Hardcover. St. Petersburg, Palace Editions, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. A book more about art than a book of art. Khardzhiev, though apparently not a painter himself, was an heroic figure in the world of Russian art. Despite official discouragement and prohibitions, he assembled an awesome personal collection of avant-garde Soviet art. He knew the artists personally, and gave them aid and comfort. there are samples of his writing (in English). There are 100 pages of large, high-quality reproductions of drawings and paintings in his collection with notes and bibliography. Most of the works are from the Khardzhiev-Chaga Foundation in Amsterdam,though a few are in private collections, and there are some which Khardzhiev was not allowed to take out of Russia, and were thus previously unknown in the West.

Hardcover. London, Pimpernel Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 216 pages, color plates. Interest in mid-20th century British artists and the world they inhabited is growing internationally--prices are rising and exhibitions proliferate. This biography focuses on the couple who were at the centre of the Modern British art scene: Cedric Morris (1889-1982) and Arthur Lett-Haines (1894-1978). Both men studied in Paris in the 1920s where they absorbed the work of the French Post Impressionists, Cubists and Surrealists. Later in London, Morris became a sought-after painter of flowers, birds and landscapes, and a friend of Augustus John and Ben Nicholson. Lett was hailed as Britain's first Surrealist. They gave fabulous parties attended by the cream of creative London. Morris and Haines founded the East Anglian School of Painting and Drawing in Suffolk, attended by Lucian Freud and Maggi Hambling. The atmosphere was described as 'robust and coarse, exquisite and sensitive all at once, also faintly dangerous.' The conversation was sometimes bawdy and bitchy but never boring. Lett-Haines, who ran the school, was a superb cook who swapped recipes with Elizabeth David. Cedric Morris became an award-winning plantsman and poppy iris breeder. He was an acknowledged influence on Beth Chatto, amongst others. like new.

Hardcover. London, Thames and Hudson, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. With 73 illustrations. Foreword by Tim Walker. Red cloth with white titles to spine and turquoise papers with photographs and white titles to board. No dust jacket issued.

Hardcover. Insight Editions, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In this curated collection of art and photography from his personal archive, Graham Nash's life as a musician and artist unfolds in vivid detail. Best known as a founding member of the Hollies and supergroup Crosby, Stills & Nash, Graham developed a love of photography from the time he was a child. Inspired by his father, Nash began taking pictures at 10 years old and would go on to take his camera with him ever since--on tour with the Hollies and later CSN and CSNY, among friends at Laurel Canyon and abroad. Many of his photographs depict intimate moments with family and friends, among them Joni Mitchell, Stephen Stills, and Neil Young. This volume presents these images alongside Nash's own reflections, telling the story behind the pictures and giving insight into the life of one of the greatest musicians of all time. Still in publiher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams Press, 2nd pr., 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, and Creed. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In this charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes inHollywood over the past decades. Clean copy.

Hardcover. NY, Doubleday & Co., reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Imaginative, artistic photography and stunning b&w photographs of luminaries such as Greta Garbo, Gary Cooper, Therese Duncan, The Sandburgs, Katherine Cornell, Gallant Fox and countless more. Despite having a 1963 date on the title page this is a later reprint with an ISBN number and no color images (as were in the first printing). Also the initials A.L.I.P. where flap price should be. Still, in beautiful condition with a nice dust jacket.

Hardcover. NY, Knopf, 1st, 20, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassai to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Therese, Picasso's mistress and muse. Picasso was contributing to Andre Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dali, Lee Miller, and the poet Paul Eluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur--head of a bull, body of a man--and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Therese, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso's vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Francoise Gilot who would replace Dora, and as Richardson writes, "rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world's most celebrated artists.

Hardcover. NY, Random House, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 500 pages, b&w illustrations. In this second volume of his definitive biography of Pablo Picasso, John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research and personal experience that made a bestseller out of the first volume and vividly re-creates the artist's life and work during the crucial decade of 1907-1917--a period during which Picasso and Georges Braque invented cubism. Clean copy in a bright dust jacket.

Hardcover. US, The Monacelli Press, 1st, 2010, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 208 pages, illustrated in color and b&w. Like new in publishers shrink-wrap. Moses is a notable fashion stylist. She looks at just what style is, how it evolves, and how we can create our own style. The book consists entirely of her witty watercolors, incorporated with words of wisdom distilled from her personal experience. It is a style journey both informative and imaginative.

