Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Two softcover volumes in a cardboard slipcase. Vol. 1: My Father Bleeds History, Vol. 2: And Here My Trouble Began. Slipcase has some light rubbing, books are clean and bright. A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

Hardcover. New Haven CT, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself.Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music-classical, popular, and jazz-and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.Leer menos

Hardcover. Seattle, Fantagraphics , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 214 pages. Perverted, Insane, Degenerate, Brilliant. Artist Drew Friedman pays tribute to the great underground comix creators from Z (Zap) to A (Arcade).With the publication of R. Crumb's debut issue of Zap in 1968, the Underground Comix revolution exploded, creating a major paradigm shift and blowing the lid off the traditional comic book. Maverix and Lunatix features 101 full page portraits (and more) by a cartooning icon in his own right, Drew Friedman, spotlighting the essential artists, writers, and editors who defined one of the great art and countercultural movements of the 20th century. Featuring R. Crumb, Gilbert Shelton, S. Clay Wilson, Melinda Gebbie, Art Spiegelman, Vaughn Bode, Trina Robbins, Bill Griffith, Jay Lynch, Sharon Rudahl, Larry Gonick, Rick Veitch, Joyce Farmer, Justin Green, "Grass" Green, George DiCaprio, Diane Noomin, Harvey Pekar, Robert Williams, Howard Cruse, Dan O'Neill, Spain Rodriguez, Shary Flenniken, Richard Corben, and so many others... all of whom helped to reinvent an entire artistic medium and became icons of underground comix.Featuring a foreword by Marc Maron (WTF with Marc Maron) and an afterword by historian Patrick Rosenkranz (Rebel Visions: The Underground Comix Revolution 1963-1975), each portrait in Maverix and Lunatix is also accompanied by a short biography of its subject by Friedman, making the book both a gorgeous art book and a valuable historical resource.

Hardcover. Edition Stemmle, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies. Working in Germany, at first providing images for postcards, Baur expanded his efforts to encompass landscape, portrait, and architectural images. In each of these genres, his work reflects the cool, objective approach of the Bauhaus style combined with the artist's elegant handling of light and perspective. In photos of stairways and colonnades, factories, and everyday objects, Baur was able to eliminate the extraneous and offer the essential nature of his subject. The book covers a period of vast changes in the world and in the life of the artist, but throughout there is a consistency of vision. An essay by William Ewing, director of the Mus e de l'Elys e (which specializes in photography), gives a brief description of the life and career of Baur with enthusiasm and warmth, while Edelmann-Pomplitz writes movingly about her experience as his student. In a letter to her, Baur expresses his credo most eloquently: "it is with light alone that we create images." This lovely work is a fine example of excellent printing and composition in harmony with content.

Softcover. Munich, Germany, Saint Louis Art Museum, 1st, 1984, Book: Near Fine, Dust Jacket: None, Softcover exhibition catalog, 482 pages, many illustrations, over 100 in color. Extensive survey of paintings, drawings, watercolors and prints. Includes biography, bibliography and the index of names and paintings. Published on the occasion of the exhibition from the Haus der Kunst, Munich February 25-April 23, 1984 which moved on to St. Louis and Los Angeles. Clean. bright copy.

Hardcover. London/NY, Prestel/DelMonico Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Richly illustrated and filled with detailed information about one of the leading artists of the 20th century, this is the first book to explore in depth the Saint Louis Art Museum's outstanding holdings of paintings by Max Beckmann-the largest collection of its kind in the world. One of the greatest German painters of the 20th century, Max Beckmann came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann's oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann's work are explored in this volume, which examines all thirty-nine paintings in SLAM's collection. Featuring some of Beckmann's most celebrated images, this book offers fascinating insights into Beckmann's life and art-in particular his underappreciated early work and previously unexplored aspects of his final years in the United States.

Hardcover. Saint Louis, Saint Louis Art Museum/Prestel-Verlag, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, 482 pages. Hardcover with dust jacket. illustrated throughout with 297 plates in full color and black & white. Light wear. Clean, tight copy.

Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, No dj, as issued. 197 pages with 184 color illus. and several bw archival photos. Presenting work from every stage of the versatile artist's career, this book is the first to focus solely on Max Beckmann's still lifes. Featuring nearly eighty paintings and watercolors, this volume covers a half-century of the artist's forays into the genre. With several essays. Published to coincide with the exhibition held at the Kunsthalle, Hamburg, from September 2014 to January 2015. Bottom corners bumped otherwise like new.

Hardcover. Berlin, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. 352 pages, 200 color plates. Paintings, drawings, and sculpture from every stage of the artist's career are included in the exhibition catalogue. Like new in publisher's shrink-wrap.

Softcover. NY, Random House, 1st US, 1986, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Color throughout. Max Headroom, as you may remember, is the hipper alter ego of Edison Carter (Matt Frewer) and his adventures in the future. Carter is a top notch tv reporter, the lovely Theora Ward, the controller, is played by the lovely Amanda Pays. The show gives you a dark smoky view of the future - and this book, the starting movie of the series, replicates that look It has the script from the movie, as well as action shots. Clean, bright copy.

Hardcover. Australia, T & G Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 296 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Max Pam is one of Australia's most important contemporary photographers. His success is based on a body of provocative and compellingly intimate images of people from all over the world. This substantial publication with notes gives an emotional, sometimes lyrical, provocative, always intimate portrait of the artist as much as the people and places he has witnessed.

Hardcover. San Diego, Thunder Bay Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color. INSCRIBED BY THE AUTHORS on the half-title page. Maxfield Parrish has long been considered one of the greatest American illustrators of the 20th century. In the early 1920s, when his works Garden of Allah and Daybreak were reproduced as art prints, he quickly became one of the best known artists in America with his art images appearing on posters, calendars, magazine covers, and book illustrations. His unmistakable paintings, characterized by "Parrish Blue" water and skies, luminescent rocks and hills, and exquisite young women in flowing classical robes, are infused with a romantic Eden-like quality so entrancing that reproductions are as enthusiastically received today as the prints were when they first appeared. A wonderful selection of his work with brilliant reproductions. Clean copy.

Hardcover. Edison NJ, The Wellfleet Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, large oblong volume, 448 pages illustrated in color. First printing of arguably the finest work in print on the life and work of Maxfield Parrish. SIGNED on the title page by both Cutlers, founders of the National Musem of American Illustration. Maxfield Parrish's images achieved remarkable popularity and critical acclaim when they appeared on the covers of countless periodicals and books making him the most celebrated illustrator of the first half of the 20th century as well as incredibly famous and immensely wealthy. Clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Chartwell Books, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 448 pages, color illustrations throughout. Originally published as a hardcover in 2004. Errata slip laid in. Color illustrated wraps.

Hardcover. CA, Pomegranate Art Books, 1st, 1994, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with moveable parts. Based on Maxfield Parrish's paintings. Clean, tight copy.

Softcover. Springfield MA, The George Walker Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 40 pages. 11 sepia tone plates. Catalog lists and describes 125 works in the exhibition by Parrish. Chronology. Introduction by Donald Reichert, essay extracted from an article by Coy L. Ludwig which appeared in the Art Journal, Winter 1965-66. Published to accompany the exhibition held in Springfield, MA , January 23-March 20.

Softcover. Springfield, MA, The George Walter Vincent Smith Art Museum, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 38 pages including bibliography and chronology. Six sepia plates. Beige stiff wrappers. Light wear to edges and covers, else a very nice, clean copy.

Hardcover. San Francisco, Pomegranate, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. It was estimated in the 1920s that one out of four homes in America had one of Parrish's make-believe illustrations on the wall, and he remains one of our best-loved illustrators. This unique work, a celebration of "Parrish Blue" water and skies, hued hills, and young women draped in classical garments, is the result of a 1995 traveling exhibit, "Maxfield Parrish: A Retrospective." The Cutlers, he an architect and she a gallery owner, were instrumental in working with the Parrish Family Trust to put together that international exhibit to commemorate the artist's 125th birthday. The Cutlers were able to locate numerous items in private collections for the exhibit. Many of the 130 color plates are of these works, never reproduced before, while better-known pieces are lavishly reproduced from the original paintings rather than prints. The Parrish family offered rare photos for the biographical text, which is supplemented with a reminiscence by granddaughter Joanna Maxfield Parrish.

Hardcover. London, Philip Wilson Publishers, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages. Oversized. Blue cloth cover, light wear to edges. Dust jacket has minor wear to corners. Many full color plates throughout. Inside is bright and clean. A nice copy.

Hardcover. Berkeley, Ca, Ten Speed Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Illustrated throughout with full-color and b&w prints, including full-color fold-outs. Red cloth, pictorial dust jacket with illustrations to back and front. "THE MASTERWORKS stands as the authoritative collection of Parrish's best works. Compiled by long-time Parrish expert and curator Alma Gilbert...." New copy, in shrinkwrap.

Hardcover. Berkeley, Ca, Ten Speed Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Illustrated throughout with full-color and b&w prints, including full-color fold-outs. Red cloth, pictorial dust jacket with illustrations to back and front. "THE MASTERWORKS stands as the authoritative collection of Parrish's best works. Compiled by long-time Parrish expert and curator Alma Gilbert...." New copy, in shrinkwrap.

Hardcover. New York , Watson-Guptill, 2nd pr., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, many illustrations in both color and b&w, text, notes, catalog of selected works, bibliography, index, near fine condition in a very good dust jacket, previous owner's inscription in front fly leaf otherwise clean.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.

Hardcover. New York, Watson-Guptill Publications, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is a volume with detailed chapters pertaining to Maxfield Parrish's work, including book and magazine illustration, posters and advertisements, as well as paintings and murals often depicting fantastical or mythological creatures. 224 pages, with over 100 b&w illustrations and 64 full color plates. Includes catalog of selected works, chronology, bibliography, and index. Bound in blue cloth, tight and clean. Clean dust jacket with full color reproduction of painting.

Hardcover. Chicago, Chicago Review Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright, unclipped dust jacket. Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. The first book of two, Maximum Volume traces Martin's early years as a scratch pianist and his groundbreaking work as the head of Parlophone Records. It dramatically narrates the story of Martin's unlikely discovery of the Beatles and his painstaking efforts to prepare their newfangled sound for the British music marketplace. As the story unfolds, Martin and the band craft numerous number-one hits, progressing toward the landmark album Rubber Soul--all of which bear Martin's unmistakable musical signature.

Hardcover. NY, Pace Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover. Square quarto, in gray card stock covers stamped in silver and black, 87 pages, color illustrations. Issued in conjunction with several 2013 exhibitions of unique map-based art created by American artist Maya Lin. With essays by Robert Storr and William Fox. Clean copy.

Hardcover. Somerville MA, Candlewick Press, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A trio of misbehaving, mango-loving monkeys have a close call as the author/artist gives readers a taste of vicarious adventure. Three little monkeys and their big monkey are sitting high on a branch in the forest canopy. "OK, monkeys! I'm off," says the big monkey. "Remember . . . Whatever you do, do NOT go down to the mango tree. There are tigers down there." Brilliantly designed storybook by the award-winning Haughton. Clean copy.

Hardcover. NY, Bobbs Merrill, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover. Covers with light wear. Previous owner's signature on front fly leaf. Black & white illustrations, color label art by Alice Barber Stephens.

Hardcover. US, McSweeney's, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. Focus of Vol. 13 is on comic art. Preface by Ira Glass. Introduction by Chris Ware. Work by scores of artists from R. Crumb to Rodolphe Topffer (considered the creator of the comic strip and graphic novel). DJ is a broadside decorated with comics with minor shelf wear. Reverse side of broadside has descriptions of contributing artists along with strips of comic art.

