Hardcover. Marina del Rey, CA, Graystone Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover. Printing limited to 5000 copies. 113 pages. B&w and sepia photographs throughout. Sepia photo plate on front of ivory cloth cover. Light soiling and rubbing to back cover. Light edgewear to cover. Else a nice, clean copy. A collection of images by De Meyer of his wife Olga who was rumored to be the daughter of Edward VII.

Hardcover. Gibbs Smith, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Off the Grid confronts the ecological and cultural problems associated with the way we get and use energy, and explains how it is possible to live in a beautifully designed home using much less--no matter where your home is located. Our homes are connected by a nearly invisible grid of infrastructure that binds us together. It is a system of electrical poles, wire, substations, hydroelectric dams, telecommunication towers, and water extraction and sewage systems. From within this system we work, play, and raise families. We have also created one of the greatest environmental challenges known to modern civilization. The signs of our impact upon the world can be recognized in the reports of environmental changes occurring across the earth, and they can also be seen in the growing failures of the energy grids across the world as the current system is stressed beyond its capacity. Off the Grid beautifully illustrates that this is not just a concept for rural living; examples of homes that are "off the grid" to varying degrees are found in New York City; Ontario, Canada; Stuttgart, Germany; Belmont, California; Pipe Creek, Texas; Clyde Park, Montana; Twin Lakes, Minnesota; Laytonville, California; Venice, California; and New South Wales, Australia.

Softcover. NY, Picador, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 318 pages. Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been [his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of Off the Wall, which deals with the radical changes that have made advanced visual art such a powerful force in the world.Off the Wall chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art. In his in his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Clean, bright copy.

Hardcover. Hartford CT, Guyde Publishing Co., 1927, Book: Very Good, Dust Jacket: None, Limp red cloth covers stamped in gilt, now faded. Vintage travel guide for the northeast. Maps, advertising, photos, large folding map inside rear cover with a tear to one panel, no paper loss. Previous owners embossed stamp on front fly leaf, otherwise clean, very good.

Hardcover. Washington DC, War Department, 1st, 1905, Book: Very Good, Hardcover, Large folio volume (17x12 inches) in pebbled red embossed cloth with gilt lettering, modest wear at the extremities with bottom corners bumped. Marbled edges, 584 pages. Hundreds of woodcut illustrations with no stains or flaws. Massive work which reproduces hundreds of black and white engravings of the Civil War. The illustrations originally appeared in Leslie's Magazine during the war. Narrative and descriptions by John Clark Ridpath, Rossiter Johnson, General Fitzhugh Lee, General John T. Morgan, George L. Kilmer, General Joseph B. Carr. No makings. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Houghton Mifflin, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 190 pages. Explores the world of the North Sea oil installations and describes the life of the men who are engaged in this business. The offshore oil rig represents one of Earth's last frontiers; the ultimate example may be found in the North Sea, 300 miles off the coast of Scotland. What's it like to live in this hostile environment, in unnatural isolation, and to work to the point of exhaustion? Curiosity prompted Alvarez (The Savage God, The Biggest Game in Town to visit the Shell installation at Brent Fields. The people best fitted for offshore work, Alvarez found, are ex-military men. He talked at length to pilots, roustabouts, managers, divers and the chief official of the Shetland Islands. It's an amazing account of humanity triumphing over the elements.

Hardcover. Seattle, University of Washington Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 388 pages, hardcover. B&w plates. INSCRIBED BY ECKERT. Light foxing to edge and light wear to bottom edges of cover. According to conventional interpretations, the Japanese annexation of Korea in 1910 destroyed a budding native capitalist economy on the peninsula and blocked the development of a Korean capitalist class until 1945. In this expansive and provocative study, now available in paperback, Carter J. Eckert challenges the standard view and argues that Japanese imperialism, while politically oppressive, was also the catalyst and cradle of modern Korean industrial development. Ancient ties to China were replaced by new ones to Japan - ties that have continued to shape the South Korean political economy down to the present day.Eckert explores a wide range of themes, including the roots of capitalist development in Korea, the origins of the modern business elite, the nature of Japanese colonial policy and the Japanese colonial state, the relationship between the colonial government and the Korean economic elite, and the nature of Korean collaboration. He conveys a clear sense of the human complexity, archival richness, and intellectual challenge of the historical period. His documentation is thorough; his arguments are compelling and often strikingly innovative.

Softcover. New York, Vintage Books/Random House, 1st thus, 1985, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Reveals everything Ogilvy has learned about which advertising techniques sell and which don"t sell. Illustrated with 185 advertisements and TV commercials from all over the world in color and b/w . Superbly written and splendidly controversial, the book is as witty and outspoken as the man who wrote it. Clean, bright copy.

Softcover. New York, Vintage Books/Random House, 1st thus, 1985, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Reveals everything Ogilvy has learned about which advertising techniques sell and which don"t sell. Illustrated with 185 advertisements and TV commercials from all over the world in color and b/w . Superbly written and splendidly controversial, the book is as witty and outspoken as the man who wrote it. Clean, bright copy.

Hardcover. Chicago, Volland Company, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards with brown cloth spine, unpaginated, but roughly 60 pages of 2-color cartoons from the noted artist and satirist. Each drawing is aptly accompanied by a short verse by Nesbit. Clean, bright copy.

Hardcover. New York , Balzer + Bray, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 40 pages illustrated in color by Shea. SIGNED BY SHEA. In this humorous paean to fatherhood, a hippo explains that he is so smart that he shows his dad how to do things. Shea goes through a series of scenarios in which the father gets his son to do what he wants by pretending he doesn't know how to do it correctly. When the youngster claims to be "busy getting dressed," the pictures show him watching TV in his underwear. The father proceeds to mix up his clothing and asks, "Is this how you get dressed?" prompting the child to respond, "Oh, Daddy! This is how you get dressed!" And so it goes on.

Hardcover. Chicago, Volland Company, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards with brown cloth spine, unpaginated, but roughly 60 pages of 2-color cartoons from the noted artist and satirist. Foreword by Franklin P. Adams. In publisher's illustrated box, worn and splitting at corners. Light foxing to cover boards, interior pages clean and bright.

Hardcover. Boston, Houghton Mifflin , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket. Pink & black & white illustrations by Geisert. Dust jacket shows very minor wear, mostly nice condition. A follow-up to the artist's Oink. More adventures of his favorite pig family. A wordless picture-book.

Softcover. London, Tate Publishing, 1st, 2007, Book: Near Fine, Dust Jacket: None, Softcover. Clean, unmarked copy with only minor wear to wrappers. 136 pages, 40 color & 50 black & white illustrations. Helio Oiticia (1937-80) was one of the most influential artists of the late twentieth century. At the end of the 1960s Oiticica was invited to exhibit at the Whitechapel Art Gallery in London. This book captures not only a pivotal moment in the life and career of a unique artist but also in the development of the avant-garde in London.

Softcover. Ostfildern GR, Hatje Cantz, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 114 pages illustrated in color and b&w, catalog of an exhibition held at the Institute of Contemporary Art, Boston, January 24-April 1, 2001. Clean copy.

Softcover. Bowie MD, Heritage Books, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 325 pages, b&w illustrations. The village of Bergen, established in 1660, was the first permanent settlement in New Jersey. Now known as Hoboken and Jersey City, the marshy land on which Bergen was founded is just across the Hudson River from New York. At the beginning of this century, when this book was written((1902), the Bergen region was still known for an old-fashioned charm. Mr. Van Winkle used sources such as colonial and revolutionary documents, old newspaper articles and individual's reminiscences to compile this pleasant and enjoyable history. Light pencil marking to 10 pages.

NY, The Press of the American Institute of Architects., 1st, 1925, Book: Good, Dust Jacket: None, Hardcover. Complete with 24 watercolor prints and 44 plates. Loosely bound in case with cloth ties which has cracking along spine. Interior very good. Number 677 of 1000. Elephant folio 23" tall. "A Series of Historical Examples from Roman Times to the End of the XVIIIth Century." An appreciation of historic French infrastructure that survived WWI. Beautiful large color reproductions of original watercolors of bridges by Pierre Vignal; 35 black and white drawings by Louis C. Rosenberg & Samuel Chamberlain; 44 measured drawings, photographs, diagrams, and maps. DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Cornmarket Press Ltd., reprint, 1969, Book: Very Good, Dust Jacket: Very Good, 205 pages + advertisement. Reprint of 1911 edition. Part of series of 50 books reprinted in facsimile from originals in the National Maritime Museum Library. B/W illustrations. Fold-out map at end of book. Dust jacket faded and lightly soiled otherwise clean.

Softcover. Kansas City, Andrews McMeel Publishing, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with only light wear to paper wrappers. Cartoons throughout in black and white by Lorenz. Remainder mark on top.

Hardcover. Boston, Joseph Knight, 1st, 1892, Book: Very Good, Dust Jacket: None, Floral decorated boards with a green cloth spine that has an ornate gilt design. Ten pages printed on thin Japanese tissue tipped to heavier paper. Earliest work by the Victorian photographer Mrs. Mary A.N. Gray Bartlett. The words done in calligraphy. Moderate foxing to title page and some light foxing to a few other pages. Mother Goose page has vertical crease across Mother Goose image, and very fine ripples in paper. Despite the fragility of the plates, all are intact. Scarce.

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

Hardcover. Seattle WA, Fantagraphics, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, b&w illustrations. Light shelf-wear to boards, else a clean, tight copy.

Softcover. Albuquerque, University of New Mexico, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 113 pages, b&w and color illustrations. Light smudging to back wrapper; else a very clean, tight copy. This splendid publication, a compact guide to rug dating and identification, examines patterns, styles, and weaving materials of Navajo rugs. In order to produce this heavily illustrated volume, the author, a noted authority in the field, examined thousands of rugs in public collections and researched the catalogues turn-of-the century traders used for their rug customers

Hardcover. London, Macdonald & Co., 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages, dust jacket with minor wear. B&W illustrations by Frank Martin.

Hardcover. NY, Harper & Brothers, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, expertly rebound green cloth with original gilt and black design inlaid on front cover. New color pattern endpapers, 460 pages, plus publisher's ads. Frontis w/ tissue guard many b/w engravings throughout. Various artists. illustrated tale of the triumphs and tragedies of the formation of the English colonies through the French & Indian War. Light shelf wear, no marking.

Hardcover. New York , Farrar & Rinehart, 1st, 1942, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages, illustrated in b&w by Henry Gillette. INSCRIBED BY DEAN on half title page. Dust jacket with light edgewear, chipping. Book has a slight slant, otherwise clean, very good.

Softcover. Minneapolis, MN, Walker Art Center, 1st, 1975, Book: Good, Dust Jacket: None, Softcover. Exhibition catalog, 100 pages. Color and B&W plates throughout. . Deep bend on wrapper and first several pages. Light edgewear to wrapper and tearing on spine. soiling on last couple of pages. Overall a nice, tight copy.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages, illustrated throughout in color and b&w. Text in German and English. Clean, unmarked copy with only minor wear to dust jacket. Oliver Mark (born 1963) has photographed countless artists, actors, politicians and other celebrities. Subjects included here are Tom Hanks, Anthony Hopkins, George Lucas, Sir Ridley Scott, Jenny Holzer, Mia Farrow, Norbert Tadeusz, Kenny Scharf, Georg Baselitz, David Chipperfield, Luc Tuymans, Cate Blanchett, Balthus and Sir Peter Ustinov. Besides Mark's most successful portraits, this volume also contains some of his most beautiful fashion photographs and other stills, many of which have appeared in several well-known magazines.

Hardcover. Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 189 pages. Like new in publisher's shrink-wrap. Art icon Jeff Koons lying on a giant plastic ball, Richard Serra disappearing into one of his vast steel sculptures, "king of theater" Claus Peymann sporting a cardboard crown ever since shooting his portrait of painter A.R. Penck in 1994, Oliver Mark (born 1963) has photographed countless artists, actors, politicians and other celebrities. Sometimes concentrating only on the subject against the most minimal setting possible, sometimes placing them in front of an artful background, Mark presents the rich and famous in constantly new and consistently trenchant ways, bringing their less apparent characteristics to light and casting them in disorienting circumstances. Other of Mark's subjects included here are Tom Hanks, Anthony Hopkins, George Lucas, Sir Ridley Scott, Jenny Holzer, Mia Farrow, Norbert Tadeusz, Kenny Scharf, Georg Baselitz, David Chipperfield, Luc Tuymans, Cate Blanchett, Balthus and Sir Peter Ustinov. Besides Mark's most successful portraits, this volume also contains some of his most beautiful fashion photographs and other stills, many of which have appeared in several well-known magazines. Texts by Margit J. Mayer, Christoph Amend, Christian Boros and others round off this entertaining "best-of" collection.

Hardcover. New York, Bradbury Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY SCHWARTZ on title-page. Color illustrations by Schwartz. Dust jacket with light edgewear, minor chipping at top of spine.

Hardcover. NY, Thames & Hudson, 1st US, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, in a bright lightly worn dust jacket. A description of the history of the Omega Workshops, a gallery of decorative arts in the Bloomsbury district of London, examines the works exhibited there by artists, including Vanessa Bell, Wyndham Lewis, and Duncan Grant. Clean copy.

Hardcover. New York, Penguin Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 442 pages. Light edge wear, rubbing to dust jacket. Else a very clean, tight copy. Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering professor at Wellington, a liberal New England arts college. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.

Hardcover. New York, Norton, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Like new in publisher's shrink-wrap. For over twenty-five years Tim Barnwell has explored the southern Appalachian region, documenting the farm culture, visiting with and photographing the people of its isolated mountain enclaves. The photographs in this collection provide a window onto a world that is quickly fading. Barnwell honors the richness and rhythms of everyday life-people in their homes and at work in the fields-and captures the beauty of the North Carolina mountains. These intimate portraits are complemented by oral histories, derived from conversations between the author and his subjects, through which individual stories unfold, rich in humor, joy, loss, and wisdom. 100 duotone photographs

Hardcover. NY, G. P. Putnam's Sons, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A 5-year-old Tomie worries over the health of his baby sister, learns to read in one weekend (with a pilfered schoolbook), and helps his father pave the new driveway (to a too-fine polish!). In the spirit of his earlier memoirs, the Newbery Honor-winning 26 Fairmount Avenue and Here We All Are, author Tomie dePaola recounts the (mostly) serene days between the end of kindergarten and the beginning of first grade. Clean copy.

Hardcover. New York, Horace Liveright, 1st, 1928, Book: Very Good, Dust Jacket: None, Hardcover, 302 pages. Limited edition of 1000 copies. Black boards with white binding, small gilt pictorial to front cover, many page ends uncut, black book ribbon, profusely illustrated with b&w plates, burgundy slip case with black pasted labels. Light soiling to spine, very slight rubbing to boards, pages crisp and unmarked, edgewear to slipcase. Fascinating work being a diary written by the famous American cartoonist between September 1st 1925 and March 1st 1926. It is profusely illustrated with numerous in-text b/w drawings along with 17 full-page line and 20 full-page halftone illustrations.

