Hardcover. London, The Fine Arts Society, 1st, 1907, Book: Very Good, Dust Jacket: None, 376 pages, hardcover. Decorated boards with gilted top text block. Illustrated by Elizabeth M. Chettle. Homes and memorials of the founders of Virginia, the New England states, and Pennsylvania. Also includes the universities of Harvard and Yale, the first president of the United States and other illustrious Americans. Fading and edgewear to spine. Light bumping to corners with mild fraying. Moderate spotting to text block edges. Weak spine at front endpapers. Unmarked. A clean copy.

Hardcover. Hanover NH, University Press of New England, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright duct jacket, 251 pages, b&w illustrations. For years, designers, educators, and community administrators have clamored for a book that will highlight the problems with contemporary playgrounds, tender sorely needed strategies with which to redress them, and stimulate national debate about today's crisis of undervalued public space. Susan Solomon's groundbreaking and marvelously illustrated American Playgrounds is that book. Since the 1970s, Solomon maintains, American playgrounds have degenerated into irrelevance as cultural artifacts and educational tools. Imbedded in Solomon's text is a frank indictment of American attitudes that are stunted by a heavy-handed emphasis on safety that limits the nature of play and the vitality of places for public assembly. During the past decade an elite few American architects, landscape architects, and sculptors, including Stanley Saitowitz, Walter Hood, and Mary Miss, have pioneered the restoration of aesthetic and developmental values to play areas for young people. Solomon appraises these success stories and proposes fresh and urgent remedies that blend excellent design principles, innovative planning, and affordability-a vision for the future of the playground in America. Supplementing her impeccable command of primary and secondary sources with hundreds of hours of interviews with designers and clients, the author confronts a seriously under-developed topic with powerful and complex arguments rich in social history, law, theories of play and childhood, and urbanism. Readers will be inspired-and equipped-to take up the gauntlet of advocacy for superior American playgrounds. Clean copy.

Softcover. NY, Whitney Museum of American Art / Harper & Row, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog. 187 pages, illustrated throughout in color and b&w. Black/white pictorial stiff wrappers. Light wear around edges and spine, else like new.

Hardcover. New York , Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, burgundy cloth with gilt lettering. Book and unprice-clipped pictorial dust jacket are without defects. A beautiful catalog of the great Ralph Esmerian collection of American folk art done when the 400 outstanding works were given to the American Folk Art Museum in New York. Outstanding plates followed by detailed descriptions.

Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.

Softcover. NY, Monacelli Press,, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. The roadside sign has become an American icon: a glowing neon symbol of the golden age of the open road. Yet signs are complex pieces of design, serving not only as physical markers but also as cultural, political, and economic ones. In American Signs, Lisa Mahar traces the evolution of motel signs on Route 66 in a distinctive visual approach that combines text, images, and graphics. American Signs reveals the rich vernacular traditions of motel sign-making in five eras, spanning from the late 1930s through the 1970s. The motel signs of the early 1940s, for instance, reflect vernacular traditions dating back at least a century, while examples from the later years of the decade reveal a culture newly obsessed with themes. America's fascination with newness and technological progress is manifested in 1950s motel signs. Finally, in the 1960s, a turn toward simplicity and the use of new, modular technologies allowed motel signs to address the needs of a mass society and the beginnings of a national, rather than regional, aesthetic for motel signs.

Softcover. New York , Ballantine Books, 1st thus, 2003, Book: Very Good, Dust Jacket: None, Softcover, 320 pages, b&w art by R. Crumb, Kevin Brown, Gregory Budgett and others. Clean, bright paperback. The classic collection of the comics that inspired the movie "American "Splendor, winner of the Grand Jury Prize at the 2003 Sundance Film Festival "American Splendor is the world's first literary comic book. Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Pekar has been compared to Dreiser, Dostoevsky, and Lenny Bruce. But he is truly more than all of them--he is himself. "Mr. Pekar has . . . proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life."

Softcover. Princeton NJ, Princeton University Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. 113 color plates, 47 in b&w. The painters who came to be known as the Hudson River School - Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others - found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors - most notably Albert Bierstadt and Thomas Moran - carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, George Braziller, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket. Non-paginated. Black & white illustrations by Al Hirschfeld. Introduction by Brooks Atkinson. Previous owners bookplate on front endpaper. Dust jacket with creases, and light wear. Clean, tight copy.

