Softcover. NY, Penguin Books, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. A fascinating collection of news clippings from various papers (mostly from New York) detailing the 1908 National League pennant race. the author adds clarifications of references made by the scribes that may be unknown to today's reader and occasional footnotes but otherwise lets the articles speak for themselves. The 1908 baseball season culminated in a virtual three team tie until a tie breaker was played on October 8th. if you're a nostaglia buff, avid baseball fan or interested in popular styles of writing from long ago you will enjoy this book. Clean copy.

Softcover. New York, Metropolitan Museum of Art, 1st, 1998, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout.

Hardcover. Phoenix AZ, Phoenix Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, unpaginated (120 pages). Illustrated throughout in color. Light shelf-wear to illustrated boards with small rubbed of patch on front edge of front cover, else a clean, tight copy. Printed in conjunction with the exhibit held at The Phoenix Art Museum from, "April 21-August 19, 2007". The artists exhibited: Kim Deitch, Jerry Moriarty, Gary Panter, Ron Rege, Jr. and Seth.

Hardcover. Phoenix AZ, Phoenix Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, unpaginated (120 pages). Illustrated throughout in color. Light shelf-wear to illustrated boards with small rubbed of patch on front edge of front cover, else a clean, tight copy. Printed in conjunction with the exhibit held at The Phoenix Art Museum from, "April 21-August 19, 2007". The artists exhibited: Kim Deitch, Jerry Moriarty, Gary Panter, Ron Rege, Jr. and Seth.

Hardcover. New Haven, CT, Yale University Press, 1st thus Edition, 1948, Book: Very Good, Dust Jacket: Very Good, 211 pages. Hardcover. Dust jacket price clipped, in very good condition with some tanning from age. Dj wrapped in protective clear plastic brodart. Cover boards bound in tan cloth, black title on spine, boards very good, clean. Edges and pages clean, with a touch of tanning from age. Young Union officer and great American writer, De Forest wrote about what he saw with quiet precision and humor, without favor or prejudice or any concessions to the cherished beliefs of the orthodox in the North or the South.

Hardcover. Boston, Houghton Mifflin, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages. SIGNED BY NOVA ON TITLE PAGE. Minor wear to dust jacket and edges, else a lovely copy in protective brodart cover.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 551 pages, profusely illustrated in color and b&w. Clean, tight copy in a bright dust jacket. 894 illustrations, with 163 in full color. An exhaustive and lavishly illustrated history of the legendary print publisher Universal Limited Art Editions, and its founders Tatyana and Maurice Grosman. NOTE: THIS LARGE HEAVY VOLUME UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Hardcover. Hartford, Canfield and Robins, 1st, 1836, Book: Fair, Dust Jacket: None, 610 pages. Hardcover with brown leather covers. Heavy soil and wear to the leather. Moderate foxing throughout. Black and white illustrations/engraved plates. Iceland to New Zealand, including the Americas, Europe, Asia, and Africa. Water stain to first 40 pages, about one sixth of page. Previous owner's signature on front fly leaf. Sound binding.

Hardcover. New York, D.A.P./Distributed Art Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Edited by his grandson Oliver Halsman Rosenberg (who has spent two years organizing the archive and discovering the depth of the celebrated photographer's unpublished oeuvre), most of the images in this distinctive volume--which include private and experimental photographs, decontextualized advertisements, outtakes from famous sittings, contact sheets and family snapshots--have never been seen as a body of work in their own right. 144 pages.

Hardcover. New Delhi, India, Lustre Press, Roli Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Stunningly photographed, this album offers a rarely seen view of the snow-clad peaks, mysterious lakes, massive glaciers, and fascinating people of the Himalayas.

Hardcover. Essex, VT, Battenkill River Press, 2nd printing, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. Black and white images throughout. SIGNED AND INSCRIBED BY AUTHORS ON TITLE PAGE.

Hardcover. Essex Junction VT, Battenkill River, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 278 pages, hardcover with dust jacket. An intimate look at the life of Norman Rockwell and his Arlington, Vermont neighbors, the Edgertons. Foreword by Dick Clark. Black-and-white photographs throughout. Bright and clean. A tight copy.