Hardcover. Boston, Little Brown & Company, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 353 pages. A lonely veteran's gruesome discovery throws him right into the face of danger as a twisted investigation unravels the secrets of his dark past. One early morning on a Norfolk beach in Virginia, a dead body is discovered by a man taking his daily swim--Arman Bajalan, formerly an interpreter in Iraq. After narrowly surviving an assassination attempt that killed his wife and child, Arman has been given lonely sanctuary in the US as a maintenance worker at the Sea Breeze Motel. Now, convinced that the body is connected to his past, he knows he is still not safe.Seasoned detective Catherine Wheel and her newly minted partner have little to go on beyond a bus ticket in the dead man's pocket. Clean copy.

NY, Knopf, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY CAREY on blank prelim page, Clean copy. A wildly exuberant, wily new novel about a race that circumnavigates 1954 Australia, revealing as much about the country (and continent) as it does about the three audacious individuals who take part.

Hardcover. NY, Putnam, 1st, 2005, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light edgewear, wrinkling to front flap. SIGNED by author and movie star Goldie Hawn directly on the title page with purple flair pen. A rather unconventional memoir from one of the world's most beloved actresses. Goldie writes about everything from her early years as a little girl who felt like an ugly duckling to her go-go dancing years in New York in the Sixties to Hollywood and memorable films like the Oscar-winning Cactus Flower, Swing Shift, and Private Benjamin. She speaks of her relationship with her family, her partner Kurt Russell, her children Kate Hudson, Oliver Hudson, Wyatt Russell, and her stepson Boston Russell.

Softcover. Hong Kong, Christie's Inc., 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 65 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Hardcover. NY, Grosset & Dunlap, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unpaginated (about 100 pages), Introduction by Adlai E. Stevenson III. Illustrated from black and white photographs, cartoons by Al Capp, Pletcher, Dobbins, and Justus. INSCRIBED BY HUMPHREYon the front fly leaf. Dust jacket price-clipped, light edge wear, otherwise a clean, tight copy.

Hardcover. NY, Harcourt, Brace & World, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with mild fading to the spine. Photo frontispiece. SIGNED BY AUTHOR on the half-title page. The Johnny Appleseed Bookshop became one of the most beloved bookstores in the state. Started by Ruth Hard the daughter of Walter and Margaret it soon attracted a following of from Vermont and nearby New York and Massachusetts. Major literary figures of the day, Robert Frost, Sinclair Lewis, Alexander Woollcott, Pearl Buck, all part time residents of the state, quickly became regulars. The store closed in 1980 after almost 50 years in business in Manchester, Vermont. Her bookshop sticker on front fly leaf, otherwise clean.

Hardcover. NY, Farrar & Rinehart, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Historical novel of a Boston pastor drawn into the Abolitionist movement. Bookplate on inside front cover, otherwise clean.

Hardcover. Boston, Houghton Mifflin, 1st, 2001, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, unclipped dust jacket. Preston and his wife, Ruth, own Ellington Lodge. Preston is a checkers-playing fiend and is known around the neighborhood as the greatest checkers player in the world. When a small dog named Marley shows up at Ellington Lodge, Preston at first thinks he's harmless, and Ruth is delighted because Marley helps out with chores that Preston has no time for, due to his checkers games. Ever-helpful Marley soon seems to cast a spell over everyone at the lodge with his cooking talent, amazing storytelling, speed painting, and magic tricks. Color art by Egan. Dust jacket has some wrinkling, book is clean.

Hardcover. Chicago, self-published, 1st, 1897, Book: Good, Dust Jacket: None, Hardcover, blue cloth stamped with white lettering and design on front cover and spine. 270 pages. Andrea Hofer Proudfoot's classic work on parenting and family life is as relevant today as it was when it was first published over a century ago. Drawing on her experiences as a kindergarten teacher and mother, Proudfoot offers practical advice and insight into the challenges and joys of raising young children. This is the original first printing, dated 1897 on copyright page. Name on front fly leaf, light pencil marking on about a dozen pages.

Hardcover. NY, Macmillan, reprint, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 257 pages. Later printing. Bound in black cloth boards with paper titles present to the spine and front board. Stuart Chase was an American economist and engineer trained at MIT. His writings covered topics as diverse as general semantics and physical economy. His hybrid background of engineering and economics places him in the same philosophical camp as R. Buckminster Fuller. Chase's thought was shaped by Henry George, Thorstein Veblen and Fabian socialism. Chase spent his early political career supporting "a wide range of reform causes: the single tax, women's suffrage, birth control and socialism." Chase's early books The Tragedy of Waste (1925) and Your Money's Worth (1928) were notable for their criticism of corporate advertising and their advocacy of consumer protection. Although not a Marxist, Chase admired the planned economy of the Soviet Union, being impressed with it after a 1927 visit. Chase stated that "The Russians, in a time of peace, have answered the question of what an economic system is for." It has been suggested that he was the originator of the expression a New Deal, which became identified with the economic programs of American president Franklin Delano Roosevelt. Inscription on front fly leaf, otherwise clean.

Hardcover. Boston, Faber and Faber, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, pages. "I write of peoples and of a struggle." So begins A New World, an ambitious and extraordinary book that challenges conventional historical narrative by presenting episodes in North America's history through the eyes and voices of the Europeans who established the first colonial outposts here. Beginning with the swaggering John Smith at Jamestown and ending with the beleaguered Montcalm at Quebec, Arthur Quinn allows towering historical figures to emerge from an often beautiful, sometimes forbidding early American landscape and speak. An elderly William Bradford looks back with growing despair at the early promise of the Pilgrim colony at Plymouth. Governor John Winthrop tries to administer a dose of practicality to the Puritans of Massachusetts. Jesuit missionaries bring Christianity and disaster to the Huron Confederacy. A blustering Peter Stuyvesant watches Manhattan slip from Dutch grasp. William Penn's Holy Experiment in Pennsylvania goes increasingly awry. And, finally, the British and the French fight history's first world war for supremacy in the New World. Telling each story using the literary conventions of the day, Quinn casts North America's colonial beginnings as a multicultural epic, gripping the reader throughout with his uncanny eye and storytelling skill. Clean copy.

NY, Crown Archetype, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In A Nice Little Place on the North Side, leading columnist George Will returns to baseball with a deeply personal look at his hapless Chicago Cubs and their often beatified home, Wrigley Field, as it enters its second century. Baseball, Will argues, is full of metaphors for life, religion, and happiness, and Wrigley is considered one of its sacred spaces. But what is its true, hyperbole-free history? Winding beautifully like Wrigley's iconic ivy, Will's meditation on "The Friendly Confines" examines both the unforgettable stories that forged the field's legend and the larger-than-life characters--from Wrigley and Ruth to Veeck, Durocher, and Banks--who brought it glory, heartbreak, and scandal. Drawing upon his trademark knowledge and inimitable sense of humor, Will also explores his childhood connections to the team, the Cubs' future, and what keeps long-suffering fans rooting for the home team after so many years of futility. 223 pages, clean copy.

Wales, Westmorland Gazette, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, oblong green cloth covers, 80 lovely pen line drawings of the North Wales countryside with an Introduction by the artist. All text hand-lettered. Small printing, lacks dust jacket. Previous owner's inscription on front fly leaf.

Softcover. Augusta GA, Morris Communications Company, 1st, 2004, Book: Very Good, Dust Jacket: None, 100 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Retrospective exhibition monograph, showcasing the work of a prominent Alaskan artist.

Hardcover. Dublin, The Cuala Press, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, one of 425 copies, publisher's device vignette by T. Sturge Moore on title page, minor offsetting to endpapers, else unmarked internally, publisher's cloth-backed blue boards, paper label on spine is chipped, black lettering to upper cover, blue endpapers, spine and extremities slightly toned, else very good. One of 425 copies, printed at the Cuala Press, with the date misprinted as 'MCMXXVIV' on the title page (as noted by Wade). The Cuala Press originally started out as the Dun Emer Press in 1903, founded by Evelyn Gleeson. Influenced by the Gaelic revival occurring in Ireland, it promoted Ireland's cultural heritage, while at the same time training women to work in a useful trade. Eventually the two sisters of W.B. Yeats took over the press, continuing Gleeson's work, and renaming it The Cuala Press in 1908. No dust wrapper, as issued. There is some tanning/foxing to last 8 pages including colophon.

Hardcover. New York, Knopf, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Like new in publisher's shrink-wrap. David Dawson was Lucian Freud's assistant, companion, and model. Freud moved in rarefied, powerful circles and was tenacious about protecting his privacy. Dawson, however, was in a unique position, and as Freud became comfortable in the presence of his camera, photographing became part of the daily ritual of the studio. These photographs reveal in a most intimate way the subjects and the stages of paintings in progress. Few artists, if any, have had their lives and their work recorded over such a length of time.

Softcover. NY, Museum of Modern Art, Revised Ed., 1951, Book: Very Good, Dust Jacket: None, Softcover in red and green wrappers, 26 pages with b&w drawings by Shahn. First published in 1949 by Curt Valentine, this is the first printing by MOMA in June 1951. per the colophon on last page. Mild wear to wrappers, small inscription on title page.

Softcover. UK, Watford Borough Council, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. Original card covers. 12 b/w plates, essays, biography. Sir Hubert von Herkomer was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Clean copy.

Hardcover. NY, Oxford University Press, 2nd pr., 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 258 pages. Examining the interaction of the Dutch and the English in colonial New York and New Jersey, this study charts the decline of European culture in North America. Balmer argues that the combination of political intrigue, English cultural imperialism, and internal socio-economic tensions eventually drove the Dutch away from their hereditary customs, language, and culture. He shows how this process, which played itself out most visibly and poignantly in the Dutch Reformed Church between 1664 and the American Revolution, illustrates the difficulty of maintaining non-English cultures and institutions in an increasingly English world. A Perfect Babel of Confusion redresses some of the historiographical neglect of the Middle Colonies and, in the process, sheds new light on Dutch colonial culture. Clean copy.

Hardcover. London, Picador, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An unread copy of the authors second novel. Jeremiah Bembo, the landlord of a local pub, never talks about his former role as the most respected and feared of Her Majesty's executioners. Until an old friend asks a simple question, prompting him to go back to the beginning, and to turn over the events of 1964. During the war an accident leaves him with one moving eye, warm and watchful, and one still eye, unflinching and unfeeling. The two halves of his life grow apart as, on occasions dictated by the law, Jem travels the country to fulfil his duties as executioner. But the balance becomes increasingly difficult to maintain as a murder is committed which touches his own life. Clean copy.

Hardcover. NY, Random House, 1st, 2006, Book: Good, Dust Jacket: Good, Large heavy monograph illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket and boards. "I don't have two lives," Annie Leibovitz writes in the Introduction to this collection of her work from 1990--2005. "This is one life, and the personal pictures and the assignment work are all part of it." Portraits of well-known figures-Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet-appear alongside pictures of Leibovitz's family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz's discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly sunned dust jacket, 333 pages. Color frontis portrait of Hume. Annette Baier's aim is to make sense of David Hume's Treatise as a whole. Hume's family motto, which appears on his bookplate, was "True to the End." Baier argues that it is not until the end of the Treatise that we get his full story about "truth and falsehood, reason and folly." By the end, we can see the cause to which Hume has been true throughout the work. Baier finds Hume's Treatise on Human Nature to be a carefully crafted literary and philosophical work which itself displays a philosophical progress of sentiments. His starting place is an overly abstract intellectualism that deliberately thrusts passions and social concerns into the background. In the three interrelated books of the Treatise, his "self-understander" proceeds through partial successes and dramatic failures to emerge with new-found optimism, expecting that the "exact knowledge" the morally self-conscious anatomist of human nature can acquire will itself improve and correct our vision of morality. Baier describes how, by turning philosophy toward human nature instead of toward God and the universe, Hume initiated a new philosophy, a broader discipline of reflection that can embrace Charles Darwin and Michel Foucault as well as William James and Sigmund Freud. Name on front fly leaf otherwise clean.

Softcover. NY, New York Museum of the American Indian, 1st, 1926, Book: Very Good, Dust Jacket: None, Softcover, leaflet of the Museum of the American Indian, account of a rare blanket, thought to be woven of dog hair, of the Salish Indians along with discussion of technique. Very good condition, bound between stiff card wraps.

Hardcover. Verona IT, The Limited Editions Club, 1st thus, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcovers, two-volume set. Green cloth boards stamped in green and gold with gray endpapers in green paper over boards slipcase with paper spine label. Glassine dust wrappers very good. Signed by artist Fritz Eichenberg on limitation page in back of volume two. (Copy #1370 of 2,000)Books are like new; clean and crisp with no writing or names. Binding tight and pages crisp.

