Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. NY, Capricorn Books/G. P. Putnam's Sons, reprint, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with $2.50 on flap, 255 pages. Edited by Harvey Wish. Originally written by Olmsted in the 1850s as a series of articles in the New York Times, these essays became "the most important source of information about the life & customs of the slaveholding states of the South." Bookplate on inside front cover otherwise clean.

Hardcover. NY, Barrons, 1st thus, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color reproductions of Edmund Morin's 19th century Illustrations, very clean and tight copy. One of Perrault's most haunting fairy tales. Here, Josephine Poole's evocative new text accompanies the exquisite artwork of nineteenth-century French artist Edmund Morin, to make a captivating picture book for all ages. Clean copy.

Hardcover. NY, Hyperion Books, Book Cub Ed., 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Showing compassion for one's neighbor brings bountiful reward in this original tale based on Guatemalan folklore. Gently imparts a timeless message.--Publishers Weekly. Illustrated in bright, crisp colors of Hispanic folk art by Czernecki.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Dr. Piotr (Peter) Naskrecki is a Polish-born entomologist, photographer and author, currently at the Museum of Comparative Zoology, Harvard University (Cambridge, MA, USA.) His research focuses on the evolution of sound-producing insects, and the theory and practice of nature conservation. As a writer, Piotr strives to promote appreciation and conservation of invertebrate animals - insects, arachnids, and their kin - by capturing both their beauty and roles as vital, often critically important members of the Earth's ecosystems. Piotr Naskrecki is a master photographer and an enormously knowledgeable biologist and ecologist. In this beautifully printed book, he captures the finer details of the some of the unusual animal life and adaptations that you find in tropical rain forests, savannas, and deserts. He also provides well written, informative supporting text.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover. British cartoonist Tom Gauld (Mooncop, You're All Just Jealous of My Jetpack, Goliath) has created countless iconic strips for The Guardian over the course of his illustrious career. A master of condensing grand, highbrow themes into one- to eight-panel comics, his weekly strips embody his trademark British humor while simultaneously opening comics to an audience unfamiliar with the artistry that cartooning has to offer. Funny but serious, these postcards allow Gauld to put his impressive knowledge of history, literature, and pop culture on full display-his impeccable timing and distinctive visual style setting him apart from the rest.

Softcover. Los Angeles, Museum of Contemporary Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, pages. A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. Dimension: 9 1/4 x 11 1/2 inches, 125 duotone & 11 color reproductions, Exhibition Catalog.

Softcover. Los Angeles, Museum of Contemporary Art, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, pages. A photograph can serve as as both witness and catalyst, art object and call to action. In this catalog of a pivotal exhibition of works from the Ralph R. Parsons Photography Collection at the Museum of Contemporary Art, Los Angeles, photographs capture the heartbeat and mindset of America. Works by French photographer Brassai set the stage; the bulk of the exhibition features photographs by Robert Frank, Helen Levitt , Diane Arbus, Lee Friedlander and Garry Winogrand, among others. When many of these works were first shown, they were met with criticism and outrage, but today, we've accepted them as profound documents of our nation and era. Includes essays by exhibition curator Cornelia H. Butler, as well as Max Kozloff, A.D. Coleman, Liz Kotz and Emily Aer. Dimension: 9 1/4 x 11 1/2 inches, 125 duotone & 11 color reproductions, Exhibition Catalog.

Hardcover. NY, Harry N. Abrams, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The long-awaited collection of comic strips created in the early 1970s by some 169 contributors from 15 countries from C.C. Beck to Art Spiegelman. What started out as a special insert for Rolling Stone took on a life of its own as writer/editor Michel Choquette traveled the world, commissioning this visual chronicle of the 1960s, only to find himself without a publishing partner or the financial support to continue. Forty years later, readers finally get to experience this legendary anthology as Choquette celebrate the birth, death, and resurrection of The Someday Funnies.

Hardcover. NY, Harry N. Abrams, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The long-awaited collection of comic strips created in the early 1970s by some 169 contributors from 15 countries from C.C. Beck to Art Spiegelman. What started out as a special insert for Rolling Stone took on a life of its own as writer/editor Michel Choquette traveled the world, commissioning this visual chronicle of the 1960s, only to find himself without a publishing partner or the financial support to continue. Forty years later, readers finally get to experience this legendary anthology as Choquette celebrate the birth, death, and resurrection of The Someday Funnies.

Softcover. NY, Harry N. Abrams, reprint, 2021, Book: Very Good, Dust Jacket: None, Softcover, 470 pages. On January 10, 1999, a mobster walked into a psychiatrist's office and changed TV history. By shattering preconceptions about the kinds of stories the medium should tell, The Sopranos launched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano's hometown paper, New Jersey's The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon. Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors' archival writing on the series, The Sopranos Sessions explores the show's artistry, themes, and legacy.

Hardcover. NY, Picador, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 359 pages. Illustrated in color and b&w. Jon Schueler, the American abstract expressionist painter, worked on this book for 30 years. He writes about his struggle to uncover his artistic motivations and his conflict between solitude and intimacy. Clean copy.

Softcover. NY, Charter Books, reprint, 1962, Book: Very Good, Dust Jacket: None, Softcover, 350 pages. With a new introduction by the author. Presents the story about coming of age in America by way of the baseball diamond. Lefthander Henry Wiggen, six feet three, a hundred ninety-five pounds, and the greatest pitcher going, grows to manhood in a right-handed world. Written in Henry's own words, this funny novel follows his eccentric course from bush league to the World Series. First published in 1953. Price blacked out on front fly leaf, otherwise a tight, clean copy.

Hardcover. NY, DC Comics, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Collects stories from classic Spirit adventures in which a murdered detective fights crime from beyond the grave. July 1947-December 1947. Color art by Eisner. Still in publisher's shrinkwrap.

Hardcover. NY, DC Comics, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Collects stories from classic Spirit adventures in which a murdered detective fights crime from beyond the grave. July 1949-December 1949. The stories in the latest volume of vintage Spirit exploits catch the masked crime fighter nine years into the series. Eisner, ever inventive, was still finding ways to keep things fresh, and a four-week arc sees the hero wandering exotic Pacific islands. There are some signs that Eisner may have been wearying of his headliner. In many tales here, including the celebrated "Ten Minutes," which counts down the final moments of a young man's life, the Spirit barely makes an appearance. As always, Eisner's much-imitated "cartoon noir" style finds him moving seamlessly from broad humor to high melodrama. Still in publisher's shrinkwrap.

Hardcover. Burbank, CA, DC Comics, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 218 pages, color comics. Like new in publisher's shrink-wrap. Includes an illustrated essay by comics historian R.C. Harvey.

Hardcover. Toronto, Random House Of Canada, 1st Ltd. Ed., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. This is the Limited Signed Edition (#450 of 500), AUTOGRAPHED BY BOBBY ORR & HENRI RICHARD on the prelim page under a color photo of them squaring off in the 1971 Stanley Cup quarter finals. The book has a bright dust jacket and is housed in a maroon cloth slipcase stamped in gilt. All clean and bright. The Spirit of the Game is the first photo book to organize the story of hockey both chronologically and thematically, cutting across simple time lines or team-by-team organization. It is also a book full of detail about how hockey has changed - from skates to TV cameras, from the rule book to the fans in the seats. Photos span 106 years from the Montreal AAA, Senior Amateur champions of 1889, to the New Jersey Devils, Stanley Cup champions of 1995.

Softcover. Toronto CA, McClelland and Stewart, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 264 pages, 125 color, 135 black & white. Published in conjunction with an exhibition. "A major study of the artistic traditions of Canada's Native peoples and of their place in the cultures and belief systems in which they originated. Here, for the first time, is Native Canadian work from museums and private collections around the world. The works, and the essays that describe their contexts, bring to life the spiritual and aesthetic identity of the craftspeople and their societies. From richly ornamented costumes displaying the wealth of their owners to practical techologies that enabled the peoples to thrive in their environments, these treasures reflect Native life at the time of contact with Europeans." Clean copy.

Hardcover. NY, Holt, Rinehart & Winston, 6th pr., 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 333 pages, b&w illustrations by Walter Dower.

