Hardcover. London, Cartago, 1st UK, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color and black & white photography by Nicholas Sapieha. By studying a period of nearly four centuries and examining houses over the entire region of Goa, this lavishly illustrated book, with architectural drawings, attempts to define the specific identity of Indo-Portuguese architecture. It is possible to observe, particularly during the 17th and 18th centuries, a progressive cross-influencing of Indian and Portuguese aesthetic tastes: the resulting mixture has produced a fascinating style of architecture, which this text has captured with more than 200 color photographs.

Hardcover. Boston, Houghton Mifflin Books for Children, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy with only minor wear to dust jacket. In this playful story inspired by the impossible buildings of the artist M. C. Escher, Mauk's master is building a grand Palazzo. When something strange and wonderful happens, Mauk is catapulted into a topsy-turvy world. The author draws us into an astounding world where the reader turns Mauk on his head and sends him all the way back to his story's beginning in a dazzling endless loop.

Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 255 color plates. Built for Federico II Gonzaga Duke of Mantua between 1525 and 1536, Palazzo Te is the masterpiece of Renaissance artist, designer, and architect Giulio Romano, the most accomplished and favored of Raphael's pupils.The palace's interiors are replete with frescoes depicting imaginative scenes and trompe l'oeil fantasies of gods and heroes, fictive marble statues, and portraits of the Duke's favorite thoroughbreds. From the erotic scenes of the Sala di Psiche to the famous Sala di Giganti, based on the mythological defeat of the Titans by the gods of Olympus, the High Renaissance ideal of classical harmony and balance is overtaken by breathtaking illusionist techniques and images of giants, falling masonry, and the thunderbolts from the gods.

Hardcover. NY, Guild Hall/NY Times, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Great American artists of the 60's and 70's on the East End of LI giving up their secret recipes including photo of and artwork by them for Guild Hall of East Hampton. How about Lee Krasner's Hominy Puffs with Crabmeat, Robert Gwathmey's Egg Canape, Robert Dash's Hampton Greens, Greengages a la Warhol, Jack Lenor Larsen's Lemon Squares. the unforgettable Koo-Sauce by Willem de Kooning. 210 pages, art and photos in b&w, an unbelievable potpourri of American artists and their palate. Clean copy.

Softcover. London, Latin America Bureau, 1st, 1990, Book: Very Good, Softcover, 131 pages, illustrated throughout in b&w. How did Manuel Noriega, the CIA's most important agent in Central America, become the US administration's most wanted criminal? Why did 22,000 US troops invade Panama, to arrest a man who had been a staunch ally of the US? Was his involvement in the drug trade the real reason for General Noriega's downfall? Panama: Made in the USA explores the unanswered questions behind the invasion of December 1989 and looks at the turbulent history of US-Panamanian relations, in particular the bitter struggle for control of the Panama Canal. It analyzes the economic and geo-strategic importance of a country literally created by and for the US government. Looking at Panama since the invasion, the authors explore the challenge facing the US-installed Endara government as rebuilds a country shattered by invasion and US sanctions. Clean copy.

Hardcover. NY, Harper & Brothers, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with color pictorial label on front cover. 36 pages with b&w sketches and drawings by Newberry. A charming story of the author's Persian cat and young son by a writer/artist who was very popular and loved cats. No dust jacket. bright. clean copy.

Hardcover. New York, Merrell Holberton, 1st, 2007, Book: Near Fine, Dust Jacket: Near Fine, 224 pages, illustrated in color and b&w. Still in publisher's shrinkwrap. Punk is most commonly associated with music, fashion and graphics, but its rebellious and iconoclastic spirit also found expression in the visual arts. Panic Attack! reveals the vibrant art scene that exploded in Britain and the United States between 1974 and 1984, when visual artists shared some of the radical attitudes and aesthetics of punk and post-punk musicians and designers.Featuring essays by both British and American commentators, a detailed chronology of the art and music scenes of the time and stunning reproductions of works by over thirty leading artists, Panic Attack! is an account of one of the most exciting periods in modern art.

Hardcover. Italy, Massimiliano Boni, 1st, 1974, Book: Very Good, Dust Jacket: Good, 128 pages, plus plates. ITALIAN TEXT. INSCRIBED. Color frontispiece, B/w illustrations/plates throughout. Dust jacket unclipped, has some age wear. Covers good, bound in blue fabric. Foxing on edges and endpapers, but pages clean. In very good condition.