Hardcover. Rockport MA, Protean Pree, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, b&w illustrations. In 1943, the author was on track to become a doctor like his parents when he flunked organic chemistry at Harvard and enlisted in the army, finding himself heading off to fight in Europe with the 45th Infantry Division (in which famed editorial cartoonist Bill Mauldin also served). Garland chronicles the division's journey from the landing at Sicily through the liberation of Dachau and then, some 60 years later, also seeks to come to terms with his experiences and those of his comrades. Part personal and collective memoir and part history, Garland's book is loaded with recollections compiled from interviews, diaries, drawings, and photographs that he neatly fits into the historical framework. His writing is highly engaging and shares the story of the 45th and its 511 days in combat and four amphibious landings, providing an excellent narrative history of the division during World War II, as well as a personal reckoning.

Softcover. New York, Doubleday, 3rd pr., 1986, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with Light edgewear to wrappers. Cartoons by Roz Chast. Cartoons use puns and the author's offbeat sense of humor to poke fun at human nature and modern life in the United States. Originally appeared 1978-1981 mostly in The New Yorker magazine.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, stapled exhibition catalog. 16 b&w plates by Sherman, many multiple images. Like new. The Unseen Cindy Sherman, curated by MAM's Chief Curator Gail Stavitsky, offers a little-known selection of works by this leading contemporary artist. Primarily culled from family collections, the exhibition comprises early photographs and photographic assemblages created by Sherman as a college student, when she had begun to use herself as the subject of staged photographs. These early works vividly illustrate Sherman's early explorations of the myriad constructions of self and female identities as a young woman, and her interest in challenging conventions of beauty and behavior.

Hardcover. Ben Uri Gallery , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first publication to bring together three major twentieth-century photographers - Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert - presenting their artistic responses to three great world cities across three crucial decades. Today, London, Paris, and New York are so familiar that it is hard for a modern viewer to imagine them afresh without the visual expectations fostered by art, film and advertising in the digital age. Yet when each of these photographers arrived at their respective destinations, they found cities that were strange and new to them and responded by photographing them without prejudice or expectation. The photographs reveal that all three cities were not only places of social division and political tension, but also of beauty and magic. The publication and exhibition includes many works never previously exhibited in the UK, and each series presents an opportunity to view an aspect of the work of a renowned photographer in real depth. Contents: Essay by Katy Barron; Interview with Wolfgang Suschitzy by Zelda Cheatle; Interview with Dorothy Bohm by Michael Berkowitz; Interview with Neil Libbert with Jessica Feather; Biographies. 112 pages.

Hardcover. Melbourne, Macmillan Art Publishing, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. Explores the elements of the lives, idiosyncrasies & creative processes of 60 Australian artists photographed over a 2 year period. Includes artists such as John Olsen, Jeffrey Smart, Robert Jacks, etc.

Hardcover. NY, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A sweet story about the death of a beloved pet, this is bibliotherapy at its best. Daisy, a dog, and Arthur, a boy, are inseparable until the day the canine lies down in her basket never to rise again. Although she arrives in a lovely doggy nirvana, Daisy can't fully enjoy her newfound paradise because she is able to look down on her former home and see her family grieving. On the advice of fellow dogs in heaven, she sends the child dreams that both reassure him about her benign fate and encourage him to move forward by acquiring a new puppy. Clark's simple text and characteristically child-friendly illustrations make this book useful for sharing with even the youngest children.

NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uphill with Archie is a beautifully written and deeply involving look at the life and the world of the great literary icon, poet Archibald MacLeish, by his youngest son. Partly an homage, partly an attempt to come to terms with the man (and the legend), Uphill with Archie speaks to all sons and daughters who have never completely resolved their feelings about powerful parents. Young William MacLeish grew up both captivated and cowed by the fame of a father who won Pulitzer Prizes for his poetry and comparable honors for his work as a lawyer, playwright, teacher, and government official. William's mother, Ada, began her marriage as a successful concert singer in Paris but later felt compelled to give up her art for her family. When Archie was working for Henry Luce and Fortune magazine, his younger children, watched over by a governess, stayed with their grandfather in Connecticut. But it is of the time spent with his family at Uphill Farm, a beautiful old house above a Massachusetts hilltown, that MacLeish has his fondest and most telling memories: "Archie and Ada gave me great gifts: music, the sound of the language beautifully spoken, the draw of knowledge, the arts of humor," William writes. "I learned to perform for them, and in time found myself addicted to getting a nice tan from Archie's sun. And the more I bathed in his light, the harder I found it to go looking for my own."

Softcover. NY, Neuberger Museum of Modern Art, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 36 pages. Numerous color plates. Essay by Patricia Philips, lavish illustrations. Published to accompany the exhibition at Neuberger Museum of Art from January 27 - May 5, 2002. Mild fade to spine edge on cover. Clean copy.

Softcover. NY, Artists and Writers Guild, 1st US, Book: Good, Dust Jacket: None, Softcover, color pictorial paper wrappers. 6 full-page three-color illustrations and several b&w illustrations by Aldin. Light worn at edges, some light wear to covers, else a clean, tight copy without dust jacket as issued. First US edition. A charming story of a young girl and her dog, a little black Scotch Terrier puppy named Smut, as they go about their lives, encountering other dogs, policemen, and even horses. Cecil Aldin was a British artist best known for his paintings and sketches of animals and rural life, all of which is magnificently captured in this delightful tale. Small worm hole to fore-edge, paper tanning, otherwise clean.

Hardcover. London, Perpetua Books, 1st, 1959, Book: Very Good, Dust Jacket: Fair, Hardcover, Illustrated in black & white by the wonderful Ronald Searle. 111 pages. A humorous Grand Tour of America with some startling sidelights on the American character. Book is very good, the dust jacket with chipping, edgewear, fair only.

Softcover. New York , NBM, 1st, 1994, Book: Good, Dust Jacket: None, Softcover, 64 pages illustrated in color by Hampton. Clean, bright copy.

Softcover. Berkeley, University of California Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 536 pages. Illustrated in color and black-and-white. A landmark study of California's visual arts and poetry, 1925 to 1975, Utopia and Dissent demonstrates the profound influence this regional culture had on American art and thought. Bookselle's label on rear cover, wrinkle to page 513, otherwise clean, very good.

Hardcover. New York, Farrar Straus & Giroux, 3rd Printing, 1997, Book: Very Good, Dust Jacket: Very Good, 426 pages. Hardcover with dust jacket. Sunfading to dust jacket. Light soiling to textblock edges. Otherwise a very clean, unmarked copy with only minor dust jacket wear. A tight copy. Black and white illustrations throughout.

Softcover. NY, Van Nostrand Reinhold, 1st pbk., 1982, Book: Very Good, Dust Jacket: None, Softcover, 218 pages with 256 b&w illustrations. From cover: "describes the ideals that inspired an earlier generation to leave city and factory in order to practice crafts ranging from bookbinding and metalwork to furniture making." Mild curl to cover, otherwise very good, clean.

Hardcover. Salt Lake City, Peregrine Smith, Inc, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Green cloth cover with gilt lettering to spine, color illustrated dust jacket, 256 b&w plates, some in color. Light wear to dust jacket; overall a tight, clean copy.

Softcover. NY, Thames and Hudson, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 360 pages, Profusely illustrated with 712 photographs, 437 in color. Uzbek architecture, art, textiles, and more. Bright, clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Guadalajara, Jalisco, Centro Metropolitano, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in gilt with a photographic label on front. A study of the Mexican artist's sculpture. Illustrated in b&w and color, 194 pages plus index. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages illustrated in color. The sumptuous fashions of Valentin Yudashkin, the first post-Soviet designer to bring a contemporary Russian look to the international fashion world.

Hardcover. New York, Rizzoli , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages. Like new in publisher's shrink-wrap. Valentina was the twentieth century's first American fashion designer celebrity, working and living on equal social footing with the clientele she dressed (Greta Garbo, Gloria Swanson, Katharine Hepburn, Millicent Rogers, and Audrey Hepburn, among others). One of the few designers who proved that America could live without the Parisian haute couture, her career is a much needed missing link in the history of American fashion. Beyond merely turning out show-stopping evening gowns, Valentina's exotic beauty, dramatic personality, and incomparable style earned her a legendary reputation. Kohle Yohannan explores the carefully constructed persona and lore of this designer who helped define American Couture. Published in association with the Museum of the City of New York's exhibition Valentina: New York Couture and the Cult of Celebrity, this book includes photographs, never-before-seen personal ephemera, sketches, and original platinum prints from master photographers such as Cecil Beaton, Horst P. Horst, and George Hoyningen-Huene.

Hardcover. US, Rizzoli, 1st, 2013, Book: Very Good, Dust Jacket: None, 110 pages, illustrated throughout in color. Light shelf-wear to boards, else a clean, tight copy. Valentino: Master of Couture is an exhibition at the Somerset House co-organized by Valentino himself, who selected over 130 dresses for the exhibition. The book focues as much on Valentino and his glamorous lifestyle as it does on his legendary dressmaking techniques and atelier.

Hardcover. University of South Carolina Press, Supreme Council, Scottish Rite of Freemasonry, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. " ...a fascinating journey through the history of Scottish Rite in America. This comprehensive pictorial history provides valuable insights into the critical role masons have played throughout our nation's history." b/w, sepia, & color plates throughout. In Valley of the Craftsmen, the story of "higher degree" Freemasonry is depicted through portraits, official papers, material objects, photographs, buildings, and stagecraft. Featuring many previously unpublished images, Valley of the Craftsmen begins with rare illustrations of the English and French philosophical sources that were projected upon an American landscape vitalized and transformed by the concept of fraternity. The story is framed by American popular culture and the serious private effort of individual men in small towns and expansive cities who were intent on developing a moral life in service to their communities. Clean copy.

Hardcover. US, Gestalten, 1st, 2010, Book: Very Good, Dust Jacket: None, 144 pages. Like new in publisher's shrink-wrap. The Valley of the Shadow is a collection of photography by Miron Zownir that documents a world of unconditional authenticity, dire ecstasy, and demonical possession that exists in the shadows of urban areas in New York, Berlin, and post-Communist Eastern Europe. As controversial as they are uncompromising and poetic, Zownir's expressionistic black and white portraits capture the morbid dignity of society's misfits, freaks, and the homeless. Miron Zownir is a German-Ukrainian photographer, filmmaker, and author whose critically acclaimed work has been featured in international solo and group exhibitions as well as renowned The Valley of the Shadow is not a book for the faint-hearted.

Softcover. Amsterdam, Van Gogh Museum / Mercatorfonds, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Vincent van Gogh may be the best-loved artist in the world today. His brilliant colors and energetic brushwork have a passionate appeal that touches nearly everyone. Few people, however, are familiar with van Gogh?s drawings. Van Gogh: Master Draughtsman will bring the reader to a new world of this astonishing artist?s imagination, a sensuous world of toned papers, vibrant lines of chalk and pen, veils of watercolor and pastel, and sparkling white highlights. Here we can truly see the artist at work, forming his first ideas, thinking them through, and bringing them to dazzling maturity. Created by the Van Gogh Museum in Amsterdam to accompany a traveling exhibition of the master?s works on paper, this beautiful book will be an indispensable joy and resource for artists and art lovers everywhere. Lavishly illustrated with 163 plates in full color, the panoply of van Gogh drawings is presented here in full flower. Clean copy.

NY, Shannongrove Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson. This book is packed with hundreds of never before seen images of Hollywood at home. His wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends, some of Hollywood's most famous stars, such as Audrey Hepburn, Gary Cooper, Judy Garland, Charlie Chaplin and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. Schuyler Johnson, Van's daughter, shares these casual and candid images from her mother's album that have never been published .

Hardcover. NY, Charles Scribner's Sons, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. In 1945, a previously unknown Vermeer was discovered by the Allied Art Commission in the collection of Hermann Goering. The question arose: where - and how - did Goering acquire it? From the investigation came a story that rocked the art world. The trail finally led to Han van Meegeren, an obscure painter who had sold seven authenticated Vermeers over a number of years. Faced with a possible death sentence for collaborating in a sale of a national treasure to the Nazis, van Meegeren insisted he had not helped the Nazi cause: he had painted all the Vermeers himself. Needless to say, nobody believed him - until he proved he was telling the truth by painting still another Vermeer, before the eyes of an astonished jury. Here, with 24 pages of illustrations, is the story of the audacious forger who fooled the most eminent art critics, yet failed to impress them with his own paintings. Lord Kilbracken offers an exhaustive study of van Meegeren's background - his motives , his two marriages, and all the pieces of the puzzle that go to make up an understandable complex human being. With fascinating detail he also makes it clear exactly how the incredibly bold deception was executed - and why it worked. The result is an eminently readable true account that has all the narrative excitement of a thriller. No markings.

Hardcover. NY, Macmillan Company, 1st, 1914, Book: Very Good, Dust Jacket: Poor, Hardcover, maroon cloth with gilt lettering on spine. 164 pages plus 5 pages of publisher's ads. Remnants of torn dust jacket laid in at rear. From reviews on flap: "An effective presentation of modern life in New York City" ... "One of the most sparkling comedies of recent years, depicting life among the artists in Manhattan..." One of only two plays written by this poet. Clean copy.

Hardcover. NY, Viking Studio, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This lavish, photo-laden tour of Tinsel Town's history is coffee-table condensation of 87 years of Vanity Fair coverage of the Hollywood scene. Visually, it's a thrilling compendium of images that have defined not only the film industry and its workers but how the American public has understood them. Ranging from Edward Steichen's iconographic black-and-white portraits of Louise Brooks, Norma Shearer and Irving Thalberg, and Gloria Swanson (which defined the "look" of Hollywood in its first half-century) to the contemporary and often shocking color photographs of Annie Leibovitz (of nearly everyone from Sylvester Stallone and John Travolta to Cate Blanchette and Johnny Depp)Dand peppered with shots by Bruce Weber, Irving Penn, Helmut Newton, Griege Hurrell and othersDthe book traces how these stars have come to embody pop mythologies of everyday life. The photos are interspersed among 13 (mostly short) essays by writers as diverse as Carl Sandberg, Patricia Bosworth, P.G. Wodehouse, Dorothy Parker, Peter Biskind and D.H. Lawrence, which range from the humorous to the illuminating. Clean copy.

NY, Harry N. Abrams, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. For the past decade, photographer Mark Seliger has set up an elaborate pop-up studio inside the annual Vanity Fair after-party on Oscar night, producing exquisite portraits of Hollywood's A-list personalities in the immediate afterglow of cinema's biggest event of the year. This book gathers the best of these portraits, along with a foreword by Vanity Fair editor in chief Radhika Jones and an afterword by actor Alan Cumming, who sheds light on what it's like to be in front of Seliger's lens on the night of nights. With some 200 color portraits, featuring Oscar-winning actors, directors, and musicians, Hollywood power couples, and luminaries of all stripes, including Lady Gaga, Robert De Niro, Spike Lee, Regina King, Jessica Chastain, Taika Waititi, Timothee Chalamet, Donald Glover, and many more, this over-the-top volume will delight anyone interested in exquisite photography and Hollywood glamour. Clean copy. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Clarkson N Potter, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 203 pages. Hardcover with clipped dust jacket. Clean, tight copy with black and white photographs throughout. Collects vivid photographic portraits of a wide variety of authors, artists, movie stars, politicians, dancers, and other celebrities.

Hardcover. New York, Abrams, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 384 pages, 100 color, 200 b&w images by the world's best photographers. Essays by Christopher Hichens, others. In publisher's shrinkwrap. Vanity Fair: The Portraits brings together 300 iconic portraits from Vanity Fair's 95-year history in a remarkable book that captures the image of modern fame--the magical thing that happens when individual talent and beauty (and sometimes genius) is caught in the spotlight of popular curiosity and passion. The photographers--from Edward Steichen and Cecil Beaton to Annie Leibovitz and Mario Testino--are a glittering and celebrated group themselves. Their portraits have become the iconic likenesses of the best-known figures from the worlds of art, film, music, sports, business, and politics.