Hardcover. Chicago, Judy Publishing, 1st, 1939, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket, 158 pages, many b&w illustrations. A complete presentation with illustrations of the origin, development, breeding, showing, training including field work and field trials, kenneling, care and feeding of this breed of dog, with 22 charts of pedigrees of leading sires. Shelf wear, clean.

Softcover. Rome, Del Turco Editore Roma, Book: Very Good, Dust Jacket: None, Softcover, 71 pages illustrated with 4 color plates and 61 b/w illustrations. Full account of the paintings in the Stanza della Segnatura, the Stanza of Heliodorus, the Stanza of the Incendio and the Hall of Constantine; uncredited English translation. No date, clean copy.

Hardcover. Vermont Heritage Press, Revised Ed., 1997, Book: Very Good, Dust Jacket: Good, Hardcover in a rubbed, edgeworn dust jacket. Pictorial end papers. B&w illustrations throughout. Intact foldout of "Shelburne Shipyard in Winter" in winter circa 1920. This new edition adds essays by Arthur B. Cohn, director of the Lake Champlain Maritime Museum, on Lake Champlain steamboats and ferries and recent developments in Champlain Valley Maritime archaeology. Clean copy.

Hardcover. NY, Viking, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright unclipped dust jacket. Color illustrations by Lane Smith. Unpaginated. With complete number line. A 1993 Caldecott honor book - delightfully illustrated parodies of children's fairy tales. The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. Clean copy.

Hardcover. NY, Viking, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright unclipped dust jacket. Color illustrations by Lane Smith. Unpaginated. With complete number line. A 1993 Caldecott honor book - delightfully illustrated parodies of children's fairy tales. The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. Clean copy.

Hardcover. NY, Viking, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright unclipped dust jacket. Color illustrations by Lane Smith. Unpaginated. With complete number line. A 1993 Caldecott honor book - delightfully illustrated parodies of children's fairy tales. The entire book, with its unconventional page arrangement and eclectic, frenetic mix of text and pictures, is a spoof on the art of book design and the art of the fairy tale. Clean copy.

Softcover. Urbana, University of Illinois Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 361 pages, b&w illustrations. The Stonemans is an eye-opening slice of Americana---a trip through nearly twenty years of country music history following a single family from their native Blue Ridge Mountains to the slums of Washington, D.C., and the glitter of Nashville. As early as 1924 Ernest V. "Pop" Stoneman realized the potential of what is now known as country music, and he tried to carve a career from it. Successful as a recording artist from 1925 through 1929, Stoneman foundered during the Great Depression. He, his wife, and their nine children went to Washington in 1932, struggling through a decade of hardship and working to revive the musical career Pop still believed in. The Stoneman Family won the Country Music Association's Vocal Group of the Year Award in 1967. After Pop's death a year later, some of the children scattered to pursue their own careers. Ivan Tribe relies on extensive interviews with the Stonemans and their friends in this chronicle of a family whose members have clung to their musical heritage through good times and bad.

Hardcover. NY, Morrow, 1st, 1977, Book: Good, Dust Jacket: Good, Hardcover in a bright dust jacket, 311 pages. A satirical novel about sperm banks and artificial insemination. Mild musty smell, no markings.

NY, Grosset & Dunlap, reprint, circa 1945, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with a chunk gone from top of spine, 365 pages. First published in 1911 this reprint is from mid-40s with Wartime notation on title page. Set on Prince Edward Island, Sara Stanley has the ability to delight and thrill listeners with her tales, many interwoven in this story. Clean copy.

Hardcover. West Chester PA, Schiffer Publishing, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 128 pages illustrated in color and b&w. The story of the life and works of an American wildfowl artist. Lem's life is a tale of courage - of a man who overcame a withered arm, lack of formal education, cultural isolation, and severe illness to become one of the founders of American Wildfowl Art. This is a close look at how he and his brother, Steve, grew up together in the marshes along the Chesapeake Bay, how they subsisted as barbers and foragers, how they retained their independent spirits to create birds that pleased them - wildfowl art - while carvers around them were creating decoys just good enough for hunting ducks. Lem's work is described in pictures, accompanied by colorful comments and interesting insights by a collector who became one of the artist's closest friends. Clean copy.

Hardcover. NY, Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Two large hardcovers in a slipcase, 512 pages. The Story of Marvel Studios is the first-ever, fully authorized, all-access history of Marvel Studios' creation of the Marvel Cinematic Universe, as told by the producers, writers, directors, concept artists, VFX artists, cast, and crew who brought it to life. Year-by-year, project-by-project, the studio's founding and meteoric growth are described through detailed personal stories, anecdotes, and remembrances of noteworthy challenges, breakthrough milestones, and history-making successes. Featuring archival materials, concept art, film stills, memorabilia from cast and crew, and rare promotional art, these volumes will take fans on a journey through Marvel Studios' creative challenges, breakthroughs, and successes of the past decade. These visuals are joined by exclusive interviews with key producers, studio heads, and core cast members such as Kevin Feige, Robert Downey Jr., Scarlett Johansson, Samuel L. Jackson, Chris Evans, and more. Clean, bright set.

Hardcover. NY, Charles Scribner's Sons, 1st illust thus, 1931, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with pictorial paper label to front cover, gilt stamping to spine. Six color plates, title page design and 2-color endpapers art by Peter Hurd. 279 pages. Some fading tospine gilt, light shelf wear, clean copy.

Hardcover. NY, Mcloughlin Bros., 1st, Book: Good, Hardcover, 9 1/2 X 12", paper-covered boards. Title on cover is The Wonderful Story of a Little Bear. Five color plates and many other two-color illustrations by Sarah Noble-Ives. No date found but early 1900s. Approx. 48 pages. Covers are fair only with paper chipping, edgewear, rear cover with paper covering loose. Bottom quarter of blue cloth spine missing. But the inside is complete, bright and clean.

Hardcover. NY, Harlin Quist, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a chipped and edgeworn dust jacket. B&w line cartoons by Stan Mack. "Violet, Slingsby, Guy and Lionel are the four little people who want to see their world. But what a world they see! Imagine the island of water surrounded by earth, and filled with veal cutlets and chocolate drops! Imagine the scroobious sound of the simultaneous sneezing of millions of mice! Imagine their boat bitten into fifty-five-thousand-million-hundred-billion bites by the ferocious Seeze Pyder!" Dj price-clipped. No markings.

Hardcover. NY, Dey St., 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages, b&w illustrations. This book is divided into five main parts, with a total of 24 chapters. In the Introduction, Grohl describes an epiphany he had when he realized how he wanted to age: "I would celebrate the ensuing years by embracing the toll they'd take on me." He also explains that his memory is triggered by sound, and his recollections of the events in his life are mostly centered around songs, albums, and bands that he was apart of. Clean, like-new copy.

Hardcover. NY, Harper & Row, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 64 pages illustrated in 3-colors by Arnold Lobel. An I CAN READ Mystery. When Mama Cluck loses Arthur, her baby chick, the owl detective fights a fox, harasses a pack rat, and finally finds the best clue, a colored Easter Egg. Clean copy.

Softcover. Berkeley/Denver, Frog Ltd./Domo Productions, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 186 pages, b&w illustrations. This first volume covers basic sword movements (kenjutsu) and aikido open-hand techniques (taijutsu), beginning with training hall (dojo) etiquette, foundational body movements, and the art of falling (ukemi). Over 1,600 drawings and photographs show each stage of the foot and hand movements for dozens of sequences. Clean copy.

Softcover. The New Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 364 pages. Collects the Pulitzer Prize-winning oral historian's remarkable conversations with some of the greatest luminaries of film and theater. Originally published under the title The Spectator, this "knowledgeable and perceptive" (Library Journal) look at show business presents the actors directors, playwrights, dancers, lyricists, and others who created the dramatic works of the twentieth century. Among the many highlights in these pages, Buster Keaton explains the wonders of unscripted silent comedy, Federico Fellini reflects on honesty in art, Carol Channing reveals that she is far more serious than she lets on, and Marlon Brando turns the tables and wants to interview Terkel. We learn about crucial artistic decisions in the lives of Arthur Miller, Tennessee Williams, and Edward Albee and hear from a range of film directors, from Vittorio De Sica and King Vidor to Satyajit Ray. We even get to witness Terkel playing straight man to a wildly inventive Zero Mostel. Clean copy.

Hardcover. NY, Cambridge University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 227 pages. Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1957, Book: Very Good, Dust Jacket: Fair, Hardcover, blue cloth with gilt titles on the spine. A cook book interwoven with the author's typical New England lighthearted commentary. Written with her daughter, 234 pages. Clean copy.

Softcover. Other Press, reprint, 2021, Softcover, 550 pages, b&w illustrations. The little-known story of screenwriter Salka Viertel, whose salons in 1930s and 40s Hollywood created a refuge for a multitude of famous figures who had escaped the horrors of World War ll. Hollywood was created by its "others"; that is, by women, Jews, and immigrants. Salka Viertel was all three and so much more. She was the screenwriter for five of Greta Garbo's movies and also her most intimate friend. At one point during the Irving Thalberg years, Viertel was the highest-paid writer on the MGM lot. Meanwhile, at her house in Santa Monica she opened her door on Sunday afternoons to scores of European emigres who had fled from Hitler--such as Thomas Mann, Bertolt Brecht, and Arnold Schoenberg--along with every kind of Hollywood star, from Charlie Chaplin to Shelley Winters. In Viertel's living room (the only one in town with comfortable armchairs, said one Hollywood insider), countless cinematic, theatrical, and musical partnerships were born. Clean copy.

Hardcover. NY, Macmillan, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, color pictorial boards with yellow cloth spine and black lettering, black and white illustrations throughout in art deco style by Frank MacIntosh. Coatsworth won the Newbery Award in 1931. Previous owner's inscription on front fly leaf, otherwise clean and bright. No dust jacket.

Hardcover. London, Gardner, Darton and Co., 1st, Book: Good, Dust Jacket: None, Hardcover in a light blue pictorial binding. 379 pages with 68 b&w illustrations by Gordon Browne. Top edge gilt. 20 pages of publisher's ads in rear. Front hinge cracked, creasing to front fly leaf, otherwise a clean, tight copy. The story of two brothers; a young boy's fantasy life, rich with humor and creativity amidst a world of annoying adults and their societal expectations.

Softcover. London, Virago, reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, 321 pasges, color illustrations. During childhood, Joanna Moorhead heard about a wild cousin called Prin who had fled their suffocatingly respectable family. When Joanna travelled to Mexico to find her, it was the start of a life-changing friendship, for her relative was none other than Leonora Carrington, the last surviving Surrealist. This book tells how, over tea and tequila, Leonora recalled her extraordinary life, her relationship with Max Ernst, her incarceration in an asylum, and her friendships with Picasso, Dali and Frida Kahlo.

Hardcover. NY, Harcourt Brace Jovanovich, 2nd Ed., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. Bright copy in an unclipped dust jacket. Translated by Stuart Gilbert. A stand alone novel from the author best known for his Maigret detective series.

Hardcover. NY, Bantam Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover ina bright, unclipped dust jacket. Conceived by Mikhail Baryshnikov. Written and directed by Peter Anastos. Photographs by Arthur Elgort. Introduction by Jean Poniatowski. A humorous takeoff of the classical ballet conceived by a classical ballet dancer. 80 unnumbered pages. Clean copy.

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Softcover. New York, W. W. Norton & Company, 1st, 2010-11-01, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout

Softcover. New York, W. W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. The "nasty, negative, misanthropic" comic genius proves he has a sweet side.Cute little kittens, angels, and babies? Flowers, ice cream cones, and German boy bands? Coming from, supposedly, the creepiest and most pessimistic artist of his generation? Yes indeed, there is a "sweeter side" to R. Crumb. These delectable illustrations-whether depicting Bernie the Cat pawing for his master's affection, the timeworn beauty of a French village cul-de-sac, or a quiet night chez Crumb-wonderfully exemplify the many tender moments that have, until now, played second fiddle to the cult icon's more raunchy sketches. Now Crumb harkens back to his humble American beginnings as a Cleveland greeting card illustrator, when his innate knack for the grotesque had to be suppressed for the perennial appeal of "cute." The result is this cheery and blue-skied world, where readers of every conceivable personality type, age group, even sexual persuasion can finally enjoy the artist's momentary lapse from naughty to nice. Color and black-and-white illustrations throughout