Hardcover. Wisconsin, Stanton & Lee Publishers, Inc., 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover, 240 pages. SIGNED BY OWEN GROMME. Color and b/w illustrations throughout. "SIGNED" sticker on front cover. Dust cover shows wear: some chipping on spine and edges, small tears along edges, light fading. Boards in great shape, only very light fading along bottom edges. From the dust jacket front flap: "...presents the life and art of a man who through eight decades of accomplishment as a naturalist and artist has provided us with a link between the 19th and 21st centuries."

Hardcover. NY, Viking / Madison Press Books, 2nd pr., 1986, Book: Very Good, Dust Jacket: Very Good, Oversized hardcover with dust jacket, second (1986) printing, 168 pages. Selection of over 90 of Robert Bateman's wildlife paintings, reproduced in full color, together with his commentaries as a naturalist, plus an introduction based on extensive travels and interviews with the artist. DOMESTIC SHIPPING ONLY.

Hardcover. NY, E. P. Dutton, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, green cloth with gilt decoration, in a bright dust jacket with light edgewear, chipping, short closed tears. A collection of 74 color and black and white photographs by Bischof taken all over the world. Part biography, part celebration of the work of the great Swiss photographer and member of Magnum, who had been killed in a road accident five years before. Clean copy.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. New York, Artisan, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Black & white and color illustrations by William Steig. Introduction by John Updike. A study of the life and work of the eminent cartoonist, New Yorker cover artist, and humorist. Steig also served as art director of the New Yorker.

Hardcover. NY, Knopf, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 341 pages. This is the first collection of essays in seven years by the author of Omensetter's Luck, In the Heart of the Heart of the Country, and Fiction and the Figures of Life. In it, one of America's most brilliant and eclectic minds examines literature, culture, writers (their lives and works), and the nature and uses of language and the written word. Clean copy.

Hardcover. NY, Knopf, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 736 pages. A rich and revelatory biography of one of the crucial cultural figures of the twentieth century. Lincoln Kirstein's contributions to the nation's life, as both an intellectual force and advocate of the arts, were unparalleled. While still an undergraduate, he started the innovative literary journal Hound and Horn, as well as the modernist Harvard Society for Contemporary Art--forerunner of the Museum of Modern Art. He brought George Balanchine to the United States, and in service to the great choreographer's talent, persisted, against heavy odds, in creating both the New York City Ballet and the School of American Ballet. Among much else, Kirstein helped create Lincoln Center in New York, and the American Shakespeare Festival in Stratford, Connecticut; established the pathbreaking Dance Index and the country's first dance archives; and in some fifteen books proved himself a brilliant critic of art, photography, film, and dance. This stunning biography, filled with fascinating perceptions and incidents, is a major act of historical reclamation. Utilizing an enormous amount of previously unavailable primary sources, including Kirstein's untapped diaries, Martin Duberman has rendered accessible for the first time a towering figure of immense complexity and achievement.

Hardcover. Atglen, PA, Schiffer Publishing, 2nd, 2012, Book: Very Good, Dust Jacket: None, 489 pages. Hardcover with no dust jacket. Clean, tight copy. Color photo throughout. While You Were Sleeping was a graffiti and pop culture magazine started by graffiti supply business owner Roger Gastman when he was 19. Here are some of the greatest stories the magazine ever published-and many that are not so good. From stories on admirable serial killers and interviews with child stars to photos of graffiti and people's naked sisters, this book takes you into the dirty minds of Gastman and his team of juvenile delinquents. You've been warned.

Hardcover. NY, Farrar Straus Giroux, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 530 pages, b&w illustrations. The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I-and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today. Remainder mark on top edhge, otherwise clean.

Hardcover. NY, St. Martin's Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Follows the lives of Frances and Hart Drummond, married nearly forty years, and their grown children, as they cope with communication problems, love, marriage, and Connecticut real estate. INSCRIBED BY AUTHOR on front fly leaf. Clean copy.

Softcover. NY, Vintage Books, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 522 pages, illus., bibliography, notes, index, Clean copy. In this second installment of Caro's epic biography we witness a momentous turning point in American politics: the tragic last stand of the old politics versus the new. Following Johnson through his service in the Second World War, it describes the foundation and the myths of his long-concealed fortune. The explosive heart of the book is Caro's revelation of the shocking true story of the fiercely contested 1948 senatorial election, which Johnson won with the the '87 votes that changed history.

Hardcover. NY, Alfred A. Knopf, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 522 pages, illustrations, bibliography, notes, index, In this second installment of Caro's epic biography we witness a momentous turning point in American politics: the tragic last stand of the old politics versus the new. Following Johnson through his service in the Second World War, it describes the foundation and the myths of his long-concealed fortune. The explosive heart of the book is Caro's revelation of the shocking true story of the fiercely contested 1948 senatorial election, which Johnson won with the the 87 votes that changed history. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. NY, Knopf, 3rd pr., 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 1167 pages, illus., bibliography, notes, index, Clean copy. In this third installment of Caro's epic biography he carries Johnson's story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. At the heart of the book is its unprecedented revelation of how legislative power works in America, how the Senate works, and how Johnson, in his ascent to the presidency, mastered the Senate as no political leader before him had ever done. It was during these years that all Johnson's experience--from his Texas Hill Country boyhood to his passionate representation in Congress of his hardscrabble constituents to his tireless construction of a political machine--came to fruition. Small scar to front fly leaf where sticker was removed, otherwise a clean copy.

Hardcover. NY, Vintage Books, 2nd pr., 2002, Book: Very Good, Dust Jacket: None, Hardcover in a bright, unclipped dust jacket, 1167 pages, illus., bibliography, notes, index, Clean copy. In this third installment of Caro's epic biography he carries Johnson's story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. At the heart of the book is its unprecedented revelation of how legislative power works in America, how the Senate works, and how Johnson, in his ascent to the presidency, mastered the Senate as no political leader before him had ever done. It was during these years that all Johnson's experience--from his Texas Hill Country boyhood to his passionate representation in Congress of his hardscrabble constituents to his tireless construction of a political machine--came to fruition.

Softcover. NY, Vintage Books, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 1167 pages, illus., bibliography, notes, index, Clean copy. In this third installment of Caro's epic biography he carries Johnson's story through one of its most remarkable periods: his twelve years, from 1949 to 1960, in the United States Senate. At the heart of the book is its unprecedented revelation of how legislative power works in America, how the Senate works, and how Johnson, in his ascent to the presidency, mastered the Senate as no political leader before him had ever done. It was during these years that all Johnson's experience--from his Texas Hill Country boyhood to his passionate representation in Congress of his hardscrabble constituents to his tireless construction of a political machine--came to fruition.

Softcover. NY, Vintage Books, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 882 pages, illus., maps, bibliography, notes, index, small crease to upper corner rear cover. This first volume of Caro's epic biography traces Johnson from his Texas boyhood through the years of the Depression to the triumph of his congressional debut in New Deal Washington, to his heartbreaking defeat in his first race for the U.S. Senate. Clean copy.

Hardcover. Hartford CT, Edwin Hunt, 1st, 1847, Book: Very Good, Dust Jacket: None, Hardcover, 213 pages. 7.75 x 4.75", blind & gold stamped brown cloth. A collection of sermons: Elements of Power: spirit of enterprise, enthusiasm, courage, readiness to receive & propagate new truths; Sources of Danger: trifling pursuits, unworthy associates, improper pleasures & amusements, ball-room, intemperance, theatre, improper reading; Pleasure & the Judgment; Demands of Age: reforms, slavery, war, temperance; spurious reforms, capital punishment. Some light foxing, minor wear to covers, clean.

Hardcover. NY, Harper & Brothers, reprint, 1881, Book: Good, Dust Jacket: None, Hardcover, blue cloth stamped with a maroon and gilt design on cover and spine. Tales and studies of outdoor life, hunting, fishing, living in the wilderness, etc. Profusely illustrated with wonderful engravings by the Harper stable of artists: Shepard, W.A. Rogers, Rinehart, Abbey, others. No date on title page so assumed an early reprint. No markings but the rear cover is badly scuffed, light corner wear to corners. Rear endpapers soiled. The interior of the book is tight and clean.

Hardcover. London, Unicorn Publishing Group, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Starting in 1966, Thea Porter designed clothes for the rich and famous for nearly two decades. Her creations were made from sumptuous fabrics that drew inspiration from the Middle East, combining richly patterned silks with antique fabrics. Her clothes were a must for music and film stars such as Pink Floyd, Crystal Gayle, Elizabeth Taylor, and Barbra Streisand. Porter soon became a key member of an innovative group of British designers that included Ossie Clark, Zandra Rhodes, and Jean Muir, and her place in the history of British fashion was ensured when she was named Designer of the Year in 1972. Thea Porter's Scrapbook is her story in her own words, an unpublished autobiography she put together before her death in 2000. Edited by her daughter Venetia and with an essay by fashion historian Amy de la Haye, it reveals Porter's further talents as a keenly observant and descriptive writer. This book, which includes working drawings, sketches, snapshots, and manuscript notes, serves as a memoir of her early life and career, charting many memorable episodes, including the dramatic surge of American interest in her clothes and the opening of her shop in Paris as she pursued her ambition to create dresses "beyond trend and tat, that thirty years from today will still be beautiful."

Softcover. New York, Viking Studio, 1st, 1998, Book: Very Good, Dust Jacket: None, 129 pages, color illustrations. Features 40 of the designers posters for the Lincoln Center. Large softcover, clean, bright copy.

NY, Penguin Studio, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 129 pages, 13.5 X 10". Foreword by Bernard Gersten. Introduction by John Guare. Well-illustrated throughout in color. On buses, billboards, and train platforms, in newspapers and magazines, a poster's swift promise in glorious color or powerful dark tones offers a vivid impression of what awaits a theatergoer, and provides the lasting mental image of a play long after its closing night. No one creates such images with more invention, honesty, and beauty--sometimes disturbingly, but always memorably--than James McMullan. The Theater Posters of James McMullan is an illuminating collection of thirty-six posters from 1976 to the present (from Arcadia and Carousel to Six Degrees of Separation), almost all of them for New York's Lincoln Center Theater, by this artist for whom "the body itself becomes a quickly understood gesture like the movement of a mime or a dance." The ragman hanging off the lamppost with his flaming match in Road, the French-postcard wink of the Anything Goes woman, Eros aiming his arrow in Four Baboons Admiring the Sun . . . full-page reproductions of McMullan's posters accompany his stories of their geneses. Reference photographs, sketches, and alternate versions illustrate his search for the perfect visual metaphor. Most of all, the personalities and dramas of the theater people who surrounded each poster's birth--from Wole Soyinka and John Guare to Liv Ullmann, Patti LuPone, and Mike Nichols--fill this gift book of choice for all theater and art lovers.Newspaper review laid in. Clean, very goog in a bright, unclipped dust jacket.

Hardcover. NY, Knopf, 1st, 1933, Book: Very Good, Dust Jacket: Poor, Hardcover, 90 pages. Humorous verse describing famous plays, illustrated with black and white drawings by Rea Irvin. Stated First Edition. Dust jacket is present but poor condition. Book itself is clean and bright.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout. A tight copy. Covering many styles and movements, it includes work by pioneers such as Edward Sheriff Curtis, seminal figures like Walker Evans, Cecil Beaton and August Sander, as well as artists such as Martin Parr, Cindy Sherman and Philip-Lorca diCorcia - With over 300 black and white and color photographs, this book offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera.

Hardcover. NY, Fordham University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 309 pages. Barolini profiles six gifted women transformed by Italy's mythic appeal. Unlike Barolini herself, they were not daughters of the great Italian diaspora. Rather, they were drawn to an idea of "Italy" and its gifts-in whose welcome a new self could be created. Or discovered. Emily Dickinson traveled to Italy only in the imaginative genius of her verse. Margaret Fuller struggled alongside her Italian lover in the political revolutions that gave birth to the Italian Republic, while the novelist and short-story writer Constance Fennimore Woolson found her home in Venice and Florence. Here, too, is the flamboyant artist Mabel Dodge Luhan, entertaining at her villa near Florence; and Marguerite Chapin of Connecticut, who married an Italian prince and in Rome founded the premier literary review of the mid-century, Botteghe Oscure. Finally, here is Iris Cutting Origo, the Anglo-American heiress who, with her Italian nobleman husband, built a Tuscan estate, where she wrote acclaimed biographies-and created a refuge from Mussolini's fascism. Clean copy.

Hardcover. NY, Dutton, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages of single and multiple panel humorous cartoons with sports and leisure themes.

Softcover. Boston, Bulfinch, 1st, December 1993, Book: Very Good, Dust Jacket: None, Softcover, 236 pages, b&w and color illustrations throughout. A very clean, tight copy. Resulting from a groundbreaking, four-venue exhibition, Theme & Improvisation features exquisite color reproductions of works from Kandinsky's abstract oeuvre as well as of works by thirty-eight remarkable American artists - some world-renowned, others less well known. Based on important new research into the art of the American avant-garde, and illustrated with many beautiful, often revelatory works of art, this book points the way to a new interpretation of the art of the first half of the twentieth century.

Softcover. La Salle IL, Open Court, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 448 pages. In this 1710 treatise, Gottfried Liebniz's only book-length work, he applies the idea of philosophical 'optimism'- that we live in the best of all possible worlds-to the 'problem of evil'- If a benevolent God exists, why do terrible things happen? He explores the possibility that humanity's happiness is not necessarily part of God's plan.Much of Leibniz's thinking in the realm of the sciences flowed from his philosophy-he believed the universe to operate under simple, intelligible, interconnected rules. Understanding how he approached the metaphysical world and humanity's place in it is vital to understanding his contributions to modern science. The impact of the work of this German mathematician (1646-1716) on modern science and technology is all but incalculable. His notation for infinitesimal calculus-which he developed independently of Newton-remains in use today, and his invention of binary counting is the basis for modern computing. He was a powerfully influential philosopher as well, and is still considered, alongside Descartes and Spinoza, one of the great 17th-century rationalists.

Softcover. New York, N.Y. (21 E. 70th St., Hirschl & Adler Galleries, 1st, 1992, Book: Good, Dust Jacket: None, Softcover, 64 pages, illustrated throughout in color and b&w. Light wear and rubbing to spine with slight tear to upper edge. Clean, tight copy.

Softcover. New York, NY, Hirschl & Adler Galleries, 1st, 1989, Book: Good, Dust Jacket: None, Softcover, 79 pages. Exhibition catalog. Black-and-white and color illustrations. Some shelf-wear on rear cover. Light sun-fade to spine. A little soiling to bottom edge. Otherwise, clean, tight copy.

Hardcover. NY, Bloomsbury, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. This wonderfully comprehensive collection spanning nearly three decades and arranged chronologically-and drawn from the pages of magazines including Scientific American and Redbook as well as The New Yorker-brings together, for the first time, the very best of Roz Chast, whom O Magazine called "the wryest pen since Dorothy Parker's."

Hardcover. NY, Bloomsbury, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages. This wonderfully comprehensive collection spanning nearly three decades and arranged chronologically-and drawn from the pages of magazines including Scientific American and Redbook as well as The New Yorker-brings together, for the first time, the very best of Roz Chast, whom O Magazine called "the wryest pen since Dorothy Parker's."

Hardcover. New York , E.P. Dutton, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover, 87 pages of b&w cartoons from The New Yorker. Dust jacket with light edgewear, unclipped. Clean.

Hardcover. NY, St. Martin's Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages. SIGNED BY AUTHOR ON TITLE PAGE. Light wear to pictorial dust jacket in clear mylar cover. A very neat, tight copy.

Hardcover. NY, PowerHouse Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 200 pages. A wide ranging collection of photographs by musician John Cohen of other musicians and authors and artists like Robert Frank, Allen Ginsberg, Woody Guthrie and others. Features text by Greil Marcus. Includes 127 duotone and 39 color images. Clean copy.

Hardcover. New York, Dutton, 1st, 1926, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages. Illustrated with black & white drawings by Don Herold. Light wear to covers. Clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Rumford. According to Herodotus, an Ancient Greek historian, a Phoenician named Cadmus brought the alphabet to Greece. In the ancient myths, Cadmus was a hero who fought a ferocious monster and founded the city of Thebes. Cadmus was so famous that his deeds were told and retold throughout the ancient world. In this modern retelling, James Rumford uses the alphabet that Cadmus brought to Greece to recount the hero's own story. Part truth, part fancy, this different kind of alphabet book takes its reader on a journey to the distant past, when our letters were not just marks to record sounds but were pictures of eyes and hands, doors and fences, giant teeth and . . . monsters.

Hardcover. NY, St. Martin's Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. SIGNED BY AUTHOR ON TITLE PAGE. Light edgewear and rubbing to pictorial dust jacket, else a very neat, tight copy, protected in clear mylar cover.

Hardcover. NY, W. W. Norton & Company, 3rd pr., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a brirght, lightly worn dust jacket, 932 pages. In the most ambitious one volume American history in decades, award winning historian and New Yorker writer Jill Lepore offers a magisterial account of the origins and rise of a divided nation, an urgently needed reckoning with the beauty and tragedy of American history. Written in elegiac prose, Lepore's groundbreaking investigation places truth itself-a devotion to facts, proof, and evidence-at the center of the nation's history. The American experiment rests on three ideas-"these truths," Jefferson called them-political equality, natural rights, and the sovereignty of the people. And it rests, too, on a fearless dedication to inquiry, Lepore argues, because self government depends on it. But has the nation, and democracy itself, delivered on that promise? These Truths tells this uniquely American story, beginning in 1492, asking whether the course of events over more than five centuries has proven the nation's truths, or belied them. To answer that question, Lepore traces the intertwined histories of American politics, law, journalism, and technology, from the colonial town meeting to the nineteenth century party machine, from talk radio to twenty first century Internet polls, from Magna Carta to the Patriot Act, from the printing press to Facebook News. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2019, Hardcover, oblong, 208 pages. In the 1970s and 1980s, the Disney animation studio redefined its creative vision in the wake of Walt Disney's death. This latest volume from renowned Disney historian Didier Ghez profiles Ken Anderson and Mel Shaw, whose work defined beloved classic Disney characters from films like The Jungle Book, The Aristocats, Robin Hood, and The Rescuers. Descriptions of passages from the artists' autobiographies and interviews, accompanied by never-before-seen images of their art and process. Like new with a dust jacket.

Hardcover. San Francisco, Chronicle Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages illustrated in color. As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. A very clean, unmarked copy like new in publishers shrink-wrap. The 1940s ushered in an era of musical experimentation and innovation at the Walt Disney Studios. For this volume, author Didier Ghez has unearthed hundreds of enchanting images--from early sketches to polished concepts for iconic features--by five exceptional artists who shaped the style of the Studio's animation during this period of unbridled creativity. With evocative descriptions and excerpts from the artists' journals and autobiographies, this magnificent collection offers a rare look at the visionaries who breathed life into some of the most beloved films of our time.

Softcover. Chicago, University of Chicago Press, 1997, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 311 pages. For generations of anthropologists, the Baining people have presented a challenge, because of their apparent lack of cultural or social structure. This group of small-scale horticulturists seems devoid of the complex belief systems and social practices that characterize other traditional peoples of Papua New Guinea. Their daily existence is mundane and repetitive in the extreme, articulated by only the most elementary familial relationships and social connections. The routine of everyday life, however, is occasionally punctuated by stunningly beautiful festivals of masked dancers, which the Baining call play and to which they attribute no symbolic significance.  In a new work sure to evoke considerable repercussions and debate in anthropological theory, Jane Fajans courageously takes on the "Baining Problem," arguing that the Baining define themselves not through intricate cosmologies or social networks, but through the meanings generated by their own productive and reproductive work.

Hardcover. New York, Little, Brown and Company, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Remainder mark on bottom page block. Tight copy with minimal wear to edges. Light rubbing to top edge. Light marking and sticker residue on rear dust jacket.

Softcover. Loughborough UK, Loughborough University, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. Color illustrations, essay by Dominique Nahas, Saul Ostrow. Interview by Mark Harris. Clean copy.

Hardcover. NY, Golden Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, A book of essays and cartoons given out by Volkswagen dealers to their customers. Contributions by artists and writers such as Charles Addams, Harry Golden, William Steig, Jean Shepherd, Virgil Partch, George Price, Roger Price, Charles Saxon and others. Photos of a number of the contributors. Clean copy.

Softcover. Chicago, University of Chicago Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 883 pages.The author reveals how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world. Interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Clean copy.

hardcover. NY, Metroplitian Museum of Art, reprint, 1980, Book: Very Good, Dust Jacket: None, Musical scores to 30 children's song, illustrated in color by Paul Woodroffe. Illustrated cardboard covers with white cloth spine. Endpapers illustration in yellow. A reprint of a book originally published in 1912. Includes words and music to popular nursery songs, such as Old King Cole, Little Bo-Peep and Three Blind Mice.

Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.

Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Near Fine, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.