Hardcover. Boston, G K Hall & Co, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 585 pages. Lists and provides the reader with descriptions of 1440 titles, 121 authors, with a brief plot summary. If you love the classic English mystery novels of the first half of the 20th century, this is a great book to have on your shelf. It chronicles all of the authors, novels and lead characters from these books. Special features include a list of 100 classics of the genre, explanations and charts of England's Police and class system, and maps of Great Britan and Ireland. Dust jacket with minor edgewear, otherwise clean.

Hardcover. NY, Limited Editions Club, Ltd. Ed., 1986, Book: Very Good, Dust Jacket: None, Near Fine slipcase with a sunned backstrip Quarto (7-1/2" x 11-1/2") handsewn and handbound in full crimson Oasis goatskin leather stamped in black. The original French with the acclaimed English translation by Paul Schmidt on facing pages. Copy #794 of 1000 numbered copies illustrated with 8 hand-pulled dust-grain photogravures by Robert Mapplethorpe printed in two colors on handmade paper and SIGNED by the photographer and the translator. "Of the arresting photographs used to illustrate the book, several of the images rank among the photographer's most famous".

Softcover. NY, Oxford University Press, reprint, 1980, Book: Very Good, Dust Jacket: None, Softcover, 384 pages with index. In this major contribution to cultural history Kammen focuses on the American Revolution and it's impact on literature and art. Name on front fly leaf, otherwise clean.

Softcover. NY, Noonday Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, full color as well as B&W illustrations. Detailed overview of American Black movies from 1915 to 1965. Introduction by Donald Bogle. Foreword by Spike Lee. A collection of movie posters featuring black actors, with brief comments on each plus a brief history of the black cinema. Pages are bright and clean (no writing, underlining, or highlighting). Binding is tight with no cracks or breaks.

London/NY, Faber & Faber, 1st, 1993, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket that has a closed 2" tear along spine. 500 pages, b&w illustrations. Don Siegel was one of Hollywood's most controversial directors. Invasion of the Body Snatchers is one of the very few acknowledged science-fiction classics, and Magnum Force - with its catch-phrase 'Make my day' - has become part of our modern consciousness. Siegel's five-film collaboration with Clint Eastwood created a body of films that are as distinctive as they are different, and enriched the reputation of both of them. This autobiography has all the fun and energy one would expect from Don Siegel. From his first days as an assistant editor in the Warner Brothers cutting rooms, Siegel charts his rich and varied career. This is a wonderful book of reminiscences, told in a lively and vivid style, whose cast of characters includes John Wayne, Lee Marvin, Steve McQueen, Bogart and Bacall, studio head Jack Warner and other luminaries of the golden age of the Hollywood studios (including a fading film star called Ronald Reagan, whose last film, The Killers, was directed by Siegel).At the centre of the book is Siegel's relationship with Clint Eastwood, whose directing career was encouraged by Siegel, and who supplies an amusing and appreciative foreword to the book. No markings.

Hardcover. Boston, Garden Press, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, 143 pages, b&w frontispiece. INSCRIBED BY BAYLEY on front fly leaf. Maroon and gray cloth with gilt lettering on front cover.

Hardcover. NY, Atheneum Books, reprint, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black. Color art by Haley. Discover how an African trickster god made it possible for people to tell stories in this brightly illustrated, Caldecott Medal-winning picture book. Long, long ago there were no stories on earth for children to hear. All stories belonged to Nyame, the Sky God. Ananse, the Spider man, wanted to buy some of these stories, so he spun a web up to the sky to bargain with the Sky God. The price the Sky God asked was Osebo, the leopard-of-the-terrible-teeth, Mmboro the hornet-who-stings-like-fire, and Mmoatia the fairy-whom-men-never-see. Can Ananse capture these sly creatures and give the children of earth stories to tell? No dust jacket, clean copy.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tragic, comic, and utterly honest, this extraordinary memoir is at once a great family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was twelve and a half years old, his mother committed suicide, a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen and joins a kibbutz, changes his name, marries, has children, and finally becomes a writer as well as an active participant in the political life of Israel. Clean copy.

