Softcover. NY, O'Quinn Studios, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover magazine, 66 pages illustrated in color and b&w. Articles include: Robots on Film. Meteor-The FX Story, Star Trek Lost Designs, Buck Rogers, Andy Probert Interview, others. Clean copy.

Hardcover. Terra Uitgeverij, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 248 pages. In the 60s and 70s, Amsterdam was the epicentre of new cultural development and a magnet for national and international celebrities. Dutch photojournalists Hans Sabel and Henk Daniels were on site to capture all events and advancements. 30 years of photojournalism has resulted in an archive of around 150,000 negatives. In cooperation with the heirs of the archive a selection of images has been brought together in this book. It offers many previously unpublished images, from Jacques Brel, Martin Luther King, John Lennon, Charles Aznavour, Elizabeth Taylor and Dutch celebrities like Johan Cruyff, princess Beatrix and prince Bernhard to Willeke Alberti. Starring Amsterdam is a unique photographic document from Amsterdam at a time when the city is alive and buzzing like never before. With a foreword by James Worthy and text by Joost Bastmeijer. Still in publisher's shrinkwrap.

Hardcover. New Milford CT, Roaring Brook Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY AUTHOR/ILLUSTRATOR AMY SCHWARTZ ON TITLE PAGE. Full color illustrators. Bright, clean copy.

Hardcover. New Milford CT, Roaring Brook Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated in color by Schwartz. This amusing picture book features Darlene, a relatively svelte hippo, and a cast of other dressed animals in three connected stories. With stars in her eyes, Darlene signs up for theater class and lands a role as "the Flood" in Noah's ark. On opening night she enters, entangles her feet in her long gown, and missing her target, flings a basin of water onto the critic in the first row. His review? "?a drenching, yet refreshing experience. Miss Darlene's performance was especially exciting." Two more plays follow, a science fiction drama in which Darlene flubs her lines, and Sleeping Beauty, which finds the hippo falling asleep onstage. The critic raves "A STAR IS BORN," and the story ends with Darlene's contented smile. Brightened with delicate washes, the fine, clean ink drawings create a series of charming, often droll scenes.

Hardcover. NY, Rizzoli, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. A love letter to the cinema from the House of Dior, featuring legendary screen actresses in signature Dior. Embraced by Hollywood and the iconic women who are its stars, the fashions of Christian Dior have been worn by the likes of Marlene Dietrich in Stage Fright, Lauren Bacall in How to Marry a Millionaire, Ava Gardner, Marilyn Monroe, Sophia Loren, Elizabeth Taylor and, more recently, Charlize Theron, Penelope Cruz, and Nicole Kidman. Well before the successes that were to propel Dior to the forefront of the fashion world, the master couturier put his talent to work as a costume designer for the cinema, collaborating with renowned filmmakers and creating timeless ensembles for legendary actresses. Following the untimely death of the designer, the House of Dior's involvement with the cinema continued, from 1958 to the present, with more than fifty films featuring the stars of the silver screen dressed in signature Dior. Combining fashion photography and rarely seen and never before published behind-the-scenes photographs, this gorgeously produced volume showcases Dior's creations for film and the movie stars who brought them to life, and is a must for those who aspire to high style.

Hardcover. NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Softcover. UK, PS Art Books, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover. Another iconic 52 page facsimile comic book reprinted to match the quality when first produced in 1947. Cover art by Alex Schomburg. The Beasts of Dr. Krafte starring Tygra. The Man-Killer on Mars text story starring Lance Lewis by Edward Hasset. Lance Lewis story. Fighting Yank story, art by Ken Battefield. Jefferson Jones story, art by Hal Sherman. Flash in the Pan text story by Charles S. Strong. The Death Boat starring Don Davis, art by Leonard Sansone. Clean, like new.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. Albany, Weed Parsons and Co., 1st, 1874, Book: Good, Dust Jacket: None, Hardcover, 305 pages, 9 folding maps, b&w plates. Rust color cloth with soil, spotting. Light scuffing to some parts of cloth edges. The top 1/2" of spine cloth is missing. Previous owner's signature on front fly leaf. Interior is very good, sound with all maps present and in very good condition.

Concord NH, Edward Pearson, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, 678 pages. Volume 29 (XXIX) of a collection of early state and provincial records, includes fold-out plans and maps, appendix and index. documents relating to town boundaries. Spine indicates Volume VI of Town Charters. This is the original printing not a reprint. Black cloth with gilt lettering on spine, mild shelf wear, a clean, solid copy.

Hardcover. US, Carpet Bombing Culture, 1st, 2013, Book: Very Good, Dust Jacket: None, Unpaginated. Hardcover with no dust jacket. Clean, unmarked copy. If America is the Roman Empire of our time then New York City is Rome. The pulsating heart of the West pumps greenbacks through the veins of Manhattan, the richest place in the world. Power emanates from it's corporate brains and financial muscle across the whole surface of the globe. So how is it that even in the body of America, land of eternal youth, there is failure, death and decay hidden just beneath its glossy surfaces? A new breed of urban adventurers take a savage ride through the invisible story of the North Eastern USA. From NYC to the infamous Rust Belt, once home to America's heavy industry, States of Decay brings you a glimpse of the broken, the doomed, the entropic dreamlands on the flipside of the silver dollar coin. A unique exploration of everything from abandoned power plants, hospitals, asylums, schools, theatres, steel mills, prisons, factories, hotels, cathedrals, blast furnaces, convents to a boat graveyard. This extended photo-essay functions as a visual poem allowing the reader to draw their own experiences and conclusions from the images themselves. No interpretation necessary. This book will ask disturbing questions and inspire unexpected answers from anyone with an imagination and a heart. Sit back and let us take you on a walk around the Bad Apple.

Hardcover. NY, ZE Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering. No dust jacket issued. With Stay, acclaimed poet, artist, and bestselling memoirist Nick Flynn presents a self-portrait via a constellation of topics that have circled his work. Ranging from the impact of suicide and homelessness to addiction, political engagement, and the vital power of artistic friendships, Stay is a mixed-media retrospective that shows nothing is created in isolation. Mirroring Flynn's life, this work of visual and literary memoir is populated by examples of his collaborations since the 1980s with such luminaries as the photographers Amy Arbus and Catherine Opie, composer Guy Barash, actor Robert De Niro, cartoonist Josh Neufeld, author Sarah Sentilles, filmmaker Paul Weitz, and artists John Baldessari, Marilyn Minter, and Bill Shuck. In Flynn's refusal to conform to narrative or the safety of his own perspective, Stay grasps for an essential truth, an answer to what art, in the end, can and cannot reflect. Illustrated in color, b&w.

Hardcover. NY, Knopf, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, paper-covered boards quarter-bound in cream cloth with gilt lettering to spine, top edge tinted blue, halftone photos of the production, Directed by and starring Anthony Perkins, this play was produced way off-Broadway and revealed that God is a Puerto Rican steambath attendant. Name, date on front fly leaf, otherwise clean.

Softcover. Wooster, College of Wooster Art Museum, The, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 55 pages. Softcover. Minor wear to cover edges. Full page black & white photographs throughout. Clean unmarked text.

Hardcover. Buffalo , Oliver G. Steele, Revised Ed., 1847, Book: Good, Hardcover, embossed dark brown cloth with gilt lettering on front cover and spine, Tenth Edition with a new series of maps and plates. 96 pages. Folding frontispiece with two maps, Niagara River and Parts Adjacent; and Niagara Falls and Vicinity. another folding plate with a view of Niagara Falls. Both in excellent condition. Six b&w plates. Spine cloth peeling away from spine, top third gone. Binding is still solid, clean inside.

Softcover. Antwerp, Bernard Blondeel, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, b&w and color illustrations. Exhibition catalog of sculptures and drawings. Clean copy.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool.Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Sterling Innovation, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Color illustrations throughout. Decorated endpapers. Dust jacket sleeve present. Clean inside and out. In good shape. From the back cover: Achieving great artisitc succes and recognition, Edward Steichen brought enthusiasm, curiosity, and passion to the world of photography. This remarkable book offers a fresh take on Steichen by focusing exclusively on his color images from the collections of George Eastman House."

Hardcover. NY, Museum of Modern Art, 1st, 1978, Book: Very Good, Dust Jacket: Good, Hardcover, Brown cloth boards with gilt titles, in a lightly worn, price-clipped dust jacket. 180 pages, 91 illustrations (6 in color), text by Dennis Longwell. Includes a catalog of the plates, an essay on Steichen's printing techniques, a selected bibliography and an index to the plates. Covers with mild soil, interior clean and bright. Related clippings laid in.

Hardcover. Middlebury, VT, Paul Eriksson, 1st collected ed., 1979, Book: Very Good, Dust Jacket: Good, Hardcover in a nice dust jacket. The relationship between the novelist and his editor Pascal Covici. Some fade, light wear to dj. Steinbeck and Covici is a major contribution to the literature about John Steinbeck. "Steinbeck Quarterly" magazine wrote, "Thomas Fensch offers the first comprehensive account of one of John Steinbeck's most enduring, intimate, and important relationships: his association with his editor, Pascal Covici. The results are revealing, and broaden the dimension of Steinbeck studies." This book was first published in l979 and received not one, but two separate reviews in "The New York Times." It was also widely reviewed elsewhere and won the Book of the Year Award in Biogaphy from the Ohioana Library Association, in l980.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Steinberg's high-concept graphic art--epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins--is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith, a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years, surveys six decades of Steinberg's pieces, including all 89 New Yorker covers (in full color), cartoons, wartime sketches from overseas, evocative (but never literal-minded) illustrations for articles, and unpublished items from the artist's portfolio. The material is arranged thematically, examining such recurring motifs as cats, pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work, where symbolic graphic representations of sound, abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style, one with "a wry, informal wit... attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed, and so will this splendid memorial to a 20th-century artistic landmark.

Softcover. New York , Abrams, 1st, 1990, Book: Very Good, Dust Jacket: None, Large softcover, 56 pages. A portfolio of Steinlen's feline artwork, including many of his posters and lithographs, provides a collection of timeless cat masterpieces. 20 color plates suitable for framing.

Softcover. Santa Monica, The Lapis Press, First Edition, 1987, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover with french flaps & light wear to edges. Previous owner's signature to front flyleaf. Pen marking to several pages in commentary sections. Poetry is clean & unmarked throughout. Black printed illustrations.

Softcover. New York , Museum of Modern Art , 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages, illustrated in color and b&w. Softcover exhibition catalog. The Stenberg brothers, like their contemporaries Aleksandr Rodchenko and El Lissitzky, were artists of immensely varied interests and eclectic skills. They were sculptors, architects, and stage and costume designers, and were enamored of the film and montage theories developed in the suddenly burgeoning Soviet film industry. As seen in this book's superb color plates, they brought to film poster design an extraordinary compositional dynamism, originality, and contrast of scale, employing many of the artistic conventions of the Constructivist movement to great effect.

Hardcover. NY, Simon & Schuster, BC Ed., 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 349 pages, b&w photos. One of the most endearing of American heroes, Casey Stengel guided the New York Yankees to ten pennants in twelve seasons. Here is the brilliant manager stripped naked--the person underneath all the clowning, mugging, and double-talking. Robert Creamer shows us Casey at twenty-two, famous from his very first day in the big leagues. We see Casey's playing career fall apart as he is traded, shunted to last-place teams, hampered by injuries, considered finished--until he bats a glorious home run in the 1923 World Series. Here are Casey's managing successes and failures--dismissed by the Yankees, he returns to the limelight with his new and inept New York Mets, the team he single-handedly lifts into the nation's consciousness. Clean copy, like new.

Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.

Softcover. San Francisco , Chronicle Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, color illustrations. Stephen De Staebler's evocative rendering of the human body is epitomized by the life-size figures and torsos represented in more than seventy full-color illustrations in Stephen De Staebler: The Figure, the first full-length monograph on this major American artist. Noted critic Donald Kuspit, a contribut-ing editor of Art in America, discusses how De Staebler's use of clay and bronze reflects the metaphysical foundations of his art. De Staebler's "archaic" figures evoke a sense of the past, while at the same time raising questions essential to modern human existence. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.

Hardcover. NY, Holt Rinehart & Winston, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, original gold Holt Library Edition sticker to spine, 290 pages. After being jilted by her fiance, a young girl persuades her father to let her enter the business world rather than a convent. A young Renaissance woman defies tradition and wins independence in the world of commerce. Edith Martha Almedingen (1898-1971), was an Anglo Russian novelist, biographer, children's author and member of the Royal Society of Literature. Published originally in England in 1956. Bookplate on front fly leaf, otherwise clean.

Hardcover. New York, D. Appleton and Company, 1st Edition, 1931, Book: Very Good, Dust Jacket: None, 406 pages. Hardcover. B/w illustrations throughout. Deckled edges. Previous owner's name on front flyleaf. Some tanning to edges, lighter tanning to pages, though unmarked. Gray cover boards, blue quarter cloth. Slight agewear. Autobiography of childrens' author.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 334 pages. Hardcover. Extensive color and b&w illustrations by Milton Caniff throughout. Illustrated pastedowns and end papers. Clean, unmarked copy with only minor wear to dust jacket. In the third volume of The Complete Steve Canyon -- reprinting every strip from 1951 and 1952 -- new and old characters are paired off. Breck Nazaire and Dr. Deen Wilderness return. Steve meets the lovely Duchess of Denver and the sadistic Fungo; gets assigned to Eel Island, where he encounters crusty Colonel Index and his not-so-blushing bride; is sent to protect a government secret at Maumee University, only to reconnect with Summer Olson and meet her mysterious friend, Kate Subjekt; and eventually gets caught in the deep woods with Miss Mizzou and Roy Himmerskorn before coming face-to-face yet again with not only Summer, but the Copperhead herself -- Copper Calhoon!

Hardcover. New York, DC Comics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 478 pages, hardcover. Extensive color illustrations throughout. Illustrated covers. Clean, unmarked copy with only minor wear to dust jacket. A collection of comics from the 60s - the early 80s, with numerous stories, several covering Shade and another short lived character of his, Stalker.

Hardcover. New York, DC Comics, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 400 pages, hardcover. Extensive color illustrations throughout. Illustrated cover. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. El Cajon CA, Blackthorne Publishing, 1st, 1986, Book: Very Good, Dust Jacket: None, Two softcover volumes, 72 pages each, illustrated in b&w. Reprints of the comic strip that featured a investigative reporter and his Indian sidekick, Chief Wahoo. These cover the mid-1940s. Clean, bright copies.

Softcover. London, Booth-Clibborn Editions, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, a collection of sticker art reproduced in color. Color illustrated wrappers. Today's stickers are the new flyers, a major means of street-based communications, and are used by the hippest advertising agencies and the most underground messengers alike. This is the first book to cover this latest street-art phenomenon, and features truly international coverage of the sticker scene.

Softcover. Boulder CO, Colorado Quarterly, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 83 pages. A Bonus Issue of Colorado Quarterly August 1978. INSCRIBED BY BARNSTONE on the title page. Illustrated by Karmen Effenberger. Clean copy.

Softcover. Oakland CA, PM Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, '60s, and '70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analyzed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman, and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and a myriad of lesser-known novelists ripe for rediscovery.

Hardcover. London, Canongate, 1st UK, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 547 pages, b&w illustrations. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O'Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.

Hardcover. London, Random House UK, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. Clean, unmarked copy in excellent condition. In the vein of the great Edward Gorey and Maurice Sendak's Where The Wild Things Are, an irresistible little book of monster drawings, all on office stationery. John Kenn Mortensen's pen is full of wonderfully creepy monsters which crawl onto sticky yellow note pads when darkness falls. Here we have collected some of the best monster drawings in a delectable hardback edition.

Hardcover. New York, Metropolitan Museum of Art, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover still in publisher's shrinkwrap. Binding strong. Dust jacket unmarked. Clean tight copy.

Hardcover. NY, Harper Design, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages illustrated in color. Caroline Cox presents the various incarnations of the stiletto since its invention as a fantasy shoe brought to life by the flair and skill of shoemakers Vivier, Perugia, Ferragamo, and Jourdan in the early 1950s. Assertively modern, stilettos released women from the utilitarian wartime fashion of the 1940s, offering streamlined sophistication and glamour to women the world over. As the decade progressed the heel became saucier and higher, worn by starlets like Marilyn Monroe and Jayne Mansfield. By the end of the 1950s the heel was being worn by "bad girls" and had become a weapon of female power. The 1970s took the stiletto's associations with sex and death and turned it into a fetish object, eulogized by artists Allen Jones and Eric Stanton. 1980s power dressers brought the stiletto back into the fashion arena, and today heels designed by Manolo Blahnik, Christian Louboutin, Jimmy Choo, and Gina are the badge of celebrity status and fashion savvy. Mild wear to dust jacket, clean copy.

Hardcover. NY, St. Martin's/Minotaur Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY TAYLOR on title page. Art history professor Sweeney St. George is in the middle of putting together an exhibit on her specialty, "the art of death," for the university museum when she makes an unusual discovery: A valuable piece of Egyptian funerary jewelry that should be in the museum's collection seems to be missing. Searching for answers, Sweeney learns that a student intern at the museum was the last person to check out the piece, a young woman who died of an apparent suicide soon after she handled the piece, more than twenty-five years ago. Going on with the exhibition without the intricately beaded Egyptian collar, Sweeney can't let it drop altogether. Nor can she forget the student, Karen Philips, who died just a few months after working with the piece. A little digging shows that Karen was working at the museum the night it was robbed, that same year, and Sweeney becomes even more curious. But her interest in mysteries past pales when a present-day murder brings Sweeney and her colleagues at the museum under the Cambridge Police Department spotlight in the person of Detective Tim Quinn, whom Sweeney has worked with before. In the fourth installment in this rich and fascinating series, Sweeney and Tim go after a killer, trying to resolve questions both immediate and decades-old before it's too late.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Hardcover in a bright dust jacket, The first still-life photograph was created around 1827, more than a decade before the news of photography's invention was announced in Paris and London in 1839. This volume surveys some of the innovative ways photographers have explored the traditional genre of still life from photography's earliest years to the present day. The introductory essay is followed by an illuminating sequence and juxtaposition of plates selected from the J. Paul Getty Museums collection. Still life has served as both a conventional and an experimental form during periods of significant aesthetic and technological change. Illustrating that here are nineteenth-century masterpieces by practitioners such as Hippolyte Bayard and Roger Fenton, twentieth-century examples that include the diverse styles of Baron Adolph de Meyer, Irving Penn, and Edward Weston, and a sampling of contemporary artists, some recalling styles from the past. Clean copy.

Hardcover. NY, Harry N. Abrams, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, 420 pages with 338 illustrations, including 278 plates in full color. Large heavy folio. Light shelf-wear to dust jacket, else a clean, tight copy.

Hardcover. New York , The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 375 pages, many b&w, some color illustrations. A stunning catalog from the world-renowned film archives of The Museum of Modern Art, New York. From Charlie Chaplin to Andy Warhol to Martin Scorsese, Still Moving contains over 500 stills from silent, documentary, animated, avant-garde, independent and Hollywood movies, representing the complete art and history of the moving image. Color printed boards.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone).