Hardcover. Springfield, MA, McLoughlin Bros, Inc., reprint, 1932, Book: Good, Dust Jacket: None, Introduction by Amelia Earhart. Red cloth cover, edges are worn and bumped. Slight foxing on rear endpage. Previous owner's inscription on front flyleaf. Partial spine separation. Inside is clean, b&w photographs throughout.

Softcover. Baltimore, Gateway Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 164 pages, b&w illustrations. SIGNED BY HAAS on the title page. This is the story of a 19th century German-American industrialist who made his fortune manufacturing hard rubber combs thanks to his friendship with Charles Goodyear and his invention, vulcanized rubber. Poppenhusen founded a town, College Point, New York, and became a much-loved philanthropist funding churches, libraries and an educational institute that is today both a National and New York City landmark, the Institute that bears his name. He was an innovator in education introducing the first free kindergarten for his workers and the people of the town, perhaps the first corporate day care facility in the U.S. He made the catastrophic mistake of getting involved in the railroads in the late 1860's and used his vast fortune to bring about the consolidation of what has come down to us today as the Long Island Railroad.

Hardcover. Kent, OH, The Kent State University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Conrad Wise Chapman (1842-1910) is unique among Civil War artists: he painted and sketched while on duty as a Confederate soldier who served in three theaters of the war. Chapman's first-hand knowledge is evident in his work. Ben Bassham has written both a critical study of Chapman's art and a biography, incorporating Chapman's correspondence and Civil War memoirs.

Hardcover. Oxford UK, Oxford University Press , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Shelley Weinberg argues that the idea of consciousness as a form of non-evaluative self-awareness runs through and helps to solve some of the thorniest issues in Locke's philosophy: in his philosophical psychology and in his theories of knowledge, personal identity, and moral agency. Central to her account is that perceptions of ideas are complex mental states wherein consciousness is a constituent. Such an interpretation answers charges of inconsistency in Locke's model of the mind and lends coherence to a puzzling aspect of Locke's theory of knowledge: how we know individual things (particular ideas, ourselves, and external objects) when knowledge is defined as the perception of an agreement, or relation, of ideas. In each case, consciousness helps to forge the relation, resulting in a structurally integrated account of our knowledge of particulars fully consistent with the general definition. This model also explains how we achieve the unity of consciousness with past and future selves necessary for Locke's accounts of moral responsibility and moral motivation. And with help from other of his metaphysical commitments, consciousness so interpreted allows Locke's theory of personal identity to resist well-known accusations of circularity, failure of transitivity, and insufficiency for his theological and moral concerns. Although virtually every Locke scholar writes on at least some of these topics, the model of consciousness set forth here provides for an analysis all of these issues as bound together by a common thread. Clean copy.

Hardcover. NY, Da Capo Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Maroon boards, [vi] 270 pages, no illustrations. Series: Library of American Art. This is the 1969 Da Capo reprint of the 1895 original; made possible by the Kennedy Galleries. This version is an unabridged republication of the first edition. No dust jacket, as issued. Light wear to lower edges and spine, overall a very clean, tight copy.

Softcover. NY, Basic Books, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 359 pages. Stanley Crouch-MacArthur "genius" award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia- has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: "Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." Now, in a long-awaited collection, Crouch collects fifteen of his most influential, and most controversial pieces (published in Jazz Times, The New Yorker, the Village Voice, and elsewhere), and includes two new essays as well. The pieces range from the introspective "Jazz Criticism and its Effect on the Art Form" to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known. The first, autobiographical essay reflects on his life in jazz as a drummer, a promoter, a critic, and most of all a lover of this quintessentially American art form. And the closing essay, about a young Italian saxophonist, expresses undaunted optimism for the worldwide vibrancy of jazz.Throughout, Crouch's work reminds us not only of why he is one of the world's most important living jazz critics, but also of why jazz itself remains, against all odds, an elemental component of our cultural identity. Clean, bright copy.