Softcover. Basin Harbor VT, Lake Champlain Maritime Museum , 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 238 pages, illustrated in color and b&w. Documents the legacy of shipwrecks and wartime encounters on Lake Champlain. Also the management of an important underwater archaeological collection. Clean copy.

Softcover. UK, Oxford University Press, reprint, 2013, Book: Very Good, Dust Jacket: None, Softcover, 249 pages. The distinguished philosopher Robert M. Adams presents a major work on virtue, which is once again a central topic in ethical thought. A Theory of Virtue is a systematic, comprehensive framework for thinking about the moral evaluation of character. Many recent attempts to stake out a place in moral philosophy for this concern define virtue in terms of its benefits for the virtuous person or for human society more generally. In Part One of this book Adams presents and defends a conception of virtue as intrinsic excellence of character, worth prizing for its own sake and not only for its benefits. In the other two parts he addresses two challenges to the ancient idea of excellence of character. One challenge arises from the importance of altruism in modern ethical thought, and the question of what altruism has to do with intrinsic excellence. Part Two argues that altruistic benevolence does indeed have a crucial place in excellence of character, but that moral virtue should also be expected to involve excellence in being for other goods besides the well-being (and the rights) of other persons. It explores relations among cultural goods, personal relationships, one's own good, and the good of others, as objects of excellent motives. The other challenge, the subject of Part Three of the book, is typified by doubts about the reality of moral virtue, arising from experiments and conclusions in social psychology. Adams explores in detail the prospects for an empirically realistic conception of excellence of character as an object of moral aspiration, endeavor, and education. Light pencil marking to a dozen pages.

Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 592 pages, b&w illustrations. Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business--selling papers as a boy on the streets of New York, working for Hearst's New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots--he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as "respected" tax-paying executives . . . about the making of the movie Shock Corridor--about a journalist trying to solve a murder in a lunatic asylum--which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount's then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Clean copy.

Hardcover. NY, Thomas Y. Crowell, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 310 pages, 250 b&w illustrations. The life of one of America's major literary artists, Henry David Thoreau: , born on July 12, 1817, in Concord, Massachusetts: a schoolmaster, tutor, surveyor, mason, gardener, farmer, house painter, carpenter, day-laborer, abolitionist, pencil-maker. lecturer, naturtalist, writer. Small name on front fly leaf otherwise clean.

Hardcover. UK, Transedition Books, 1st US, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 400 pages. Large type, beautiful illustrations, various authors. Grimms, Andersen, Perrault, etc. Beauty and the Beast, Tom Thumb, Cinderella, Ali Baba and the Forty Thieves, and many more. Book is very clean & tight.

Hardcover. Berkeley/Los Angeles, University of California Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 270 pages in color and b&w. The first major book to consider the life and work of Robert Arneson, A Troublesome Subject tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career-chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post-1970 turn to self-portraiture. Clean, bright copy.

Softcover. NY, Farrar, Straus and Giroux, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Roman Vishniac's A Vanished World is an extraordinary record of the lives of German and Eastern European Jews in the years immediately preceding the Holocaust. Vishniac, a Russian Jew, began to take photographs of village life during World War I, when Russian Jews who lived near the front were accused of being German spies and were deported to Siberia. He later moved to Germany, where he witnessed the horrible events of Kristallnacht and the anti-Jewish legislation that allowed Hitler to declare his enemies stateless and therefore unworthy of international protection. As we study Vishniac's photographs--a surviving fraction of the more than 16,000 he took--we are aware that we are seeing the faces of those soon to die, witnessing a world that has all but perished. Yet that world, of shops and schools, of busy streets and quiet farms, remains with us if only as a ghostly memory, thanks in part to Vishniac's compassionate eye.

Hardcover. London, Rebellion, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages, mostly b&w, some color. Charts the stratospheric rise of romance comics in postwar Britain with a selection of the greatest romance comics ever printed in the UK. Featuring an eclectic mix of artists from Spain, Italy, and the UK, this collection unearths the sensual art and emotional writing which delighted generations of comics readers. Featuring over 50 comics stories - many of which have never been reprinted before - this lavish book is a stunning tribute to the often uncredited creators who crafted an industry of love. Clean copy.

Hardcover. NY, McGraw-Hill, 1st, 1973, Book: Very Good, Dust Jacket: None, Illustrated boards, 32 pages illustrated in 3-colors by Hoff. Clean, bright copy.