Softcover. Hong Kong, Bonhams, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 328 pages illustrated in color. Auction catalogue for Bonhams Hong Kong 29 May 2023 sale - Fine Chinese Ceramics and Works of Art Sale 28274, Lots 801 - 997. Text in English/Chinese. Printed in Hong Kong. Clean copy.

Hardcover. Fresno, CA, Linden Publishing, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. A very clean, unmarked copy with some wear to dust jacket. Minor soiling to dust jacket front. Color photographs throughout. A collection of twentieth-century handmade woodwork including furniture, sculpture, toys, and musical instruments.

Hardcover. New York, Schwartz & Wade, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover. Extensive color illustrations by Sophie Blackall throughout. Includes appendix with recipe. Clean, unmarked copy with only minor wear to dust jacket. From highly acclaimed author Jenkins and Caldecott Medal-winning illustrator Blackall comes a fascinating picture book in which four families, in four different cities, over four centuries, make the same delicious dessert: blackberry fool. This richly detailed book ingeniously shows how food, technology, and even families have changed throughout American history.

Softcover. NY, Sotheby's, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover illustrated with color & b/w photos. Sale 5793 1,062 lots. Painting and Screens (55), Prints (223), Netsuke (89), Ojime (11), Inro (143), Sword Fittings (171), Swords (44), Armour (8). Also Ivory, Ceramics, Enamels, Metalwork, Furniture. Includes an important group of prints by Utagawa Hiroshige from The One Hundred Famous Views of Edo. Clean copy.

Hardcover. New York, Dahesh Museum of Art, July 2002, Book: Near Fine, Dust Jacket: Near Fine, Hardcover in a dust jacket. Never opened, still in original shrink wrap. Spotless copy. Frederic Church (1826-1900), who gained international renown for paintings such as Niagara (1857), Heart of the Andes (1859), Twilight in the Wilderness (1860), and The Icebergs (1861), was inspired by his extensive travel and study. His work was also informed by his appreciation of a new visual medium. Fire & Ice, a selection from the several thousand photographs and daguerreotypes Church collected at Olana, his Orientalist home on the Hudson River, provides insight into the interests and taste of one of nineteenth-century America's greatest painters.

Softcover. MountAinsWest Publishing, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, green pictorial wraps, 193 pages with b&w photos. The early years in the development of the fire lookout system were fraught with difficult decisions, hard work, and danger. Roads and trails had to be built, materials had to be transported. Building materials and supplies were carried up steep, treacherous mountainsides on the backs of horses, mules, and men. Primitive conditions were met with courage, grit, and determination. The people who built, and the people who staffed these lookouts were often exposed to extremes in weather: heat, blizzards, wind, and lightning. Occasional accidents and illnesses were to be expected and sometimes had tragic consequences. The earliest lookouts consisted of the top of a tree; an alidade mounted on a crude support or on a tripod; or simply a mountain top where an observer scanned the surrounding countryside with a powerful field glass, always on the alert for the slighted wisp of smoke. The historical information in this volume is the culmination of many years of research of original documents by Ron Kemnow. Also included are many historical photographs. Some of the older photographs and picture postcards are of poor quality, but were included for their historical value. This book is not in narrative form, but is a collection of official reports, letters, and news articles, presented as they were originally written.

Hardcover. New York, Charles Scribner's Sons, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, red cloth covers stamped in black, 96 pages illustrated in line by Brown. Endpapers have child's pencil marks, top of spine is worn, frayed. Corners worn. ONE PAGE (12th from beginning) has a child's crayon marking covering 3 lines of text, not affecting art. Every page has text and drawings on a cream block background.

Hardcover. New York , G. P. Putnam and Sons, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by Kalman and SIGNED BY KALMAN. This is the inspiring true story of the John J. Harvey--a retired New York City fireboat reinstated on September 11, 2001. Originally launched in 1931, the Harvey was the most powerful fireboat of her time. After the September 11 attacks, with fire hydrants at Ground Zero inoperable and the Hudson River's water supply critical to fighting the blaze, the fire department called on the Harvey for help. There were adjustments--forcing water into hoses by jamming soda bottles and wood into nozzles with a sledgehammer--and then the fireboat's volunteer crew pumped much-needed water to the disaster site. The John J. Harvey proved she was still one of New York's Bravest!Maira Kalman brings a New York City icon to life, celebrating the energy, vitality and hope of a place and its people.

Hardcover. New York, NY, G. P. Putnam and Sons, 2nd pr., 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 40 pages. Color illustrations throughout. SIGNED BY AUTHOR/ARTIST. Pictorial dust jacket with very slight wear. Overall, a clean, tight copy.

Firenze IT, Sillabe, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 269 pages in color and b&w. ITALIAN TEXT. Light bump to top outer corner, otherwise bright and clean.

Hardcover. New York, Simon and Schuster, 1st, 1954, Book: Very Good, Dust Jacket: Very Good, 324 pages. Hardcover with dust jacket. Music scores throughout. Clean, tight copy. Illustrated by Alice and Martin Provensen. Dust jacket chipped and chunk missing from spine.

Hardcover. New York, Arthur A. Levine Books, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. 97 pages. Black & white illustrations by S. Saelig Gallagher. Minor edgewear to dust jacket.

Softcover. Washington DC, Smithsonian's National Museum of the American Indian, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Color plates throughout. Five essays by contributors. Clean copy.

Hardcover. New York, Macmillan Company , 1st, 1959, Book: Very Good, Dust Jacket: Good, 122 pages. Hardcover with dust jacket. Illustrations by Ed Fisher. Blacka nd white. Dust jacket has light fraying and rubbing. Cover boards have edge wear. clean copy.

Softcover. Poster Auctions International, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Nowhere are we given a more profound glimpse into the dawning stages of women's emancipation than in turn-of-the-century posters. In this revealing book with 206 full-color posterswe are presented with women stepping out of the confining traditional roles which they were cast and exercising their new-found liberation. We see them taking to the roads on bicycles, getting behind the wheel of automobiles, hoisting an aperatif, attending a ball unescorted and we are provided with glimpses into women's burgeoning, nascent sexual freedom. This volume features all the top artists of the period: Toulouse-Lautrec, Bonnard, Grasset, Chret, Mucha, De Feure, Cappiello, Steinlen, Grn, Pal, Bradley, Penfield and others. These lively images not only reflected their time, but did much to inspire this new-found freedom.

Hardcover. New York, Pegasus Books, 1st, 2017, Book: Very Good, Dust Jacket: None, 184 pages. Hardcover with no dust jacket. Laminated covers. Illustrated in color. Clean, tight copy.

Hardcover. NY, McGraw-Hill Book Company, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Foreword by Herman W. Liebert. First publication of a manuscript illustrated ABC by Edward Lear. Letters in red and blue, art in black. Orange cloth with black lettering. Mild chipping to dj spine. Clean copy.

Hardcover. New York, Crown, 1st, 1999, Book: Very Good, Dust Jacket: Good, Hardcover, 132 pages, illustrated throughout in b&w. INSCRIBED BY AUTHOR on title page. Previous owner's bookplate on front end paper, light shelf-wear and rubbing to dust jacket. Clean, tight copy. As a serviceman in Paris after World War II, Peter Miller served as a US Army Signal Corps photographer. By day, he would snap one-star generals greeting four-star generals, and the innumerable grip and grins of Congressmen visiting soldiers. By night, Miller traversed the city of light, capturing the resilient spirit of Parisians in the wake of the devastating war. Miller's photographs reflect the vision of a sparkling city while his recollections document the wonder and enchantment felt by a young man from Vermont. From pictures of the Latin Quarter brimming with American jazz and blues to alluring models on the runways of Christian Dior; from romantic courtships in the streets to hobos along the River Seine, Miller captures these sights and impressions in dynamic compositions and sensitive recollections that are striking, compassionate, and a joy to all lovers of the city of light.

Hardcover. NY, St. Martin's Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 381 pages. From the beginning of World War II through the early days of Vietnam, groundbreaking female photojournalist and war correspondent Dickey Chapelle chased dangerous assignments her male colleagues wouldn't touch, pioneering a radical style of reporting that focused on the humanity of the oppressed. She documented conditions across Eastern Europe in the wake of the Second World War. She marched down the Ho Chi Minh Trail with the South Vietnamese Army and across the Sierra Maestra Mountains with Castro. She was the first reporter accredited with the Algerian National Liberation Front, and survived torture in a communist Hungarian prison. She dove out of planes, faked her own kidnapping, and endured the mockery of male associates, before ultimately dying on assignment in Vietnam with the Marines in 1965, the first American female journalist killed while covering combat. Small remainder dot on bottom edge otherwise clean.

Hardcover. Canada, Stoddart Publishing, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 616 pages, b&w photos. Minor wear to dust jacket. Clean, tight copy.

Hardcover. Salem, Essex Institute, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 100 pages. Illustrated with black & white plates. Dust jacket shows light wear and Some light foxing to edges. Clean, tight copy.

Hardcover. Gloucester MA, Peter Smith, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages, b&w illustrations. A checklist of 387 paintings, lithographs, watercolors and drawings, with appendix including excerpts from Lane's will and bibliography. One of Wilmerding's first of many works, this is a pioneering monograph on the artist, best known for his luminous marine paintings. Clean copy.

Hardcover. Cambridge MA, Schenkman Publishing Company, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, oblong format, black cloth with white lettering on spine. 247 pages, b&w photographic illustrations, color folding map tipped-in at front pastedown, rear pictorial endpaper. This on-the-ground study of one square mile in Detroit was written in collaboration with neighborhood residents, many of whom were involved with the famous Detroit Geographical Expedition and Institute. This work, at its core, is dedicated to understanding global phenomena through the intensive study of a small, local place. Beginning with an 1816 encounter between the Ojibwa population and the neighborhood's first surveyor, William Bunge examines the racialized imposition of local landscapes over the course of European American settlement. By 1967 the neighborhood was mostly African American; Black Power was ascendant; and Detroit would experience a major riot. Immersed in the daily life of the area, Bunge encouraged residents to tell their stories and to think about local politics in spatial terms. His desire to undertake a different sort of geography led him to create a work that was nothing like a typical work of social science. The jumble of text, maps, and images makes it a particularly urgent book and a major theoretical contribution to urban geography that is also a startling evocation of street-level Detroit during a turbulent era. Clean copy, no dust jacket.

Hardcover. Lokapala, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 27 pages. Illustrated with full color photographs. Clean, bright copy. INSCRIBED BY YOUNGMAN on the front fly leaf.

Hardcover. Lokapala, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 27 pages. Illustrated with full color photographs. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin Company, 1st, 1937, Book: Good, Dust Jacket: None, 449 pages. Hardcover with no dust jacket. Previous owner's name on front fly leaf and front end paper. Otherwise moderately clean on covers. Fading and splotching to spine. Illustrated by Arthur Becher.

Hardcover. Boston, Houghton Mifflin Company, 1st, 1937, Book: Good, Dust Jacket: None, 479 pages. Hardcover with no dust jacket. Previous owner's writing and name on front fly leaf and front end paper. Otherwise moderately clean on covers. Fading and splotching to spine. Illustrated by Arthur Becher.

Hardcover. Boston, Houghton Mifflin Company, 1st, 1937, Book: Good, Dust Jacket: None, 449 pages. Hardcover with no dust jacket. Previous owner's name on front fly leaf and front end paper. Otherwise moderately clean on covers. Fading and splotching to spine. Illustrated by Arthur Becher.

Softcover. New York, Whitney Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 110 pages, illustrated throughout color and b&w. Gray pictorial stiff wrappers. Light wear and rubbing to covers and spine, else a very nice. tight,. clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright, unclipped dust jacket, 413 pages. His second collection after The Summer Game (1972). Five Seasons covers the baseball seasons from 1972 through 1976, described as the "most significant half decade in the history of the game." The era was notable for the remarkable individual feats of Hank Aaron, Lou Brock, and Nolan Ryan, among others. It also presented one of the best World Series of all time (1975), including still the greatest World Series game ever played (Game Six). Along with visiting other games and campaigns, Roger Angell meets a trio of Tigers-obsessed fans, goes to a game with a departing old-style owner, watches high-school ball in Kentucky with a famous scout, and explores the sad and astounding mystery of Steve Blass's vanished control. Angell's Five Seasons is a gem and a gift for baseball lovers of all ages. Super condition, clean.

Hardcover. NY, Charles Scribner's Sons, reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, salmon-color pictorial boards with green cloth spine with gilt lettering. Profusely illustrated by author with color frontis. and many b&w plates and text drawings, Thomason's semi-fictionalized first book, based on his own experiences as a career officer in the Marines as part of the AEF. Previous owner's signature on inside front cover and on blank preim page. Otherwise a clean, bright copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, salmon-color pictorial boards with green cloth spine with gilt lettering. Profusely illustrated by author with color frontis. and many b&w plates and text drawings, Thomason's semi-fictionalized first book, based on his own experiences as a career officer in the Marines as part of the AEF. A clean, bright copy.

Hardcover. Montreal, Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, 140 pages. Hardcover NO dust jacket. Black and white comic. Clean, unmarked copy with minor wear to boards. Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days...

Hardcover. Los Angeles, CA, Los Angeles County Museum of Art, 1st, 1988, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. Exhibition catalog. 128 pages, illustrated throughout in color and b&w. Red cloth with gilt title to spine. Pictorial dust jacket. Minor stain to back flap, else like new.

Hardcover. New York, Cowles Magazines Inc., 1st, 1952, Book: Very Good, Dust Jacket: None, 240 pages, hardcover. Red cloth stamped gilt, with a cutout front panel around the phrase "Annual 1953." Tastefully illustrated in color and b&w, with cutouts, fold outs, booklets, etc. By the editor of the short-lived Flair; one of the more visually inventive magazines ever conceived. Designed by and with many drawings by Federico Pallavicini. Fading and slight edgewear to boards, milld tear to front panel at cutout. Rubbing and slight staining to boards as well. Fading to text block edges. Slight cocking to spine. Unmarked. A tight copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Des Moines, Iowa, Wallace Homestead Book Company, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 123 pages. Illustrated throughout with wonderful black and white photographs, period advertisements, floorplans, houses, furniture, dinnerware and room designs. Small inscription on front fly leaf otherwise pages white and clean.

Hardcover. Miami, Mad Cave Studios, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards,, oblong format, 205 pages in color by Raymond. Introduction by Doug Murray. More magnificent Sunday pages by one legendary master artist. Five complete adventures, each one legendary : Beast Men of Mongo, Outlaws of Mongo, Tyrant of Mongo, Ice Kingdom of Mongo and Power Men of Mongo! Escalating tensions between Flash and Ming threaten to bring about a full-scale planetary war...and only Ming's estranged son-in-law, Prince Barin, can avert it. Considered Raymond's artistic peak period! Clean, bright copy, no dj issued.

Hardcover. Mad Cave Studios, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover , pictorial boards, 203 pages illustrated in color. Science fiction's most enduring icon Flash Gordon returns in newly restored editions, collecting his ongoing adventures on the mysterious planet Mongo. Reprints all of Alex Raymond's Sunday strips from January 19, 1941 to August 13, 1944, and includes an extensive essay examining his final years on the series by writer Doug Murray. Clean copy.

Hardcover. Miami FL, Mad Cave Studios, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 206 pages in color. No dust jacket issued.

Hardcover. Titan, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket. B&w strips throughout, 276 pages. Once again, Flash Gordon battles the forces of repression and evil on the planet Mongo - only this time it's on a daily basis! In 1940, top illustrator Austin Briggs began the first Flash Gordon daily strip, running as a counterpoint to Alex Raymond's classic Sunday page. In this first of a two volume set, Flash, Dale Arden and Dr. Zarkov are caught in a web of spies, political groups, alien tribes and freedom fighters as they struggle against the despotic ruler of Mongo, Ming the Merciless. Briggs' Flash Gordon art and story compare favorably to Raymond's acclaimed work on Sunday. For action and adventure, it's Flash Gordon - every day of the week! (September 8, 1908 - October 10, 1973) he began providing illustrations for the classic pulp magazine Blue Book before becoming an assistant to the legendary Alex Raymond on Flash Gordon. In 1940 he took over the daily Flash Gordon strip from Alex and stayed on it until 1944. He was a profile illustrator and created illustrations for books and magazines such as Readers Digest and The Saturday Evening Post. He was one of the founding faculty for the Famous Artists School.

Hardcover. London, Titan, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Featuring four years worth of non-stop exhilarating, science fiction action-adventure as Flash battles a rogue's gallery of villainy to protect the innocent, the wronged and a bevy of beautiful women from the likes of Kang The Cruel, Queen Valker the Violent, giant birds, lizards, sea-beasts and rock men, as well as wolfmen and gas spiders!

Softcover. Northampton MA, Kitchen Sink, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 110 pages. Collects the daily strips from August 11,1935 - August 1, 1937.

Hardcover. Turin, Umberto Allemandi & Co., Revised Ed., 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, Illustrated throughout in color. Real 'honest men', the Brueghels took part in the intellectual epic of their day which, from humanism to the spirit of the Enlightenment, brought about a renewal in thought and laid the foundations of Modernity. Through the human adventure of the Brueghel dynasty, progressing from obscure beginnings to recognition by the very greatest, Florence de Voldere introduces us to the genius of these men who created the Flemish aesthetic identity. Voldere takes us through the Renaissance in Flanders in the form of a story in pictures. Through this approach based on a dynamic reading of the paintings, this book shows the crucial role of art at one moment of civilization, and opens up some decidedly novel perspectives for interpreting Flemish art. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. London, Collins, 1st , 1948, Book: Very Good, Dust Jacket: Very Good, Hardcover, translated from French by D.I. Wilton. 20 tipped-in color plates, 131 black & white plates. Front hinge cracked otherwise very good in a very good dust jacket.

Hardcover. NY, William Morrow , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY LEVINE on the half-title page. Pro football player turned lawyer Jake Lassiter is savoring a drink at a South Beach bar when a beautiful young woman shoots the man on the next bar stool and faints in Lassiter's arms. It's one way to get clients, he figures. The woman, Chrissy Bernhardt, is charged with the first-degree murder of her father, whom Chrissy believes abused her as a child. Lassiter takes the case, which is complicated by the fact that Chrissy's repressed memories of her father's abuse have been "unlocked" with the help of a therapist who turns out to be her late mother's former lover. The seventh Lassiter novel continues the series' steady improvement. Lassiter is smart, tough, funny, and very human. He's coming on fast as one of the most entertaining series characters in contemporary crime fiction. Clean copy.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim -- a newspaper tycoon and former employer of I. M. Fletch -- was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim -- a newspaper tycoon and former employer of I. M. Fletch -- was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.

Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Young Fletch is less than pleased to be writing a business story, something that's well outside his field of expertise. Eager to get back out on the streets, he quickly compiles what he thinks is a well-executed article, complete with quotes from the chairman of the board's recent memos. But when he fails to do his due diligence when researching the company and its associates, he finds himself in hot water ... and now out of a job. The chairman has been dead for over a year. Realizing his mistake, he visits the widow Bradley to make amends -- and to ask a few simple questions. But her strange demeanor and puzzling answers leave Fletch perplexed. He can't help but wonder: Why would a dead man still be writing memos to his associates? Is he even dead? With his interest now thoroughly piqued, fueled by his desire to get the real story and take back his job, Fletch puts his reporting skills to work as he dives into the mystery surrounding the Bradleys' past.