Hardcover. New York, Alfred van der Marck, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Profusely illustrated with full color reproductions (including one fold-out) of pin-up art and paintings by Alberto Vargas. Foreword by Kurt Vonnegut. Clean, tight copy.

Softcover. Portland, OR, Collector's Press, 1st US, October 1, 1999, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, color illustrations throughout. Light edge wear to wrappers. Else a very clean, tight copy.

Softcover. Berlin GR, Benedikt Taschen, 1st, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers, 80 pages. Black laminated wraps with 'red Queen' 1954 on the front. Introductory text by Astrid Rossana Conte (grand-niece of Vargas) A monograph dedicated to the Peruvian painter and illustrator Alberto Vargas, famous for his pin-ups and portraits inspired by actresses, which examines four decades of his production, from the 1920s to the 1950s. Parallel texts in German, English and French; well illustrated with two photographs of Vargas, black and white examples of his drawings and many full colour examples of his paintings. Clean copy.

Softcover. NY, Harmony Books, 3rd pr., 1978, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. Foreword by Hugh Hefner, illustrated in color and black & white. A monographic study of the art of Alberto Vargas back to his earliest known work. His draughtsmanship and technique in depicting the female nude is unsurpassed. Moreover, he was a cultural force. The work he did for Playboy is confined to a few pages at the end. Clean, bright copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in white. 288 pages in b&w and color. In the 1960s and 1970s, the artist Ed Ruscha created a series of small photo-conceptual artist's books, among them Twentysix Gas Stations, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees. Featuring mundane subjects photographed prosaically, with idiosyncratically deadpan titles, these "small books" were sought after, collected, and loved by Ruscha's fans and fellow artists. Over the past thirty years, close to 100 other small books that appropriated or paid homage to Ruscha's have appeared throughout the world. This book collects ninety-one of these projects, showcasing the cover and sample layouts from each along with a description of the work. It also includes selections from Ruscha's books and an appendix listing all known Ruscha book tributes. These small books revisit, imitate, honor, and parody Ruscha in form, content, and title. Some rephotograph his subjects: Thirtyfour Parking Lots, Forty Years Later. Some offer a humorous variation: Various Unbaked Cookies (which concludes, as did Ruscha's Various Small Fires, with a glass of milk), Twentynine Palms (twenty-nine photographs of palm-readers' signs). Some say something different: None of the Buildings on Sunset Strip. Some reach for a connection with Ruscha himself: 17 Parked Cars in Various Parking Lots Along Pacific Coast Highway Between My House and Ed Ruscha's.

Softcover. Albany, State University of New York , 1st thus, 2000, Book: Very Good, Dust Jacket: None, Softcover, 332 pages. Bayle, arguably the primary intellectual predecessor to the Enlightenment, sought in this text to undermine the influence of "superstition" in politics, particularly the superstition brought about by religious beliefs, and it is here that he first made his suggestion that a decent society of atheists is possible in principle. Translator Robert Bartlett provides extensive notes and an introduction to Bayle, his influence, and the intricacies of his thinking.

Hardcover. Hanover NH, Hood Museum of Art, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 86 pages. Exhibition catalog for a show that ran March 25 through June 25, 1989 at the Hood Museum of Art and then September 9 through October 15, 1989 at the Currier Gallery of Art. Features a preface by Timothy Rub, an introduction by Robert M. Doty and the poem "Chariot" by Stanley Kunitz. Includes color and black and white numerous illustrations, a checklist, biographical information, and a selected bibliography. Boghosian, (1926-2020), constructed his works from found objects. "Building upon the traditions of Surrealism and Dada Boghosian's assemblages and collages playfully contemplate the boundaries between dream and reality. In creating his art, Boghosian draws heavily on his extensive personal archive of found objects, gathered together in his home and studio. A one inch tear at the top of the jacket has been repaired with tape on the reverse side. Name on first blank page, otherwise clean.