Softcover. NY, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 256 pages. Why did Frankie say "Relax"? Did anyone really want to hurt Boy George? And why didn't anybody walk in L.A.? This Ain't No Disco can't answer all these head-scratchers, but it does bring the New Wave era back with page after totally awesome page of 300 of the best album covers. This rad collection includes covers from the late 1970s to the mid-'80s and will have true believers of a certain generation totally spazzing. New Wave was defined as much by style, fashion, and graphic design as the music itself witness the ruffled cuffs and heavy makeup of the New Romantics, the skinny ties and peg-pants of the neo-Mods, and the unsettling robotic personae of Devo and Gary Numan. Bursting with wild hairstyles, futuristic typography, pastel shapes, and outlandish clothing, these are the album covers that defined an era and continue to influence music and fashion styles today. A nostalgic trek with a mental soundtrack, This Ain't No Disco will inspire readers to don those rubber bracelets once again and proclaim, "Let's dance this mess around!"

Softcover. Baltimore MD, Gateway Press, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover. 272 pages. INSCRIBED BY AUTHOR on the title page. 226 men with ties to College Point, New York took part in the Civil War. They served in 82 different Army units, and in the Navy, both on land and on sea. They were infantry men, engineers and artillerists, and one was a musician in the Marine Band. The majority claimed Germany as their country of birth, and 24 died in the service of their adopted homeland. This Gunner at His Piece tells their stories, before, during and after the American Civil War. Clean copy.

Hardcover. Westport CT, Greenwood Press, reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover, dark red cloth, 371 pages, b&w illustrations. Originally published in 1949. Name on front fly leaf, otherwise a clean, bright copy.

Hardcover. NY, Riverhead Books, 1st illust thus, 2013, Book: Very Good, Dust Jacket: None, Hardcover. This is a collaborative edition with Jaime Hernandez illustrations. John Hodgman calls Hernandez "one of the most talented artists our polyglot culture has produced." Bright teal slipcase. Book has no DJ as issued. Still in publisher's shrink wrap.

NY, ADC, 1st, 198, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. No markings. Index, b/w & some color illustrations. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This Is the Day: The March on Washington is a stirring photo-essay by photographer Leonard Freed documenting the March on Washington for Jobs and Freedom of August 28, 1963, the historic day on which Dr. Martin Luther King Jr. delivered his "I Have a Dream" speech at the base of the Lincoln Memorial. This book commemorates the fiftieth anniversary of the historic march that ultimately led to the passage of the Civil Rights Act of 1964.

Hardcover. Racine WI, Whitman Publishing, 1st, 1967, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with mild soil, corner wear. Color illustrations by ROFry. When a new little pony learns to say "Boo", he wants to tell everyone but he upsets them. They positively forbid him to say boo anymore! Main character looks like a super shaggy bay Exmoor or Dartmoor pony.

Hardcover. NY, Doubleday, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 298 pages. Roger Angell, the acclaimed New Yorker writer and editor, steps up with a selection of writings that celebrate a view from the tenth decade of an engaged, vibrant life. Whether it's a Fourth of July in rural Maine, the opening game of the 2015 World Series, editorial exchanges with John Updike, a letter to a son, or his award-winning essay on aging, 'This Old Man,' what links the pieces is Angell's unique perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues encountered over a fruitful career unlike any other. Includes essays about E.B. White, Harold Ross, Mark Twain, John Hersey, Henri Cartier-Bresson, Donald Barthelme, Vladimir Nabokov, V.S. Pritchett, William Maxwell, William Steig, John Updike, and others. Clean copy.

Hardcover. NY, Alfred A. Knopf, 4th pr., 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 361 pages, color frontis, preface, list of b&w illustrations and maps, prologue, 1. Beaver and Mountain Men; 2. Jedediah Strong Smith: From the Big Lake to the Sea; 3. Kedediah Strong Smith: The End of the Long Trail; 4. To Santa Fe and Beyond; 5. Perils of the Wilderness: The Wanderings of James Ohio Pattie; 6. "Joaquin Yong" and the Men of Taos; 7. From Santa Fe to California; 8. Joseph Reddeford Walker: To the "Extreme End of the Great West; 9. Partisans versus Mountain Men; epilogue, bibliographical notes, index. Minor edgewear to dust jacket. Clean copy.

