Softcover. Paris FR, Paris-Musees, 1st, 1993, Book: Very Good, Dust Jacket: None, Flexible cloth covers, profusely illustrated, 463 pages, FRENCH TEXT. "This well-illustrated catalogue provides a fine review of the early years of the German Expressionist movement through a presentation of some 400 paintings, prints, drawings and sculptures by members of the Brucke in Dresden (Heckel, Kirchner, Mueller, Pechstein, Schmidt-Rottluff and Nolde) , the Blaue Reiter artists in Munich (Jawlensky, Kandinsky, Klee, Macke, Marc, Munter and Werefkin) and Berlin painter Ludwig Meidner. Sixteen wide-ranging essays are supplemented by detailed entries for most of the exhibited works, a selection of texts and letters by the featured artists, and a chronology of important cultural and political events in Dresden, Munich and Berlin from 1905 to 1914." Clean copy.

Hardcover. London, B. T. Batsford, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Many b&w plates, some color, 216 pages. In this beautiful book, Aileen Ribeiro surveys the clothing worn by the middle and upper classes throughout Europe in the eighteenth century and discusses what this meant in terms of social definition and identity. Ribeiro, one of the world's premier historians of dress, also looks at such subjects as developments in retailing and distribution, etiquette, the rise of the dress designer and couturier, the evolution of ready-made clothes, fancy dress and the masquerade. Clean copy.

Hardcover. New Haven, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. 304 pages illustrated in color and b&w. A thought-provoking examination of the challenging and sometimes sinister roles that fashion has played in the history of cinema.

Hardcover. NY, Harper Design, 1st, 2023, Hardcover in pictorial boards, 223 pages illustrated in color. From longtime fashion director, consultant, media personality, and author, Hal Rubenstein, comes a lush, full color, illustrated guide to the most influential fashion on television from the 1950s to today, revealing the surprising ways our favorite shows have significantly reflected and often shaped the way we dress. From Mary Tyler Moore's capri pants on The Dick van Dyke Show and Emma Peel's dominatrix jumpsuit on The Avengers to Olivia Pope's trademark white trench on Scandal and Don Drapers' grey sharkskin suits on Mad Men Dressing the Part is a rich history of popular American fashion and culture in the modern age. In this gorgeous compendium, the longtime fashion director and expert identifies the most stylish television shows of the past 70 years, highlighting the ways they have affected and often inspired ordinary Americans' wardrobes. Combining his decades of fashion expertise and insider knowledge with lush photographs, archival sketches, fascinating interviews with over two dozen of television's best costume designers, commentary from showrunners and co-stars, and little-known backstories, Rubenstein reveals with insight and wit how television has shaped everyday fashion, guiding and often elevating how we dress. Clean copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2014, Hardcover, 176 pages. 83 color portraits by Friedman. Like new condition. No dust jacket issued.

Hardcover. NY, Blast Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 110 pages. Melvin Burkhart the Anatomical Wonder; Zip the Pinhead; Chang and Eng, the original Siamese twins; Johnny Eck, the King of the Freaks; Koo Koo the Birdgirl; and 45 more fascinating sideshow freaks both famous and obscure are immortalized in Drew Friedman's color portraits.

Hardcover. NY, Flatiron Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. Most any honest person can own up to harboring at least one fast-food guilty pleasure. In Drive-Thru Dreams, Adam Chandler explores the inseparable link between fast food and American life for the past century. The dark underbelly of the industry's largest players has long been scrutinized and gutted, characterized as impersonal, greedy, corporate, and worse. But, in unexpected ways, fast food is also deeply personal and emblematic of a larger than life image of America.With wit and nuance, Chandler reveals the complexities of this industry through heartfelt anecdotes and fascinating trivia as well as interviews with fans, executives, and workers. He traces the industry from its roots in Wichita, where White Castle became the first fast food chain in 1921 and successfully branded the hamburger as the official all-American meal, to a teenager's 2017 plea for a year's supply of Wendy's chicken nuggets, which united the internet to generate the most viral tweet of all time.

Hardcover. New York, Boni & Liveright, 1st, 1928, Two hardcover volumes 291/266 pages. Black cloth spine with gilt decoration over boards with patterned batik paper. Limited numbered set #2025/2050, signed by the publishers on the limitation page. 24 two-color semi-erotic plates by Ralph Barton. Edgewear to cardboard covers and corners worn. Some gutter cracks throughout. Overall, a good plus set.

