UK, Cambridge University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration, lettering, 56 pages plus 111 b&w plates. This 1927 book presents an accessible guide to Gothic foliage sculpture, aimed at visitors to ancient English churches. 186 pages total. Decorative bookplate inside front cover otherwise clean copy.
Hardcover. Philadephia, Penn Publishing, 1st, 1926, Book: Good, Dust Jacket: None, Hardcover, blue cloth covered boards with applied color cover art of pirates storming ship. 4 b&w plates and chapter decorations by Lee, 315 pages. Light shelf wear, no marking.
New York, Putnam, 1st, 1926, Book: Very Good, Dust Jacket: None, Blue cloth hardcover, 289 pages. Illustrated with b&w drawings. Cover has light edgewear. Clean copy.
Hardcover. Boston, James R. Osgood, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, 63 b&w drawings by Du Maurier of upper class Victorians in England, previously published in Punch. Green cloth covers with beveled edges. All edges gilt.
Hardcover. New York, E. P. Dutton & Company, Reprint, 1888, Book: Good, Dust Jacket: None, All edges gilt. Mustard cloth covers with beveled edges. Elaborate gilt pictorial design. Gravure plates, b&w line drawings and text illustrations by Edmund Garrett and Chas Copeland. Patterned end papers. Front hinge starting. Shelf worn cover. Spine ends worn. Blank prelim page missing. Otherwise clean, tight copy.
Softcover. Madrid, La Fabrica, 1st, 2013, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. Very clean, unmarked copy with minor wear to wrapper edges. Over 250 full page black and white photographs. Includes photographs of iconic figures such as, John and Jackie Kennedy, Nikita Khrushchev, Martin Luther King Jr., Muhammed Ali, Alfred Hitchcock, Joan Baez, and Salvador Dali.
Hardcover. NY, Newmarket Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 335 pages, b&w illustrations. This account of the intervention into the Korean war of the Chinese People's Liberation Army is told from the point of view of the Chinese. The author did much of his research inside China, interviewing participants, and presents vivid portraits of the soldiers and such figures as Mao Zedong and Douglas MacArthur. Korea was the focus of the first great East-West confrontation, and the war cost over 140,000 American lives. The crucial intervention of the Chinese and their near victory brought the super-powers to the brink of nuclear war. Written by a British newspaper reporter who covered the latter stages of the war, this book contains narrative from extensive interviews with participants in the Korean War, including many Chinese, which differentiates it from most other accounts. Name on front fly leaf, fading to dust jacket, otherwise clean.
Hardcover. New York, Stewart, Tabori & Chang, Publishers, Revised Ed., 1986, Book: Very Good, Dust Jacket: Very Good, 240 pages. Very minor dust jacket edge wear. Small crease on front dust jacket cover. SIGNED BY FORMER ASTRONAUT ALLEN on half title page and dated 1988. Lots of color photographs throughout. A very clean and tight copy.
Hardcover. London, Hutchinson, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 318 pages. Hardcover with dust jacket. SIGNED BY ATTENBOROUGH on title page, otherwise clean and tight copy. Pictures throughout. The long awaited autobiography by one of the world's best-loved actors and directors. The story begins in 1983 with a famously weeping Attenborough accepting two Oscars when his film Gandhi broke all previous records to win a total of eight Academy awards. Hawkins, 67, is Attenborough's publicist, confidante, co-producer and long-term business partner. Attenborough reflects on the highs and lows of a long life both in and out of the public gaze. Few know, for instance, that he once risked prison on a matter of conscience or that, as an air-gunner cameraman, he took part in bombing raids over Germany during the war. More poignantly, Attenborough will finally break his silence about his long-running friendship with Princess Diana, and the tsunami tragedy that robbed him of his eldest daughter and granddaughter in December 2004.
Hardcover. Boston, Wright & Potter/ Commonwealth of Massachusetts, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, 202 pages, b&w illustrations. Brown cloth binding with gilt decoration. Some rubbing, light residue to covers, back hinge partially cracked. Interior very good.