Hardcover. New York/London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages, 165 color and b$w images. Like new in publisher's shrink-wrap. Equal parts glamour and cataclysm, sunshine and noir, few cities have provoked visual representation as insistently as LA. This Side of Paradise explores the synergistic relationship between the city and photography from the mid-nineteenth century to the present through the key themes of landscape and the body. Beautifully illustrated throughout, including images by Carleton Watkins, Edward Weston, Louise Dahl-Wolfe, Garry Winogrand, Ed Ruscha, Dennis Hopper, Herb Ritts, John Baldessari, Catherine Opie and many others.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.

Softcover. Huntington NY, Heckscher Museum, 1st, 1995, Book: Good, Dust Jacket: None, Softcover,143 pages, illustrated throughout in color and b&w. Binding is cracked on page 62. Minor wear to wrappers. Neat, clean copy. This book was published in conjunction with the exhibition The Art of Thomas Anshultz, organized by Randall C. Griffith, Guest Curator; Heckscher Museum, Huntington, New York. The exhibition was on view from September 3rd through November 20, 1994. The book contains the monograph Thomas Anshultz Artist and Teacher, 28 color plates, and numerous black and white reproductions of art from throughout Anshultz's career.

Hardcover. NY, Thames & Hudson, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 112 pages illustrated in color. Originally trained as sculptor, Thomas Demand approaches photography as a means of preserving his painstakingly created, ephemeral paper constructions. At no time do his forms strive for the perfect illusion, his is a wholly artificial world reduced to generic forms. Large immaculate photographs of interiors and architectural exteriors - a world peopled with inanimate objects and bathed in uniform lighting - are mounted on Plexiglass, which underscores the materiality of the photographic object. For each of his reproductions, Demand constructs life-size models using paper and cardboard. Like new.

Hardcover. Cambridge MA, Harvard University Press , 1st, 1982, Book: Very Good, Dust Jacket: None, Two volumes in a cloth slipcase, 336, 356 pages. Illustrated throughout with color and b&w plates. The Ailsa Mellon Bruce Studies in American Art, published for the National Gallery of Art. Some soiling and browning to the white cloth part of the two-color covers. No dust jackets issued, nice rust-color slipcase. Overall very good.

Paperback. Fort Worth, TX, Amon Carter Mseum , 1st wraps, 1996, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. 2l color, 83 B&W plates. Edited by Doreen Bolger and Sarah Cash. Clean, unmarked copy with only minor wear to wrappers. Examines a single painting that is now widely regarded as an American masterpiece: Swimming, completed in 1885 by the Philadelphia artist, Thomas Eakins (1844-1916).

Softcover. New York, M. Knoedler & Company, 1st, 1944, Book: Very Good, Dust Jacket: None, Softcover, vintage exhibition catalog. Unpaginated, b&w and color plates. Light wear to edges, spine. Else a clean, tight copy.

Hardcover. NY, Abbeville, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages. Large format. Major monograph on one of the giants of 19th Century American art. Illustrated in color. In a bright dust jacket. 244 color plates, bibliography, chronology, notes. Clean copy.

Hardcover. New Haven CT, Yale University Art Gallery, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 139 pages, illustrated in color and b&w. During the 1870s, rowing became a tremendously popular sport in the United States. An enthusiastic rower, the young Philadelphia-born Thomas Eakins painted, sketched and drew an extraordinary series of rowing pictures. His 24 rowing works are brought together and examined as a group in this beautiful book.

Hardcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 488 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Lavishly illustrated with more than 250 of Eakins's most significant paintings, watercolors, drawings, photographs, and sculpture, the book features essays by prominent scholars who place his art in the context of the history and culture of late nineteenth-century Philadelphia, where he lived.

Hardcover. Washington, D.C., Smithsonian Institution Press, rep, 1993, Book: Very Good, Dust Jacket: Very Good, Catalogue of the works of Thomas Eakins. Includes 49 large color plates with accompanying black/white and color illustrations and notes for each. Also contains reproductions of Eakins's lesser-known black/white photographs and biographical text about the artist. Very good condition; cloth bound book has virtually no flaws, dust jacket has few small tears near the edges.

Softcover. NY, Farrar, Straus and Giroux, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 416 pages. In this definitive biography, Justin Wolff places Benton in the context of his tumultuous historical moment-as well as in the landscapes and cultural circles that inspired him. Thomas Hart Benton-with compelling insights into Benton's art, his philosophy, and his family history-rescues a great American artist from myth and hearsay, and provides an indelibly moving portrait of an influential, controversial, and often misunderstood man.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Benton (1889-1975) is a painter shrouded in paradox and misapprehension. Though pigeonholed as a regionalist chronicler of the Midwest, many of his finest on-site pictures are of Southern blacks and poor whites. Remembered best are his folksy rural scenes and aggressively three-dimensional murals, but the public tends to forget that he ran through the gamut of modernist styles (he was Jackson Pollock's teacher) and that his brilliant abstract color experiments ally him with the modernist movement. Some of Benton's crowded murals of the 1930s reflect his leftist sympathies, yet critics reviled him as politically conservative. These contradictions are illuminated in this catalogue of a touring exhibition curated by Adams. The text stands on its own as a wholly engaging biography, offering an unbuttoned look at a pugnacious, often reckless, artist who valiantly sought to preserve a rural America that was vanishing before his eyes. Clean copy.

Softcover. Williamstown, MA, Williams College Museum Of Art, 1st, 1985, Book: Good, Dust Jacket: None, 83 pages. Softcover. Extensive color and B&w illustrations throughout. Includes appendix of correspondence. Glue between cover and pages very loose. Some wear to covers. All pages clean and legible.

Softcover. Norman OK, University of Oklahoma Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 339 pages. Although he did not travel farther inland than the slopes of the Appalachians, Thomas Jefferson must take his place alongside Zebulon Pike, Kit Carson, Jim Bridger, and Lewis and Clark--the men who blazed the great western trails. Donald Jackson cogently recounts Jefferson's fundamental role in promoting and shaping the exploration, settlement, and development of the Trans-Mississippi West. Clean, bright copy.

Softcover. Durham NC, Duke University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 284 pages, color and b&w illustrations.Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade's soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade's imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano's Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and "The Village at Hiddenbrooke," a California housing development inspired by Kinkade's paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade's art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade's significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art. Clean copy.

Softcover. Washington DC, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 237 pages, b&w illustrations, color plates. A very clean, tight copy.

Hardcover. Norman, Oklahoma, University of Oklahoma Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, 315 pages, b&w illustrations. Spine slightly cocked. Pictorial dust jacket with light sunfading to spine; edge wear and light rubbing near extremities. Clean text.

Hardcover. Austin, University of Texas Press, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 180 pages, illustrated throughout in b&w with a few color plates. Light shelf-wear, rubbing and soil to dust jacket. Internally very good.

Hardcover. Austin, TX, University of Texas Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. Cream cloth cover with gilt lettering to spine, acetate-protected color-illustrated dust jacket, text and catalogue raisonne by Carol Clark, color frontispiece, 9 color plates, dozens of b&w plates. Very light wear to dust jacket; book in excellent condition.

Hardcover. Glendale CA, Arthur H. Clark Co., 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on the spine, 340 pages. A biography of Thomas Pownall (1757 - 1760) who was governor of the Massachusetts Bay colony during the French and Indian War and later a member of Parliament (1767 - 1780). Pownall had sympathies for the colonial grievances and institutions. This biography is based on a study of widely scattered documentary materials and provides insight into a man of complex and contradictory ideas and actions during the pre-Revolutionary period. Includes bibliography and index. Stamping to endpapers, from an academic library.

Softcover. Montpelier VT, Wood Art Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, Color illustrated wraps, 63 pages. 36 bw repros. Lists 79 works exhibited. Essay by William Lipke. Exhibition held at Robert Hull Fleming Museum, Burlington, Vt., Sept. 11-Oct. 5. Includes bibliographical references. Clean copy.

Softcover. Montpelier VT, Wood Art Gallery, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover, 63 pages illustrated in b&w. Lists 79 works exhibited. Thomas Waterman Wood was an American painter born in Montpelier, Vermont. Essay by William Lipke. Exhibition held at Robert Hull Fleming Museum, Burlington, Vt., Sept. 11-Oct. 5; the Currier Gallery of Art, Manchester, N.H., Oct. 14-Nov. 12; and the Wiggin Gallery, Boston Public Library, Nov. 16-Dec. 10, 1972. Includes bibliographical references. Clean copy.

Hardcover. Oxford UK, Sandford Publications, 1st, 1980, Book: Very Good, Dust Jacket: None, Hardcover, limited to 750 copies, 182 pages, b&w illustrations, INSCRIBED BY DEWHURST on inside front cover, brown faux-leather. Thomas Willis (1621-1675) was an English doctor who played an important part in the history of anatomy, neurology and psychiatry, and was a founding member of the Royal Society.

Hardcover. Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 176 pages. Text in English and German. Hardcover, pages. Thomas Zipp, born in 1966, studied under Martin Kippenberger in Frankfurt and then continued at the Slade School of Fine Art in London. His imagery blends New Age thought patterns with provocative spiritual irony: religion, cults, myths, drugs and violence. Achtung! Vision presents his paintings, drawings, collages and installations since 2003, including a number of very new and never-before-seen works.

Hardcover. Concord MA, Albert Lane/Erudite Press, 2nd Ed., 1903, Book: Very Good, Dust Jacket: None, Hardcover, gray-green boards over green cloth spine, 35 pages, frontis. portrait plus 3 halftone plates. First published in 1890, "It is a pious duty to his memory to correct the errors of fact that were ... reported in the first edition of the Glimpse 1890." Jones was part of the rehabilitation of Thoreau's reputation and appreciation. Previous owner's bookmark on inside front cover, Paper label on spine mostly gone, otherwise clean, very good.

Softcover. San Francisco, Rip Off Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, oversized trade paperback. Color art throughout. Some small dates notations on copyright page, light chipping to paper spine otherwise clean.

Hardcover. NY, The Blue Sky Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A beautifully illustrated tribute to the men who built our country's bridges, railroads, skyscrapers, etc. Watercolor art by Barry Moser. Clean.

Softcover. NY, Blood Moon, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 752 pages, b&w illustrations. Born in Central Europe during the twilight of the Austro-Hungarian Empire, three "vonderful vimmen"--Zsa Zsa, Eva, and Magda Gabor--transferred their glittery dreams and gold-digging ambitions to Hollywood. They supplemented America's most Imperial Age with "guts, glamour, and goulash," and reigned there as the Hungarian equivalents of Helen of Troy, Madame du Barry, and Madame de Pompadour. More effectively than any army, these Bombshells from Budapest conquered kings, dukes, and princes, always with a special passion for millionaires, as they amassed fortunes, broke hearts, and amused sophisticated voyeurs on two continents. With their wit, charm, and beauty, thanks to training inspired by the glittering traditions of the Imperial Habsburgs, they became famous for being famous. Clean copy.

Softcover. Brookville, NY, Hillwood Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. Side-stapled, 42 pages. Full-color catalog featuring essays and images of traditional and contemporary African textiles.

Middlebury VT, Paul S. Eriksson, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. SIGNED AND DATED BY THE AUTHOR on the front fly leaf. Introduction by Malcolm Cowley. A memoir of the sculptor by his older sister. 300 pages, b&w photos. Previous owner's inscription on lower front fly leaf. Otherwise clean.

