Hardcover. NY, E. P. Dutton , 1st, 1946, Book: Good, Dust Jacket: None, Hardcover, beige cloth covers stamped in red and gilt. 450 pages, b&w illustrations. Ione Robinson (1910 - 1989) was an American artist, writer and socialite. She is most known for her reporting of the Mexican muralist movement. in the 1920s and early 30s she worked on Diego Rivera's murals at the National Palace in Mexico City. The first 3 pages with small holes to pages, the rest of text is clean. Light shelf wear.
NY, Pippin Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color cartoon illustrations by the author. SIGNED BY LEE LORENZ on title page. Light edgewear to dust jacket.
Englewood Cliffs, NJ, Prentice-Hall, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by the author. SIGNED BY LEE LORENZ on title page.
Hardcover. NY, Philomel, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 191 pages. "As her all black high school becomes more racially mixed, Talley befriends a white girl who shares her passion for running and becomes romantically involved with a drug dealer ." Dust jacket art by the Dillons. Clean.
Softcover. Hanover NH, Wesleyan University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 542 pages. Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda ...these are only a few of the hundreds of "women's films" that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual to provide the audience (of women, primarily) with temporary liberation into a screen dream--of romance, sexuality, luxury, suffering, or even wickedness--and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre--among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women and helps us understand the qualities--the right off-screen personae, the right on-screen attitudes, the right faces--that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies.
Hardcover. NY, The Viking Press, 1st US, Book: Very Good, Dust Jacket: Very Good, Hardcover, 391 pages, dust jacket price-clipped, light edgewear. Light residue on rear endpapers. A Word Child charts the trials and tribulations of the title character, the "word child", Hilary Burde as he attempts to recover from his troubled past.
Hardcover. NY, Phaidon Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, translucent dust jacket, 240 pages. In late 1964 Andy Warhol commissioned young fashion photographer David McCabe to document his daily activities for one year. During the course of this project, whenever the artist called McCabe would come to meet him at The Factory, an opening, a party, a coffeeshop or any place where Warhol would decide that he wanted to be accompanied by the photographer and his camera. In the end, these images were never published, perhaps because they revealed more than the increasingly-famous Warhol was willing to share with the public. Hidden away for almost 40 years, the significant majority of these 400 duotone photos are now presented together for the first time to fulfill their original intention in an astounding tour de force of dynamic and often poignant realism: A Year in the Life of Andy Warhol. These images not only represent unique documentation of one of the most significant artists of the twentieth century, but also provide a rare behind-the-scenes look at the New York art world at a time when Pop art was at its peak. McCabe's photographs are accompanied by the entertaining descriptions and reminiscences of Factory insider David Dalton, one of Warhol's first assistants.
Softcover. San Francisco, Rip Off Press, reprint, 1980, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps with $2 cover price, b&w art by Shelton. 32 pages.
Softcover. Montclair, NJ, Montclair Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 111 pages 49 b&w plates and 4 color plates, along with a catalog of works from the exhibit at the Montclair Art Museum from October 24 - November 28, 1971. Includes a biographical introduction. There is a tear on the bottom left corner of the back cover as well as rubbing. Light soil along the spine of the book. Overall, a good clean copy, pages unmarked.
Softcover. Montclair, NJ, Montclair Art Museum, 1st, 1971, Book: Good, Dust Jacket: None, 111 pages 49 b&w plates and 4 color plates, along with a catalog of works from the exhibit at the Montclair Art Museum from October 24 - November 28, 1971. Includes a biographical introduction. Overall, a good clean copy, pages unmarked.
Hardcover. Edinburgh, Maclachlan & Stewart, 2nd, 1831, Book: Very Good, Dust Jacket: None, Hardcover, 639 pages. Text in Latin. Previous owners stamp on front endpaper.
New York, Scholastic Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dustjacket. Color illustrations by Ted Lewin. Unpaginated. Skinny as a beanpole and tall for his age, an awkward young boy learns that Abraham Lincoln was called "gorilla, baboob, backwards hick." Yet along with big feet and big hands, Lincoln had a big heart and the great ability to keep a nation together. And what the boy learns as he studies Lincoln opens his mind to great possibilities for his own future.
Hardcover. New York, Robert Miller Gallery, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 92 pages, still in plastic shrink wrap. Color and b&w illustrations throughout. Beautiful copy.
Hardcover. New Haven, Yale University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, 262 pages. Illustrated with black & white photographs. Clean, tight copy. This portrait of Disderi and the carte de visite he patented in Paris in 1854 is far more than a biography. The c-d-v, or photographic calling card, was a relatively inexpensive product that made the photographic portrait available to the middle class . McCauley's carefully documented work explores Disderi's career and oeuvre , the impact of mass-produced celebrity cartes on the social and cultural life of mid-19th-century France, and aesthetics in c-d-v portraiture. The final third of the book is an art historical evaluation of the importance of the c-d-v for portrait painting of the period . The fine bibliography, generous illustrative matter, and detailed notes add to the value of this work for the avid student of photohistory or 19th-century studies.
Hardcover. Rutland VT, Charles E. Tuttle, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 149 pages, illustrated throughout with over 70 plates including 44 in full color. Light edgewear and chipping to dust jacket, else a clean, tight copy.
Hardcover. London, Martin Secker, 1st UK, 1922, Book: Very Good, Dust Jacket: None, Hardcover, 312 pages, plus 8 pages of publisher's ads in rear. Covers with 2 small bumps to brown cloth, otherwise, very clean and tight.
Hardcover. London, England, Gret Western Railway, 1st edition, 1925, Book: Very Good, Dust Jacket: None, 154 pages. Hardcover. Color illustrated frontispiece, color and b/w illustrations, including several fold out blueprint diagrams, throughout. Previous owner's ID stamp on front flyleaf. Red cover boards (some fading), black quarter cloth, gilt title on spine and front cover board. Pages unmarked, some light tanning from age. Binding good, spine straight. With additional chapter on "Monastic Life and Buildings" by A. Hamilton Thompson, M.A., D.LITT., F.S.A. Professor of Mediaeval History in the University of Leeds. With One Hundred Illustrations by Photographic Reproduction, fifty-six drawings, thirteen plans, seven color plates and map (in pocket on back endpapers).
Softcover. Park Forest IL, Ken Pierce, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, b&w art. Reprinting of the 1937, 1941 and 1942 Abbie an' Slats comic strip. Introduction by Herb Galewitz. Clean, bright copy.
Softcover. Park Forest IL, Ken Pierce, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, b&w art. Reprinting of the 1937, 1941 and 1942 Abbie an' Slats comic strip. Introduction by Herb Galewitz. Clean, bright copy.
Hardcover. NY, Doubleday, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust with light chipping. Many black-and-white illustrations throughout by Sloane, from old books to farm implements all listed and drawn alphabetically. 64 pages. Clean copy.
Hardcover. NY, The Viking Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 141 pages. Cartier-Bresson's usual stunning photos that capture the people and culture of place; this time, Russia/The Soviet Union. Included are the people and spaces of Leningrad, Moscow, Russian SSR, Baltic Countries, The Caucasus, and Central Asia (the "Stans"), with an introduction by the photographer. Clean copy.
Softcover. New York, Workman Publishing, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, A collection of b&w cartoons that previously appeared in various publications. Clean copy.
Softcover. North Clarendon, VT, Periplus, 1st, 2005, Book: Very Good, Dust Jacket: None, 267 pages. Softcover with little to no wear on edges. Clean, tight copy with color pictures throughout. Includes CD. Absolut Sequel is the eagerly anticipated follow-up to the New York Times bestseller, Absolut Book. This companion volume provides a definitive illustrated history of the last ten years of one of the most successful ad campaigns in history. Since Absolut Book's release, the Absolut advertising campaign has broadened its scope from movies to websites and gone global with its international reach. The clever ads found in Absolut Sequel are organized into themes including Cities, Artists, Writers, Album Covers, Collectors, Movies, and the Internet.This is the ultimate collection of the last ten years of Absolut ads, many never before seen, including controversial advertising created, but never used in print. Absolut Sequel is sure to make readers fall in love with the ads, and the vodka, all over again. As Goran Lundquist, president of Absolut, says about the Absolut sensation, "the consumers drink the ads as much as they drink the vodka."
Hardcover. Chicago, University of Chicago Press, 1st, 2007, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 553 pages, b&w illustrations. A spectacular reading of Western philosophy, religion, and mythology that draws on early maps and atlases, Plato, Kant, and Wittgenstein, Thomas Pynchon, Gilgamesh, and Marcel Duchamp, Abysmal is itself a minimalist guide to the terrain of Western culture. Olsson roams widely but always returns to the problems inherent in reason, to question the outdated assumptions and fixed ideas that thinking cartographically entails. A work of ambition, scope, and sharp wit, Abysmal will appeal to an eclectic audience--to geographers and cartographers, but also to anyone interested in the history of ideas, culture, and art. Name written on front fore-edge of book, otherwise clean.
Hardcover. NY, First Second, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This riveting graphic novel biography chronicles Vladimir Putin's rise from a mid-level KGB officer to the autocratic leader of Russia and reveals the truth behind the strongman persona he has spent his career cultivating. In the West's collective imagination, Vladimir Putin is a devious cartoon villain, constantly plotting and scheming to destroy his enemies around the globe and in Ukraine. But how did an undistinguished mid-level KGB officer become one of the most powerful leaders in Russian history? And how much of Putin's tough-guy persona is a calculated performance? Two-color art throughout by Brian "Box" Brown. Clean copy.
Softcover. Milwaukee WI, Milwaukee Art Museum, 1st, 2012, Book: Very Good, Dust Jacket: None, Folio, softcover, 216 pages. Over 200 color illustrations. Published to coincide with the 2012 showing at the Milwaukee Art Museum of works by 64 self-taught artists in the Anthony Petullo Collection. Foreword by Daniel T. Keegan. Art Brut and "Outsider" Art, essay by Jane Kallir - "It's a Picture Already, essay by Lisa Stone. Like new in publishers shrink-wrap.
Hardcover. San Francisco, Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover. Accordion-fold folio. Wrap-around band torn and wrinkled but present. Minor rubbing to edges. Clean, tight copy. Foreword and Interview By Masahiko Yanagi. Photographs By Wolfgang Volz.
Softcover. London, Black Dog Publishing, 1st, 2008, Softcover, 190 pages, decorated wrappers. Now the world's foremost blues, rockabilly, soul and rock 'n' roll reissue label, Ace Records has been responsible for unearthing lost classics and neglected pioneers for over three decades, and provided some of the finest and most influential records of the post-war era. Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings. Written by established music journalist and author David Stubbs.
Softcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 190 pages, pictorial wrappers. Now the world's foremost blues, rockabilly, soul and rock 'n' roll reissue label, Ace Records has been responsible for unearthing lost classics and neglected pioneers for over three decades, and provided some of the finest and most influential records of the post-war era. Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings. Written by established music journalist and author David Stubbs.
Hardcover. East Yorkshire, UK, PS Artbooks Ltd., 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, unmarked copy. Color illustrations throughout. Tight copy. A collection of This Adventures into the Unknown comic books from 1954. Issues 51 through 57.
Hardcover. East Yorkshire, UK, PS Artbooks Ltd., 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with no dust jacket. Very clean, unmarked copy. Color illustrations throughout. Tight copy. A collection of Forbidden Worlds comic books from 1957 to 1958. Issues 59 through 64.
Hardcover. Chicago, American Photo-Engravers Association, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, simulated leather decorated in blind and stamped with a red and yellow eagle on the front cover, top edge gilt. 488 pages.A massive compendium of articles and illustrations concerning the arts of photo-engraving and printing. Numerous printers submitted various inserts that to the Photo-engraver's and Printer's Union for compilation in this huge book. Hundreds of inserts from printers across the country reflect everything from black and white to eleven color zinc plate printing. This work offer a nice overview of the various printing techniques of the early twentieth century. Publisher's rare prospectus laid-in. DOMESTIC SHIPPING ONLY.
Hardcover. Montreal, Drawn & Quarterly, 1st collected, 2024, Book: Very Good, Dust Jacket: None, Three hardcover volumes in a pictorial cardboard slipcase. About Vol. 3: A wonderful sketchbook of drawings, ideas, gags, tributes from the talented Chris Ware. "After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader Chris Ware finally succumbs to imaginary public pressure by concluding his experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music." 624 total pages. DOMESTIC SHIPPING ONLY.
Softcover. Chicago, University of Chicago Press, reprint, 1983, Book: Very Good, Dust Jacket: None, Softcover with pages and covers in pristine condition. Like new, in shrinkwrap. Rosenberg's critial essays on the theatre. Originally published in 1970. CONTENTS: The stages: geography of action; A psychological case; From play acting to self; Criticism-action; Actor in history; Guilt to the vanishing point; Missing persons. Clean copy.
Hardcover. Brookfield, CN, Roaring Brook Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Clean, tight copy. Color illustrations by Robert Andrew Parker. A kids' picture book introducing the Abstract Expressionist painter Jackson Pollock.
Hardcover. Brookfield, CN, Roaring Brook Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Clean, tight copy. Color illustrations by Robert Andrew Parker. A kids' picture book introducing the Abstract Expressionist painter Jackson Pollock.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement.
Softcover. Newport, California, Newport Harbor Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. Exhibition catalog featuring the work of Norman Bluhm, Michael Goldberg, Grace Hartigan, Al Held, Alfred Leslie and Joan MItchell. Color illustrated covers with white titles, foreword by Kevin E. Consey, acknowledgments by Paul Schimmel, essays by Paul Schimmel, B.H. Friedman, John Bernard Myers, and Robert Rosenblum, b&w frontispiece, 36 full page color plates, numerous b&w figures throughout, biographical notes. Light rubbing to covers; a very clean, tight copy in great condition.
Softcover. NY, Routledge, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 511 pages. Illustrations by Zina Lee. 'Actors on Guard is the most comprehensive and detailed book on the art of theatrical swordplay available today. It provides the reader with the historical, theoretical and practical basis for learning, practicing and presenting theatrical sword fights.' Clean, bright copy.
Softcover. West Chester, PA, Chester County Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. 3 plates and 16 B&W illustrations. Red pictorial cover with tear to spine and wear to edges. Frontispiece. Overall, a clean, tight copy.
Hardcover. NY, Atheneum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with edge wear, short closed tears. The first full-length biography--and likely the authoritative one for years to come--of the flamboyant black congressman who, as civil-rights gadfly and as libertine, exemplified the gap between our nation's ideals and practices that was given a name in Gunnar Myrdal's ``American Dilemma.'' Blessed with good looks, eloquence, and a bully pulpit (he succeeded his father as head of the Abyssinian Baptist Church, the nation's largest black congregation), Powell became ``Mr. Civil Rights'' in the pre-King era by combining agitation and electoral politics. As congressman from Harlem, Powell denounced racist southern colleagues and introduced the ``Powell Amendment'' to deny federal funds to projects or organizations that practiced discrimination. In 1960, he became chairman of the House Committee on Education and Labor, then the strongest position ever held by a black in the US government. Columbia Univ. political-science professor Hamilton also highlights how the Democratic politician became a thorn in the side of ally and foe alike. Powell was a maverick seldom bound by party (he endorsed Eisenhower for President), duty (a high absentee rate), or conventional morality. Inevitably, after an income-tax evasion trial, a suit filed by a Harlem resident he called a ``bag woman,'' and a European junket with two attractive female aides, Powell was stripped of his chairmanship by the House of Representatives despite his cry of double standards for white counterparts. Blending scholarship and ironic detachment, an admirably balanced treatment of a politician who provoked anything but objectivity during his Marion Barry-like career.
Hardcover. NY, The Artist Book Foundation, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Adolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine illustrator. As he toured Europe, Dehn quickly acclimated to the continental lifestyle and was adept at depicting its nuances and idiosyncrasies through his prolific lithographs and sketches. His critical and satirical renderings of the political movements, social conventions, and governmental policies in pre-World War II Europe gave the Midwestern artist ample material for his growing body of work. Returning to the United States in 1930, Dehn exhibited his prints in several solo shows at the Weyhe Gallery in New York, starting in 1935. As an artist during the era of the Great Depression, Dehn did commercial artwork and contributed to popular magazines such as The New Yorker, Vogue, and Vanity Fair. In fact, his clever drawings that reflected the culture and fashionable society during the Jazz Age, made Dehn a favourite of Frank Crowninshield, Vanity Fair's renowned editor. 182 pages, clean, still in publisher's shrinkwrap.
Softcover. New York, The Arts Publisher, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 174 pages illustrated throughout in color and b&w. Black pictorial stiff wrappers with light wear and sun to covers. Light waviness due to moisture to upper edge of front cover, but not to pages. Overall a very nice, tight, clean copy. Adolph Gottlieb (1903-1974) was one of the leaders of the New York School of Abstract Expressionism. This beautiful volume is the only one that covers the full scope of Gottlieb's acheivement, including 124 of his finest paintings, sculptures, and works on paper.
Hardcover. UK, PS Artbooks, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. Reprints in full color the first five issues (Fall 1948 - June/July 1949) of ADVENTURES INTO THE UNKNOWN horror comic, with a foreword by Barry Forshaw and additional color art by Glenn Chadbourne.
Hardcover. UK, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. American Comics Group. June/July 1950 - January 1951 Issues 11-15. Foreword by Paul Di Filippo.
Hardcover. UK, PS Artbooks, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color. Clean, tight copy. American Comics Group. June/July 1950 - January 1951 Issues 11-15. Foreword by Paul Di Filippo.
Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues #16 through #20 of comic book "Adventures Into the Unknown" published by ACG from February to June 1951.
Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues #21 through #25 of comic book "Adventures Into the Unknown" published by ACG from July to November 1951.