Hardcover. Phaidon, 1st thus, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Working in graphic, architectural, and product design, Pentagram is one of the most respected firms in the world. A collection of the work and thought of the Pentagram partners, this lavishly illustrated and--not surprisingly--beautifully designed book helps to explain the unique qualities of organization and creativity that have allowed the firm to prosper since its beginnings more than 20 years ago. The candid and insightful discussion of the business and artistic processes of design is useful for students as well as seasoned professionals. While the tone is occasionally a bit self-satisfied, the final feeling conveyed is that of a ceaselessly open and growing entity, astonished at its success, justifiably proud of its work, and aware of its status as an anomaly. Recommended for all collections with a focus on design.

Hardcover. New Jersey, Mark Batty Publisher, 1st, 2005-02-01, Book: Very Good, Dust Jacket: None, Flexible pictorial boards. 190 pages. This extraordinary and innovative marketing campaign was the brainchild of Abbott Pharmaceutical Company. Over 170 different postcards from about 80 different countries were sent over the course of 14 years.

Hardcover. New Jersey, Mark Batty Publisher, 1st, 2005, Book: Very Good, Dust Jacket: None, Flexible pictorial boards. 190 pages. This extraordinary and innovative marketing campaign was the brainchild of Abbott Pharmaceutical Company. Over 170 different postcards from about 80 different countries were sent over the course of 14 years.

Softcover. Durham NC, Duke University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 312 pages, b&w illustrations. In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Clean copy. like new.

Softcover. Durham NC, Duke University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 312 pages, b&w illustrations. In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Clean copy. like new.

Hardcover. NY, Dutton, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 256 pages, Index. Maroon cloth, stamped in gilt. Copiously illustrated with watercolors by Karl Bodmer. Map on endpapers. The Firsthand Account of Prince Maximilian's Expedition Up the Missouri River, 1833-34. Wonderful color plates by Swiss-born Bodmer accompany extracts from Maximilian's text, enhanced by historical background from Thomas and Ronnefeldt. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Notre Dame, University of Notre Dame Press, First Thus, 1986, Book: Very Good, Dust Jacket: None, 344 pages. Softcover. Black & white illustrations throughout including maps, photographs. Bright front cover, sunfade to rear cover. Clean, unmarked copy.

Hardcover. NY, St. Martins, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Dust jacket with light edgewear, chips.

Hardcover. London, Fourth Estate, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, large, oblong format. Blue cloth boards, gilt title to spine, pictorial onlay to front. With original paintings by Anthony Rhodes and photos by Piers Cavendish. This is a celebration of the Peregrine. With the specially commissioned photographs of Piers Cavendish and the paintings and drawings of Anthony Rhodes this book describes the distribution and habitat of the peregrine across the world, its life-cycle, relationship with man and its potency as a cultural icon in many countries. Printed in four-colour throughout on art paper the book will examine the global distribution of the various species, the different names given to the peregrine by different countries and cultures. From there the book will focus on historical references to the peregrine, its links with the monarchy and its various cultural significance across the world, in art and literature, myth and fable. The rest of the book comprises a naturalistic description of the peregrine in the wild, its annual - and life-cycle, its interaction with man, the captive breeding of peregrines and their place in falconry. The final chapter will anticipate the future of the peregrine. Bright, clean copy. No slipcase.

Hardcover. New York, George H. Doran Company, 1st Edition, 1922, Book: Very Good, Dust Jacket: None, 227 pages. Hardcover. B/w illustrations throughout. Illustrated by Ralph Barton. Cover boards bound in black cloth, yellow paste down on front cover board and spine with black titles. Deckled untrimmed edges. Light tanning from age to edges and pages. Binding tight, spine straight. A parody outline of etiquette by the author of "A Parody Outline of History".

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Lili Almog's color photos taken at three Carmelite monasteries (of nuns) are revealing of their faith.. The sisters showing their distinctive profession crucifixes (normally worn hidden under their scapulars, and pinned to their beds when they go to sleep) are revealing their personal symbols of "perfect intimacy." And the statues and/or holy cards of our holy mother St. Teresa, our holy father St. John of the Cross, St. Therese, and St. Joseph make Carmelites feel right at home. The monasteries are also significant: they are on Mt. Carmel (Haifa) and in Bethlehem--founded by Sister Miriam, "the little Arab"; and in Port Tobacco, Maryland, whose community is the oldest and first Discalced Carmelite convent founded in the US. The spartan surroundings emphasize the importance of the nuns' relationship with God. The photos of the sisters revealing their profession crucifixes, which they wear near their hearts and pin to their beds when going to sleep, I found especially moving. Almog's photos are neither stilted nor rigid, but reminiscent of the photos that St. Therese's sister Celine took of her! The quotations from Blessed Teresa of the Andes are very apt comments on the photos.

Hardcover. Seattle, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: None, 320 pages. Hardcover, no dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Perfect Nonsense tells the complete story behind one of the most innovative and under-rated Golden Age artists, classic children's illustrators, and nonsense poets in American history. For more than 50 years, George Carlson created thousands of distinctive and dynamic cartoons, comics, riddles, and games that thrilled both children and adults with their fanciful spirit and nonsensical humor

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.

Hardcover. New York, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, 110 illustrations in color. Like new in publishers shrink-wrap. Includes signed print by Gordon.

Hardcover. NY, Rizzoli, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 384 pages, profusely illustrated in color and b&w. This thought-provoking volume transports readers to France of the eighteenth, nineteenth, and twentieth centuries, beginning with Napoleon's love of perfume and the erotic importance he attached to it, through the lore and symbolism fragrance enjoyed in eighteenth and nineteenth-century Europe. By the early twentieth century, perfume's place as one of France's most important luxury industries was recognized and celebrated, and timeless fragrances--such as Chanel No. 5, Shalimar, Arpeges, and Joy--were launched. The distinctive bottles for these new essences and the art movements that inspired their design are detailed throughout the book, as are paintings, poetry, and literature that reveal the power of perfume and its ability to recall the past and evoke sensuality. According to nineteenth-century perfumer Eugene Rimmel, "the history of perfume is, in some manner, the history of civilization." Through fascinating text accompanied by gorgeous imagery, including packaging, labels, and advertisements, Perfume: Joy, Scandal, Sin explores perfume's impact on history, culture, society, art, and attitudes.

Hardcover. New York, Whitney Museum of American Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Color and b/w illustrations throughout. Gilt titles to spine and front cover. Red fabric covered. Some age wear to dust jacket, otherwise very clean copy, bright pages. Previous owner signature on front flyleaf. Published to accompany an exhibition. From the front flap: "The photographs are presented to the greatest advantage in full-color plates and stunning tritone and duotone black-and-white reproductions. The 22 essays by leading historians, novelists, journalists, and environmentalists trace the shifting perceptions of the arid lands of the American West from a wide range of literary and scholarly perspectives.

Softcover. Brookville NY, Hillwood Art Museum, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 44 pages. Full-color catalog featuring essays and images of traditional and contemporary African sculpture depicting mother and child. Clean copy.

Hardcover. NY, Bloomsbury USA, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The third installment to Downie's Roman Empire series--the second-century saga of a witty and courageous army surgeon, Gaius Ruso, and his smart and loyal lover, Tilla, a barbarian woman from Britannia--continues in gripping fashion. Ruso returns to his family home in southern Gaul, summoned by a forged letter pleading for his immediate return. Once Ruso and Tilla return, Ruso is thrust into a dangerous quagmire involving a missing ship, huge family debts and, before long, the murder of the family's principal creditor--a crafty phony named Severus--who is poisoned in Ruso's home. While Ruso and his family are quickly suspected of the murder, Ruso and Tilla's attempts to solve the crime are hampered by interfering family members, a lying politician, a greedy banker and a pair of too-eager investigators sent from Rome. Ruso and Tilla must also deal with prejudice, envy and a new religion, Christianity. The plotting is clever and suspenseful, with subtle clues and lots of action, while the setting and supporting cast are vividly drawn. Clean copy.

Softcover. Cambridge MA, MIT Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, b&w illustrations throughout. This periodical issue contains an article by Vincent Scully about Frank Lloyd Wright; Recycling New York; interview with Cesar Pelli; Thirty museum plans, etc. Includes a fold-out sheet of various plans, 24x36 inches. Beige card covers with French flaps. Clean copy.

Softcover. Washington and Lee University, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. The 2005 issue, Volume 12, of Perspectives in Vernacular Architecture: The Journal of the Vernacular Architecture Forum contains the articles: "Selling Domestic Space: The Boarding House in the Southern Mountains" by Michael Ann Williams; "La Casa Alamense: The Mexican Hacienda as Urban Dwelling" by John Messina; "Unraveling the Benjamin Deyerle Legend: An Analysis of Mid-Nineteenth-Century Brickwork in the Roanoke Valley of Virginia" by Michael J. Pulice; "Orson S. Fowler and a Home for All: The Octagon House in the Midwest" by Rebecca Lawin McCarley; and "Roadside Shrines and Granite Sketches: Diversifying the Vernacular Landscape of Memory" by David Charles Sloane.

Hardcover. New York , Skira, 1st, 2006-09-05, Book: Very Good, Dust Jacket: Very Good, Hardcover, like new in publishers shrink-wrap. 224 pages profusely illustrated in color. This book describes the grandeur and richness of the numerous civilizations predating the Incas, including the Paracas, Nazca, Recuay, Sican-Lambayeque, Moche-Sipan, and Chimu cultures, as well as the great Inca civilization. Included in the book are the important sites and landscapes representative of the three major ecological levels of Peru, as well as a general view and a historical perspective of the pre-Columbian cultures of Peru.

Hardcover. NY, Macmillan, BC Ed., 1972, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, color art by Keats. Archie's cat is missing the day of the pet show - but all turns out well in the end. Vibrant, full-color illustrations fill every page. Oblong format, unpaginated. Clean book club edition.

Softcover. Buffalo NY, Albright-Knox Gallery, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 132 pages illustrated in color and b&w. Exhibition catalog for a show that ran January 29 through March 12, 2005. Text by Douglas Dreishpoon, Nancy Princenthal, and Eleanor Heartney. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear, large square format, 144 pages, 100 photographs by Pete Turner, personal favorites, classics; he published in Look Esquire, Holiday, Twen, Photo, etc. Remainder line to bottom edge, inscription on front5 fly leaf, otherwise clean.

NY, Greenwillow, BC Ed., 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket. Color illustrations by Martine Gourbault. Light edgewear to dust jacket. After seeing all the animals in the zoo, Peter still likes the pigeons he sees every day best. Clean copy.

Hardcover. NY, Atheneum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, color illustrations by Raschka. Sergei Prokofiev composed his Peter and the Wolf in 1936 with the hope of introducing children to the instruments of the orchestra. It happens that he also devised a wonderfully dramatic story. The characters - boy, bird, duck, cat, grandfather, wolf, hunters - and their doings have been beloved by young and old for decades. Writer, artist, musician, and Caldecott Medalist Chris Raschka has given the original story a new setting: a stage performance. Here you will relish language inspired music; enjoy mischief, suspense, and triumph in the theater; and delight in a surprise (and an additional character) Prokofiev's merry tale didn't provide. Please do not turn immediately to the last page. SIGNED BY RASCHKA.

Hardcover. NY, Horace Liveright, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, vintage b&w cartoons by Arno. Black cloth covers, lacks dust jacket.

Hardcover. NY, Simon & Schuster, 1951, Book: Very Good, Dust Jacket: None, Hardcover, b&w cartoons from the Master New Yoker artist. No dust jacket.

Hardcover. New York , Simon and Schuster, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Blue boards stamped in white, in an edgeworn dust jacket. 140 pages of b&w cartoons from the New Yorker.

Hardcover. New York , Simon and Schuster, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Blue boards stamped in white, in an edgeworn dust jacket. 140 pages of b&w cartoons from the New Yorker.

Hardcover. New York, Simon and Schuster, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 pages, color cartoons on end papers, b&w cartoons from The New Yorker, a great collection of Arno's work from the mid-sixties. Bright, clean copy in an unclipped dust jacket.

Hardcover. New York, Horace Liveright, 6th pr., 1930, Book: Very Good, Dust Jacket: None, Hardcover, unpaginated. A collection of early Arno cartoons from the New Yorker, 1926-29. Clean, tight copy. Lacks dust jacket.

Hardcover. NY, Simon & Schuster, reprint, 1949, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 118 of Arno's b&w cartoons from The New Yorker. Clean, bright copy in a fair dust jacket. Clean copy.

Hardcover. New York, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages, b&w illustrations.

Hardcover. New York, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy. Black and white pictures throughout.

Hardcover. New York, Regan Arts, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Color and black & white illustrations throughout. Tight copy.

Hardcover. Koln GR, Taschen, 1st, 2008, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, Volume 1: African wildlife photos, Volume II: biography. 494 pages. Text in English. French & German. As a photographer, collector, diarist and writer, U.S. born Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolving into a serious career as an artist. He first visited Africa as a teenager and his documenting of the plight of starving animals, including elephants and rhinos, has continued to highlight the problems facing conservationists. This special edition is based on the original limited Collector's Edition which sold out on publication. NOTE: THIS LARGE HEAVY SET UNAVAILABLE FOR SHIPPING OUTSIDE THE U.S.

Softcover. New York, Thames & Hudson, 1st US, 2009, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Color Photographs. Light edgewear to wrappers.

Softcover. NY, Universe, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (approx. 110 pages), illustrated in color throughout. A catalog for an exhibition organized by Peter T. Tunney which first ran in Milan in 1997. One-page Introduction by Beard, essay by Owen Edwards. Extremely scarce. Color illustrated wraps, like new condition.

Softcover. London, Tate Gallery, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A key figure in the history of British Pop Art, Blake is one of the most influential and original artists working in Britain today. Central to Blake's work since the 1950s has been his fascination with popular culture, ranging from music to Hollywood icons and wrestling stars. Perhaps his most famous engagement with Pop came with his design for the cover of The Beatles' album Sgt Pepper's Lonely Hearts Club Band. With this and other works he helped create a specifically British pop aesthetic that defined an era. A prolific artist, he has utilised a variety of media including painting, drawing, collage, sculpture and printmaking; this study focuses principally on his two-dimensional works and provides the first thorough survey of his paintings from the 1950s through to the present. It will include major icons of twentieth-century art, such as Self-Portrait with badges (1961), and Have a Nice Day, Mr Hockney (1981-3), but will also feature many lesser-known works including his recent, major work The Marcel Duchamp World Series.

Hardcover. London, B. T. Batsford Ltd., 1st, 1949, Book: Very Good, Dust Jacket: Good, 169 pages. Hardcover. Red cloth edition. Top edge stained red. Illustrated with 126 black & white photographs and a few in color. Previous owners name embossed at top of rear interior dust jacket flap. Dust jacket with darkening to spine, minor smudges at upper left corner - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Philadelphia, J.B. Lippincott, 3rd pr., Book: Good, Dust Jacket: None, Hardcover, light green cloth stamped with blue decoration, 427 pages. B&w drawings by Helene Carter. "The intrepid Swallows (explorers John, Susan, Titty, and Roger Walker) and fearsome Amazon pirates (Nancy and Peggy Blackett) sail the high seas, outwitting a pirate and his cutthroat crew, sharks, and the ravenous creatures of Crab Island in search of buried treasure." Hinges tender, pencil notation on dedication page otherwise clean. Mild shelf wear.

Softcover. Austin, University of Texas Press, First, 1965, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, profusely illustrated in b/w and color. Slight edgewear otherwise tight, clean copy.

Hardcover. Kerber, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. In 1953, Peter Keetman spent a week at the Volkswagen plant in Wolfsburg. The result was a series of exceptionally clear, almost abstractly detailed photographs that document the entire production process of the VW Beetle. Storage stacks of shiny metal bumpers look like so many Modernist sculptures; car bodies hovering above the assembly line retrospectively form a surreal Pop art montage. This oversize publication reproduces the Volkswagenwerk series in full, in their original size, together with texts that refer both to this series and to Keetman's greater oeuvre. Keetman was known throughout his career as photographer of systemically conceived picture series on themes that included close-ups of water and oil drops, a style of working he developed as a member of Fotoform. Fotoform, a German movement of the 1950s of which Keetman was a primary proponent, was critical in the development of German photography as it is today: the group's "subjective photography" combined scientific objectivity with abstraction. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1907, Book: Very Good, Dust Jacket: None, Hardcover. 126 pages plus 50 plates. Vivid color illustrated tipped-in plates (vibrant, excellent condition) with captioned tissue guards, as well as b/w illustrations throughout. Plates glued to brown heavy stock. Cover boards bound in green cloth, gilt title on spine, gilt title and design embossed on front cover board. Some light spotting to boards and spine, bump to front cover board's right top corner (see image). Binding tight. Spine straight. Pages quite bright and unmarked. Scarce. In Peter Pan in Kensington Gardens, J.M. Barrie first created Peter Pan as an infant, living a wild and secret life with birds and fairies in the middle of turn of the century London. This edition is beautifully illustrated by Rackham, one of the leading figures of the Golden Age of British book illustration.

Hardcover. New York, Charles Scribner's Sons, reprint, 1914, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with color pastedown on front, gilt lettering, 126 pages. 16 color plates plus several line drawings by Arthur Rackham. Clean, bright copy with a trace of wear to top of cloth spine.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 332 pages with 145 color plates, 151 b&w illustrations. In publisher's shrinkwrap.

Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, 126 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition.

Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 126 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.