1917, Book: Very Good, Two-color art by Henry James Soulen of mounted army troops crossing stream. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1960, Book: Very Good, Color art by Constantin Alajalov, split image of voters in Alaska and Hawaii. 10 X 13". Very good. PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1938, Color art of two boys camping out under the stars by Douglas Crockwell. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1909, Book: Very Good, Two color art of bear sniff at leaning totem pole by Charles Livingston Bull. 10 X 13". Mild soil. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1932, Color portrait of Mr. and Mrs. Lion side-by-side. Illustration by Lynn Bogue Hunt. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1908, Book: Very Good, Two-color art of running girl in black bathing suit by James Montgomery Flagg. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1926, Book: Very Good, Color close-up of a tiger's face by Paul Bransom. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1947, Color art of disgruntled father leaving Saturday morning matinee with kids. Painting by Stevan Dohanos. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1918, Color art of children sending off WW1 troops on train, painting by Norman Price. 7 X 9 1/2". Chipped, title with light soil, but art is untouched. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1911, Color art of bell ringer pulling on rope, painting by Dan Groesbeck. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1914, Book: Very Good, Two-color art of dog watching chicks at his food dish by Charles Livingston Bull. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1926, Book: Very Good, Color art: "Peter Minuet buys the Delaware River lands from the Indians for a brass kettle and a few trinkets, March 1638". Painting by Stanley Arthurs. 10 X 13", small printed address. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1930, Book: Very Good, Color painting of galloping pony express rider by Maynard Dixon. 9 X 12" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1930, Book: Very Good, Color painting of a pack train and an ox-drawn cart by Maynard Dixon. 9 X 12" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1930, Book: Very Good, Color painting of locomotive passing over bridge by Maynard Dixon. 9 X 12" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1930, Book: Very Good, Color painting of freighting wagons by Maynard Dixon. 9 X 12" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1955, Book: Very Good, Color art of steam train crossing trestle by Peter Helck. 8 X 11", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1927, Book: Very Good, Color art of baby in crib by Maud Tousey Fangel. 10 X 13", small mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1918, Book: Very Good, Color art of mother pinpointing where Daddy is during WW1 by Coles Phillips. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1927, Color art by Jay Hyde Barnum of lady in formal dress surrounded by male suitors. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1931, Color art of upscale diners in a swank restaurant by Jay Hyde Barnum. 10 X 13". light tanning ti image. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1939, Book: Very Good, Color art of woman in white bathing suit running with beach ball. Painting by Haddon Sundblom. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1934, Book: Very Good, Color art of French couple meeting in olden times. Watercolor art by T. M. Cleland. 10 X 13", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1917, Book: Very Good, Color art of WW1 soldier and sweetheart with mother holding Thanksgiving turkey in background, painting by Harold Brett. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1918, Book: Very Good, Color art of two gils knitting socks for the war effort with flag flying overhead. Illustration by Maginel Wright Enright. 10 X 13", light address stamp. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1938, Book: Very Good, Color art of an elf and squirrel squaring off over acorns. Illustration by Maginel Wright Barney. 10 X 13", printed address in top left side, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1918, Color art of young girl talking with a woman in a witch costume by Maginel Wright Enright. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 168 pages. In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Topffer, Gustave Dore, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.

Hardcover. New York, Thames and Hudson, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 280 pages. Black cloth covers with silver titles to spine, silver pictorial to front, silver dust jacket and slipcase with color illustration, 191 illustrations throughout. 1"x3" strip missing from upper right corner from front endpaper, slight rubbing to dust jacket and slipcase, clean covers, pages crisp and unmarked, stiff binding; overall, a very clean, tight copy in great condition.

Hardcover. Berkeley CA, University of California Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 318 pages. In Origins of the Chinese Avant-Garde, Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study--also the first comprehensive account of this Chinese movement available in English--Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration--from German Expressionism, Soviet wood engravings, and Japanese creative prints.

Softcover. NY, McGraw-Hill , 3rd pr., 1992, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. 191 b&w figures. An in-depth look at the history of ornamental ironwork and ironworkers in American architecture. Well illustrated with many photos. Clean copy.

Hardcover. Boston, David R. Godine, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 202 pages, b&w photographs by Charles C. Withers. Very good copy in a clean, bright, unclipped dust jacket.

Hardcover. London, Reaktion Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, b&w photos. Ornette Coleman's career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African-American composer and musician was zeitgeist incarnate. Steeped in the Texas blues tradition, he and jazz grew up together, as the brassy blare of big band swing gave way to bebop--a faster music for a faster, postwar world. At the luminous dawn of the Space Age and New York's 1960s counterculture, Coleman gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called "the new thing" or "free jazz." Featuring previously unpublished photographs of Coleman and his contemporaries, this book tells the compelling story of one of America's most adventurous musicians and the sound of a changing world. Clean copy.

Hardcover. London, Oxford University Press, reprint, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Reprint of the 1928 edition. Concerning the indigenous peoples of Papua it covers the Taro primitive religious cult and the "garden culture" and magic of the Orokaiva. Dark-blue cloth boards with gilt lettering to spine. 231 pages includes index, glossary & fwd., + frontis. and 6 b&w illus, a diagram and a fold-out map at back. Francis Edgar Williams (9 February 1893 - 12 May 1943) was an Australian anthropologist who worked for the government of the Territory of Papua from 1922 to 1942. One of the few anthropologists of his time able to spend two continuous decades in the same location without having to regularly return to a metropolitan university or institution, he performed during those twenty years heavy field work, and published many books and articles. Several pages with light pencil marks in margins. Otherwise a clean, bright copy.

Hardcover. Oxford UK, The Clarendon Press, reprint, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 355 pages, 38 plates with titles (including frontispiece, mostly phtographic, folding map). Contents: Introduction; The Orokaiva People; Daily Life; Personal Enhancement; The Food Quest; Arts of Life; Individual, Family, and Clan; The Plant Emblem; Marriage; The Tribes; Warfare; Initiation Ceremonies; Ceremonies of Mourning; Dance and Drama; The Spiritual Substitute; Survival After Death; Medicine and Magic; Morality; Note on Orthography; Glossary; Index. Reprint of a book first published in 1930.

Hardcover. New York, Arthur A. Levine Books, 1st, 2001, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. SIGNED BY EMILY ARNOLD MCCULLY ON BLANK PRELIM PAGE WITH ILLUSTRATED SKETCH. Acetate-protected dust jacket, gorgeous full page color illustrations. No sign of wear, dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition.

Hardcover. New York, Umbrage Editions, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Like new in publishers shrink-wrap. Clayton Burkhart adopts the view of an anonymous wanderer in this mythic city and speaks of absence and loss against a backdrop of steel, stone, concrete, and neon. It is a story of love and redemption after the rain falls, when the damp sidewalks take on the saturated colors of the night.

Hardcover. New York, Umbrage Editions, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Like new in publishers shrink-wrap. Clayton Burkhart adopts the view of an anonymous wanderer in this mythic city and speaks of absence and loss against a backdrop of steel, stone, concrete, and neon. It is a story of love and redemption after the rain falls, when the damp sidewalks take on the saturated colors of the night.

Hardcover. London, Collins, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated with numerous photographs and reproductions of Lancaster's cartoons. Remarkable biography of the multi-talented, multi-careered man, who was political diplomat, a satirical cartoonist, an author, an artist, an illustrator, a poet, a stage designer, and more. Lancaster's most famous cartoon characters are Mrs. Rajagojollibarmi, and Maudie Littlehampton.

Hardcover. NewYork , Ticknor & Fields, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages. Foreword by Garry Trudeau. B&W, color illustrations.

Hardcover. New York, Cambridge University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 222 pages, 125 b&w illustrations and 8 plates in full color. The first comprehensive study of Oscar Bluemner's life, art, and intellectual development. Cream cloth boards with gilt lettering to spine. Gray pictorial dust jacket with minor wear to edges, in protective brodart cover. Beautiful copy. Like new.

Hardcover. Munich, Hirmer Publishers, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 288 pages. Oscar Munoz: Invisibilia is Colombian artist Oscar Munoz's first retrospective in the United States. Addressing the entire span of Munoz's career--from the 1970s to 2020--this exhibition catalog is the most substantive book on Oscar Munoz's work in English to date. Invisibilia includes artworks ranging from Munoz's early charcoal drawings to his later conceptual photographic, video, and installation works. The bilingual catalog includes essays in both Spanish and English from a diverse cadre of scholars who offer fresh takes on Munoz's best-known works and illuminate his more obscure experiments. It also features interviews with the artist as well as a recent text he has written on his practice. A comprehensive chronology charts Munoz's artistic evolution alongside the development of the artistic scene in Cali, Colombia, where he began his career and continues to live and work, rooting the artist's works in their cultural and historical context. Clean, still in publisher's shrinkwrap.

Hardcover. New Haven, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages, illustrated throughout in b&w. SIGNED BY AUTHOR on title page. Light sun-fade along dust jacket spine. Clean, tight copy. Touring America as the "Apostle of Aestheticism" in 1882, Oscar Wilde brought a witty and controversial message of regeneration through art and beauty to a nation still shaken by the trauma of the Civil War. In this book, the first cultural history of the aesthetic movement in the United States, Mary W. Blanchard shows that it was a wide-ranging popular movement resisted by the moral guardians of Victorianism but advanced by visionary women.

Hardcover. New York, Coward-McCann, 1st, 1943 , Book: Good, Dust Jacket: Fair, Hardbound. Illustrated by Kurt Wiese. Edgewear, corners worn. Light soiling throughout book. Dust jacket with soiling, large chunk missing from front cover. Closed tears. Brodart cover.

Hardcover. New York, St. Martin's Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Black boards, color illustrated dust jacket with acetate-protection. Mild edgewear to dust jacket, spine stiff and tight, pages clean, crisp and unmarked; a very clean, tight copy.

Hardcover. UK, Cambridge University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 492 pages, b&w photos. In a lightly worn dust jacket, clean copy. Otto Klemperer was one of the great conductors of the century, best known in the last years of his life for his performances and recordings of the classical symphonic repertory from Mozart to Mahler. Volume 1 only.

Hardcover. NY, Dial Books for Young Readers, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color art by Agee. This absurdly clever and funny graphic novel, told entirely in palindromes, is created by World Palindrome Champion Jon Agee, author of Go Hang a Salami! I'm a Lasagna Hog! Otto is having a very palindramatic day. His pet, Pip, has gone missing, and his search for the dog leads him deeper and deeper into a strange and perplexing world--full of talking owls, stacks of cats, storms and mazes, boats and trains and automobiles . . . oh my! Everything seems to be the same backward and forward, and Pip isn't sure he'll ever find his way home to Mom and Pop. But you, reader, will enjoy his Oz-like journey thoroughly.

Hardcover. Washington DC /London, Smithsonian/Giles, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages including index. E. Carmen Ramos addresses the whole issue of the definition of "Latino art" and how this emerged within the context of the Civil Rights movement of the 1960s as American artists of Latino descent (Mexican American, Puerto Rican, Cuban American, and, more recently, Dominican) began to give a tangible face to their culture and history. Highlights include an installation altar by Amalia Mesa-Bains, the "recycled" films of Raphael Montanez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio "Mel" Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fernandez, Ken Gonzales-Day, Luis Jimenez, Ana Mendieta, Pepon Osorio, Sophie Rivera, Freddy Rodriguez, and John M. Valadez, among many others. Color illustrations explore how one group of Latin American artists express their relationship to American art, history and culture. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Massacusetts, D. Lothrop & Co., 1st, 1879, Book: Very Good, Dust Jacket: None, Unpaginated. Green cloth covers with black titles and gilt illustration, all edges gilt, beveled edges, multiple full page b&w tissue-protected plates, 12 chapters on different American artists. Very light foxing to tissue paper, mild wear to cover edges and spine; overall a very clean, tight copy in great condition.

Hardcover. New Haven CT, Yale University Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 438 pages, profusely illustrated in color and b&w. An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn. On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner. Clean copy.