Softcover. Toronto , Dragon Lady Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 59 pages of b&w Buz Sawyer strips ( A $100,000 Reward and The Crystal Mountain 12/22/46-7/15/47). Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 62 pages of b&w On Stage strips (1/12/58-5/23/58 and 6/25/61-9/16/61). Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 65 pages of b&w Dick Tracy strips: Dick Tracy meets Splitscreen (5/14/82-8/25/82) and The Land of Plenty (12/25/83-4/29/84. Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 69 pages of b&w Green Beret strips: (5/26/67- 9/17/67) Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 70 pages of b&w Little Orphan Annie strips: (9/3/45- 2/9/46). Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 59 pages of Dick Tracy strips. Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 42 pages of Smilin' Jack strips (9/6/39-3/14/40). Clean, very good.

Softcover. Toronto , Dragon Lady Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 64 pages b&w art by Starr: The Final Three Stories: 2/4/79-9/9/79. Clean, very good.

Hardcover. NY, Harcourt, Brace & Co, reprint, 1946, Book: Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. A fine adventure story for young people. Soon after their dragonship lands on the coast of Vineland, Erik--the youngest of the Vikings--is captured by a raiding party of Mengwi warriors. How heescapes with a friendly Algonquin Indian with whom he lives for many moons, and how he and a rescue party from the dragon-ship aid the Algonkins to defeat the Mengwi make a story full of excitement. 199 pages, b&w illustrations by Lorence Bjorklund. Text pages tanning, probably a book club edition.

Hardcover. New York, St. Martin's Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. SIGNED BY AUTHOR ON TITLE PAGE. Clean, tight copy in a bright dust jacket.

Hardcover. New York, Simon & Schuster/Paula Wiseman Books, 1st, 2014-09-16, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color. SIGNED BY AUTHOR on title page. Clean, unmarked copy with only minor wear to dust jacket. A wordless picture book celebrates the power of art and imagination. A little boy reads about Africa and then creates his own adventures with his pencils and paints. Wordless books require readers to slow down and read the pictures, and careful children will see beyond the main storyline by looking at the whole illustration. Why is the boy in bed and not outside? The inhaler and bottle of medicine on the side table are hints. But binoculars and an umbrella on the other side of the table tell them that he is not always bedridden. As he draws, he falls deeply into the rich world of his imaginary Africa. First he draws an elephant, and then he rides away on it. He paints zebras, has a sandwich for lunch, records a giraffe stampede and shares one of his many other sandwiches with the gorillas. After a hair-raising encounter with an aggressive rhino, the little artist shares his pencils and food with other primates, who return the favor and sketch him. Colon's signature scratched-watercolor technique adds richness and emotion to this warm story, but it's the framing scenes at beginning and end that really sparkle here. Simple line-and-color washes put the young man at the center of the story and help readers identify with him.

Hardcover. London, Little, Brown UK , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, lavishly illustrated in color. This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

Hardcover. NY, Harper, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages. Drawing Blood is Molly's personal memoir of her career so far, her struggles to be recognized as an artist, the people she's met and her political world view. It's unusual for a young artist (b. 1983) to write a memoir so young but her life has been crammed with experiences that make this a meaningful, thought provoking book. Some people will undoubtedly be horrified that Molly chose to work in the adult indiustry to fund her early career but in naughties NYC that was, perhaps, the only way a struggling, working class, female artist could maker her way without a wealthy patron. Molly gives vivid descriptions of strip clubs, burlesque dancers, artists, protests, and a lifestyle that many can only imagine. The characters leap off the page illustrated by a vivid written style that draws in words as well as Molly makes art. The book has been described as an unflattering mirror held up to conventional middle-class lives.

Hardcover. NY, Pointed Leaf Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first monograph on the work of Kenneth Paul Block, one of the most influential fashion illustrators of the twentieth century. The oversize, lavishly illustrated book chronicles Block's lifetime of drawings, watercolors, and astute observations during the artist's over 30-year career at Women's Wear Daily, powerful fashion publication. A long awaited book of astonishingly vibrant fashion and portrait drawings of swan necked beauties by a much admired fashion-insider. Mr. Block studied at The Parsons school of Design and illustrated the work of the most influential fashion designers from about the mid 20th century to the nineties before unoriginal, mediocre photography (and unskilled illustrations) completely dominated how fashion was communicated to the celebrity obsessed, style challenged, uninformed masses. With seemingly effortless ease (the energy in the art looks like it could have been sketched yesterday!), Mr. Block drew the ever changing mood of fashion from London Mod to Italian Modern, Preppy Classic to Japanese Experimental, French couture to American casual and inspired many generations of fashion enthusiasts in the process. Mr. Block's portraits showcase a few of his favorite ladies. A rare and exquisite breed who set the standard for elegance and chic for most of the 20th century. Society beauties like Mrs. Guinness, Mrs. Paley, Mrs. Guest, Mrs. Vanderbilt and Mrs. Kennedy speak of a time when grace, poise and mystery mixed with a certain sense of knowing defined a chic, stylish lady. PLEASE NOTE: The book,while clean and bright, has a mild musty smell. DOMESTIC SHIPPING ONLY due to size and weight.

Hardcover. NY, Scholastic Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. Allen Say's own story of his path to becoming the renowned artist he is today. Shunned by his father, who didn't understand his son's artistic leanings, Allen was embraced by Noro Shinpei, Japan's leading cartoonist and the man he came to love as his "spiritual father." As WWII raged, Allen was further inspired to consider questions of his own heritage and the motivations of those around him. He worked hard in rigorous drawing classes, studied, trained--and ultimately came to understand who he really is. Part memoir, part graphic novel, part narrative history, DRAWING FROM MEMORY presents a complex look at the real-life relationship between a mentor and his student. With watercolor paintings, original cartoons, vintage photographs, and maps, Allen Say has created a book that will inspire the artist in all of us.

Hardcover. Univ of Georgia Georgia Museum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 360 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Abrams Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 223 pages, illustrated in color and b&w. Introduction by Judith Thurman. Clean copy.

Hardcover. NY, Overlook Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 223 pages, illustrated in color and b&w. Award-winning artist Milton Glaser's Drawing Is Thinking explores language and communication through imagery. Introduction by Judith Thurman The drawings depicted here represent a range of subject matter taken from throughout Milton Glaser's career. They illustrate the author's commitment to the fundamental idea that drawing is not simply a way to represent reality, but a way to understand and experience the world.

Softcover. Los Angeles :, Los Angeles County Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 191 pages, illustrated throughout with numerous plates in b&w. Cream dye-cut textured wrappers. Light wear and staining to covers, else a very nice, tight copy.

Hardcover. New York, Clarkson Potter Publishers, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Foreword by John Ashbury. 285 duotone illustrations and photographs, 70 in full color. Green cloth covers with gold lettering. Tipped in color frontispiece illustration. Dust jacket and pages clean and in like-new condition.

Softcover. New York, The Pierpont Morgan Library, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover. Approx. 130 pages. 123 plates. B&W illustrations throughout. Green cover with slight wear and fading. Slight soiling to edges. Overall, a clean, tight copy.

Hardcover. US, Getty Publications, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new still in publisher's shrink wrap.

Hardcover. New Haven, Yale University Press, 1st, 1964, Book: Very Good, Dust Jacket: None, Two hardcover volumes. V.1; 164 pages with text, V.2; 227 plates in color and b&w. Gray cloth, gilt title spine. Lacking slipcase and dust jacket, but in excellent shape. A very nice, tight, clean set.

Hardcover. NY, Metropolitan Museum of Art, 1st, 1997, Book: Very Good, 406 pages. Hardcover published to accompany the exhibition bearing the same title and held at the Metropolitan Museum of Art from October 28, 1997 to January 11, 1998. Canvas cloth boards with grey embossed titles to spine. Full page, full color & bw illustrations throughout. Dust jacket with only light marginal wear. Tight binding, sharp corners, clean & unmarked pages throughout.

Softcover. New York, Jill Newhouse, 1st, 1983, Book: Good, Dust Jacket: None, Unpaginated, staple-bound pamphlet, with 47 black-and-white illustrations. Price list for works laid in. Light soiling, edge-wear, and shelf-wear to covers. A little foxing to top edge. Otherwise, clean, tight copy.

Hardcover. London, B. T. Batsford Ltd, 1st, 1949, Book: Good, Dust Jacket: Good, Hardcover, 96 pages, with a foreword by A. E. Richardson, color and black & white illustrations and watercolors throughout. Dust jacket worn with fading and rubbing, closed tear on back cover, otherwise, internally very clean and tight.

Hardcover. New York, Fox, Duffield & Co, 1st, 1904, Book: Good, Dust Jacket: None, Hardcover. Unpaginated. 39 full page b&w plates of drawings by A. B. Frost, accompanied by verse by Wallace Irwin, introduction by Joe Chandler Harris, small b&w illustrated figures throughout, monotone illustration to cover. Covers have noticeable wear, faded, wear to cloth spine, water stains to right edge of pages, dark markings to back cover, previous owner's inscription to front endpaper, some pages partially separated from binding.

Hardcover. New York, R. H. Russell, 1st, 1895, Book: Very Good, Dust Jacket: None, A collection of black & white cartoons by Gibson. Oblong cardboard covers with beveled edges, cloth spine. Some spotting to front cover foredge. Front hinge tender. Clean, unmarked pages.

Paperback. Montreal, Drawn & Quarterly, 1st wraps, 2001, Book: Very Good, Dust Jacket: None, Large softcover, 160 pages. Work by Miriam Katin, Nicholas Robel, Canadian war posters, a tribute to Herge (creator of Tintin) in comic strip form, 30 vintage Gasoline Alley Sunday strips, all color.

Softcover. Montreal, Drawn & Quarterly, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Contributors include: Philippe Dupuy Charles Berberian, Albert Chartier, Michel Robagliati, Alberto Manguel, R. Sikoryak.

Hardcover. New York, Harry N. Abrams, Inc, 1st Edition, 1985, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover. Dust jacket unclipped, excellent. Black cover boards, gilt title on spine and front cover board. Pages clean and unmarked. A couple soil spots to edges. Binding tight. Spine straight. In great shape. Approximately 245 b/w line drawings. Syndicated in more than 100 papers nationwide, his editorial cartoons comment on matters of national and international importance.

Softcover. Montreal, Drawn & Quarterly Publications, 1st, 1994, Book: Good, Dust Jacket: None, Softcover, 48 pages illustrated with art by Jacques Tardi, Maurice Vellekoop, Carol Tyler, Marcellus Hall, Avril and Petit Roulet. Cover by Seth. Clean, bright copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Very clean, like new in publishers shrink-wrap. This publication presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian Drawings, which was recently acquired by the Philadelphia Museum of Art. This exceptional collection, which has never previously been published, consists of 65 works on paper created between the 16th and 19th centuries.

Hardcover. NY, E.P. Dutton, 1st US, 1962, Book: Very Good, Dust Jacket: None, Hardcover, 217 pages. Black & white line drawings by Shepard. Black & white photo on frontispiece. Blue cloth binding with gold spine lettering. English artist Shepard's (1879-1976) life story from 1890 on, a sequel to Drawn from Memory. The famed illustrator of the Winnie-the-Poo stories tells his story, with many vignettes of Milne and his books. Clean, bright copy, no dust jacket.

Hardcover. NY, Lippincott , 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover. Light edgewear to dust jacket. The illustrator of Winnie the Pooh recalls his London childhood.

Hardcover. Cleveland, Collins, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages. Illustrated with full color photographs and art by Tasha Tudor. Dust jacket worn with Short closed tears along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. Cambridge, MIT Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalogue featuring the famed architect's travel sketches along with photographs of the buildings he encountered and essays on their influence on his work. 11'' x 8.5''. In original dark orange pictorial wrappers. Illustrated throughout in black and white, some color, 136 pages. Spine sun faded.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, 250 color illustrations. Betsy Beinecke Shirley, one of the great collectors of American children's literature, gathered a peerless collection of books, original illustrations, manuscripts, and ephemera. This gorgeously illustrated book presents over 200 selected original artworks from the enchanting collection she bequeathed to the Beinecke Rare Book and Manuscript Library of Yale University. Artists whose works are represented include many beloved favorites, among them Ludwig Bemelmans, Maurice Sendak, A. B. Frost, Wanda Gag, Peter Newell, N. C. Wyeth, Tony Sarg, Robert Lawson, and Johnny Gruelle. From variant illustrations for Goodnight Moon and Where the Wild Things Are to little-known sketches for nineteenth-century periodicals that delighted generations of children.

Hardcover. NY, The Morgan Library & Museum, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 294 pages. Clean, bright copy. A sumptuous collection of master drawings from the Renaissance to the current era, all reproduced in color.

Hardcover. US, PM Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color illustrations. Like new in publisher's shrink-wrap. A declaration of love to Peter Kuper's adoptive city in which he has lived since 1977, this diary is a vibrant survey of New York City's history. Through Kuper's illustrations, this book depicts a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.

Hardcover. NY, Liveright, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Who could have imagined that in 1972, when Aline Kominsky, a Long Island escapee and bodaciously talented artist, broke her foot one rainy fall day, it would result in the most unique collaboration in comics history? Laid up in her house, she was persuaded by R. Crumb, her nerdy, neurotic boyfriend, to pass the time drawing together a "two-man" comic. The result is a jaw-dropping yet tender account, not only of the joys and challenges of a legendary marriage but also of the obstacles faced by struggling female artists. In Drawn Together, our foremost male-female cartooning couple recall their success at shocking America with Weirdo Magazine, the life-altering birth of their precocious daughter Sophie, and their astonishing move to the safe haven of France. With an irresistible introduction and a striking four-color section, Drawn Together becomes a graphic cause-celebre and a must-have for any comics devotee.

Hardcover. London, Knockabout Comics, 1st, 2012, Book: Very Good, Dust Jacket: None, 264 pages. Hardcover, no dust jacket issued. Extensive b&w and color illustrations by the two Crumbs. Illustrated paste downs and end papers. Includes appendix of portraits. Clean, tight copy.

Hardcover. Stockholm, Journal, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 304 pages, 85 color, 210 b&w plates. Hardcover with dust jacket. Like new in publisher's shrink-wrap.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Hardcover, color illustrated catalog for Poster Auctions International. Blue spine with silver text, clean.

Hardcover. New Haven, Yale University Press, 1st, March 1, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 245 pages, illustrated throughout. Clean, bright pages and tight binding. Pierre Puvis de Chavannes (1824-1898) was a towering figure in late nineteenth-century France. The country's greatest public painter, he created murals that decorated museums in Amiens, Rouen, and Lyons as well as major buildings in Paris-most notably the Pantheon, the Sorbonne, and the city hall. Critics from the political right, left, and center, the avant-garde, the Academy, and the state all agreed on the importance of Puvis's murals. Avant-garde artists greatly admired and drew from his work. There was much controversy, however, over the meaning of these murals. This handsomely illustrated book is the first full-length examination of Puvis's murals and their critical reception during the artist's lifetime. Jennifer L. Shaw explains that Puvis's paintings were imagined to embody a vision of France. Although his regional images, allegories of the French heritage, and evocations of the nation as an embracing motherland were all part of a grand tradition of public art, Puvis's painting style was more closely aligned with the avant-garde. Rather than providing a specific narrative or allegory of France, Puvis's murals provoked viewers to experience their own fantasies of Frenchness; rather than using the close brushwork favored by most of his contemporaries, Puvis used large flat areas of color to render his subjects. Shaw persuasively argues that Puvis was the only painter of the period to unite the traditions of public art and modernist form. Her original analysis of Puvis's art underlines his importance to the history of modernism; her examination of the public response to his art illuminates debates about art, subjectivity, and national identity in fin de siecle France.

Hardcover. NY, powerHouse Books, 1st, 2018, Book: Very Good, Hardcover, 240 pages. During the 1950s and 60s, Tom Palumbo was part of an influential group of young photographers working for the best fashion magazines in America -Harper's Bazaar and Vogue. Tom perfected his craft under the guidance of legends like Alexey Brodovitch, Carmel Snow, Diana Vreeland, and Alex Liberman. Tom's serene style contrasted with Richard Avedon's jazzed-up images and Lillian Bassman's soft blurred effects. Often Tom's particular layouts provided the balance in an issue. His pictures invariably enhanced the fashions of the 50s, where women were thought of as objects of worship, and beauty was thought of as an ideal. Tom photographed every day, producing unique images like jazz legend Miles Davis laughing. He loved taking pictures of artists like next-door neighbors Comden and Green; the young Mia Farrow and Jane Fonda; novelist Jack Kerouac. Late in life, Tom worked in theatre. But to him there was never much difference in the photographs he took or the plays he directed since both contained drama. Paradox and revelation-these two elements energized Tom Palumbo's life. These rediscovered photographs, celebrated in their time but not seen in decades, are presented here in book form for the first time ever, by award-winning author and Palumbo's widow, Patricia Bosworth. Clean, still in publisher's shrinkwrap.

Hardcover. Philadelphia PA/New Haven CT, Philadelphia Museum of Art/Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 336 pages, hardcover with dust jacket. Published to commemorate the centenary of Levy's birth. With 300 photographs, including many unfamiliar works by well-known artists, the catalogue presents a stunning survey of this collection, long hidden from public view. Fading to dust jacket spine and fore edges. Unmarked. A clean and tight copy.

Hardcover. The New Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages. Historian Michael Lesy, author of Wisconsin Death Trip, has produced another haunting volume with Dreamland. The book chronicles a day in the life of America at the turn of the 20th century, an optimistic, peaceful time. Lesy chose 208 black-and-white pictures from the archive of the Detroit Publishing Company, the hugely successful postcard business. The images depict skyscrapers under construction, bustling urban streets, farmers and dusty country roads, and the glories of the newly charted American West, with its cowboys, miners, and distant prairie towns. The atmosphere of order and calm portrayed in the photographs is deceptive, as Lesy's thoughtful essays reveal.

Softcover. New York, Universe Pub, 1st, 1993, Book: Very Good, Dust Jacket: None, 138 pages. Softcover. Color photographs. Light edgewear to wrappers otherwise clean, unmarked copy. Hotchkiss (1833-69), an American painter and intimate of Asher B. Durand and Elihu Vedder, is the quintessential delicate artist who dies, underappreciated, at a young age. The title refers not only to his romantic landscapes but also to his sketchy career. This catalog accompanies an exhibition that opens this fall at the National Academy of Design. Novak, a premier art historian of the Hudson River School, provides a provocative essay on Hotchkiss as the fragile, poetic artist fixated on capturing evocative images of the ancient past. Felker, the exhibition curator, provides an insightful catalog of works arranged by subject matter. Appendixes include an exhibition checklist, a chronology of the artist's life, and transcriptions of selected manuscript material. Recommended for academically oriented art history collections.

Hardcover. London, Bloomsbury, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A first novel about Moses Highness, brought up in an English village that nobody had ever left. Moses moves to London and begins to unearth the bizarre and chilling secrets of his past, of his mother who ate raw yeast to rise out of her misery and his father who stayed in bed for 15 years. Clean copy.