Hardcover. New York, Art in America/ Stewart Tabori and Chang, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 270 pages, illustrated throughout with 134 plates in full color. Essay by Peter Schjeldahl. Edited by David Whitney. Illustrated with reproductions of 77 of Fischl's oil paintings from 1980-1987, 35 of his works on paper, and 12 seminal glassines. Includes a selected bibliography. Minor edgewear to white pictorial dust jacket . Else a clean, tight copy.
Softcover. Saskatoon, Saskatchewan, Canada, Mendel Art Gallery, na, 1985, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Foreword by Linda Milrod. Essays by Jean-Christophe Ammann, Donald B. Kuspit, Bruce W. Ferguson. 21 full page plates in color and b&w. Cover in black with blue lettering. Creasing across front and back covers as well as rubbing, otherwise a very good clean copy.
Hardcover. Kerber, 1st, 2008, Book: Very Good, Hardcover, 144 pages. Painter Francesco Clemente once said of Eric Fischl, "If life is what happens to you as you make other plans, then 'life' is Eric Fischl's subject matter." Though Fischl is best known for his figurative paintings, this monograph presents a 2007 series of 13 sculptures and corresponding large-format gouache works. Cast in polyester and resin, the life-sized, three-dimensional nudes enter into tense dialogue with the drawings, depicting the same element of human struggle that we find in Fischl's paintings. Naked bodies without context or reference, engaged in no specific narrative, offer any number of possible interpretations. They allow the viewer to indulge in careful observation, daring us to penetrate the surface patina of the sculptures to see if anything lies beneath. A special section includes a complete catalogue raisonee of the sculptural work from 1975 through 2007.
Hardcover. New York, Universe, 1st, 1981, Book: Good, Dust Jacket: Good, 304 pages. Hardcover with dust jacket. Previous owner's name on front fly leaf. Price clipped on front flap of dust jacket. Dust jacket with light soiling, edgewear.
Hardcover. Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages. The starting point for Erik Niedling's Formation series is a rediscovered collection of 1920s glass negatives containing photographs of plants. Niedling studied the plates, reproduced them and made new, large-format prints. Are these images positives or negatives, documents or works of art, historical materials or new artistic creations?
Hardcover. New York, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 10 x 13", 207 pages. Color and b&w images. Widely considered one of the major works of Expressionist printmaking, this series of spectacular woodcuts by Ernst Ludwig Kirchner is presented for the first time in a comprehensive study, specifically designed to allow readers a full understanding of the artist's achievement. No dust jacket issued.
Softcover. NY, Stewart Tabori & Chang, reprint, 1997, Softcover, 169 pages, illustrated in color. An authority on Pompeii and the ancient Roman Empire takes readers on a tour of Pompeii, examining every aspect of the city and its people. This presentation of over 80 amazingly diverse works of erotic art from Pompeii and nearby Herculaneum accompanies a meticulous text which discusses the works in detail, emphasizing elements of composition, style, origin, and the mythological or real-life influences that inspired their creation. 159 color photos by Antonia Mulas.
Hardcover. New York, George Braziller, 2nd pr., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 89 pages. Front board features reproduction of front cover of artist's original work. Illustrated in color throughout. Dust jacket with light wear. Slight yellowing to edges. Clean inside. Splendid reproduction of works from Kiefer's trip to Norway.
Hardcover. Kopenhagen, Forlaget Nytteboger, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, paper covered boards with red pattern, in a matching cardboard slipcase. Features 100 drawings of couples in various embraces by Hansen, 3 in color. Limited text in Norwegian/Swedish. No dust jacket. Spine lightly nicked, otherwise very good.
Hardcover. US, Prestel, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 128 pages. Like new in publisher's shrink-wrap. The first publication dedicated to Rose Mandel, a pioneering woman in photography, introduces her remarkable, if often overlooked, body of work to a wider audience. Born in Poland, Rose Mandel immigrated to California in 1942. A love of photography soon brought her into contact with Edward Weston, and then with Ansel Adams and Minor White, both of whom had a strong influence on Mandel's work. Including her important sequence The Errand of the Eye, this book presents the sensitivity and clarity of Mandel's vision. Images from natural and man-made environments, eloquent portraits, and abstract landscapes convey Mandel's delight in the compositions and patterns that can be found anywhere, whether walking along a city street or a country path. These photographs are the result of a highly refined sense of craftsmanship and a complex understanding of psychology and abstract expressionism that caused Mandel to be described as "a painter with a camera." The first monograph on the artist, this volume features an enlightening overview of Mandel's life and work, along with an illustrated chronology and exhibition history.
Softcover. Germany, Hatje Cantz, 1st, 2011, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Like new in publisher's shrink-wrap. For the last 50 years, Erro has been creating paintings that make equal use of art history, cartoons, comic books, politics, popular culture and social tableaux. This publication features Erro's series Scapes, and for the first time, presents the entire 1968 Monster cycle--double portraits that contrast the official likenesses of celebrities with monstrously distorted visages.
Hardcover. New York, E.P. Dutton - New York, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, profusely illustrated throughout in full color. Large folio. Clean, unmarked copy with only minor wear to dust jacket. A stunning showcase of Erte"s graphics completed at the time of publication with an additional 27 graphics added since the first edition (Erte at Ninety). Erte was a leading light in the Art Deco style and this book belongs in the library of anyone with an interest in the genre.
Hardcover. New York, E. P. Dutton, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages illustrated throughout with 156 plates including 74 in full color. Remainder mark on bottom edge. Large folio. Light edgewear to dust jacket, else a clean, tight copy. Follows the artist from his birth in St. Petersburg, Russia in 1892, through the 1980's. Beautiful color plates include costume design, magazine covers (Harper's Bazar), sculpture, vases, mirrors, medallions, jewelry, labels, bottles, playing cards, watches.
Hardcover. New York , E. P. Dutton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages, illustrated throughout in color and b&w. Text and Commentaries by Erte. Introduction by Alistar Duncan. Edited by Marshall Lee. Light shelf-wear to dust jacket with very faint tanning to upper edge of front cover. Clean, tight copy. Lavishly illustrated with full page color plates/ photographs by Lee Boltin depicting multiple views of forty-one bronze sculptures by the author. A fabulous cataloguing of Erte's evocative art deco sculpture.
Hardcover. New York, Dutton Studio, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated throughout with 176 plates in full color. Additional text by Ray Perman and David Rogath and photographs by Daniel Kramer. Light edgewear to dust jacket, else a clean, tight copy. Romain de Tirtoff, who worked under the pseudonym Erte (the French pronunciation of his initials), was a celebrated artist and designer who produced 250 covers for "Harper's Bazaar" as well as fashion designs for some of the world's most glamorous stars, and costume & set designs for Hollywood and stage productions.
Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2009-03-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, 227 photographic illustrations, including 97 in color. Like new in publisher's shrinkwrap. Most people are unfamiliar with Blumenfeld's early work, the often bitingly satiric Dada photomontages and collages he produced between 1916 and 1933. This book, put together by Helen Adkins, renowned expert on the Berlin Dada movement, is the first to provide a study and a survey of these early works. Blumenfeld did not intend for these works to be shown publicly, as they were primarily personal gifts to his friends and acquaintance, or were enclosed in love letters to his fiancee.
Hardcover. Hatje Cantz, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Erwin Blumenfeld (1897-1969) was born into a Jewish family in Berlin. In 1941, after being interned in a concentration camp, he left Europe for the United States, where he eventually became a citizen; during the 40s and 50s, he was to make his name here as one of the most sought-after fashion photographers in the world. But most people are unfamiliar with Blumenfeld's early work, the often bitingly satiric Dada photomontages and collages he produced between 1916 and 1933. This book, put together by Helen Adkins, renowned expert on the Berlin Dada movement, is the first to provide a study and a survey of these early works. Blumenfeld did not intend for these works to be shown publicly, as they were primarily personal gifts to his friends and acquaintance, or were enclosed in love letters to his fiancee. Nonetheless, they were conceived in the Dada spirit (Blumenfeld established the Dutch branch of Dada in 1918) and belong to its story. Approximately 100 works--including many previously unpublished, which Adkins discovered in the artist's family archives and in other public and private collections--are examined within the context of Blumenfeld's life, photographs, drawings and literary works.