Hardcover. NY, Hyperion, 2nd Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Canemaker's second volume on Disney animation (his first was Before the Animation Begins, pub. 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.

Hardcover. NY, Hyperion, 2nd Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Canemaker's second volume on Disney animation (his first was Before the Animation Begins, pub. 11/15/96) covers new territory. Focusing on the birth and progression of the storyboard method, the noted animator/historian explores both the history and the personalities of the Disney storyboard department. He takes readers from the early Disney days (when Walt created the storyboard to add depth and substance to the animated shorts the early studio produced) to today (when ever-changing teams of story specialists gather material and prepare sequence drawings before artists flesh out those Disney masterpieces). Along the way, Canemaker reveals the human effort required to bring an animated film to life and throws in juicy tidbits garnered from his interviews with animation pioneers. Lavish illustrations accompany the text. Recommended for larger public libraries and essential for collections in film and animation history.

Hardcover. NY, Disney Editions, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Featuring the art and artists used to plan and map out Disney's many classic animated films, a collection of "storyboard" images offers a fascinating retrospective of the company's history of animation, from Snow White to The Hunchback of Notre Dame.

Hardcover. NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. While sheets of paper are disappearing from our homes and offices, the medium is experiencing a renaissance in the worlds of art, design, and architecture. Suddenly, paper is everywhere--but not only in the old familiar places or forms. This fascinating book looks at every aspect of paper: its history, composition, production, application, and trade. Beginning with the anatomy of paper and its earliest forms, this book looks at paper as a symbol of political and economic importance and as a carrier of ideas, from literature to art, design, and music. It looks at the different surfaces, opacities, weights and volumes of paper and how it is used for printing, typography, graphics, and maps as well as a vehicle for origami, architecture, and fashion. Sumptuously illustrated with photographs and drawings, this book includes a variety of papers for readers to examine and feel, highlighting the sensual aspects of this seemingly ordinary product. Engaging, entertaining, and informative, this book contains a wealth of useful and surprising information on every printed, colored, and textured page

Hardcover. UK, Oxford University Press , 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth with gilt lettering on spine, in a lightly worn rose-color dust jacket with fading to spine, 166 pages. Arthur Prior (1914-1969) undertook pioneering work in intensional logic at a time when modality and intensional concepts in general were under attack. He invented tense logic and was principal theoretician of the movement to apply modal syntax to the formalization of a wide variety of phenomena. Prior and Carew Meredith devised a version of the possible worlds semantics several years before Saul Kripke published his first paper on the topic. An iconoclast and a resourceful innovator, Prior inspired many to undertake work in intensional logic. It was the extra-symbolic world that mattered to Prior, not the formal results per se. Prior was the founding father of logic in New Zealand and also a driving force behind the renaissance in British logic from 1956. Name on front fly leaf, otherwise clean.

Softcover. UK, Oxford University Press, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 331 pages. This is a revised and expanded edition of a seminal work in the logic and philosophy of time, originally published in 1968. Arthur N. Prior (1914-1969) was the founding father of temporal logic, and his book offers an excellent introduction to the fundamental questions in the field. Several important papers have been added to the original selection, as well as a comprehensive bibliography of Prior's work and an illuminating interview with his widow, Mary Prior. In addition, the Polish logic which made Prior's writings difficult for many readers has been replaced by standard logical notation. This new edition will secure the classic status of the book. Clean, bright copy.

Hardcover. New York, Knopf, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, b&w cartoons throughout. Translated from the French by Helen Graves. From the New Yorker cartoonist, an evocation of New York life. Drawings and droll imaginary letters home from a visiting Frenchman. Bright, clean copy in a similar dust jacket.

Hardcover. NY, Knopf, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages plus index. Generally considered to be the best book on the early years of filmmaking. Illustrated with nearly 300 rare photos. A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on. Light shelf wear, inked price on front fly leaf blacked out otherwise clean, in a lightly worn jacket that's price-clipped.

Hardcover. NY, Minotaur Books, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY MAYOR on the title page. Joe Gunther and his team at the Vermont Bureau of Investigation are alerted to a string of unrelated burglaries across Vermont. Someone, in addition to flatscreens, computers, and stereos, has also been stealing antiques and jewelry. Meanwhile, in Boston, an elderly woman surprises some thieves in her Beacon Hill home and is viciously murdered. The Boston police find that not only is the loot similar to what's being stolen in Vermont, but it may have the same destination. Word is out that someone powerful is purchasing these particular kinds of items in the "Paradise City" of Northampton, Mass. Clean copy.