Hardcover. Oxford UK, Cambridge University Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. Much has been written about John Constable and his innovative paintings that inspire every succeeding generation of naturalistic artists, but there are few straightforward accounts of this English artist's life and works. Cormack's monograph links biographical detail and scholarly appraisal together in a way that goes beyond the previously most pertinent biography, Graham Reynold's Constable (London: Grenada, 1977). He focuses on the growth of Constable's career rather than new revelations. The book benefits from the inclusion of almost 300 illustrations, with one-third in color. All the major works are shown, plus many that have not been published much in the past. A few flaws are noted: some color reproductions are overbright, there is no chronology to assist readers. Yet this is a solid work and should be considered for large public and all academic libraries covering 19th century art and/or British painting. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 250 pages. This book examines the "constitutional faith" that has, since 1788, been a central component of American "civil religion." By taking seriously the parallel between wholehearted acceptance of the Constitution and religious faith, Sanford Levinson opens up a host of intriguing questions about what it means to be American. While some view the Constitution as the central component of an American religion that serves to unite the social order, Levinson maintains that its sacred role can result in conflict, fragmentation, and even war. To Levinson, the Constitution's value lies in the realm of the discourse it sustains: a uniquely American form of political rhetoric that allows citizens to grapple with every important public issue imaginable. Clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 528 pages, b&w and color photographs throughout. A very clean, tight copy in great condition. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, they discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner.

Softcover. Advance Music, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 534 pages. The understanding of the musical techniques of composition cannot be reduced to a handbook of simplified rules. Music is complex and ever changing. It is the purpose of this book to trace the path of musical growth from the late Romantic period to the serial techniques of the contemporary composer. Through the detailed analysis of the musical characteristics that dominate a specific style of writing, a graduated plan is organized and presented here in the form of explanations and exercises. A new analytical method substitutes for the diatonic figured bass and makes exercises and the analysis of non-diatonic literature more manageable. The explanations describing each technique are thorough. They are designed to help the teacher and the student see the many extenuating circumstances that affect a particular analytical decision. More important than a dogmatic decision on a particular key center or a root tone, for example, is the understanding of why such an underdeterminate condition may exist. Minor wear to covers, clean copy.

Hardcover. Tokyo, Kodansha, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 187 pages. Large format. Illustrated with full color and black & white examples of of fine contemporary prints from Japan. Dust jacket shows wear with dime sized chunk missing at top of spine and piece missing at bottom left corner of rear flap. Clean, tight copy. May require additional postage. "Contemporary Japanese Prints" is a fine, beautifully printed folio book--just the way art books should be. Written by a key art historian and critic as well as museum director, it serves as an excellent and eye-opening overview of just what the straightforward title indicates, artistic prints by Japanese artists then currently active as of 1967. Kawakita's introduction is clear and concise but properly informative, defining this art form's general characteristics and then outlining its modern history, starting with its rise in the early twentieth century. Contrary to what one might expect, these prints are almost totally unrelated to Japan's rather famous ukiyo-e prints of the early modern period, these modern "hanga" instead representing the creative vision and artistic labor of one individual artist. And well, a picture's worth a thousand words, so the bulk of the book presents a selection of 150 prints by 119 artists--47 color plates and 103 monochrome plates.

NY, Harper and Brothers, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, stated first edition with code letter "F-M" and "First Edition" printed on copyright page. Paper label on spine, three quarter black cloth with blue paper over boards. Clean copy.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover. Still in shrink-wrap. Spine faded. Else very good. As the acclaimed author of The Autobiography of Miss Jane Pittman and A Lesson Before Dying, Ernest J. Gaines (b. 1933) has been publishing stories and novels for more than sixty years. His brilliant portrayals of race, community, and culture in rural south Louisiana have made him one of the most respected and beloved living American writers. Ernest J. Gaines: Conversations brings together the author's own thoughts and words in interviews that range from 1994 to 2017, discussing his life, his work, and his literary legacy. The interviews cover all of Gaines's works, including his two latest books, Mozart and Leadbelly: Stories and Essays (2005) and The Tragedy of Brady Sims (2017). The book provides a retrospective of his work from the viewpoint of a senior writer, now eighty-five years old, and gives an important international perspective on Gaines and his work.

Hardcover. Philadelphia, J.B. Lippincott Co., 3rd pr., 1935, Book: Fair, Dust Jacket: None, 343 pages, hardcover. Illustrated by the author and Helene Carter. Spine cracked at front panel. Heavy edgewear and fading to boards. Water damage to text block. Light soiling to boards. Mild age-toning to text block. Faint foxing and spotting throughout, mostly to preliminary pages. Previous owner's inscription to front flyleaf. A fair reading copy.

Hardcover. Seattle, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy with only minor wear to dust jacket. Collects the top shelf of VIP's drink-themed artwork including well-known favorites, this new book is sure to delight even the most rigid teetotaler. Cartoons in b&w.

Hardcover. NY, Rodale Books , 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Robert Hilburn's storied career as a rock critic has allowed him a behind-the-scenes look at the lives of some of the most iconic figures of our time. He was the only music critic to visit Folsom Prison with Johnny Cash. He met John Lennon during his lost weekend period in Los Angeles and they became friends. Bob Dylan granted him his only interviews during his "born-again" period and the occasion of his 50th birthday. Michael Jackson invited Hilburn to watch cartoons with him in his bedroom. When Springsteen took to playing only old hits, Hilburn scolded him for turning his legendary concerts into oldies revues, and Springsteen changed his set list. In this totally unique account of the symbiotic relationship between critic and musical artist, Hilburn reflects on the ways in which he has changed and been changed by the subjects he's covered; Bono weighs in with an introduction about how Hilburn's criticism influenced and altered his own development as a musician.

Hardcover. Philadelphia, J. B. Lippincott, 9th impression, 1920, Book: Very Good, Dust Jacket: None, 274 pages. Red pictorial cloth, gilt, sunned spine. Color plates by Maria L. Kirk. Pictorial end papers. Spine starting.

Softcover. NY, 1947, Book: Very Good, Dust Jacket: None, Softcover magazine, digest size. Articles on Norman Rockwell (The People's Painter) and Milton Caniff (Secrets of a Comic Strip Artist). Nice copy. Wrap-around cover illustrations by Stan Eckman.

Softcover. Hirmer Verlag Gmbh, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 174 pages, illustrated throughout in color and b&w. Text in German. Clean, unmarked copy with only minor wear to wrappers.

Softcover. New York, Dell Publishing, 1st, 1947, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #168. Minor wear to paper wrappers. Cover art by Gerald Gregg. Light crease and fade to spine and front cover. Map on back.

Hardcover. Leipzig, E.A. Seemann, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 132 pages of German text followed by 264 b&w plates. A catalog of nature studies by the artist, mostly botanical. Cclean copy.

Hardcover. New York , Princeton University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 158 pages with 4 color plates. 132 black & white photos. 11 line illustrations.

Softcover. Chicago, University of Chicago Press, 2nd pr., 2007, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. Between the years 1643 and 1649, Princess Elisabeth of Bohemia (1618-80) and Rene Descartes (1596-1650) exchanged fifty-eight letters--thirty-two from Descartes and twenty-six from Elisabeth. Their correspondence contains the only known extant philosophical writings by Elisabeth, revealing her mastery of metaphysics, analytic geometry, and moral philosophy, as well as her keen interest in natural philosophy. The letters are essential reading for anyone interested in Descartes's philosophy, in particular his account of the human being as a union of mind and body, as well as his ethics. They also provide a unique insight into the character of their authors and the way ideas develop through intellectual collaboration.

Softcover. Ontario CAN, Broadview Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 365 pages. An important work in the debate between materialists and dualists, the public correspondence between Anthony Collins and Samuel Clarke provided the framework for arguments over consciousness and personal identity in eighteenth-century Britain. In Clarke's view, mind and consciousness are so unified that they cannot be compounded into wholes or divided into parts, so mind and consciousness must be distinct from matter. Collins, by contrast, was a perceptive advocate of a materialist account of mind, who defended the possibility that thinking and consciousness are emergent properties of the brain.Appendices include philosophical writings that influenced, and responded to, the correspondence. Clean copy.

Hardcover. Casterman, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. FRENCH TEXT. The history of Pratt's most famous character told in pictures and words. Illustrated in color and b&w. Clean copy.

Hardcover. New York, National Academy of Design, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages. 62 B&w illustrations and 77 plates in full color. Black leatherette. silver lettering to spine. Pictorial dust jacket. Like new.

Hardcover. NY, Harry N. Abrams, 2nd pr., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 320 pages, 9.9x1.2x12.3 inches. Color illustrations throughout. Michael Benson, one of the world's leading authorities on the visual legacy of space exploration and astronomy, tells a riveting story of the discovery of the universe through pictures. Selecting strikingly powerful and intriguing illustrations and maps, many hidden away in the world's great science libraries and virtually unknown today, he chronicles more than three thousand years of humanity's ever-expanding understanding of the size, shape and visual texture of the cosmos from the planets of our Solar System to the Milky Way and to the large-scale structure of the greater universe, with its teeming swarms of galaxies. These illustrations - some are maps, some are diagrams, some are speculative works of representation- are among history's most powerfully compelling works of data visualization, an art that is increasingly necessary in today's data-intensive world. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Detroit MI, Burroughs Adding Machine Company, 1st, 1910, Book: Very Good, Dust Jacket: None, Gray cardboard covers with brown cloth spine, two-color title label on front. 179 page booklet promoting their new product-an adding machine. Illustrated with photos (several in color) and diagrams and charts. This is the original printing of 1910. Small name on half-title page, otherwise clean, sound.

Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, More than a century ago, when Abbot Kinney built his Venice-of-America with its network of canals and fanciful buildings, cultural aspirations were high. Over the years, this aura of fantasy and imaginative possibility endured as integral to the zeitgeist of the place. Today, this spirit of innovation and creativity is richly expressed in the vintage bungalows and cottages that have been embraced and brought back to life by homeowners more in love with place than size. Stalwart survivors of the ebb and flow of the area's fortunes over a century, these small homes channel the creative spirit of the place and provide a welcome counterpoint to oversize houses. Color, landscape, treasured collections, personal narrative, contemporary overlays and additions, art and craft, and inventive design--all combine in various ways to produce domestic environments with unique and deeply personal points of view.

Hardcover. Brooklyn NY, Melville House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the original 30,000 word article Agee wrote for Fortune magazine in 1936 that was never published. Accompanied by 30 Walker Evans photos. Clean copy.

Softcover. Princeton WI, Kitchen SinkPress, 1st , 1991, Book: Very Good, Dust Jacket: None, 156 pages, illustrated throughout in b&w with Gotto's baseball comic strip from the 1950s. Clean, bright copy.

Hardcover. NY, Ballantine Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1872, Cottonwood, Kansas, is a one-horse speck on the map; a community of run-down farms, dusty roads, and two-bit crooks. Self-educated saloon owner and photographer Bill Ogden looks on his adopted town with an eye to making a profit or getting out. His brains and ambition bring him to the attention of one Marc Leval, a wealthy Chicago developer with big plans for the small town. The advent of the railroad and rumors of a cattle trail turn Cottonwood into a wild and wooly boomtown--and with Leval as a partner, Ogden dreams of bringing civilization to the prairie. But civilizing the Great Plains was never that simple. While many in Cottonwood distrust Leval's motives, and mob violence threatens to derail the town's dreams of greatness, Ogden finds himself dangerously obsessed with Leval's stunningly beautiful wife. Meanwhile, plying its sinister trade unnoticed, an apparently ordinary local farm family quietly butchers traveling salesmen, weary travelers, and other unsuspecting wanderers.In his own inimitable brand of narrative wizardry, Scott Phillips traces the metamorphosis of a frontier town that becomes a lightning rod for sin, corruption, and murder. He also brings to life actual crimes that befell Kansas in the 1870s and 1880s, carried out by a strange clan who popularly became known as The Bloody Benders. Brilliantly written, maliciously fun, and full of many surprises, Cottonwood is historical fiction at its finest.

Hardcover. NY, Assouline, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Celebrates its centennial in 2004 with a global operation in more than 25 countries. With wit, spirit, and luminous images, Orla Healy tells the inspiring story of Coty, both the man and the company..

Hardcover. London, The Folio Society, 1st illust thus, 2010, Book: Very Good, Dust Jacket: None, Hardcover, decorative boards with black slipcase. 445 pages, color frontispiece and 12 color plates by David Hughes. First published in 1938, recounting the life of the Byzantine general Belisarius (AD 500-565), It was not a peaceful time for the Roman empire. Invaders threatened all fronts, but they grew to respect and fear the name of Belisarius, Emperor Justinian's greatest general. With this book Robert Graves again demonstrates his command of a vast historical subject, creating a startling and vivid picture of a decadent era. Forward by Lindsey Davis. Clean copy.

Softcover. NY, ILR Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 170 pages. Softcover with light edgewear to wrappers. Color pictures throughout. "Career waitresses do more than just serve food. They are part psychiatrist, part grandmother, part friend, and they serve every walk of American life: from the retired and the widowed, to the wounded and the lonely, and from the working class to the wealthy. The classic diner waitress is an icon of American culture.... This book takes a moment to honor and recognize waitresses' contribution to our communities. Doing this project has helped me to redefine my perspective on life, work, and happiness. It has made me reevaluate the myth of the American dream that says you need to have an 'important' job to be happy."

Softcover. New York, ILR Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 170 pages. Softcover with light edgewear to wrappers. Color pictures throughout. "Career waitresses do more than just serve food. They are part psychiatrist, part grandmother, part friend, and they serve every walk of American life: from the retired and the widowed, to the wounded and the lonely, and from the working class to the wealthy. The classic diner waitress is an icon of American culture.... This book takes a moment to honor and recognize waitresses' contribution to our communities. Doing this project has helped me to redefine my perspective on life, work, and happiness. It has made me reevaluate the myth of the American dream that says you need to have an 'important' job to be happy."

Softcover. New York, Dell Publishing, 2nd, 1960, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #590. Minor wear to paper wrappers. Cover art by Robert Stanley. Light spine cock with warping.

Hardcover. NY, Grove Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Chris Offutt is an outstanding literary talent, whose work has been called "lean and brilliant" (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He's been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark is a taut, compelling novel set in rural Kentucky from the Korean War to 1970. Tucker, a young veteran, returns from war to work for a bootlegger. He falls in love and starts a family, and while the Tuckers don't have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves.

Hardcover. London, Stacey International, 1st US, 2013, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Black and white photographs throughout. Clean, unmarked copy with only minor wear to dust jacket. A treasury of aristocratic photography from the 1850s to 1930s. England's leisured and affluent upper classes made an art form of their new picture-taking toy, creating intimate portraits of stunning beauty. Includes previously unpublished photographs discovered in dusty corners and attics of Britain's grandest houses.

Hardcover. Silver City NM, High-Lonesome Books, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 270 pages, b&w illustrations. Features essays of outdoor sport that range well beyond the usual "where-to-go" and "how-to-do-it" of the Hook & Bullet press. Sporting sharp opinion, insight, and the skills of a natural-born raconteur, the author trails his teen-aged son on a wilderness hunt to a quarter-mile shot at a mule deer buck; and, on a hunt for snowshoe hare, is saved from a killer blizzard by a clairvoyant Bassett. Clean copy.

Hardcover. New Haven, Yale University Press, 1st , 1991, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Transl. from German by John W. Gabriel. Black & white illus. Clean, tight copy.

Hardcover. Paris, France, Guy Delcourt Productions, 1st Edition, 1989, Book: Very Good, Dust Jacket: None, 48 pages. Hardcover. FRENCH TEXT. Color illustrations throughout. Decorated cover boards, glossy, very good. Pages and edges clean and unmarked. Binding tight, spine straight. In excellent condition. Coutoo is dead. But Coutoo lives again. Coutoo, the mad killer with the terrifying face, once again haunts the streets of New York. Like his father before him, Inspector Krafft goes up the bloody trail taken up by this monstrous psychopath.

Softcover. US, JRP|Ringier, 1st, 2009, Book: Very Good, Dust Jacket: None, 244 pages. Softcover with no dust jacket. Clean, unmarked copy with only minor wear to wrappers. Like new in publisher's shrink-wrap. This is the End: Cover Art by H5 focuses entirely on the company's music design, and includes several essays and an interview. It comes with a vinyl EP specially produced for this publication, with contributions from Alex Gopher, Air and de Crecy & Darkel.