Hardcover. NY, W.W. Norton & Company, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 430 pages. During America's Swing Era, no musician was more successful or controversial than Artie Shaw: the charismatic and opinionated clarinetist-bandleader whose dozens of hits became anthems for "the greatest generation." But some of his most beautiful recordings were not issued until decades after he'd left the scene. He broke racial barriers by hiring African-American musicians. His frequent "retirements" earned him a reputation as the Hamlet of jazz. And he quit playing for good at the height of his powers. The handsome Shaw had seven wives (including Lana Turner and Ava Gardner). Inveterate reader and author of three books, he befriended the best-known writers of his time. Tom Nolan, who interviewed Shaw between 1990 and his death in 2004 and spoke with one hundred of his colleagues and contemporaries, captures Shaw and his era with candour and sympathy, bringing the master to vivid life and restoring him to his rightful place in jazz history. Clean, bright copy.

Hardcover. New York, Harper and Brothers, 1st Ed, 1956, Book: Very Good, Dust Jacket: Fair, Unpaginated; color illustrations by Garth Williams throughout. Full-color cover with black-cloth binding, exhibits some edgewear. Bookplate on front endpaper and some pencil marks. Interior text clean. Dust jacket has edgewear, damp wrinkling, as well as soiling around edges, unclipped, but with adhesive marks from tape on top edges. Otherwise, clean copy.

Hardcover. Chicago, Rand McNally, 1st, 1945, Hardcover, pictorial boards, 28 pages with color and b&w art by Shusie. Clean copy.

Hardcover. NY, Dial, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY PINKNEY. Young children all know the Mother Goose rhyme of the kittens who have lost their mittens, but they've never seen it illustrated with so much energy, beauty, and flair. Preschoolers will delight in these cuddly kittens as they frolic outside in the falling leaves, get their whiskers sticky while eating a just-baked apple pie, and do the washing-up under Mama Cat's watchful gaze. Caldecott Medal-winning, New York Times bestselling author/artist Jerry Pinkney brings a gloriously vivid palette, delightful details and tremendous warmth to his version of this favorite nursery rhyme

Hardcover. NY, Abrams Books for Young Readers, 1st, 2010, Hardcover in a bright jacket. SIGNED with a little pig sketch by Guarnaccia on title page. In this quirky, artsy retelling of "The Three Little Pigs," the pigs and their homes are nods to three famous architects-Frank Gehry, Phillip Johnson, and Frank Lloyd Wright-and their signature homes. Each house is filled with clever details, including furnishings by the architects and their contemporaries. Of course, not all the houses are going to protect the pigs from the wolf's huffing and puffing. Which one will? The wolf, and readers, are in for a clever surprise ending.

Hardcover. NY, Abrams Books for Young Readers, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright jacket. SIGNED with a little pig sketch by Guarnaccia on title page. In this quirky, artsy retelling of "The Three Little Pigs," the pigs and their homes are nods to three famous architects-Frank Gehry, Phillip Johnson, and Frank Lloyd Wright-and their signature homes. Each house is filled with clever details, including furnishings by the architects and their contemporaries. Of course, not all the houses are going to protect the pigs from the wolf's huffing and puffing. Which one will? The wolf, and readers, are in for a clever surprise ending.

Hardcover. New York, Blue Ribbon Books, 1st, 1933, Book: Good, Dust Jacket: None, Pictorial boards, 64 pages. Illustrated in color and B&W by the Walt Disney Sudios. Previous owner's inscription on half title, otherwise clean internally. Cardboard covers with edge & corner wear, spine has bottom 3rd of paper gone. The movie cartoon of The Three Pigs was released as part of its Silly Symphony series in 1933. The director of the cartoon, Burt Gillett, won an Oscar. This is the first edition of the Disney classic in storybook form, complete with the famous ditty, "Who's afraid of the big, bad wolf?"

Hardcover. Ipswitch UK, Limited Editions Club, 1st thus, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover. Horizontal quarto (10-7/8" x 9") in a three-piece binding of linen sides printed in a pattern of scarlet, slate, and yellow vertical stripes with a shelfback of ochre buckram stamped in gold leaf; 224 pages. Introduction by Stella Gibbons. Designed by John Lewis and printed by W. S. Cowell Ltd. Illustrated by John Griffiths with 2 double-spread color drawings and numerous black-and-white part-page and marginal sketches. Copy #1370 of 2000 SIGNED by the artist on the colophon page. Clean, bright copy.