Hardcover. New York , William E. Rudge's Sons, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, 187 pages, b&w illustrations, 2-color designs. Tan cloth with gilt title front, spine and back.

Softcover. New York, Harper and Row, 1st, 1984, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with black and white drawings by Roz Chast. Clean, tight copy with minor wear to paper edges.

Softcover. New York, Harper and Row, 5th pr., 1984, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with black and white drawings by Roz Chast. Clean, tight copy with minor wear to paper edges.

Hardcover. New York , Oxford University Press , 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover. brown cloth stamped in gilt, 120 pages. INSCRIBED BY LEACH on the front fly leaf. Originally published by Caxton in 1485, Paris & Vienne marked a change in the style of Literature being written in Europe at the time. Instead of tales of Knightly Romance & Chivalry a move was made towards more realistic down to Earth tales, closer to actual life. Clean, bright copy, no dust jacket.

Hardcover. NY, Holt Rinehart & Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, 294 pages. Depicts the German occupation of Paris during World War II from the perspectives of both the defeated Parisians and the victorius Germans, accompanied by 116 contemporary photographs in b&w, some color. Clean copy.

Softcover. Fine Arts Museums of San Francisco, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Along with cutting-edge art, literature, and jazz music of 1920s Paris, there was also experimental new dance, exemplified by the Ballets Suedois, the "Swedish Ballet." Choreographed almost entirely by Jean Bsrlin but visualized by 32 painters from 11 nationalities, it boasted costumes and backdrops from the likes of Fernand LZger, Gssta Adrian-Nilsson (GAN), Nils Dardel, and Gerald Murphy, with music by Erik Satie and even Cole Porter, in 23 ballets produced during the company's brief, brilliant existence. Illustrated with 78 archival photos and sketches and 67 color reproductions of posters and production paintings, this catalog is as much an art book as it is a dance history, with works seldom seen in over 80 years.

Softcover. New York , Paris Review, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover journal, 218 pages. Featues an interview with Robert Crumb, Illustrated. Also an interview with David Mitchell.

Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Henri Cartier-Bresson was 'the eye of the 20th century' and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life (1908-2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation. Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugene Atget (1857-1927), and the clear visual links with Surrealism that infused Cartier-Bresson's early pictures. After an apprenticeship with Cubist painter Andre Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Remainder line to bottom edge, otherwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Paris, Editions de Lodi, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, glossy boards in a matching bright dust jacket. Large format, 484 pages, FRENCH TEXT. A collection of over 500 historical photos of old Paris printed in sepia tone. Around 1832 Parisian-born Charles-Francois Bossu (1813-1879) shed his unfortunate last name (bossu means hunchback in French) and adopted the pseudonym Marville. After achieving moderate success as an illustrator of books and magazines, Marville shifted course in 1850 and took up photography, a medium that had been introduced 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise.By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugene Haussmann. In this capacity, Marville photographed the city's oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city's desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Taken as a whole, Marville's photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale. Clean, bright copy.

Hardcover. NY, Vendome Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages. Best-selling French author Perrault provides moving personal reminiscences of his childhood in occupied Paris. The brief but eloquent narrative is accompanied by hundreds of previously unpublished photos from French and German archives, collected and cataloged by Parisian art historian Azema. Together, text and photos present a graphic portrait of everyday life, recording daily human struggles to find food and fuel, the psychological warfare waged by the occupiers, and the methods of German economic exploitation. As artists, the authors place special emphasis on the arts under the occupation and document the heroism of the writers' resistance. In sum, they show how Paris "kept alive a sense of the enemy."

Hardcover. New York , Mark Batty Publisher, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 192 pages. Color photos of the Paris Metro features signs, graffitti, artworks, architecture. The text is in English.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 100 pages. No dust jacket issued. Eugene Atget, Jacques Henri Lartigue, Andre Kertesz, Brassai, Henri Cartier- Bresson, Robert Doisneau? -some of the greatest photographers of Paris? were relatively unknown when they began their most innovative work. Not yet burdened with conventional career expectations, they found the city the perfect environment in which to invent and develop an entirely new approach to conceiving the photographic image. In the 1920s and 1930s, the generation of photographers after Atget responded not only to the physical city itself but also to a new sensibility of time as a spontaneous act. Masterworks by these now-famous visionaries of the medium are featured in this elegant book of photographs of Paris from the 1850s to the 1950s, drawn from the remarkable collection of the Art Institute of Chicago. Clean copy.

Softcover. New York, Rizzoli, 1st, 1980, Book: Very Good, Dust Jacket: None, Features 92 full color illustrations. Softcover. Light rubbing, edge wear to covers, else a very clean, tight copy.

Hardcover. Chicago, Paper Mirror Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 117 pages. B&w photos by Elliott. Images from another age in baseball history. Chicago photojournalist Peter Elliott brings to life the rhythms and character of this revered stadium during 1977, one of its most celebrated seasons. Elliott's recent discovery of negatives lost for 23 years proudly displays the earthy, forgotten life of old-time Chicago baseball before the advent of corporate sky-boxes and gourmet hot dogs. His refined style demonstrates both the lush eye of youthful talent and the singular drive that brought him back to Comiskey Park over and over again during that strange and captivating time known as "the summer of the Chicago Hit Men." The old park never looked so good. And its reappearance through the artistry of Peter Elliott permits it to live again in the hearts of life-long fans and everyone who loves baseball. An engaging narrative accompanies the photographs and catalogues the history and foibles of park, team, and fans.

Hardcover. New York , E.P. Dutton/Lodestar, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 148 pages, bright, clean copy in an unclipped dust jacket. Eleven-year-old Park makes some startling discoveries when he travels to his grandfather's farm in Virginia to learn about his father who died in the Vietnam War.

Softcover. Plainfield, NH, Alma Gilbert, Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 81 pages. Softcover. Light edgewear to wrappers. Color and Black and white pictures throughout.

Softcover. Plainfield NH, Alma Gilbert Inc., 1st, 1998, Book: Very Good, Dust Jacket: None, 82 pages. Softcover. Black & white photographs and color plates by Maxfield Parrish. Minimal edgewear. Clean, tight copy.

Softcover. Washington, Smithsonian Institution Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Extensive b&w photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Washington, Smithsonian Institution Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 63 pages. Softcover. Extensive b&w photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. NY, Bloomsbury USA, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 96 pages. Clean, unmarked copy with only minor wear to dust jacket. Readers can't get enough of Roz Chast. Together, these cartoons, which originally appeared in The New Yorker, Scientific American, Redbook, and other publications, constitute a spot-on record of our increasingly absurd existence. The book is a powerful reminder of how lucky we are to have Roz Chast among us to tackle some of the toughest themes of the times with uproarious humor: genetically altered mice, birthday parties from hell, and comfort drinks in the age of insecurity.

Hardcover. London, Cambridge University Press, 1st, 1962, Book: Very Good, Dust Jacket: Good, Volume I: Appeal to the People, 388 pages. Volume II: The Growth of Parties, 404 pages. Volume III: The Stuff of Politics, 493 pages. Minor dust jacket edge wear and rub, small stain on top edge of volume II, otherwise, all clean and tight.

Hardcover. GR, Edel Classica Gmbh , 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages. Party Tonight: Berlin Hamburg Frankfurt Cologne Munich Dancing, Clubbing, Chilling A night out in Germany's trendsetting metropolises -- five of the life-style magazine MAX's hottest night life photographers set out to party in Berlin, Hamburg, Frankfurt, Cologne, and Munich. Along the way, their fascinating pictures capture a glimpse of all the things the night has to offer. Cruising, Clubbing, Party, and Chill Out in the cities' most stylish places. Music CDs: House and Chill Out music from the trendsetting labels Kontor and MAXELECT-Records on 4 CDs turn night to day.

Softcover. Monte Carlo, Andre Sauret, 1st wraps, 1954, Book: Very Good, Dust Jacket: None, Softcover, illustrated card covers, French text, 13 color plates, b&w plates. Stamped #724 of 2,000 copies. Previous owner's stamp front end paper. Otherwise clean.

Softcover. University of Washington Press, 2004, Book: Very Good, Dust Jacket: None, Softcover, 335 pages. "Known for his blending of philosophy, spirituality, humor, and a rollicking good story, Charles Johnson is one of the most important novelists writing today. From his magical first novel, Faith and the Good Thing, to his decidedly philosophical Oxherding Tale; from his swashbuckling indictment of the slave trade in the National Book Award-winning Middle Passage, to his more recent imaginative treatment of Martin Luther King Jr. in Dreamer, Johnson has continually surprised, instructed, and entertained his many avid readers. As this collection of interviews suggests, the novelist is as multifaceted and complex as his novels. Trained in cartooning and philosophy, martial arts and meditation, and producing teleplays, photobiographies, and literary criticism in addition to fiction, Charles Johnson represents a model of what he calls "life as art." Clean copy.

Softcover. Bloomington IN, Indiana University Press, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 852 pages. The life and art, the folklore, history, and common work of a rural community in Northern Ireland-through the eyes and pen of gifted folklorist Henry Glassie. Glassie regards the people of Ballymenone with respect and affection, allowing them to describe their ideas, life-ways, and values on their own terms, not his. Recognizing that theirs is a mindset and lifestyle that must be seen as an integrated whole, Glassie studies everything about Ballymenone from traditional songs to entertainment to religious beliefs to architecture, liberally quoting from the people who welcomed him into their homes over his extended stays. Some of his insights are pure brilliance, such as recognizing the way the poets and storytellers of a rural Irish district have adapted ancient Gaelic metrics to the English they use today. You will learn more about Ireland and its people in this one book than in a host of others. Clean copy.

Hardcover. Canada, Art Gallery of Windsor, 1st, 2006, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with laminated boards. Light smudging to top page block (may be remainder mark), otherwise clean, unmarked copy with only minor wear to corners. French text AND English text.

Hardcover. Seattle, Fantagraphics, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 180 pages. After 14 years, Fantagraphics' Feiffer resumes with late-fifties and early-sixties popular-magazine stories emphasizing social satire. "Passionella" is Cinderella gone Hollywood: a chimney sweep is transformed into a sexpot. Other stories depict a despondent neurotic who solves romantic problems by inventing a compliant robot, a self-absorbed man who has the entire moon to himself, and the world's greatest athlete, scorned for shunning competition--all done in Feiffer's sketchy, economical cartoon style. An illustrated fable about a village jester searching for his serious side and several one-act plays fill out the volume. In these trenchant pieces, the era's anxieties--conformity, male insecurity, troubled relationships--don't seem a half century old.

Hardcover. London, Collins, 1st U.K., 1960, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with dust jacket. The English Edition. Dust jacket w/ light edgewear chips. Price-clipped. Light soil on top of page block.

Softcover. London, Hard Case Crime, 1st thus, 2009, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Gregory Manchess. Decades before Robert Brown Parker began writing his books about Spenser, a man named Robert Bogardus Parker (1905-1955) penned this extraordinary novel of post-war intrigue. From the corridors and compartments of the Orient Express to the shadowy, ruined streets of Budapest--which he saw firsthand as a foreign correspondent during World War II--Parker takes you on a nightmare tour of a land where life is cheap, old hatreds run strong, and a couple of Americans can find themselves in more danger than they ever imagined. With all the immediacy of the wartime dispatches Parker filed from Turkey, Danzig, Warsaw, and Bucharest and all the authority of a man who himself spent three years crossing borders without a passport and narrowly avoiding arrest by the Gestapo, PASSPORT TO PERIL paints a heart-stopping picture of desperate men in a desperate time. Like new.

Hardcover. New York , Harper & Brothers, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 224 pages. Oversized. Tan cloth cover, minor wear to edges. Dust jacket has light wear. Inside is nice and clean with 350 b&w drawings.

Hardcover. NY, Viking Kestrel, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. A collection of stories by the celebrated young adults author woven around the theme of bedtime, and superbly illustrated by the Polish artist Pienkowski. Clean copy.

Hardcover. Cambridge, Cambridge University Press, 1st ed., 1985, Book: Very Good, Dust Jacket: Good, 292 pages. Blue cloth boards. Pictorial dust jacket is tinted with light fading to spine. Otherwise, tight clean copy.

Hardcover. New York , Hyperion Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Color pictorial boards with saw tooth edges. Housed in a cardboard box. The small book is 18 pages, each with double-page color illustrations by Henrick Drescher, each with interactive parts. According to the story Beastie's fur is pulled, his pop-up eyes jiggled, his boot (removed from his pop up foot) is scratched & sniffed, his privacy intruded upon as his shower curtain pulled away, his boogers poked, his miniature book reveal beastie's fantasies of revenge, as finally Judy and Paul are swallowed up by poor beastie and a mirror reveals who may be the next naughty child to incur beastie's wrath. All of these interactive pull and poke activities can be performed by the reader. SIGNED on the front cover in silver ink, with his initials, by Henrick Drescher in the year of publication.