Hardcover. New York, Baker and Taylor, 1st, 1910, Book: Good, Dust Jacket: None, Hardcover. 348 pages. Contains some black & white illustrations and color frontispiece with tissue-guard. Green cloth covers with gold lettering and decoration. Color illustration pasted on front cover. Gilt top edge. Light rubbing to front cover, corners, spine. Both hinges starting to crack.

Hardcover. NY, Spanierman Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages, illustrated throughout in color. Illustrated, laminated boards, no dust jacket issued. Clean, tight copy. This is a beutifully produced catalog of a NY retrospective for the Australian/British/American painter Hayley Lever (1876-1958). His painting also crossed boundaries including elements of Impressionism, Post-Impressionism & Tonalism. Perhaps it was this refusal to sit in one box that accounts for his being so nearly forgotten. There are many lovely pictures here, mostly of St Ives & the coasts of New England.

Hardcover. New York, E.P. Dutton & CO, reprint, 1955, Book: Good, Dust Jacket: None, 125 pages. Hardcover with no dust jacket. Heavy soil on cloth covers. Previous owner's name on end paper. SIGNED AND INSCRIBED WITH SKETCH ON FRONT FLY LEAF. Spine shows small tears and soil/wear. Front hinge tender.

Hardcover. NY, Pocket Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY SHANKMAN on title page.Distraught over her ex-boyfriend, Harry's new girlfriend, Samantha Adams, is eager to forget her troubles at a friend's blowout engagement party but finds them multiplying when the prospective groom is kidnapped and held for ransom. Sixth novel in the Samantha Adams series - this one is set in Hot Springs, Arkansas. Clean, like new.

Hardcover. NY, Voracious/Little Brown, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An invitation to the private world of Joanne Woodward and Paul Newman, one of America's most iconic couples, in a lavishly illustrated oversize photo book affectionately curated by their daughter Melissa Newman. Their love story is the stuff of Hollywood legend. Joanne Woodward and Paul Newman became not only movie stars and stage actors, but also artistic collaborators, political activists, and philanthropists whose legacies are expansive and enduringly modern. Photographers include Sid Avery, Bruce Davidson, Sam Shaw, Richard Avedon, many others. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY.

Hardcover. London, Faber and Faber, 1st UK, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An unlikely con man wagers wife, wealth, and sanity in pursuit of an elusive Old Master. Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his art-historian wife are asked to assess three dusty paintings blocking the draught from the chimney. But hiding beneath the soot is nothing less-Martin believes-than a lost work by Bruegel. So begins a hilarious trail of lies and deceits, desperate schemes and soaring hopes as Martin, betting all that he owns and much that he doesn't, embarks on a quest to prove his hunch, win his wife over, and separate the painting from its owner. The book was shortlisted for the 1999 Booker Prize . Clean, bright copy.

Softcover. New York, Pocket Books/Permabooks, 1st, 1959, Book: Very Good, Dust Jacket: None, 145 pages. Paperback. Pocket Book #1259. Cover art by James Meese. Ink notationon first pge. Light creasing to spine and covers.

Hardcover. NY, STEWART TABORI CHANG, 1ST, Book: Very Good, Dust Jacket: Very Good, Hardcover, 378 pages. Here is a musical history told in legends, facts, and rumors every bit as colorful as the images that illustrate the book. The story is filled with characters such as O.V. Wright, a singer deemed "too ugly to tour"; Frnakie Lymon, who received a hot dog as full payment for some of the greatest R&B songs of all time; LaVern Baker, a.k.a. "Little Miss Sharecropper"; Bille Holiday shooting dice with the boys on the bus; Solomon Burke, R&B immortal and Doctor of Mortuary Sciences; soul ghoul Screamin' Jay Hawkins locked in his coffin by the Drifters; and many otehr talented and unique entertainers. Illustrated with more than 400 original photographs, publicity shots, posters, programs, advertisements, program covers, magazine covers, album covers and sleeves, sheet music, and record labels in full color, this is a story of hot music and high style, of people who made history by being themselves and made the world a richer, wilder and definitely cooler place for the rest of us.