Softcover. US, Laurence King, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 318 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. The album cover is a subject of perennial interest among graphic designers. Sleeve design remains a popular subject for college projects, and many young working designers aspire to design for the music industry. Revealing state-of-the-art contemporary music graphics, Cover Art By: is packed with more than 400 examples of sleeve art. As well as CD and album covers, the insides of CD booklets and the backs of vinyl sleeves are shown. The book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers/labels who are the most influential in the field, making this a must-have for designers and students, as well as music industry professionals and fans.

Hardcover. New York , Viking Studio Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages, reproduces 3500 covers in color. An indispensable volume for the collector or researcher. Three thousand and five hundred reproductions include virtually every cover of the America's most popular magazine during its entire run, from 1899 to 1969, complemented by an essay tracing the magazine's evolution. 15,000 first printing.

Softcover. West Plains, MO, Bruce Hershenson, 1st, nd, Book: Very Good, Dust Jacket: None, Softcover. Color reproductions of old cowboy movie posters. Light shelfwear.

Hardcover. New York, Powerhouse Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 128 pages, b&w photographs of rodeo performers. In publisher's shrinkwrap. After reading a front-page article in The New York Times about the Cheyenne Frontier Days Rodeo, Arthur Frank took a week off from work to travel around Wyoming, photographing whatever rodeos he could find. Once there, he found the culture of the American cowboy very much alive and kicking. Although their practical skills remain essential to modern ranching, it is the rodeo where their trade is praised, perpetuating the myth and mystique of America?s rough and rugged icon?the cowboy. Cowboy Up, Frank?s first monograph, presents photographs taken at more than fifty rodeos?including high school, college, and women?s competitions in addition to professional rodeos?in Wyoming, Colorado, South Dakota, Nevada,Arizona, Calgary, Alberta, even Binghamton, New York. As a former football and rugby player from New York City, Frank approached the roundup with an athlete?s understanding, while his profession provided distance from the cliches associated with the sport. With photographs that capture the vigorous physicality of one of the world?s most erratic and dangerous sports, Cowboy Up delves deeply into the modern cowboy?s life, capturing riders during the jittery wait before the roundup, and back at the ranch, engaging in work that tamed the Wild West. Frank?s outsider perspective and insider access combine to provide a humanistic yet dynamic and inspiring view into a lifestyle that has become an American legend.

Hardcover. Fort Worth TX, Amon Carter Museum, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 48 pages. Hardcover with dust jacket. Clean, unmarked copy. Like new in publisher's shrink-wrap. This beautifully made and designed collection of the turn-of-the-century photos by cowboy-photographer Erwin E. Smith covers everything you always wanted to know about cowboys and more. Worcester, who tells the story in Smith's voice, ties the pictures to details of the Wild West world--how cowboys came to be, the ins and outs of roping cattle, and more--and profiles colorful characters, from wranglers to cooks to broncobusters. The frequently overlooked African Americans and Hispanics who contributed greatly to cowboy culture are considered as well. Also included are atmospheric tidbits about the roguish and glorious cowboy life. However, it's Smith's authentic photos that steal the show: the day-to-day routine at camps, the excitement of rodeos, and the ambience of the sweeping dusty plains are a pleasure to behold.

Hardcover. New York, Funk Wagnalls, 4th pr., 1967, Book: Very Good, Dust Jacket: Fair, Hardcover, 110 pages. Black & white illustrations by Eric Sloane. Dust jacket heavily chipped. Dust jacket is protected by a mylar cover.

Softcover. Austin, University of Texas Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 287 pages. Light fading to spine. In ancient Mediterranean cultures, diamonds were thought to endow their owners with invincibility. In contemporary United States culture, a foreign-made luxury car is believed to give its owner status and prestige. Where do these beliefs come from In this study of craft production and long-distance trade in traditional, nonindustrial societies, Mary W. Helms explores the power attributed to objects that either are produced by skilled artisans and/or come from 'afar.' She argues that fine artisanship and long-distance trade, both of which are more available to powerful elites than to ordinary people, are means of creating or acquiring tangible objects that embody intangible powers and energies from the cosmological realms of gods, ancestors, or heroes. Clean copy.