Hardcover. NY, Harper Collins, 3rd, 1999, Book: Very Good, Dust Jacket: Very Good, Color illustrations by the author. Hardcover with dust jacket. non-paginated. Clean, tight copy.

Hardcover. NY, Harper Collins, 3rd, 1999, Book: Very Good, Dust Jacket: Very Good, Color illustrations by the author. Hardcover with dust jacket. non-paginated. Clean, tight copy.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 952 pages. Traces Caniffs life from the cradle to the grave, marking the milestones in the development of the comic strip (Steve Canyon, and Terry and the Pirates) that Caniff established. Caniff reshaped the medium and set standards by which all storytelling strips were subsequently judged. Although Caniff adapted to changing fashions, he is best known for innovations such as his impressionistic chiaroscuro drawing style that suggested reality economically with shadow rather than with detail. The book examines the artistic innovations and work routines of a nationally distributed cartoonist whose career was central the development of the artform, marking along the way the milestones in the development of comic strip artistry that Caniff established. B&w illustrations.

Softcover. Tuscaloosa, University of Alabama Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover. This collection of Ford's works focuses on the development of ceramic chronology-a key tool in Americanist archaeology. When James Ford began archaeological fieldwork in 1927, scholars divided time simply into prehistory and history. Though certainly influenced by his colleagues, Ford devoted his life to establishing a chronology for prehistory based on ceramic types, and today he deserves credit for bringing chronological order to the vast archaeological record of the Mississippi Valley. This book collects Ford's seminal writings showing the importance of pottery styles in dating sites, population movements, and cultures. These works defined the development of ceramic chronology that culminated in the major volume Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940-1947, which Ford wrote with Philip Phillips and James B. Griffin. In addition to Ford's early writings, the collection includes articles written with Griffin and Gordon Willey, as well as other key papers by Henry Collins and Fred Kniffen. Clean copy in publisher's shrinkwrap.

Softcover. New York, Dell Publishing, 1st, 1947, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #135. Minor wear to paper wrappers. Light crease to front cover. Laminate starting to peel. Map on rear cover.

Hardcover. NY, McGraw-Hill, 3rd pr., 1917, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 153 pages. First Edition, 3rd impression, b&w illustrations throughout. Designed to be used with or without the guidance of a teacher, the book is divided into three parts: Part I: Introduction - Covers essential tools, materials, and techniques necessary for mechanical drawing, including geometric constructions and the use of conventional lines. Part II: Examples and Problems - Provides a range of practical problems arranged by difficulty, covering projections, developments, intersections, isometric drawings, and machine details. Part III: Tables - Contains useful tables and general information frequently referenced by draftsmen, such as standard sizes for bolts, nuts, screws, and keys. Clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 387 pages. Color and b&w illustrations. Leading medieval historian Nicholas Orme draws together a vast range of sources and disciplines-history, literature, religion, and art-to create a picture of medieval childhood more comprehensive than ever before. Beginning with pregnancy and childbirth, Orme explores the succeeding stages of a child's growth to adulthood. He discusses baptism, the significance of birthdays and ages, and family life, including upbringing, food, clothes, sleep, and the plight of the poor. He also chronicles the misfortunes of childhood, from disablement, abuse, and accidents to illness and death. In a fascinating review of the special culture of children, the author describes their rhymes, toys, and games; their religion and relationship to the Church; and their learning to read the literature for children. The final chapter of the book explains how adolescents grew up and entered the adult world. Mild fade to spine, front fly leaf with two small scars to black paper, otherwise a clean, bright copy.

Softcover. New York, Pocket Books/Permabooks, 1st, 1954, Book: Very Good, Dust Jacket: None, 184 pages. Paperback. Pocket Book #1020. Cover Art by Clark Hulings. Ink notation on first page. Light wear to edges of paper wrappers.

Hardcover. NY, HarperCollins, 1st, 1998, Hardcover in a bright, unclipped dust jacket. Meet Walter.And better yet, turn the pages and --meet his staff. The Gum Guy, who archives his chewed-up gum. His Homework Helper who does...well, you know. A complete Dream Team, to do his sleeping for him...And thats only the beginning!This laugh-out-loud picture book is a dream come true for any kid who has ever wanted someone else to kiss Aunt Winnie or eat their lima beans. Author Patricia Marx and illustrator Roz Chast prove with hilarity that anyone can have the staff they need, if they have enough imagination. Clean copy.

Hardcover. NY, Random House, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. A brief survey of life in five North American Indian tribes--Makah, Hopi, Creek, Penobscot, and Mandan--at the time Columbus arrived in the New World. Nice 2-color drawings by Mad artist Jack Davis. Clean copy.

Softcover. Milan, Silvana Editoriale, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 87 pages, color illustrations. Completely clean. Text in English and Italian. This catalog was prepared to accompany the exhibition 'Natura Naturans Meg Webster opere works 1982-2015' in Varese, Italy at the Villa Panza from June 12, 2015 to February 28, 2016. Introduction by Anna Bernardini. Essay by Angela Vettere. Interview between Giuseppe Panza and Meg Webster conducted by Bernardini. This is the first monograph devoted to Meg Webster, principally a sculptor and creator of installations and documents some of the most important works produced by the artist between 1982 and 2015. Clean, bright copy.

Softcover. NY, Paula Cooper Gallery, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, wire binding, 50 pages. Color illustrations. Scarce. Meg Webster is an American artist from San Francisco working primarily in sculpture and installation art. While her works span multiple media, she is most well known for her artworks that feature natural elements.

Hardcover. New York, The Jewish Museum ; New Haven : Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap.

Softcover. Cambridge MA, Harvard Art Museums, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, sculptures, and drawings, Bochner became deeply involved with photography in the mid- to late 1960s, although most of these works have only recently been exhibited. This significant book provides the first critical look at a virtually unknown body of Bochner's extremely varied photographs dating from 1966-1969. Some 75 of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochner's drawings that directly informed his photographic works. Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art.

Softcover. Hartford CT, Trinity College, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 12 pages with color, b&w plates. Essay by Kate Linker. Clean copy.

Hardcover. Germany, Kerber, Ltd. ed., 2008, Book: Very Good, Dust Jacket: None, Hardcover, 95 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition.

Hardcover. Berkeley CA, Lancaster-Miller Publishers, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, small format art book. The artist Mel Ramos (1935-2018), often associated with the pop artists of the 1960s, here presents female nudes executed in watercolor, many of which 'salute' some of the classical nudes of art history. "Paintings which both reveal and destroy some of our fondest cultural stereotypes". 68 pages, color plates. Dust jacket with chip at top of spine, otherwise clean, very good.

Softcover. Meredith, NH, Intervale Publishing, 2nd, 1978, Book: Very Good, Dust Jacket: None, 92 pages. Softcover with light wear to edges. Illustrations throughout by author. Tight.

Hardcover. Boston, Little, Brown, 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. This is a pictorial memoir of Melisande, a most uncommon dog who becomes a famous opera singer. B&w cartoon illustrations by Roy McKie. Clean copy.

Softcover. Merrick NY, Cross-Cultural Communications, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Edited and translated from the Italian by Stanislao G. Pugliese. Ignazio Silone, anti-fascist and founding member of the Italian Socialist Party (PSI) offers a politically conscious and soul searching memoir which details his own PSI activities and the various factors engendering the "necessity for action on behalf of liberty and democracy among the working classes." Over the course of his political career, Silone wrote a number of fiction and non-fiction works, and was imprisoned in Italy, France, Spain, and finally in Switzerland where he composed this memoir in 1942. Often compared with Andre Malraux and Albert Camus, Silone was awarded an honorary degree by Yale University, was a recipient of the Jerusalem Prize, and was twice considered for the Nobel Prize in Literature. INSCRIBED BY PUGLIESE on the title page. Clean copy.