Hardcover. NY, Balzer + Bray, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover. The story of America and African Americans is a story of hope and inspiration and unwavering courage. In Heart and Soul, Kadir Nelson's stirring paintings and words grace 100-plus pages of a gorgeous picture book. SIGNED (REALLY INITIALED) BY KADIR WITH 2011 DATE on title page.Heart and Soul is about the men, women, and children who toiled in the hot sun picking cotton for their masters; it's about the America ripped in two by Jim Crow laws; it's about the brothers and sisters of all colors who rallied against those who would dare bar a child from an education. It's a story of discrimination and broken promises, determination, and triumphs. Winner of numerous awards, including the Coretta Scott King Author Award and Illustrator Honor is told through the unique point of view and intimate voice of a one-hundred-year-old African-American female narrator.

Hardcover. New York, W.W. Norton & Company, 1st, 2020, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with laminated boards. Illustrations by Peter Kuper.

Softcover. New York, Metropolitan Museum of Art, First Edition, 1993, Book: Very Good, Dust Jacket: None, Softcover published to accompany the exhibition, Church's Great Picture, The Heart of the Andes, held at the Metropolitan Museum of Art, October 5, 1993 - January 2, 1994. Clean, bright copy.

Softcover. NY, DC Comics, 1969, Book: Good, Dust Jacket: None, Softcover, stapled wraps, 32 pages, 15 cents cover price. Mild crease, edgewear to cover.

Hardcover. St. Paul MN, Graywolf Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY DIMMICK on the title page. Like a ripped-from-the-headlines episode of TV's Law and Order, this second novel from Dimmick (following In the Presence of Horses) describes the aftermath of a horrendous physical attack at a Rhode Island school. In this particular incident, a knife-wielding student has disfigured teacher Zoe Muir. Unable to return to business-as-usual, she moves to northern Vermont, buys an unfinished house in the woods, and attempts to reconstruct her life. Clean copy.

Hardcover. St. Paul MN, Graywolf Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY DIMMICK on the title page. Like a ripped-from-the-headlines episode of TV's Law and Order, this second novel from Dimmick (following In the Presence of Horses) describes the aftermath of a horrendous physical attack at a Rhode Island school. In this particular incident, a knife-wielding student has disfigured teacher Zoe Muir. Unable to return to business-as-usual, she moves to northern Vermont, buys an unfinished house in the woods, and attempts to reconstruct her life. Clean copy.

Softcover. London, Secker & Warburg, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 9 3/4 " - 12" tall. 156 pages, 120 b&w photos. Introduction by John Le Carre who found these photos " electric, haunting and at times unearthly". Fading to color on spine, previous owner's signature on front fly leaf otherwise very good.

Softcover. New York , Catalan Communications, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 83 pages illustrated in color by Cabanes.

Hardcover. Oxford, Bodleian Library, 1st, 2015, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover with no dust jacket. Clean, tight copy with black and white illustrations by Heath Robinson.

Hardcover. Oxford, Bodleian Library, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, tight copy with black and white illustrations by Heath Robinson

Hardcover. London, Duckworth, reprint, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Heath Robinson's humorous take on the game of golf is as fresh as when it first appeared in 1923, and is accompanied by Bernard Darwin's critical assessment. b&w cartoons throughout by Robinson. Short inscription on front fly leaf.

Softcover. Universtity Park PA, Pennsylvania State University Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 280 pages. This easily accessible volume, which grew out of a series of lectures presented at the Smithsonian Institution in 1991, aims to provide a coherent introduction to Byzantine culture with a focus on the interconnected realms of art and religion. The eight participants have revised their lectures into chapters on Byzantine history, theology, icons and icon theory, church architecture, monumental painting, silver church furnishings, illustrated liturgical books, and pilgrimage. In addition to presenting current research on this range of topics, the chapters each contribute original scholarship from authors who are recognized experts in their respective fields. The Introduction, by Linda Safran, deals with views and definitions of Byzantium over the course of its long history and considers why that civilization deserves our attention today. Illustrated in b&w and color.

Hardcover. Munich/NY, Prestel, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 143 pages with 100 color and 79 b&w illustrations. In 1750 the Venetian painter Giambattista Tiepolo arrived in Wurzburg, capital of the small German principality of Franconia. Its ruler, Prince-Bishop Carl Philipp von Greiffenclau, had commissioned him to decorate the Kaisersaal, one of the state rooms in his palace, the Residenz. Later extended to include the decoration of the Residenz's staircase, the commission resulted in a series of frescos that are numbered among the greatest glories of Baroque painting. Created by the last major representative of the Venetian tradition in painting, the frescos in the Wurzburg Residenz are a truly epochal work of art. They form the culmination of a venerable tradition of fresco decoration initiated by Giotto over four hundred years earlier and, in their marriage of mythological and historical subject-matter, constitute a monument to the dying age of absolutism. In his highly readable text Peter O. Kruckmann tells the story of how Tiepolo came to receive the commission, explores in detail the thematic and artistic intricacies of the frescos, and documents their genesis as a continuous process, from the preliminary sketches to the finished works. Clean copy.

Softcover. NY, Heavy Metal, 1st, 1981, Book: Very Good, Softcover, 96 pages, illustrated throughout by Moebius. 'Featuring "The Black Incal", "The Incal's Ball", "The Honorable Major Orphodite", "Ah Those Technical Technos", "Meta Baron", "Moebius: His Art", "The White Nightmare", "One of 4,070 Variations on 'The' Theme", "A Little Bit of This and a Little Bit of That", "An Adventure of John Watercolor", "Wounded Knee", "The Detour", and "Afloat".' This Heavy Metal special brings together many pages of Moebius comics in one volume, featuring a introduction by Federico Fellini. Page 3 has some small notations at top of page otherwise a clean, bright copy.

Softcover. NY, Heavy Metal Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, magazine format. Color art by the grear Milo Manara. Very good condition.

Hardcover. NY, Delano Greenidge Editions, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 396 pages, lavishly illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. Guimard is the pre-eminent architect of Art Nouveau in France. He influenced French architecture and design in the first half of the 20th century. He was also the architect of a number of Paris Metro entrances. He was regarded as an architect who wielded the greatest influence on the popular imagination in Paris during the late 19th- and early 20th centuries.

Hardcover. UK, Oxford University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Pages 613-1289. Volume 2 ONLY. The only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory. Name on front fly leaf, otherwise clean.

Hardcover. Oxford, England, Clarendon Press, 1st Edition, 1983, Book: Very Good, Dust Jacket: Very Good, 627 pages. Hardcover. Sequel to Hegel's Development: Toward the Sunlight 1770-1801(Clarendon Press, 1972). Black cover boards, gilt title and design on spine. Pages clean and bright. Binding tight. Spine straight. Dust jacket unclipped, faded (shelfwear), light agewear, glossy. Harris distinguishes three main phases in Hegel's development over this period: the period of callaboration with Schelling (1801-3); the appearance of a three-part 'phenomenological' system (1803-50; and the emergence of the mature system.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Color and black & white images throughout. Tight copy. Helena Rubinstein: Beauty Is Power traces the path of this remarkable early feminist and visionary art patron. In Rubinstein's world, art and commerce blended seamlessly. She ornamented her salons and homes with splendid artworks--Surrealist murals, modernist portraits, Art Deco furniture, Venetian mirrors, and one of the era's great collections of African and Oceanic art. Her understanding of beauty was similarly expansive and democratic: she saw the face as the site for self-expression and the exploration of identity. The Rubinstein beauty program thus included not only makeup and hairdressing, but also lessons in health, deportment, and culture. Such features, innovative at the time and wildly popular, today provide a fascinating glimpse into popular culture as it affected women in the 20th century.

Hardcover. New York , Simon and Shuster, 1st, 1956, Book: Good, Dust Jacket: Good, Hardcover, 128 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket with slight chipping to edges of spine.

Hardcover. New York , Simon and Shuster, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages, illustrated throughout in b&w. No dust jacket, a bright, clean copy.

Hardcover. NY, HarperCollins, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 572 pages. The author as written an admirable book that pulls no punches in recounting Hellman and Hammett's flaboyant lives and compulsions. like new in a protective brodart.

Hardcover. Munich, Prestel Verlag, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover published to accompany the exhibition William Wegman - Hello Nature, at Bowdoin College Museum of Art, Brunswick, July 13 - October 21 2012. Features works by Wegman, Kevin Salatino, Padgett Powell, Diana Tuite. Full color, full page illustrations throughout. Dust jacket in very good condition. Clean, unmarked copy.

Hardcover. New York , powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 96 pages, 80 richly printed, b/w duotone photo plates. Vivian Cherry began her career in the 1940s while working as a dancer in Broadway shows and nightclubs. Cherry supported herself partly as a 'darkroom technician' for Underwood & Underwood, a prominent photo service to news organizations. She began shooting the world around her during this time of change, combining informal portraiture with cityscapes of the Lower East Side, the Third Avenue El (and its ensuing demolition), the streets of Harlem, Hell's Kitchen, and the Meatpacking District. She joined the Photo League where she studied with Sid Grossman. - throughout the 1940s and 1950s. Her work from this period provides lively vignettes of New York City, of gritty street-scenes, of social consciousness, and of history. Cherry's work is in major national collections. and has been well published. Very good in a bright dust jacket.

Softcover. London, Hard Case Crime, 1st thus, 2018, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Paul Mann. It isn't easy going to jail for a practical joke. Of course, this particular joke left 20 cars wrecked on the highway and two politicians' careers in tatters--so jail is where Harold Kunt landed. Now he's just trying to keep a low profile in the Big House. He wants no part of his fellow inmates' plan to use an escape tunnel to rob two banks. But it's too late; he's in it up to his neck. And that neck may just wind up in a noose. HELP I AM BEING HELD PRISONER is Donald E. Westlake at his funniest and his most ingenious, a rediscovered crime classic from the MWA Grand Master returning to stores for the first time in three decades. Like new.

Softcover. Sarasota FL, Pineapple Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 260 pages. Follow Ernest Hemingway's exploits on the Bahamian island of Bimini from 1935 to 1937, the very moment in time when the International Game Fish Association (under the author's co-leadership) was emerging. Covers Hemingway's role in the formation of the IGFA, his underappreciated seminal writing about competitive saltwater angling when the sport was still in its infancy, the amazing fishing he enjoyed on the island, and the way all of these experiences translated into the composition of his posthumous novel Islands in the Stream. This is the only book on this period in Hemingway's life and reveals unexpected dimensions to the Hemingway portrait that deserve attention, including his surprising humor, his advanced conservationist views several decades before the environmental movement even began, and his egalitarian ideas about his contemporary female counterparts in the big-game fishing world--challenging the usual portrait of Hemingway as a chauvinist with no personal rules, boundaries, or conscience. Includes beautiful vintage photographs of 1930s Bimini that have never been published in book form.

Softcover. The Hague, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 44 pages, exhibition catalog for the sculptor's work at the XVIII Venice Biennale, b&w illustrations. A conversation with the artist by Reinhard Niedermeier. Light fading to pink wrappers. Text in Italian and English. SIGNED BY VISCH on inside rear cover with his address and pnone number.

Hardcover. Boston, New York Graphic Society, 1st US, 1979, Book: Very Good, Dust Jacket: None, Hardcover, square format monograph, bound in cream colored cloth covered boards with embossed title on cover. With 155 full-page duotone photographs, 324 pages. Short foreword by Yves Bonnefoy. An excellent and beautifully-printed survey of Cartier-Bresson's work. Lacks the dust jacket, small color sticker on title page, otherwise a clean, bight copy. DOMESTIC SHIPPING ONLY.

Hardcover. London/NY, Thames & Hudson, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson--one of the great photographers of the twentieth century.In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China's history: he photographed Beijing in "the last days of the Kuomintang," and then headed back to Shanghai, where he bore witness to the new regime's takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The "picture stories" he sent to Magnum and Life on a regular basis played a key role in Westerners' understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson's oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. This volume allows these photographs to be reexamined along with all of the documents that were preserved: the photographer's captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. London , Thames & Hudson, reprint, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive b&w photography throughout with accompanying notes. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London , Thames & Hudson, reprint, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive b&w photography throughout with accompanying notes. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with price-clipped dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. New York, Thames & Hudson, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. Sunfading to spine. A very clean, unmarked copy with only minor wear to dust jacket. 255 duotone photographs throughout. A tight copy.

Hardcover. London, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: None, 256 pages. Oversize hardcover with no dust jacket. Very clean, like new copy still in publishers shrink wrap. Large black and white & color photographs throughout. Tight copy. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

Hardcover. NY, The Museum of Modern Art, 1st, 1987, Book: Very Good, Dust Jacket: Good, Hardcover with dust jacket, 152 pages. Oblong small 4to., 125 b&w photos, 4 in color. Dust jacket with 2 small tan stains at bottom of front panel, not affecting book except for very faint mark on cover. Otherwise a clean, tight copy.

Hardcover. New York , Museum of Modern Art, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages, b&w photographs throughout. Hardcover, light shelf-wear to dust jacket, else a clean, tight copy. "Henri Cartier-Bresson (1908-2004) is one of the most celebrated and influential figures in the history of photography. Published to accompany a major retrospective, this offers a fresh understanding of the panoramic scope of Cartier-Bresson"s photography, from his Surrealist innovations of the early 1930s to his career as a leading photojournalist after World War II."

Hardcover. New York, Harcourt Brace Jovanovich , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Two hardcovers in a red cloth slipcase. Vol. 1: 234 illustrations., 76 in color, 356 pages. Vol. 2: 307 illustrations, 79 in color, 366 pages. Translated from French by Jean Stewart. Clean set. Some plates, and some photo panoramas, are foldout. A labor of love for the poet who knew Matisse well, and who worked for 27 years on this project. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Museum Of Modern Art (MOMA), 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, hefty 480 page exhibition catalog illustrated in color. Published in conjunction with the exhibition "Henri Matisse A Retrospective" at The Museum of Modern Art, New York, September 24, 1992-January 12, 1993. Bookplate on inside front cover, otherwise clean. Lavishly produced in oversize format, here is the complete illustrated catalogue of a landmark new exhibition devoted to the artist--the largest ever assembled. Includes biographical notes, a chronology, and introductions to each major period of Matisse's career. 320 colorplates reproduce every painting and cutout in the exhibition; 92 black-and-white plates illustrate the sculptures, drawings, and prints. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Washington DC/NY, National Gallery of Art/Abrams, 1st, 1986, Softcover, large exhibition catalog, white wraps, 367 pages. Profusely illustrated with color and bw plates. A coherent group of major paintings representing that period when Matisse gave up his primary artistic residence in Paris to watch him settle in Nice. First as a temporary visitor and then as a permanent citizen, we watch him respond to the Mediterranean and the constancy of its light. Bookplate on inside fron cover, otherwise a clean, bright copy. Heavy volume. DOMESTIC SHIPPING ONLY.

Hardcover. New York , Harry N. Abrams, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 230 pages, published to accompany exhibition show in London, Paris, and Washington. Shows how Rousseau's captivating jungle paintings are best understood in relation to his work in other genres such as portraiture and landscapes. Beautiful color illustrations throughout. Deep green boards with lighter green tiger on front. In publisher's shrinkwrap.

Hardcover. New York , Abrams, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 illustrations, including 29 mounted color plates. 328 pages. Thick 4to, green cloth stamped in yellow. Dust jacket with light edgewear.

Hardcover. NY, Abbeville Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 600 pages. Henry Frick, remembered by art lovers today for his splendid collection of old-master paintings by Rembrandt, Bellini, and others that make up New York's Frick Museum, was one of the 19th century's worst robber barons. Brutal with workers, he never hesitated to hire mercenary armies to kill railway and mine strikers. Frick's was such a bloody and vicious climb to a pot of gold that his descendents have been understandably reluctant to allow historians full access to his papers. Finally, his great-granddaughter, Martha Sanger, a noted steeplechase and hunting enthusiast, decided to write about the life of her ancestor, and was allowed full use of the archives.Sanger's publisher, Abbeville, has done her proud with a luxuriously produced volume in which Sanger offers many theories about why Frick bought certain works of art. And although art historians may dismiss her black-and-white analyses of a collector's motivations--based, as she admits, on her own years in psychoanalysis--they at least reflect how Frick's own family saw him. Among the reproductions are famous pictures by Goya, Greco, and Gainsborough, but also many others rarely reproduced, perhaps because they are typically bad-taste 19th-century art, showing that even Frick bought some duds. Whether or not he acquired paintings, as Sanger asserts, because they reminded him of a daughter who died in early childhood, Frick was still a major historical figure, and his life needs this kind of voluminous treatment in order to complement harsher portraits by professional historians like Samuel Schreiner, who subtitled his own 1995 book from St. Martins Press The Gospel of Greed.