Hardcover. NY, Oxford University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 308 pages, b&w illustrations. Burt Korall is widely recognized as the most authoritative writer on jazz drumming. His first book Drummin' Men--The Heartbeat of Jazz: The Swing Era is considered a classic. It was praised by Nat Hentoff as "a book that illuminates not only the pantheon of jazz drummers in classic jazz, but makes clear the very essence of the jazz spirit." Now, in this exciting sequel, Korall offers a richly informative history of drumming in the Bebop era.Bebop--hard driving, discordant, melodically unconventional--introduced new sounds and innovative rhythms that changed the face of jazz. Korall looks at this music through the eyes of the musicians themselves, covering a whole range of important jazz drummers, but focusing upon the most original and significant--principally Kenny Clarke, Max Roach, and Art Blakey. Korall provides a knowledgeable background about the history of bebop--and the unfortunate and almost universal heroin addiction that swept through the jazz world in the wake of Charlie Parker's habit. The book contains Korall's own memoir of nearly 50 years in the jazz world, linked by his narrative of the careers of these drummers and their place in the bebop jazz scene. But the most remarkable aspect of the book is the oral history that weaves together the stories of the drummers themselves as well as their friends and contemporaries. Clean copy.

Hardcover. NY, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. From its first issue in April, 1970, the National Lampoon blazed like a comet, defining comedy as we know it today. To create Drunk Stoned Brilliant Dead, former Lampoon illustrator Rick Meyerowitz selected the funniest material from the magazine and sought out the survivors of its first electrifying decade to gather their most revealing and outrageous stories. The result is a mind-boggling tour through the early days of an institution whose alumni left their fingerprints all over popular culture: Animal House, Caddyshack, Saturday Night Live, Ghostbusters, SCTV, Spinal Tap, In Living Color, Ren & Stimpy, The Simpsons--even Sesame Street counts a few Lampooners among its ranks. 320 pages, mostly color.

Hardcover. Leicester UK, Dryad Press, NA, NA, Book: Very Good, Dust Jacket: None, Hardcover, bound collection of 'Dryad Leaflets' related to crafts, hobby, and art. Stamp residue on front endpaper. Light foxing to top edge. Some soiling to yellow cloth covers.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages. In 1956 W. E. B. Du Bois was denied a passport to attend the Presence Africaine Congress of Black Writers and Artists in Paris. So he sent the assembled a telegram. "Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe." Taking seriously Du Bois's allegation, Juliana Spahr breathes new life into age-old questions as she explores how state interests have shaped U.S. literature. What is the relationship between literature and politics? Can writing be revolutionary? Can art be autonomous, or is escape from nations and nationalisms impossible? Du Bois's Telegram brings together a wide range of institutional forces implicated in literary production, paying special attention to three eras of writing that sought to defy political orthodoxies by contesting linguistic conventions: avant-garde modernism of the early twentieth century; social-movement writing of the 1960s and 1970s; and, in the twenty-first century, the profusion of English-language works incorporating languages other than English. Spahr shows how these literatures attempted to assert their autonomy, only to be shut down by FBI harassment or coopted by CIA and State Department propagandists. Liberal state allies such as the Ford and Rockefeller foundations made writers complicit by funding multiculturalist works that celebrated diversity and assimilation while starving radical anti-imperial, anti-racist, anti-capitalist efforts. Clean, like new.

Softcover. London , Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 197 pages. Softcover. Extensive color photographs and illustrations throughout. Illustrated frontispiece. Gilt titles on cover. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 248 pages. Softcover. Extensive illustrations and photographs throughout. Illustrated frontispiece. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 248 pages, color and b&w illustrations. This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers. Central to this is their response to photography and film, and to the challenges posed to fine art by the development of mass production. Duchamp's paintings of 1911-12 were influenced by the representation of movement in photography, while Picabia's were shaped in part by the belief that the advent of the camera spelled the end of traditional painting. Man Ray used photography first to record his own art works and those of others, but soon saw in it a means of creating images of a status and inventiveness traditionally restricted to fine art. And, as this fully illustrated book shows, humor and eroticism were themes common to the work of all three artists.

Hardcover. NY, Doubleday, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. Illustrated in b&w and three-colors by Edward Sorel. Illustrated library cloth binding, dust jacket with light edgewear, soil, publisher's library edition sticker. (NOT ex-library). Internally clean and tight.

Hardcover. New York, Macmillan, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardbound. Color illustrations by Rosemary Wells. Her second book. Dust jacket with closed tears, rubbing, sticker residue to front cover. Brodart cover.

San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, illustrated throughout in color and b&w. Beautiful copy in a dust jacket, Like new. "Mucking up the pages of the New Yorker , the New York Times , Rolling Stone , Forbes , the Atlantic Monthly , Blab , and more, Gary Baseman has populated the finest publications with his inimitable brand of illustration. Now Dumb Luck , presents the first complete collection of his work, spanning more than ten years. According to Baseman himself, his art inhabits "that muddy spot where the line between genius and stupidity has been smudged beyond recognition."

Hardcover. San Francisco, Chronicle Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, illustrated throughout in color and b&w. Beautiful copy in a dust jacket, Like new. "Mucking up the pages of the New Yorker , the New York Times , Rolling Stone , Forbes , the Atlantic Monthly , Blab , and more, Gary Baseman has populated the finest publications with his inimitable brand of illustration. Now Dumb Luck , presents the first complete collection of his work, spanning more than ten years. According to Baseman himself, his art inhabits "that muddy spot where the line between genius and stupidity has been smudged beyond recognition."

Softcover. London, Pimlico , reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 570 pages. The life of the painter and designer Duncan Grant spanned great changes in society and art from Edwardian Britain to the 1970s from Alma-Tadema to Gilbert and George. This authoritative biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art.

Hardcover. NY, Watson Guptill, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 161 illustrations (8 color plates), 232 pages. Dust jacket with front flap creases otherwise very good.

Hardcover. London, Agnews Gallery, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, embossed blue cloth covers with silver gilt lettering on spine. 115 pages illustrated in color. "5 essays on the recently discovered drawing of the 'Virgin and Child with a flower on a grassy bench', discussing Durer in the context of the growing cult of Virgin Mary, his relationship to Jakob Fugger, the impact of Cornelisz's 1507 'Crucifiction' and Raphael's interest in Durer's works." Clean copy.

Hardcover. Munchen GR, Anton Schroll, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 385 pages, b&w plates throughout. Clean copy with a very good dust jacket with minor edge wear. GERMAN TEXT.

Softcover. Atlanta, The High Museum of Art, 1st, 1972, Book: Good, Dust Jacket: None, 135 pages. Foreword by Gudmund Vigtel. Illustrated in B&W. Some surface wear to covers. Internally clean. Overall tight copy.

Hardcover. NY, Schwartz & Wade, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY ZELINSKY on title page. Dust Devil received four starred reviews and was named a New York Times Notable Children's Book of the Year and an Oppenheim Toy Portfolio Platinum Winner. Children will be captivated by the beauty and exaggerated humor of Paul Zelinsky's American primitive-style paintings and the wit and energy of Anne Isaacs's unparalleled storytelling. Here is an original folktale starring an extraordinary gal who is as feisty as she is funny and as courageous as she is kind.

Hardcover. NY, Schwartz & Wade, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY ZELINSKY on title page. Dust Devil received four starred reviews and was named a New York Times Notable Children's Book of the Year and an Oppenheim Toy Portfolio Platinum Winner. Children will be captivated by the beauty and exaggerated humor of Paul Zelinsky's American primitive-style paintings and the wit and energy of Anne Isaacs's unparalleled storytelling. Here is an original folktale starring an extraordinary gal who is as feisty as she is funny and as courageous as she is kind.

Hardcover. Pittsburgh PA, GoodKnight Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 373 pages, color and b&w illustrations. Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was." Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the "Bridge Too Far" battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time.

Hardcover. New York, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, color illustrations throughout, illustrated end papers. Light edge wear to dust jacket. Light foxing to end papers. Else a very clean, tight copy. Rien Poorvliet was a Dutch artist and writer of incomparable talent. He was rightly considered a national treasure in the Netherlands, and his death was a national tragedy. Most of his books are free-ranging collections of his superior drawings and paintings interspersed with cursive text narrative about the subject at hand. This book happens to be an account of his life, family, pets, love of animals, culture and country as he experienced it - past, and (at the time) present in the Netherlands. His artwork is extremely expressive and entertaining - he was a master draftsman, and the work ranges from very spontaneous pencil, charcoal, and conte drawings, along with watercolor, and well-finished oil paintings which provide a wonderful visual story of the man's life.

Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.

Hardcover. New York , Arts, Inc., 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages, 128 illustrations, 57 in color, including many tipped-in. Bright dust jacket with price-clipped flap. Previous owner's signature on front fly leaf otherwise clean, very good.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Softcover. New York , Museum of Modern Art , 1970, Book: Very Good, Dust Jacket: None, Unpaginated (86 pages), maroon illustrated wrappers. This is an album of early photographs taken of the New York red light district around 1912 by Bellocq. Friedlander took prints from the original plates for this book and they provide a fascinating documentary on bordellos at this interesting time in history. Reputedly never taking 'dirty' pictures of the girls, Bellocq confined his endeavors to recording for posterity these ladies in both clad and unclad poses. The foreword takes the form of a conversation between Friedlander and Dan Leyrer, who was also a photographer and a contemporary of Bellocq.

Hardcover. Gottingen GR, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w plates throughout. Hoppe traveled throughout Germany between 1925 and 1938, photographing movie stars, workers and peasants, the birth of the Autobahn, and the explosion of industrial building. This collection includes parts of his 1930 book "Deutsche Arbeit" and many photos never previously seen. Clean copy in a dust jacket.

Hardcover. Columbia, Univeristy of Missouri Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 142 pages. B&W photography and illustrations throughout. pictorial dust jacket, slightly worn at corners and spine. Price clipped. Black boards with silver gilt title to spine. Frontispiece. Overall, a nice, clean copy.

Hardcover. NY, Watson - Guptill, 1st , 1971, Book: Very Good, Dust Jacket: Good, Hardcover, 88 pages. Brown cloth cover with very little wear. Dust jacket has some wear to corners and edges. 32 full-page color reproductions, and b&w illustrations throughout. A bright, clean copy.

Hardcover. New York, Crown Publishers, 1st, 1942, Book: Very Good, Dust Jacket: Good, Hardcover, 112 pages. 64 b&w illustrations and 8 plates in full color. Red cloth, gilt lettering to spine and front cover. Pictorial dust jacket with some wear and small tears to spine,light sun-fading to front cover, still overall a very nice, clean, tight copy.

Hardcover. New York, Benjamin Blom, reprint, 1972, Book: Fine, Dust Jacket: None, Hardcover, 65 pages. Reissue of rare 1930 first edition. Brown cloth covers with gilt titles to spine, illustrated profusely with over 50 b&w plates. Copy still packaged in original shrinkwrap, never opened; in excellent condition.

Hardcover. New York, Da Capo Press, Reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover. (Library of American Art Series) 1971 reprint of the original 1926 edition. 110 pages. b&w illustrations. Brown cloth, gilt lettering to spine and front cover. Light wear and unfortunate paper-clip impressions to upper edge of some pages. Still a nice, tight copy.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, very good in slipcase, no dust jacket issued. Decorated red-brown Cloth and Beige Cloth Covers; book is clean and tight and interior bright; pictorial red-brown endpapers. 292 pages, 270 b/w photographs including frontispiece by Frances Benjamin Johnston. Features foreword, and Index with text divided into six parts titled as: "The Land and the People," "Cities and Towns," "Domestic Architecture of Coastal Georgia". Illustrated slipcase with rubbing and edgewear, light soil, starting to split at seams.

Hardcover. London, Penguin Books, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket. 390 pages, 192 bw plates at rear plus line diagrams and maps. No slipcase.

Hardcover. New York, Augustus M. Kelley, reprint, 1967, Book: Very Good, Dust Jacket: Good, 256 pages, with photographs, illustrations and charts. Minor dust jacket edge wear and price clipped, otherwise,bright and tight copy.

Hardcover. NY, The Burns Archive., 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering and a pastedown plate on the front cover. SIGNED AND INSCRIBED BY BURNS on the title page. Reprints articles in facsimile that Burns wrote for the New York State Journal of Medicine on the history of early medical photography. Clean, bright copy.

Hardcover. Oxford UK, Oxford University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 382 pages. This study addresses the need for a more current understanding of Cartesian philosophy by considering the different constructions of Descartes's thought that emerged in the Calvinist United Provinces (Netherlands) and Catholic France, the two main centers for early modern Cartesianism, during the period dating from the last decades of his life to the century or so following his death in 1650. It turns out that we must speak not of a single early modern Cartesianism rigidly defined in terms of Descartes's own authorial intentions, but rather of a loose collection of early modern Cartesianisms that involve a range of different positions on various sets of issues. Though more or less rooted in Descartes's somewhat open-ended views, these Cartesianisms evolved in different ways over time in response to different intellectual and social pressures. Chapters of this study are devoted to: the early modern Catholic and Calvinist condemnations of Descartes and the incompatible Cartesian responses to these; conflicting attitudes among early modern Cartesians toward ancient thought and modernity; competing early modern attempts to combine Descartes's views with those of Augustine; the different occasionalist accounts of causation within early modern Cartesianism; and the impact of various forms of early modern Cartesianism on both Dutch medicine and French physics. Name on front fly leaf, otherwise clean.

Hardcover. Durham UK, Acumen, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover in blue cloth, with red title block, gilt lettering, 348 pages. The early modern period in philosophy - encompassing the 16th to the 18th centuries - reflects a time of social and intellectual turmoil. The Protestant Reformation, the Catholic Counter-Reformation, and the birth of the Enlightenment all contributed to the re-evaluation of reason and faith. The revolution in science and in natural philosophy swept away two millennia of Aristotelian certainty in a human-centered universe. Covering some of the most important figures in the history of Western thought - notably Descartes, Locke, Hume and Kant - "Early Modern Philosophy of Religion" charts the philosophical understanding of religion at a time of intellectual and spiritual revolution. "Early Modern Philosophy of Religion" will be of interest to historians and philosophers of religion, while also serving as an indispensable reference for teachers, students and others who would like to learn more about this formative period in the history of ideas. Lacks dust jacket. Clean copy.

Hardcover. New York, Praeger, 1st, 1967, Book: Very Good, Dust Jacket: Good, 117 pages of text followed by black & white plates. Minor age darkening along top edge. Dust jacket worn along edges - now protected with clear plastic cover. Clean, tight copy.

Hardcover. London, Bradbury & Evans, 1st, Book: Good, Dust Jacket: None, 252 full page engravings of Leech's 19th century political cartoons. 3/4 leather front cover (detached) deletes "Early" from title. Back cover mostly detached, but good internally. Shipping extra for this volume.

Softcover. Oxford UK, Museum of Modern Art , 1982, Book: Very Good, Dust Jacket: None, 88 pages, b/w illustrations, very good paperback (exhibition catalogue). The essay is: Soviet photography between the wars. The photographers are: Max Alpert; Dimitr Dyebabov; Semyon Fridlyand; Boris Ignatovich; Yelizaveta Ignatovich; Georgi Lipskerov; Moisei Nappelbaum; Georgi Petrusov; Alexander Rodchenko; Galina Sanyko; Arkadi Shaikhet; Shaikhet/Alpert/Tules; Abram Shterenberg; Georgi Zelma.

Hardcover. New York, J.B. Lippincott Company, 1st, 1937, Book: Very Good, Dust Jacket: None, 88 pages. Hardcover with no dust jacket. Minor wear to covers. Delightfully illustrated work filled with color pictorial maps by Helene Carter, and written by Jannette Lucas, the assistant librarian of Vertebrate Paleontology of the New York Museum of Natural History.

Hardcover. Santa Fe, Museum of New Mexico Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 188 pages, color and b&w photos. Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the 20th century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and conservation. This book traces the development of environmental photography beginning with Adams, Porter and others, and the next generation of landscape photographers - Robert Adams, Richard Misrach, Robert Glenn Ketchum, Patrick Nagatani, Mark Klett, whose works confronted the issues of landscape and the environment in less idealised terms. Shifting from the historical framework, the book presents new work by twenty-three photographers working in the U.S., the next wave of artists using the camera to engage the environmental issues of the day. Clean copy.