Softcover. New York, Peter T. Tunney , 1st, 1992, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Extensive color photographs throughout. Illustrated end papers. Mild soil to back cover, otherwise clean, tight copy.

Hardcover. NY, Dodd Mead, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Black & white Illustrations by author. Dust jacket with edgewear, chips, otherwise very good. A noted artist-illustrator presents a pictorial gallery of the men and women of the American frontier West in pencil drawings: the cowboy, rancher, stagecoach bandit, marshal, riverboat captain, vaquero, peddler, gunsmith, mountain man, wagon cook, missionary, etc.

Boston, Bulfinch, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Honoring Time magazine's seventy-fifth anniversary, this collection of seventy-five works of art commisioned for the magazine's covers features Andrew Wyeth's portrait of Eisenhower, Warhol's study of Michael Jackson, and other images by Ben Shahn, Roy Lichtenstein, and other artists.

Hardcover. Santa Fe, Twin Palms Pub, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, llustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy. For several years Nancy Burson has photographed children with craniofacial disorders. She uses a plastic Diana camera which imparts an "ethereal and almost spiritual quality" to her subjects. These camera-shy children and the artist have begun to see themselves and each other differently through this ongoing photographic experience, and in the process have perhaps understood better than most of us what beauty must be in order that our dreams and dignity may survive.

Hardcover. New Haven , Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 256 pages. Examines concepts of female beauty in terms of the ideal and the real, investigating paradigms of beauty as represented in art and literature and how beauty has been enhanced by cosmetics and hairstyles. Images of some of the most beautiful women in history, both real and ideal, accompanied by illustrations from costume books, fashion plates, advertisements, caricatures, etc. Like new in publisher's shrink-wrap.

Hardcover. West Chester, PA, Schiffer Publishing, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover with light edgewear to dust jacket. Red leather boards with gilt illustration of duck and lettering on front. light foxing to underneath dust jacket rear. Color pictures throughout. Tight copy. Previous owner's inscription on front fly leaf.

Hardcover. NY, Harper & Row, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 136 pages. Minna wishes for many things. She wishes she understood the quote taped above her mother's typewriter:Fact and fiction are different truths. She wishes her mother would stop writing long enough to really listen to her. She wishes her house were peaceful and orderly like her friend Lucas's. Most of all, she wishes she could find a vibrato on her cello and play Mozart the way he deserves to be played.

Softcover. San Francisco, Rip Off Press, 2nd pr., 1972, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, including semi-glossy color covers, and b/w interior. 2nd printings have a glossy cover, with ORANGE beer cans on the cover. Stories and art by Gilbert Shelton, R. Crumb, Shary Flenniken, Lora Fountain, Gary Frutkoff, Bobby London, and J.A. Smith. Saddle-stapled wraps.

Hardcover. Leicestershire, England, Matador, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 262 Pages. Hardcover with dust jacket. Light edgewear to dust jacket. Previous owner's bookplate on front fly leaf, otherwise, clean, tight copy. Black and white pictures throughout.

Softcover. Mineola, NY, Dover Publications, 1st, 2019, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This original compilation features more than 80 color plates selected from two of Phillips' early collections, A Gallery of Girls and A Young Man's Fancy, in addition to images from other sources. An Introduction by illustrator and graphic designer Scott M. Fischer provides a modern appraisal and speaks to Phillips' lasting influence. Students of illustration, graphic design, and advertising as well as fans of 1920s fashion will appreciate this collection of striking works by a Golden Age designer-illustrator.

Hardcover. NY, Harry N Abrams , 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, unclipped dust jacket. Foreword by Betty Bailinine. Very large, sturdy book, cream cloth covers with a bright embossed gilt illustration of two fairies leapfrogging at center front, gilt lettering bright on spine, heavy glossy unpaginated pages with 185 illustrations, 147 in full color. The fairies range from ugly to pretty, some anatomically correct. Edited by David Larkin, with Extracts from Arthur Conan Doyle's "The Coming of the Fairies." Some light tanning to spine of dj and along edge of spine. Otherwise a clean, tight copy of the first printing.

Softcover. NY, Hirschl & Adler Galleries, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 20 plates (including cover), 16 in color, stapled exhibitin catalog listing 63 works of art by Porter. Minor bump to bottom corner otherwise like new.

Hardcover. London, White House Editions, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages. b&w and color photos throughout. Beautifully illustrating the art of the Circus, with thematically arranged chapters. Rare. Folio. Red cloth, gilt lettering to spine and front cover. Original slip case decorated by Fred Fowle. Minor wear to slip case opening edge, still very good copy, DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Charles Scribner's Sons, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, 104 pages with B/W illustrations by author. Soiled ivory colored covers with orange, blue and black printed design on front, black lettering on spine. Hinge cracking but binding solid. Pages clean. Previous bookseller's label on back end papers.

Hardcover. New York , NBM, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages illustrated in color by Russell. Bright, clean copy in a similar dust jacket.

Hardcover. NY, powerHouse Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Faith, Hope and Love, the first comprehensive examination of the life's work of Edward Powis Jones, details a remarkable artistic journey that begins as an accomplished American painter living in Paris in the shadow of the Second World War and concludes as that of an exceptional and surprising photographer whose work has no precedent. Jones employed all the disparate art mediums of his era and produced a life's work that is startlingly cohesive. After developing a passion for printmaking, he produced sculptures in bronze, wax, plaster, and papier-mache. By the time of his death in New York in 1998, Jones had been treating photographic emulsion as painter's gesso for more than a decade and had become fascinated by the potential of the photocopier. His enormous artistic output springs both from an abiding affection for his family and from a deep sense of loss, with roots in the early death of his parents. Beneath the surface of his work lies something disconcerting, if not menacing. Jones' conversion to Catholicism is reflected in etchings of the Stations of the Cross and paintings depicting the Crucifixion. Yet despite the focus on mortality, especially his own, his work also displays great joy and humor.

Softcover. NY, Limelight Editions, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. A "fakebook" is a collection of melodies with the chord changes that allows jazz musicians to read the tunes instead of playing solely by ear and memory. It is, then, a place to start, a structure upon which jazz improvisation, "faking," builds. As a young man, the author, a jazz saxophone player, tried to make a living at what he loved most. He failed, gave up jazz and became a college English professor. Today he is playing his saxophone again, at weekend gigs, rediscovering the unending challenge and the fulfillment that jazz brings him. This journey of self-discovery demonstrates the power of both jazz and superbly crafted writing. Clean, bright copy.

Hardcover. Berlin, Steidl, reprint, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 123 pages, 65 color plates. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Hardcover. Berlin, Steidl, reprint, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 123 pages, 65 color plates. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run un-cropped and has additional images. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Picador, 1st Edition, 2015, Book: Very Good, Dust Jacket: Very Good, 566 pages. Hardcover. Full page, full color and b/w illustrations throughout. Dust jacket with graphic illustration in very good condition. Clean, unmarked copy.

Hardcover. NY, Doubleday, Doran & Company, 1st, 1934, Book: Good, Dust Jacket: Fair, 307 pages. Hardcover. Deckled edges. Covers bound in bright green (slightly faded). Dust jacket price clipped, shows some edgewear, covered in a protective brodart. "A vividly human novel of Hollywood by the author of 'Helene'."

Hardcover. NY, Basic Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 337 pages, in a bright, unclipped dust jacket. Essays by the New York City cultural critic; examines the work of artists, filmmakers and writers ranging from Anton Chekov to J. K. Rowling, including Stanley Kubrick, The Sopranos, Sex in the City, John Updike, Norman Mailer, and Barbara Kingsolver. Clean copy.

Softcover. Ann Arbor, MI, Published for U. New Hampshire by University Microfilms International, 1980, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. Biographical history of Paul Rosenfeld, his artistic, musical, and literary criticisms and his contemporaries. Slight bumping to corners, otherwise a tight and clean copy.

Hardcover. New York, Rizzoli International , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 224 pages illustrated in color and b&w throughout. Foreword by John Kenneth Galbraith. Folio. Brown leatherette. Like new, in original shrinkwrap.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 311 pages, color illustrations. Jean Strouse captures the dramas, mysteries, intrigues, and tragedies surrounding John Singer Sargent's portraits of the Wertheimer family. Her account looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career...and at the intersections of all these lives with the sparkle and strife of the Edwardian age. In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes--as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. Clean, bright copy.

Hardcover. New York, G. P. Putnam's Sons, 1st US, 1980, Book: Very Good, Dust Jacket: Good, Non-Paginated. Hardcover. Full color and black & white illustrations by Carl Larsson. Dust jacket with rubbing along edges, areas of darkening. Clean, tight copy. A beautiful book featuring the full color watercolor artwork by Carl Larsson of his family in Sweden.

Hardcover. San Diego/NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 274 pages, b&w photos. "A shy, bald, myopic, gay albino from an ethnic Pittsburgh suburb and a beautiful, convent-educated heiress from France: This is the story of Andry Warhol and 'the girl in Andy's soup,' Isabelle Collin Dufresne, also known as Ultra Violet. It is suggested that Dali, Dufresne's companion for five years, introduced her to Andy Warhol in 1963. 'Leave Dali', said Andy. 'He's too old'. Soon after, Isabelle metamorphosed into Ultra Violet becoming an intimate of Warhol's underground scene, here recollected. Clean copy.

Hardcover. NY, Holiday House, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Megan Lloyd. In 1841 in Pennsylvania, Pippin Biddle, determined to get his three orphaned sisters out of the poorhouse, tries to earn a living as an itinerant painter, but he returns empty handed, only to find that he is not the only one in the family with artistic talents. Clean copy.

Hardcover. NY, Aperture, 1st, 2007, Book: Very Good, Hardcover. Essay by Carlo McCormick. Cosplay involves people dressing up and living part of their lives as characters in video games, Japanese graphic novels, and animated films. This phenomenon, long popular in Japan, has also become widespread in America. Winged sprites, samurai warriors, mad scientists, human feline hybrids, 144 pages. 75 color images. Striking full page color images of real people living out their fantasies in public. Clean copy. Still in publisher's shrinkwrap.

Hardcover. NY, Aperture, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Photographer Elena Dorfman examines the pop culture phenomenon of 'cosplay,' in which participants dress up in costumes--and live part of their lives--as characters from video games, animated films and Japanese graphic novels. The exploding cosplay subculture flourishes at convention centers, college dorms, private clubs and in homes across the country. Dorfman puts herself quietly behind the scenes of these fan-based events to create a remarkable collective portrait. Color portrait photos.

Softcover. NY, Kerry O'Quinn, 1980, Book: Very Good, Dust Jacket: None, Softcover magazine, 66 pages. Articles include: TV Special Salem's Lot, Spock and New Aliens of Star Trek, Caroline Munro Interview, Robots of Disney's The BlackHole, much more.

Hardcover. NY, Carroll & Graf, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 556 pages, b&w illustrations. In a bright, unclipped dust jacket. Robert Louis Stevenson's biographers are sharply divided over his American wife Frances (Fanny) Van de Grift (1840-1914), depicting her either as a muse, a saintly martyr or a dominating shrew. In this spellbinding biography, which is written like a romance novel, French novelist Lapierre portrays the Indiana-born farmer's daughter as an intrepid woman of rash energy, courage, violent emotion and charisma who sublimated her career as a painter in her possessive love for the tubercular Scottish novelist, children's writer and poet.

Softcover. New York, Pocket Books, 1st wraps, 1983, Book: Very Good, Dust Jacket: None, Softcover, SIGNED BY ROWENA MORRILL 26 color reproductions of her fantasy art. Paperback edition.

Softcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 185 pages, color illustrations. Contemporary designers, artists and scientists explore the evolution of this ubiquitous and endlessly malleable material, through its trademarked names - Spandex, Teflon, Nylon, Rayon, Formica, Tupperware - through to looking at how its function and reputation have changed over its lifetime. It is an essential book for designers, academics and everyone interested in our consumer culture.

Hardcover. New York, Watson Guptill, 1st paperback., 1975, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket, 192 pages, color illustrations throughout. Minor edge wear otherwise, clean, tight and bright copy. A collection of the Fantasy illustration of the Victorian era. Includes the works of Rackham, Dulac, Beardsley and others. Beautifully illustrated, many in color.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 86 pages, illustrated throughout in b&w. Light shelf-wear to wrappers, else a clean, tight copy. 9 1/8 X 12 inches. Three essays 1) "The Art of the Human Document: Russell Lee in New Mexico" by J.B. Colson, 2) "John Collier, Jr.: Cultural Diversity and the Camera" by Malcolm Collier, 3) "Jack Delano and the Railroad Photography Project in New Mexico" by Jay Rabinowitz. Photographs follow by Russell Lee, John Collier, Jr., and Jack Delano. All photographs B&W and beautifully reproduced.

Hardcover. Boston, David R. Godine, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR ON TITLE PAGE. Green boards with small black embossed graphic illustration to front, bright red cloth spine with gilt titles, pale green textured dust jacket with a large b&w woodcut and red titles, acetate protective covering to dust jacket, 26 full-page woodcuts by Mary Azarian. Article on Mary Azarian from the periodical New England Monthly dated August 1984 included, protected in plastic. Very light rubbing to dust jacket; a beautiful clean, tight children's book in excellent condition.

Softcover. Chicago, University of Chicago Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 161 pages. In this overview of the origins and development of black societies in southern Africa, Martin Hall reconstructs the region's past by throughly examining both the archaeological and the historical records. Beginning with the gradual southward movement of the earliest farmers nearly two thousand years ago, Hall tracks the emergence of precolonial states such as Mapungubwe and Great Zimbabwe. Farmers, Kings, and Traders concludes with the devastating effects of colonialism. Through a close reading of the accounts of early travelers, colonialists, archaeologists, and historians, Hall places in context the often contradictory histories that have been written of this region. The result is an illuminating look at how ideas about the past have themselves changed over time. Name on front fly leaf, otherwise clean.

Hardcover. NY, Dutton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 516 pages. SIGNED BY AUTHOR on front fly leaf. The enduring appeal of the music of George and Ira Gershwin has spawned several biographies of the talented brothers who created more than 700 popular songs before George's untimely death at age 39 in 1937--Ira died in 1983 at age 87. But never before has the collaboration itself been the subject of such intelligent and fruitful scrutiny as in this intriguing study. Rosenberg, chair of the musical theater program of the Tisch School of the Arts at New York University, has a gift for making scholarly points in accessible, albeit mundane language. Readers require no particular musical background in order to enjoy and respond to her original theories about the connections between George's music and Ira's lyrics. Points of comparison are frequently illustrated with side-by-side measures of music, and the striking thematic relationships between such songs as Embraceable You and The Man I Love are also compared dramatically to George's orchestral composition, including the well-known Rhapsody in Blue. This is a rich feast for music historians, musicians and connoisseurs of musical theater as well as inveterate hummers who like a Gershwin tune. Clean copy.

Hardcover. NY, Assouline Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages. Surrealism remains a great inspiration for the fashion world. Designers embraced the ideals and aesthetics of such creative geniuses as Salvador Dali, Joan Miro, Rene Magritte and Man Ray. With fun, amusing and extraordinary creations, they quickly began to unstitch the institutionalized notions of fashion, adding imagination, color and scandal to this ancient trade. Fashion & Surrealism is a testament to the fruitful infatuation that fashion has had with Surrealism, an infatuation that is still very visible in the works of contemporary designers such as Yves Saint Laurent, Jean Paul Gaultier and Serge Lutens.

Hardcover. NY, Penguin Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 256 pages, b&w photos. For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love. When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things. Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.

Hardcover. New York, Thames and Hudson, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy still in dust jacket. 195 full color and 7 black & white illustrations throughout. Tight copy. In this sumptuous new book, leading figures in the world of fashion- Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf-are profiled, together with illustrations of their costume designs. Helena Matheopoulos's interviews with many of the designers illuminate the journey that led each to the opera and the challenges of working in a demanding new medium.Costume designs for many well-loved operas-including Don Giovanni, Lucia di Lammermoor, Carmen, Aida, Thai?s, Agrippina, Cosi` fan tutte, Attila, and The Magic Flute-are featured. The opera houses commissioning the costume designs include La Scala, the Metropolitan Opera, the The'a^tre Royal de la Monnaie, the Are`nes de Ni^mes, the Royal Opera House in Covent Garden, and the San Diego Opera, among many others. Hundreds of color illustrations include original designers' sketches, photographs of the finished costumes, and images of the actual productions, many of which feature breathtaking stage sets as well. 195 full-color and 7 black-and-white illustrations

Hardcover. London, British Library Publishing, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy with color illustrations throughout.

NY, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 240 pages. For more than 30 years, Brian Dowling's studio was the birthplace of some of the most remarkable fashion photography ever created. In his Islington darkroom, using specialist analog equipment, Dowling shepherded amazing images from negative to paper captured by the likes of Anton Corbijn and Nick Knight. Dowling's BDI studio was also responsible for a number of technical innovations in color photography, paving the way for many of today's digital effects. This tribute to Dowling includes extensive interviews, commentary, testimonials from his clients, and numerous examples of iconic haute couture photographs that passed through his hands. In addition, a series of photographs specially commissioned for this volume demonstrate Dowling's groundbreaking techniques: cross-processing, masking, filtering, layering light, and color fades. Dowling's hands-on achievements and alchemic talents are showcased in this beautiful ode to fashion photography.

Hardcover. London, Mitchell Beazley, 1st, 2016, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Color photographs throughout. The Fashion of Film is the perfect book for the fashion fan. In it, fashion historian Amber Butchart takes a journey through the last 100 years of cinema style and its influence on the catwalks. With beautiful imagery and thoroughly-researched text, she looks at how our most iconic movies have transformed the world of high fashion. Karl Lagerfeld was influenced by the dystopian vision of Metropolis, the picture-perfect world of Wes Anderson's films are echoed in the collections of Miuccia Prada, and Audrey Hepburn was key to Hubert de Givenchy's work. Fashion designers have long taken their inspiration from silver screen idols, and continue to do so today.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover in purple slipcase. Very clean, unmarked copy still in shrink wrap. Gilt lettering on spine. Profusely illustrated with over 200 color plates. Tight copy. Prior to the invention of photography, European and American magazines used colorful prints to depict the latest fashion trends. These illustrations, known as "fashion plates," conveyed the cutting-edge styles embraced by the fashion-conscious elite and proved inspirational to the upwardly mobile. This lavishly illustrated book provides a comprehensive survey of 200 color plates from publications dating from 1778 to the early 20th century, accompanied by authoritative and fascinating texts. Organized chronologically and featuring both men's and women's garments, these lively and colorful vignettes not only are beautiful, but also deftly illustrate the evolution of fashion over time.

Softcover. Berkeley, CA , Ginko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 221 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Fashion Show explores the ideas and inspirations that have driven Paris fashion through the ages, and it investigates why, in an era of globalization, this venerable city remains an undisputed Mecca. Color photographs throughout.

Hardcover. Boston , MFA Publications, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, Like new in publisher's shrink-wrap. 145 illustrations. Both a historical overview and an up-to-the-minute spectacular, "Fashion Show" explores the ever-fascinating world of Paris couture-the history of the Paris fashion industry from its beginnings through the mid-twentieth century.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 168 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. A lavishly illustrated tribute to one of the most remarkable self-invented personalities on the New York fashion scene. Featuring approximately 80 looks from Bartsch's personal collection of clothing and accessories, including designs by Rachel Auburn, Body Map, Leigh Bowery, John Galliano, Jean Paul Gaultier, Thierry Mugler, Mr. Pearl, Vivienne Westwood, Zaldy, and many others. Dazzling color photographs allow readers to witness the incredible art of transformation. 

Hardcover. NY, MOMA, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages, color photos throughout. This groundbreaking book, and the exhibition it accompanies, includes lavish illustrations of the work by photographers such as Philip-Lorca diCorcia, Cedric Buchet, Glen Luchford, Tina Barney, Juergen Teller, Nan Goldin and Larry Sultan, among others. No dust jacket issued.