Hardcover. New York, Farrar, Straus and Giroux, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover. Cover boards bound in dark gray cloth, gilt title on spine. Some light fading to covers at top and bottom of spine (shelfwear). Gray endpapers. Dust jacket price-clipped, some light tanning and chipping to edges of dj (see image). Pages clean and unmarked. Foreedge has some light spots of soil and a touch of tanning (see image). Binding tight. Spine straight. Sontag examines a wide range of problems, both aesthetic and moral, raised by the presence and authority of the photographed image in the lives of everyone today. Appendix "A Brief Anthology of Quotations" included.

Softcover. London, Vision On Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color and b&w photos by Greg Qilliams. "As a photographer and film enthusiast, I wanted to revive the genre of the Life Magazine set reports of the 1950s and 60s," says Williams. "For a variety of reasons, the past 30 years have seen photographic access to the film industry severely restricted, limited mainly to portrait shots. I wanted to re-establish reportage as a respected form of film photography." Planned as an editorial project exploring the film-making process in its entirety, On Set grew into a three-years-in-the-making report on British cinema as it once again blossomed with movies like The Talented Mr. Ripley, Lock Stock and Two Smoking Barrels and Elizabeth. Gaining unprecedented access to sets, Williams was able to frame stars, directors and crew in their element and tell a complete, naturalistic story. Starting with Terry Gilliam's hands at the storyboarding stage and ending with Hugh Grant lip-syncing in post-production, On Set's fascinating insider's tale captures the leading lights of British and American film as they've rarely seen: Jude Law practices his dance moves; Matt Damon prepares for his close up; Renee Zellweger relaxes between takes. Clean copy.

Hardcover. Daytona Beach FL, Southeast Museum of Photography, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 152 pages, color photographs. A catalog of beach photos exhibited at the Southeast Museum of Photography in November 2006 thropugh January 2007. Two photographers present a portfolio of random close-up color portraits they made to show beachgoers at various beaches in Southern California and Florida. Locations and subjects' names are omitted. Essay about the project by Tyler Stallings, curator of the Laguna Art Museum.

Hardcover. NY, The New Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 182 pages, b&w illustrations. Lucy R. Lippard weaves together cultural criticism, anthropology, and community activism for an in-depth look at how tourism sites are conceived and represented, and how they affect the places they transform. Critic Andrew Ross calls Lippard "the most surefooted tour guide you could hope for" in her exploration of being a tourist in one's own home, of how advertising and photography define place, of how antique shops function as populist museums, and of the commodification of indigenous cultures. With her characteristic breadth and critical eye, Lippard discusses the political economies of leisure spaces, the tourist's fascination with tragic destinations (such as the sites of massacres and nuclear weapons tests, or Holocaust memorials), and our willingness to let national parks and heritage sites define nature and history. Clae copy.

Hardcover. San Diego/NY, Harcourt Brace Jovanovich, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In simple words and radiant collages, Debra Frasier celebrates the earth and extends an exuberant welcome to each member of our human family. Travel across our round planet as the moon pulls, the tides rise, the rain falls, and then a baby is born.

Hardcover. New Haven, Yale University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. Oversized. Green cloth cover, minor wear to corners and edges. Dust jacket has slight wear to edges. Inside is bright and clean, with many b&w and color illustrations throughout. A nice copy. "More than one hundred paintings, drawings, watercolors, and photographs that convey the highly charged experience of attending vaudeville, early moving-picture shows, and other forms of popular amusements. These works of art reveal much about the beginnings of modernity in the United States and about how artists in early twentieth-century America searched for new pictorial vocabularies to express the profound change and dynamism of their time."

Hardcover. NY, Dutton Children's Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 170 pages with b&w drawings by George. INSCRIBED BY AUTHOR on the front fly leaf. All numbers including 1 on copyright page. A like-new signed copy of the sequel to the Newbery Honor-winning, My Side of the Mountain. This time, Sam must save both his younger sister and his trusty falcon, Frightful. Dust jacket art by Ted Rand.

Softcover. US, Turner, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 270 pages, illustrated throughout in color and b&w. Text in English and Spanish. Light edgewear to wrappers, else a clean, tight copy. Featuring work by Cecil Beaton, Brassai, Henri Cartier-Bresson, Robert Frank, Raoul Hausmann, Richard Avedon, Man Ray, El Lissitzky, Aleksandr Rodchenko and dozens more of the most outstanding photographers of the twentieth century. Analyzes photography as an artistic medium from 1900 to 2000-paying particular attention to the myriad ways that human beings have been portrayed across the years.

Softcover. US, Turner, 1st, 2008-08-01, Book: Very Good, Dust Jacket: None, Softcover, 270 pages, illustrated throughout in color and b&w. Text in English and Spanish. Light edgewear to wrappers, else a clean, tight copy. Featuring work by Cecil Beaton, Brassai, Henri Cartier-Bresson, Robert Frank, Raoul Hausmann, Richard Avedon, Man Ray, El Lissitzky, Aleksandr Rodchenko and dozens more of the most outstanding photographers of the twentieth century. Analyzes photography as an artistic medium from 1900 to 2000-paying particular attention to the myriad ways that human beings have been portrayed across the years.

Hardcover. Gottingen GR, Steidl, 1st thus, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. This edition of On the Mines is a re-designed and expanded version of David Goldblatts influential book published in 1973. Goldblatt grew up in the South African town of Randfontein. which was shaped by the social culture and financial success of the gold mines surrounding it. When these mines started to fail in the mid-sixties Goldblatt began taking photos of them. The book features an essay on the human and political dimensions of mining in South Africa by Nadine Gordimer.

Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 436 pages, color photos. The legendary travel writer drives the entire length of the US-Mexico border, then takes the back roads of Chiapas and Oaxaca, to uncover the rich, layered world behind the everyday headlines. Paul Theroux has spent his life crisscrossing the globe in search of the histories and peoples that give life to the places they call home. Now, as immigration debates boil around the world, Theroux has set out to explore a country key to understanding our current discourse: Mexico. Just south of the Arizona border, in the desert region of Sonora, he finds a place brimming with vitality, yet visibly marked by both the US Border Patrol to the north and mounting discord from within. With the same humanizing sensibility that he employed in Deep South, Theroux stops to talk with residents, visits Zapotec mill workers in the highlands, and attends a Zapatista party meeting, communing with people of all stripes who remain south of the border even as family members brave the journey north. Clean copy.

Hardcover. Cambridge, Mass., The Belknap Press of Harvard University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 442 pages, b&w illustrations. In the beginning, they rallied behind Hitler in the national interest of Germany; in the end, they sacrificed their lives to assassinate him. A history of German resistance to Hitler in high places, this book offers a glimpse into one of the most intractable mysteries. Why did high-ranking army officers, civil servants, and religious leaders support Hitler? Why did they ultimately turn against him? What transformed these unlikely men, most of them elitist, militaristic, and fiercely nationalistic, into martyrs to a universal ideal?

Hardcover. NY, Rizzoli , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 453 pages, color illustrations throughout. In the mold of his acclaimed History of Beauty, renowned cultural critic Umberto Eco's On Ugliness is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco's encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of the Ugly, revealing that what we often shield ourselves from and shun in everyday life is what we're most attracted to subliminally. Topics range from Milton's Satan to Goethe's Mephistopheles; from witchcraft and medieval torture tactics to martyrs, hermits, and penitents; from lunar births and disemboweled corpses to mythic monsters and sideshow freaks; and from Decadentism and picturesque ugliness to the tacky, kitsch, and camp, and the aesthetics of excess and vice. With abundant examples of painting and sculpture ranging from ancient Greek amphorae to Bosch, Brueghel, and Goya among others, and with quotations from the most celebrated writers and philosophers of each age, this provocative discussion explores in-depth the concepts of evil, depravity, and darkness in art and literature. Clean copy.

Hardcover. NY, Viking Juvenile, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy.