Softcover. Newport Beach CA, Newport Harbor Art Museum, 1st, 1977, Book: Very Good, Dust Jacket: None, Unpaginated, softcover exhibition catalog, illustrated in color and b&w. Essay by Betty Turnbull. Clean, tight copy. David Park, an artist who fused representational figuration with abstract expressionism and was one of the creators of the Bay Area Figurative style is featured here in a career retrospective exhibition containing work from throughout his life.

Softcover. Bennington VT, Bennington Historical Museum and Art Gallery, 1st, 1945, Book: Very Good, Dust Jacket: None, Softcover, cream color card wrappers, 67 pages, frontispiece of the author. "From several points of view, I think the strange story of David Redding, the mystery surrounding his trials and condemnation, is as interesting as any in our history. From my study I can look out upon the place where stood the gallows upon which David Redding was executed. These pages contain the result of many years' study of this man's tragic story." - from the Foreword. Clean, bright copy.

Hardcover. US, Damiani, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 160 pages. Since its inception in the 1970s, hip hop music and the culture surrounding it has become a hugely influential and popular musical form in America and around the world. Its popularity extends beyond the urban centers where it was born, and pervades and influences youth culture around the globe. However, few artists have created serious and powerful photographs that explore the breadth of the phenomenon. With this volume, David Scheinbaum has done just that. His portraits of Erykah Badu, Chuck D., George Clinton, Common, Mos Def, Del-Tha Funkee Homosapien, Sage Francis, Professor Griff, KRS One, Mike Relm, Tajai, Wu-Tang Clan and Yelawolf (among others) approach hip hop as a positive cultural influence akin to the youth movement of the 1960s. Scheinbaum's photographs are accompanied by essays by Gaye Theresa Johnson and Michael Eric Dyson, an artist conversation with Frank H. Goodyear III and an introduction by Brian Hardgroove of Public Enemy.

Softcover. MA, Harvard College, 1st, 1966, Book: Very Good, Dust Jacket: None, Exhibition catalog. 107 pages. 21 B&W plates, 61 B&W figures. B&w pictorial wrapper with soiling to both covers and some edgewear. Bottom edge slightly soiled. Previous owner name and date on front flyleaf. Overall, a nice, tight copy.

Softcover. London, Anthony d'Offay Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (46 pages), catalogue of 64 works all illustrated in b/w, 15 full-page color plates and essay 'After Image' by Will Ameringer. Interesting catalog of rarely seen works on paper by Smith, lent by the artist's daughters for this exhibition. Clean copy.

Softcover. New York, The Whitney Museum of American Art, 1st, 1979, Book: Good, Dust Jacket: None, Softcover. Exhibition Catalog, 128 pages. Color and B&W plates throughout. Light edge wear and light soiling to wrapper. Some small amount of wrinkling to rear bottom left corner. Otherwise a tight and clean copy.

Softcover. Washington, DC, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages. 8 plates, B&W photographs throughout. pictorial cover with slight bending of back bottom corner and slight wear to spine. Frontispiece. Overall, a clean, tight copy.

Softcover. Washington D.C, National Gallery of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Exhibition catalog. 225 pages, illustrated throughout with photos in b&w and color. Pictorial stiff wrappers. Light wear to edges and spine, else a very nice, tight, clean copy.

Softcover. Burlington VT, BCA Center, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 80 page exhibition catalog illustrated in color. SIGNED BY ARTIST on the title page. Text includes the artist's remarks and essays by Courtney Lynch and Jasminr Parsia. Related postcard and brochure laid in. For more than five decades, Stromeyer has created sculptures whose graphic forms, saturated colors, and complex, balanced compositions seem to defy steel's material limits. Despite the weight of their materials and construction--including welded, cold-bent, half-ton steel plates--many of Stromeyer's sculptures play with space and perception; they seem to defy gravity, appearing to float and extend upwards effortlessly in the landscape. Very Good plus.

Hardcover. NY, Henry Holt , 1st, 1908, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with red, black and white decoration. Humerous verse illustrated with 2-color cartoons by Henry Mayer.

Hardcover. New York, Oxford University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs spanning over 30 years. Tight copy.

Softcover. Denamrk, 1at, 1993, Book: Very Good, Dust Jacket: None, 96 pages. Softcover with internal flaps. Light edge wear to paper wrappers. SIGNED AND INSCRIBED BY AUTHOR ON TITLE PAGE. Clean, tight copy.

UK, Cambridge University Press, 1st, 1980, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 233 pages. Anthropologists, in studying other cultures, are often tempted to offer their own explanations of strange customs when they feel that the people involved have not given a good enough reason for these customs. The question how the anthropologist can justify interpretations of customs which go beyond those offered by the people themselves runs through this book. The book focuses on the various interpretations that have been offered by anthropologists of ritual and symbolism. It offers a critical discussion of theories in this field in general, identifying their strengths and weaknesses when applied to the particular case of puberty rituals in a West Sepik village in Papua New Guinea. It then goes on to suggest an alternative approach, which draws on aesthetic as well as anthropological theory, and pays particular attention to the emotional and aesthetic experiences of people as they perform the rites. Pencil marking to about 25 pages, name on inside front cover.

Softcover. New York, Dell Publishing Company, 1st, 1956, Book: Very Good, Dust Jacket: None, 222 pages. Paperback. Dell Mystery Book #909. Cover art by Arthur Sussman. Light warping and creasing to paper wrappers.

Hardcover. London UK , Victoria & Albert Museum, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. In the 1960s, men's fashion witnessed an extraordinary rebirth that led to lasting social, cultural and commercial change. 'The Day of the Peacock' takes a fascinating look at the shops, celebrity photographers, tailors and fashionable dressers who made up the scene. 144 pages : illustrations (some color).

Hardcover. NP, Enchanted Lion Books, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 48 pages, a reprint of Flora's book published in 1957. Whimsical b&w drawings with color by the artist.

Hardcover. New York, Aperture, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 214 pages. Excerpts from Weston's diaries covering the California period of 1923 - 1926. A remarkable documentation of the important and the mundane by an artist at the height of his powers. Includes 32 plates from the period. Crisp, clean and unmarked with tiny bit of sunning to board edges. Dust jacket with light tape repair, wear, unclipped.

Hardcover. New York, Horizon Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 290 pages. Excerpts from Weston's diaries covering the California period of 1927 - 1944. A remarkable documentation of the important and the mundane by an artist at the height of his powers. Includes 40 plates from the period. Crisp, clean and unmarked with tiny bit of sunning to board edges. Dust jacket with light soil, wear, price-clipped.

Softcover. NewYork, Aperture, 2nd, 1973, Book: Very Good, Dust Jacket: None, Vol. 1: 214 pages. Softcover. B/w illustrations throughout. Covers slightly yellow with age, clean inside and intact. Vol. 2: 290 pages. Softcover. B/w illustrations throughout. Covers slightly yellow with age, clean inside and intact. Soil/stain on bottom foredge, does not affect pages. From the back cover of Vol. 1: "To see, to react, to create; these are the fundamentals of all art production. But also to share is the measure of the great artist and the great person. In both his magnificent photographs and in the confidences and clarifications of his Daybook, Edward Weston takes us into himself and shares with us his particular mirror of beauty and compassion."

Hardcover. Benteli Verlags , 1st, 2017, Book: Very Good, Dust Jacket: None, Oblong hardcover with a pictorial label, 192 pages. The faded remnants of a glorious past are captured in all their morbid beauty, in images that manifest the ephemeral and go beyond all conventional associations and conceptions of the American South: Days Gone By combines carefully crafted photographs from the past ten years with a cultural history of the region's social and structural changes. With an unflinching gaze, Jorg Rubbert presents the demise of countless small towns between Georgia, Mississippi and Texas, their suffering particularly tangible following the financial crisis. Rural towns, idyllic at first glance, are soon revealed as forgotten relics of times long past.

Hardcover. NY, Knopf, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 480 pages, b&w photos. The first full-length biography of the 'Prince of Broadway' highlights the wit and sophistication of playwright and director Moss Hart as it describes his rise from poverty to success in the New York theatrical world, his remarkable contributions to the American theater, and his sometimes turbulent private life. Clean copy.

Hardcover. NY, DK Publishing, 1st, 2017, Book: Very Good, Hardcover, glossy pictorial boards, 72 pages. Embark on an amazing, visually dazzling adventure across the Golden Age of DC Comics history! The Golden Age heralded the birth of the Super Hero, and DC Comics paved the way. From the big bang debut of Superman in 1938 to the sensational arrival of the Amazon Princess, Wonder Woman in 1942, the face of comics books was to change forever. Profusely illustrated in color. Clean, bright copy.

Hardcover. New York, DC Comics, 1st, 2010, Book: Very Good, Hardcover, 352 pages, a visual history of the DC comics line from the 30s to the present, color illustrations throughout. No dj issued. In a bright, very good slipcase.

Softcover. NY, DC Comics, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover. Uncover the origin of one of DC's wackiest heroes in this collection spanning the early days of Plastic Man! He can bounce, stretch, and crack wise, but can he save the day? And, more importantly, does he even want to? What business does a petty crook have playing superhero anyway? This volume collects Police Comics #1-36; Plastic Man #1-2. Patrick 'Eel' O Brian s life of crime just became a whole lot stranger! After an unfortunate accident leaves Eel s body transformed to have the properties of rubber, Plastic Man is born! But can Eel overcome his worst impulses and use his new abilities for good? Clean copy.

Hardcover. Philadelphia, Running Press, 1st, 2008, Book: Very Good, Dust Jacket: None, 191 pages in binder format spiral binding. Include replicas of collectibles from DC comics. Clean, tight copy. very little wear.

Hardcover. University of Notre Dame Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped in gilt and silver, 271 pages. This volume is the result of an international conference held at the University of Notre Dame in 1991 in which leading scholars, classicists, medievalists, theologians, philologists, rhetoricians, literary critics, and philosophers-gathered to focus on one of the most remarkable and influential books of late antiquity, Augustine's De doctrina christiana.Contributors to this volume place the historical setting of De doctrina christiana within the context of contemporary scholarship and explore in detail its theological meaning and impact on western culture and Christian education. The essays cover the entire field of current Augustinian studies starting with the historic setting of late antiquity in which De doctrina christiana was written. They then examine the work itself, its literary structure and interpretive and theological significance, how it was received by later patristic writers, and how it has been used as an authoritative source in contemporary times. An extensive bibliography facilitates further study.

Hardcover. New York, Harry N. Abrams Inc., 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover (cloth) in near fine condition with dust jacket which is protected by clear plastic covering, also in near fine condition. 293 pages., including 226 illustrations with 65 color plates. A beautiful and large-format monograph focusing on Willem De Kooning's life and paintings.

Softcover. Milano, Franco Angeli, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. Introductory texts in English, main text in Italian. Girolamo Cardano (1501-76) was one of the most original thinkers of his day, a polymath who applied his mind to philosophy, medicine, mathematics, mechanics and astrology and whose intellectual career led him to teach in Milan and Bologna. Today, Cardano is well known for his achievements in algebra. In his 1545 book Ars Magna he made the first systematic use of negative numbers in Europe, published (with attribution) the solutions of other mathematicians for cubic and quartic equations, and acknowledged the existence of imaginary numbers.

Hardcover. Amsterdam, Schetern & Giltay, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, color illustrated boards, 190 pages. A collection of b&w (a few 2-color) political cartoons preceding WW I. Dutch text. Scarce.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. New York, Dell Publishing Company, 1st, 1954, 192 pages. Paperback. Dell Mystery Book #784. Cover art by Griffith Foxley. Ink notation on first page. Light creasing to paper wrappers.

Hardcover. New York, Farrar, Straus & Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 177 pages. Black cloth, silver lettering to spine. Top edge cosmetic stain. Slight wear and small tears to dust jacket, minor foxing to top edge, else a very nice, tight copy. At the open we have 22 people, some Biblical while some are clearly not even representative, literally dragging God, not quite dead, through various roads, countryside, and towns in order to reach the plot in which He will be buried. Of course, it does not matter that He is dead when they reach their destination. The novel is one of Barthelme's more powerful tales and, as always, full of humor. One cannot read this without thinking that the Monty Python crew was somewhat influenced by this work, philosophically as well as from a creative standpoint. The one surprising footnote to this work is that it is a rather easy read,

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 3rd, 1960, Book: Very Good, Dust Jacket: None, 158 pages. Paperback. Gold Metal Book #963. Cover art by Barye Phillips. Light creasing to paper wrappers.

Softcover. New York, Four Walls Eight Windows, 3rd pr., 1996, Book: Very Good, Dust Jacket: None, 136 pages, b&w art throughout. Coe's graphic tirade against animal abuse in our food chain. A nationally prominent, politically oriented artist offers an unsparingly critical view of the meat industry in scores of illustrations, documenting the skewing, flaying, dismembering, castrating, debeaking, electrocuting, and decapitating of animals.

Hardcover. London, Orion, 1st UK, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 406 pages. SIGNED BY AUTHOR on title page. Lovely copy with only minor wear to dust jacket."A call from an old friend brings back memories and more than a little guilt for DI John Rebus. An old school friend's son has gone missing, the ghost of Jack Morton is inhabiting Rebus' dreams, a part-time poisoner is terrorizing the local zoo and a freed paedophile rouses the vigilante."

Softcover. London, Hard Case Crime, 1st thus, 2007, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Arthur Suydam. THE FINAL CRIME NOVEL FROM THE KING OF PULP FICTION. For 20 years, former NYPD cop Jack Stang has lived with the memory of his girlfriend's death in an attempted abduction. But what if she weren't actually dead? What if she somehow secretly survived--but lost her sight, and her memory, and everything else she had...except her enemies? Now Jack has a second chance to save the only woman he ever loved--or to lose her for good. Like new.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages illustrated in b&w. This volume of Craig's crime and horror work collects comics stories he wrote and drew for Vault of Horror, Shock SuspenStories, and Crime SuspenStories, as well as the complete collection of all his "Dateline" stories from Extra!. In our title story, a reporter stranded in a Louisiana bayou seeks shelter in a seemingly abandoned mansion, only to discover and fall in love with a beautiful woman living there. He wants to be with her, and she wants to be with him; there's only one way that can happen. Also: Craig's murder masterpiece, "Understudies," in which two lovers conspire to remove their respective spouses, in a twisted twist recalling The Postman Always Rings Twice and Double Indemnity; and his signature horror story "...All Through the House" (twice adapted to film - for 1972's Tales From the Crypt movie and HBO's 1989 Tales From the Crypt pilot episode). Plus, the debut of EC's enigmatic horror hostess, Drusilla, and a look at the work of EC artists Harry Harrison, Howard Larsen, Sheldon Moldoff (Moon Girl) as well. Thirty-one stories in all, with essays and commentary by EC experts. Introduction by Grand Master crime novelist Max Allan Collins. Clean copy.

Softcover. New York, Dell Publishing Company, 1st, 1958, 160 pages. Paperback. Dell Mystery Book #991. Cover art by Victor Kalin. Light creasing to paper wrappers.

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1958, Book: Very Good, Dust Jacket: None, 144 pages. Paperback. Gold Metal Book #805. Cover art by Milton Charles.Small ink notation on 1st page.Light creasing to paper wrappers.

Hardcover. NY, Harry N Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A groundbreaking presentation of rarely seen photographs, history, social observation, and pictorial analysis provides an entirely new perspective on male friendship in the nineteenth century and suggests a surprisingly broad-minded attitude toward physical intimacy between men. The book collects more than 100 portraits -from daguerreotypes to cartes des visites and early photographic postcards--depicting affectionate male friendships whose precise nature, whether platonic or sexual, will never be known. Editor David Deitcher, who teaches art and critical theory at the Cooper Union, reflects on the history of these images and their possible significance. Clean copy.

Hardcover. New York, Robert M. McBride & Company, 1st, 1945, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Paper on covers chipping lightly at corners, spine and edges. Clean, tight copy. Black and white and color illustations along with letters.

Hardcover. NY, W W Norton & Co , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In these extraordinary letters, we see May Sarton in all her complexities and are privy to her tangled relationship with Juliette Huxley, whom May considered her muse and the greatest love of her life. May Sarton's love for Juliette Huxley, ignited that first moment she saw her in 1936, transcended sixty years of friendship, passion, rejection, silence, and reconciliation. The letters chart their meeting, May's affair with Juliette's husband Julian (brother of Aldous Huxley) before the war, her intense involvement with Juliette after the war, and the rich, ardent friendship that endured until Juliette's death. While May's intimate relationship with Julian was not a secret, May's more powerful romance with Juliette was. May's fiery passion was a seductive yet sometimes destructive force. Her feelings for and demands on Juliette were often overwhelming to them both. In fact, Juliette refused all contact with May for nearly twenty-five years. Their reconciliation, after Julian's death, wasn't so much a rekindling as it was a testament to the profound affinity between them. Theirs was a relationship rife with complications and misunderstandings but the deep love and compassion they shared for one another prevailed. Included in this book are Sarton's original drafts of an introduction to these letters. 400 pages including index. Clean copy.

Softcover. New York, Dell Publishing, 1st, 1961, Book: Very Good, Dust Jacket: None, 160 pages. Paperback. Dell Book #B191. Minor wear to paper wrappers. Light crease to front cover and corner. Cover art by Robert McGinnis. Ink notation on first page.

Softcover. New York, Dell Publishing, 1st, 1957, Book: Very Good, Dust Jacket: None, 159 pages. Paperback. Dell Book #A144. Minor wear to paper wrappers. Light crease to front cover. Cover art by Victor Kalin.

Softcover. New York, Dell Publishing Company, 1st, 1961, 192 pages. Paperback. Dell Mystery Book #d423. Cover art by Robert McGinnis. Light creasing to paper wrappers.

Softcover. New York, Dell Publishing Company, 1st, 1943, 240 pages. Paperback. Dell Mystery Book #356. Cover art from the movie "Shadow on the Wall".Pencil notations and numbers on first pages. Light creasing to paper wrappers.Map on rear wrapper. Moderate creasing and wear to wrappers.

Hardcover. Los Angeles, Sherbourne Press, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 192 pages. An exotic dancer gets murdered and hard-boiled P.I. Bart Challis is on the case. Very good in a lightly soiled dust jacket.

Softcover. Geneva, Switzerland, Alice Editions, 2nd pr., 1976, Book: Very Good, Dust Jacket: Good, Softcover, 24 watercolors with a text by author and translated by Paolo Lionni and Jill Goodman. Previously bookseller's sticker on title page, minor corner and edge wear and small quarter inch tear on top edge, otherwise, very clean and tight copy.

Softcover. New York, Pocket Book, 1st, 1946, Book: Very Good, Dust Jacket: None, 214 pages. Paperback. Pocket Book #411. Light soil to rear wrapper, spine creasing and fading. Laminate starting to peel.