Hardcover. Boston, Bulfinch, 1st, 2002, Hardcover, 301 pages, 450 color illustrations. This groundbreaking book, the most comprehensive survey ever assembled, takes America's vernacular art out of the antiques arena and specialty museum and into today's art world. Presents hundreds of newly identified and never-before-published objects, from carnival figures to religious toterns, from antique trade signs to spectacular examples of hand-carved canes.

Hardcover. Boston, Bulfinch, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 303 pages. Color illustrations, index and appendices. Introduction by Margit Rowell; essay by Joseph Jacobs. A groundbreaking retrospective of art from "off the beaten path" sculpture features spectacular images from a wide variety of American artists and craftspeople, in a study that includes everything from religious totems and antique trade signs to hand-carved canes.

Hardcover. NY, Da Capo Press, 1st, 2017, Hardcover, 352 pages. As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it.American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and gifted. Leaving his rigid Switzerland for the more fluid United States in 1947, Frank found himself at the red-hot social center of bohemian New York in the '50s and '60s, becoming friends with everyone from Jack Kerouac, Allen Ginsberg, and Peter Orlovsky to photographer Walker Evans, actor Zero Mostel, painter Willem de Kooning, filmmaker Jonas Mekas, Bob Dylan, writer Rudy Wirlitzer, jazz musicians Ornette Coleman and Charles Mingus, and more. Frank roamed the country with his young family, taking roughly 27,000 photographs and collecting 83 of them into what is still his most famous work: The Americans. His was an America nobody had seen before, and if it was harshly criticized upon publication for its portrait of a divided country, the collection gradually grew to be recognized as a transformative American vision.

Softcover. New York, MOMA, 1st, 1963, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Illustrated with black & white photographs. Some light fading, spotting to cover edges. Clean, tight copy.

Hardcover. New Haven, Mercatorfonds, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Like new in publisher's shrink-wrap. The flourishing of photography as a medium in the mid-19th century coincided with a rise in curiosity about China on the part of the Western world. As the number of foreigners living and traveling in China increased, early photographs of China were taken by and for an international audience. Among the Celestials assembles 250 fascinating images of China in the second half of the 19th century and first half of the 20th, captured by the Western camera lens. The photographs portray the gritty side of the country as well as stunning views of palaces, temples, harbors, and gardens. This juxtaposition of the sordid and the serene provides a multidimensional picture of China's physical and social landscape before Mao Zedong's ascent to power changed the country forever. The photographs, many published here for the first time, are both beautiful and moving, and together offer a new understanding of a social and cultural history associated with a time of significant historical change.

Hardcover. Chicago, Rand McNally , 1st Thus, 1947, Book: Very Good, Dust Jacket: Good, Non-paginated. Hardcover. Black & white cartoons by Gaar Williams. Dust jacket with chipping along edges - jacket now protected with clear plastic cover. Clean, unmarked pages.

New York , Harper & Brothers, 1st, 1926, Book: Very Good, Hardcover, red cloth covers with color illustration on cover paste-down. Unpaginated (about 120 pages). Tipped-in color frontispiece, every other page with a full page b&w cartoon, every other page with a smaller b&w image. Book of satiric humor using anthropomorphic cats to illustrate various human foibles. Light wear to cloth with some fading and mottling to rear cover.

Hardcover. Wiley, revised ed., 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages. This guide to artisan bread-baking, fully updated in a new edition, provides information on making breads at home for a fraction of the store-bought cost, and includes basic bread baking techniques and the required ingredients and equipment.

Softcover. New Haven CT, Yale University Press;, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. An authoritative guide to the world's greatest typographers, spanning the history of printThis handsomely illustrated volume features a comprehensive listing of outstanding type designers from around the world, ranging from Johann Gutenberg (c. 1394-1468) to the present day. Arranged alphabetically by designer, the book features the work of more than 260 figures in type design, many of whom are among the field's most renowned--including Morris Fuller Benton, Matthew Carter, Adrian Frutiger, Claude Garamond, Eric Gill, Frederic W. Goudy, Bruce Rogers, and Hermann Zapf--as well as entries on lesser-known designers whose contributions to typography are substantial. Entries are illustrated by examples of the designers' work taken from posters, private press editions, magazine covers, book designs, and rare archival specimens. An A-Z of Type Designers also features eight essays by leading contemporary typographers Jonathan Barnbrook, Erik van Blokland, Clive Bruton, John Downer, John Hudson, Jean Francois Porchez, Erik Spiekermann, and Jeremy Tankard. These authors discuss different aspects of contemporary type design, including typeface revivals, font piracy, and designing fonts for corporate identities.

Softcover. New Haven CT, Yale University Press;, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. An authoritative guide to the world's greatest typographers, spanning the history of printThis handsomely illustrated volume features a comprehensive listing of outstanding type designers from around the world, ranging from Johann Gutenberg (c. 1394-1468) to the present day. Arranged alphabetically by designer, the book features the work of more than 260 figures in type design, many of whom are among the field's most renowned--including Morris Fuller Benton, Matthew Carter, Adrian Frutiger, Claude Garamond, Eric Gill, Frederic W. Goudy, Bruce Rogers, and Hermann Zapf--as well as entries on lesser-known designers whose contributions to typography are substantial. Entries are illustrated by examples of the designers' work taken from posters, private press editions, magazine covers, book designs, and rare archival specimens. An A-Z of Type Designers also features eight essays by leading contemporary typographers Jonathan Barnbrook, Erik van Blokland, Clive Bruton, John Downer, John Hudson, Jean Francois Porchez, Erik Spiekermann, and Jeremy Tankard. These authors discuss different aspects of contemporary type design, including typeface revivals, font piracy, and designing fonts for corporate identities.

Hardcover. London, Printed for J. Dodsley, 5th Ed., 1770, Hardcover set. quarter brown calf antique, marbled paper-covered boards, red morocco labels lettered in gilt. Covers worn, rubbed , leather spines worn with chipping, volume 2 has label missing, also front cover detached. HOWES B-974. "Best contemporary account. Actually written by William Burke, but usually ascribed to his more famous kinsman who gave substantial help." While the covers and spine are battered and worn, the interiors are very good. Both folding maps are clean and bright. Ownership name "L. Pillars/1857" on fly leaves and title pages, otherwise clean. Ideal candidates for rebinding.

Hardcover. New York, Summit Books, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 834 pages. Black cloth, gilt lettering to spine. Slight wear to pictorial dust jacket, else a very neat, tight copy, in clear protective brodart cover.

Hardcover. Minneapolis, MN, North Loop Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. NY, Harry N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 198 illustrations including 73 plates in full color with text throughout. An in-depth study and illustration of the role of animals in American Art. Clean copy.

Hardcover. NY, The Dial Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Set in New York City, Mailer's first novel in 10 years explores the dark side of the American Dream over a 32-hour time period in the life of Stephen Richards Rojack--war hero/college professor/talk show host/husband--and murderer. Originally serialized in Esquire magazine in slightly different form in 1964, this is the First Edition in book form from 1965. The basis for a film starring Stuart Whitman and Janet Leigh. Name on first blank page, otherwise a clean copy.

Hardcover. Pasadena CA, Pasadena Museum of California Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 149 pages, illustrated in color. Bright, clean copy in similar dust jacket. Catalog of an exhibition organised by the Pasadena Museum of Californian Art and held there and at the Gibbes Museum, Charleston, South Carolina, in 2005-6. The book presents 77 works, reproduced in excellent colour as half and full page plates, including nudes, figures and urban and rural landscapes. William Gerdts offers a scene-setting Introduction after which Solon provides an in-depth study of the artist's life and work. This includes his marriage, travels abroad including Europe, Panama and Mexico, experience as an aerial photographer in the Great War, return to Southern California and life in Pasadena, a region that was recommended for health reasons, and a final decade marked by ill-health that contributed to the general decline in his reputation outside of the local art community.

Hardcover. New York, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 167 pages, 132 plates in duotone and color. Light wear to dust jacket. This book focuses on surprisingly atypical choices from the oeuvres of 125 seminal artists, such as Walker Evans, Henri Cartier-Bresson, Alexander Rodchenko, Albert Renger-Patzsch, and Ulrich Tillman. Over 130 images in duotone and color illustrate the aesthetic differences between various styles, genres, and authors, and show diversities and affinities among different continents, cultures and periods. This extraordinary recombination of photographs by master artists offers viewers a fresh look at the world of photography.

