominously out of the wallpaper.) This illustrated tribute to one of Britain's most popular artists begins with his celebrated WWII posters and continues with his later work for Punch magazine and elsewhere. An important contribution to the history of both cartooning and propaganda, it compares the relative effectiveness of hard-hitting American wartime designs versus Fougasse's light touch.
Hardcover. Cambridge MA, MIT Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, 9 color plates plus 80 b&w illustrations. Small remainder stamp to top edge otherwise very good.
Hardcover. Fresno, CA, Linden Publishing, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. A very clean, unmarked copy with some wear to dust jacket. Minor soiling to dust jacket front. Color photographs throughout. A collection of twentieth-century handmade woodwork including furniture, sculpture, toys, and musical instruments.
Hardcover. Milwaukee OR, Dark Horse Books, 3rd pr., 1999, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial boards, 88 pages in color. Writer-artist Frank Miller and colorist Lynn Varley retell the battle of Thermopylae in the exciting and moving graphic novel 300. They focus on King Leonidas, the young foot soldier Stelios, and the storyteller Dilios to highlight the Spartans' awe-inspiring toughness and valor. Miller and Varley's art is terrific, as always; the combat scenes are especially powerful.The armies of Persia--a vast horde greater than any the world has ever known--are poised to crush Greece, an island of reason and freedom in a sea of madness and tyranny. Standing between Greece and this tidal wave of destruction are a tiny detachment of but three hundred warriors. Frank Miller's epic retelling of history's supreme moment of battlefield valor is finally collected in its intended format--each two-page spread from the original comics is presented as a single undivided page. Clean copy.
Hardcover. New York, Abrams/Menil Foundation, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, 470 illustrations, 340 in color. Crisp, clean copy in a bright dust jacket.
Hardcover. London, Thames and Hudson, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. With 73 illustrations. Foreword by Tim Walker. Red cloth with white titles to spine and turquoise papers with photographs and white titles to board. No dust jacket issued.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, 81 tritone and 56 four-color illustrations of a combination of Penn's photographs, drawings, and sketches.
Softcover. Tokyo, Kasuga Boeki KK, 13th pr., 1954, Book: Good, Dust Jacket: None, Softcover. 128 pages. A collection of b&w cartoons by Hume. Tanned pages are unmarked with b/w illustrations and jokes that didn't age well. More than a bit racist and chauvinistic. But very popular with the GIs of the period. One page torn, tape repaired.
Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.
Hardcover. New York, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 342 pages. "Each of the 300 posters included in Reel Art has been reproduced to the uncompromising standards of all Abbeville's fine art books. The selection of posters is world-class, many never been published, and the definite text, by screenwriter and film historian Stephen Rebello, tells the vastly entertaining story behind the posters and their creators." The four decades between 1910 and 1950 were the golden age of the American movie poster, an era when wonderful films wer promoted through the talents of legendary illustrators like Thomas Hart Benton, Norman Rockwell, Howard Chandler Christy and Jmes Montgomery Flagg, as well as a small army of unknowns. It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.
Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.
Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 133 pages illustrated in color. This lavishly illustrated volume offers a unique survey of Italian commercial graphic design during a period of both creative artistic vitality and extreme political turmoil. The first English-language book to showcase the bold typography and streamlined imagery of modern Italian design motifs on commercial products of the day, this fascinating and important resource for designers, history buffs, and collectors includes a discussion of the Futurist influence on the Italian Art Deco style and the success of such individualized expression despite a ruthless Fascist regime. Clean copy.
Hardcover. NY, Posters Auctions International, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 551 posters illustrated in color. Catalog for May 3 2009, sale no. xlviii. no dj issued.
Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.
Hardcover. New York, Knopf, 1st us, 2012, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Small red dot remainder mark on bottom edge, otherwise, clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout.
Hardcover. Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 288 pages. Illustrated with photographs and back and white illustrations. Introduction by Drew Friedman. Fantastic reference work on the history and back story of the creation of R. Crumb's legendary humor comics anthology.