Hardcover. New York, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 167 pages, 132 plates in duotone and color. Light wear to dust jacket. This book focuses on surprisingly atypical choices from the oeuvres of 125 seminal artists, such as Walker Evans, Henri Cartier-Bresson, Alexander Rodchenko, Albert Renger-Patzsch, and Ulrich Tillman. Over 130 images in duotone and color illustrate the aesthetic differences between various styles, genres, and authors, and show diversities and affinities among different continents, cultures and periods. This extraordinary recombination of photographs by master artists offers viewers a fresh look at the world of photography.

Hardcover. Cambridge, Mass., The MIT Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 371 pages, b&w illustrations. Small remainder stamp on bottom edge. Light edge wear to dust jacket; tape-repaired cut on rear. Else a very clean, tight copy. Focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene--at a series of significant moments in his career.

Chapel Hill NC, Algonquin Books, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Harcover in a bright, unclipped dust jacket. SIGNED BY AUTHOR on title page. This is the story of what happened to Ellen DeLay in Quillifarkeag, Maine. Quilli (to the locals) has a lot in common with the small towns that Stephen King so often writes about: there are strange characters with strange names (to some of us) who have lived in the area all their lives, as did their parents before them and their grandparents before that--you get the idea. The narrator tells us that his daughter is a killer and he wants to get the whole story down. He takes his time about it, but what we know from the get-go is that Ellen DeLay was gunned down by four female officers of the law who pumped two hundred rounds into her body. Ellen had been married to Joe for 25 years, but she left him after he accidentally locked her in the part of his truck where he kept his tools--for four days. Ellen thought that Joe was trying to kill her while Joe thought that Ellen had left him. In any case, this incident prompted Ellen to head for the north woods, where, over the years, she learned to dress hunters' kills and became a respected businesswoman. There were a few, especially kids, who thought she was just a crazy woman in the woods but, for the most part, Ellen was left alone. Over the course of 250 pages, the narrator carefully pieces together the details of what happened one afternoon at St. Antoine du Plupart and, just as importantly, what happened afterwards. Being from Maine, the narrator takes his time. He has other things to do and other stories to tell, but in the end every detail about what is truly an American outrage is told. G.K. Wuori is the author of Nude in Tub and has a wonderful gift for language and a heartfelt affection for the place about which he writes.

Softcover. San Diego CA, San Diego Museum of Art, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 86 pages, b&w illustrations. Includes bibliographical references (p. 35-36) and index. In 1916, George Wesley Bellows, a successful painter at the height of his artistic power, turned his considerable talent to the graphic medium of lithography. Over the next nine years, until his untimely death in January 1925, Bellows created nealry 200 lithographs - an impressive body of work unparalleled in the history of American art. While some of these lithographs appeared as illustrations in contemporary periodicals , and others were graphic versions of drawings and paintings he had previously made, the majority stood as independent works. Their subjects and styles span the breadth of Bellows's artistic vision. Light sticker residue to front cover, otherwise clean.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The book presents contemporary art comics produced by 75 artists, along with some classic comic strips and other related fine art and historical materials. Brunetti arranges the book to reflect the creative process itself, connecting stories and art to each other in surprising ways: nonlinear, elliptical, sometimes whimsical, even poetic. He emphasizes continuity from piece to piece, weaving themes and motifs throughout the volume. As gorgeously produced as Brunetti's previous anthology of graphic fiction, this book does full justice to the creative work of Art Spiegelman, Chris Ware, Charles Burns, Gary Panter, and the other prominent or emerging comic artists who are currently at work at the cutting edge of their medium.

Hardcover. Moscow, Progress Publishers, 1966, Book: Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with faded spine. Anthology of writings by American journalist, poet and Communist activist. Includes portions of "Insurgent Mexico" and "Ten Days That Shook the World,"as well as stories, articles, documents, poetry and drama. Illustrated with photos. Text in English with introductory section in Russian. 299 pages, b&w illustrations. No date but indicates "2.6.66" Clean copy.

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Softcover. NY, Universe Publishing, 2nd pr., 2006, Book: Very Good, Dust Jacket: None, Softcover, 272 pages illustrated in color and b&w. The first book to capture the philosophy and spirit behind the work of Charles and Ray Eames, An Eames Primer offers an in-depth look at the couple's prolific legacy--one that has placed them among the most important American designers of the twentieth century. Those who know one or two aspects of the Eameses' work are often surprised to learn just how far and vast their range extended. Yet throughout their myriad works, from architecture and furniture to exhibition and design and filmmaking, their core philosphy prevails. An Eames Primer is the first book to illuminate this seamless connection.Author Eames Demetrios explores the rich energy of the Eameses' world from a unique perspective, informed by his close relationship with Charles and Ray. He shares personal anecdotes, previously unpublished photos, and his extensive interviews with former friends and colleagues of the Eameses to make connections between the Eameses' influential philosophy and their widely admired work. For those unacquainted with the designers, the stories behind the design process will inform, entertain, and inspire, while readers with an extensive knowledge of the Eameses' work gain a deeper level of understanding their process.

Softcover. New York, Avon, 1st, 1982, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with light wear to paper wrappers. Light soil to pages. Tight copy.

Softcover. NY, Cambridge University Press, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, 309 pages. An Empire of Facts presents a fascinating account of the formation of French conceptions of Islam in France's largest and most important colony. During the period from 1870 to 1914, travelers, bureaucrats, scholars, and writers formed influential and long-lasting misconceptions about Islam that determined the imperial cultural politics of Algeria and its interactions with republican France. Narratives of Islamic mysticism, rituals, gender relations, and sensational crimes brought unfamiliar cultural forms and practices to popular attention in France, but also constructed Algerian Muslims as objects for colonial intervention. Personal lives and interactions between Algerian and French men and women inflected these texts, determining their style, content, and consequences. Drawing on sources in Arabic and French, this book places such personal moments at the heart of the production of colonial knowledge, emphasizing the indeterminacy of ethnography, and its political context in the unfolding of France's empire and its relations with Muslim North Africa. Clean copy.

Softcover. NY, Liberal Arts Press, 1st, 1956, Book: Very Good, Softcover, 615 pages. Translated with an introduction by Merritt H. Moore. Some light fading to edges of yellow wrappers, name on front fly leaf, otherwise clean. Out of print and uncommon.

Hardcover. Bristol UK, Thoemmes Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Hardcovers, red cloth with gilt stamping to spines. A reprint of the 1758 Fourth Edition. Introduction by Victor Nuovo. 555 total pages plus Index. Vol. 1 with fading to spine and part of front cover, otherwise tight and clean.

Hardcover. London, M. Dawson for Iohn Bellamie, 1632, Book: Good, Dust Jacket: None, Hardcover, 261 pages, brown calf covers with edgewear to edges, some loss of leather at top of spine. with four parts in one volume, together full-page woodcut figures and illustrations in the text. WEMYSS or WEEMES, JOHN (1579 - 1636), divine, born about 1579, was the only son of John Wemyss of Lathockar in Fife. He was educated at the university of St. Andrews, where he graduated M.A. in 1600. In 1608 he was appointed by the general assembly minister of Hutton in Berwickshire, 'as one of the best learned and disposed for peace of those on the side of the ministers, for maintaining unity among the brethren, who were considered as tending to episcopacy.' "printed by Thomas Cotes for Iohn Bellamie, and are to be sold at his shoppe at the signe of the three Golden Lyons in Cornehill, neere the Royall Exchange, 1632." Front fly leaf loose, hinges cracked. Interior pages bright and clean. Small ownership signature to title page dated 1734. Title lettered in script on fore-edge of book.

Hardcover. NY, Dutton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 164 pages. An autobiographical memoir, set for the most part in London in the 1940s and 50s, by the author of "At the Jerusalem", "Trespasses" and "An English Madam: The Life and Work of Cynthia Payne". It is composed of fifty scenes or fragments of memory which describe Bailey's parents, relatives, friends and acquaintances as he was growing up fatherless in working class Batterseas. Remainder line bottom edge.

Softcover. Philadelphia, self-published, 1st, 1804, Book: Very Good, Dust Jacket: None, Disbound pamphlet, 26 pages. Dedicated to Dr. William Punell of Belfield, Virginia, and Benjamin Smith Barton. Very mild foxing.

Hardcover. NY, Harper & Row, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 260 pages with b&w illustrations throughout. Covers all aspects of zoning, mapping, urban renewal, planned communities, land-use strategies, standards for street furniture, lighting, signs, community participation, preservation movement, transportation. Clean copy.

Softcover. Hanover NH, University Press of New England, 1st, 2004, Softcover, 222 pages. From 1942 to 1945, Lieutenant Colonel Betty Bandel (retired) served in the Women's Army Auxiliary Corps (WAAC, later WAC, the Women's Army Corps), eventually heading the WAC Division of the Army Air Force. During these years she wrote hundreds of letters to family and friends tracing her growth from an enthusiastic recruit, agog in the presence of public figures such as Eleanor Roosevelt (code named Rover), to a seasoned officer and leader.Bandel was one of the Corps' most influential senior officers. Her letters are rich with detail about the WAC's contribution to the war effort and the inner workings of the first large, non-nurse contingent of American military women. In addition, her letters offer a revealing look at the wartime emergence of professional women. Perhaps for the first time, women oversaw and directed hundreds of thousands of personnel, acquired professional and personal experiences, and built networks that would guide and influence them well past their war years.

Hardcover. Seattle, Fantagraphics Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 184 pages in color. Anais Nin, the author of works such as Delta of Venus and House of Incest, is the patron saint of taboo-breaking pop culture sexual iconoclasts. Not only is she an inspiration for contemporary figures such as Madonna, but her oeuvre, which encompasses erotica, autobiography, essays, short fiction, novels, and much more, has been adapted into film (Henry and June), television (Little Birds), and other media.The cartoonist Leonie Bischoff traces the life of the prolific writer in this lushly colored graphic novel. It begins with Nin struggling to reconcile the man she married (who had artistic aspirations) with the banker she finds herself living with in the Parisian suburbs. Soon, her obsession with June Miller leads to inspiration. Nin's life and art, the truth and fiction, are further intertwined as she recounts her many sexual liaisons including those with Henry Miller (whom she and her husband subsidize so he can write the controversial Tropic of Cancer), her psychoanalysts, and even her father. Although Bischoff's drawing is largely representational, she occasionally depicts Nin's sexual experiences in scenes as surreal as Nin's own written portrayal of them.

Hardcover. London, Secker & Warburg, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 345 pages. 272 black and white illustrations and frontispiece in color. Folio 14" x 10 1/4". Sturdy blue textured cloth stamped in gilt on spine. 3 Appendices: 1. Intro to English edtion of 1749 Albinus's "Table of the Skeleton and Muscles of the Human Body". 2. text of "The Anatomy of the Horse". Good dust jacket worn at edges, closed tears.

Hardcover. New Haven, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. 55 B&w illustrations and 21 plates in full color. Debates the relationship between art, science and religion by exploring the 19th century landscape painters fascination with geology. Scarce. Pictorial boards, black cloth spine. Pictorial dust jacket. Like new. In original shrinkwrap.

Hardcover. Rome, Grafica Internazionale, 1st, 1969, Book: Good, Dust Jacket: None, Hardcover, oblong format, orange cloth covers stamped in brown and white. ITALIAN TEXT. Introduction by Elio Mercuri. Poetic texts by Langston Hughes, Owen Dodson, Sterling A. Brown, James Weldon Johnson. With 32 color plates and 60 black and white illustrations. 8vo, 100 pages, Aligi Sassu created all the plates reproduced here in 1969 for the scenic cantata ''Anch'io sono l'America'' by Mario Nascimbene, inspired by the texts of contemporary black poets. The work is; had its world premiere on 20 June 1969 at the Teatro Sociale in Lecco, interpreted by Helenita Olivares and Therman Bailey. Covers with fading, light soil. Interior clean.

Hardcover. Chicago, IL, Art Institute of Chicago, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 397 pages. Hardcover. Color and b/w illustrations throughout. Dust jacket unclipped. Bound in black fabric with gilt title on spine and front cover. Other than a bit of foxing on top edge, clean inside. In very good condition. Published to accompany exhibit at art Institute of Chicago, October 10, 1992-January 3, 1993.

Softcover. London, Barbican Art Gallery, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Color photos throughout. A collection of photographs chosen from Eggleston's earliest photographs taken in the American South and through to his most recent work in England. William Eggleston (born 1939) was a pioneer in exploring the artistic potential of color photography. Eggleston made a name for himself with his eccentric, unexpected compositions of everyday life that were nonetheless rife with implied narrative, elevating the commonplace to art. William Eggleston, born in 1939 in Memphis, is one of the most important contemporary American photographers. From the 1970s onwards, his work has significantly contributed to the recognition of color photography as an artistic medium.