Softcover. Paris, Editions Hazan, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 273 pages. Like new in publisher's shrink-wrap. This landmark publication broadens our understanding of Blumenfeld's innovations, reuniting all the media used by the artist throughout his long career: drawing, photography, photomontage, and collage. The motifs of his experimental, sometimes overtly political, black-and-white photographs appear alongside numerous self-portraits and celebrity portraits, as well as the fashion photographs for which he is most known. Presenting some 150 images, this book provides a fresh understanding of Blumenfeld's photography for the commercial worlds of fashion and advertising.
Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.
Hardcover. New York, Hamlyn Publishing Group, Ltd., 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Illustrated guide to historical and modern Eskimo art. 96 pages, illustrated with more than 100 photographs, both color and black/white (many full-page). Book and dust jacket are in very good condition, dust jacket shows some light edge wear.
Hardcover. Paris, Chez Castel, 2nd pr., 1858, Book: Very Good, Dust Jacket: None, Hardcover, VIII-352 pages plus a 70 page supplement. Title printed in red & black. Original 1/2 leather, with marbled boards, spine in compartments with raised bands, gilded decorations. This is the 2nd. and much enlarged edition. A very useful volume in the scarce field of book repair. FRENCH TEXT. Leather corners show light wear, small scar to front panel, otherwise a very good, clean volume.
Hardcover. UK, Oxford University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 284 pages. Thirteen original essays by leading scholars explore aspects of Spinoza's ethical theory and, in doing so, deepen our understanding of the richly rewarding core of his system. Given its importance to his philosophical ambitions, it is surprising that his ethics has, until recently, received relatively little scholarly attention. Anglophone philosophy has tended to focus on Spinoza's contribution to metaphysics and epistemology, while philosophy in continental Europe has tended to show greater interest in his political philosophy. This tendency is problematic not only because it overlooks a central part of Spinoza's project, but also because it threatens to present a distorted picture of his philosophy. Moreover, Spinoza's ethics, like other branches of his philosophy, is complex, difficult, and, at times, paradoxical. The essays in this volume advance our understanding of his ethics and also help us to appreciate it as the centerpiece of his system. Clean copy.
Hardcover. UK, Parragon Publishers, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. A comprehensive cross section of the work of C.R. Mackintosh, including paintings from the last period of his life. It also includes photo's and renderings of the built 'House for an Art Lover' in Scotland (originally an entry for a competition) and their reconstructed, relocated own home. The controlled proportion of text to images, and the (sometimes more than) full page photo's and renderings, make it the ideal means to transport you to the world C.R. Mackintosh (and his wife, Margaret McDonald) created.
Hardcover. Boston, Bulfinch, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 224 pages, illustrated throughout with photos in b&w. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. Boston, Houghton Mifflin, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 392 pages, selections from her previous "Dykes to Watch Out For" books plus new material. B&w comic stories throughout.
Hardcover. Indianapolis, Indiana, Indianapolis Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover no dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to boards. Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.
Hardcover. Christie's, 1987-1989, Book: Very Good, Dust Jacket: None, Complete 7 volume set including index, bound handsomely in red cloth over boards with gilt lettering and insignia to front covers, gilt titles to spines. Part I, Eighteenth Century Books Including the Gutenberg Bible; Part II, Medieval and Renaissance Manuscripts; Part III, Printed Books and Manuscripts Including Western Americana; Part IV, Printed Books and Manuscripts Including Early Printing, Literature, and Fine Bindings; Part V, Printed Books and Manuscripts Including Americana, Literature, and Fine Bindings; Part VI, Printed Books and Manuscripts Concerning William Morris and His Circle; Index and Price Lists. (12" x 9"). 302pp, 125pp, 320pp, 344pp, 316pp, 102pp, 99pp. Color and b/w plates throughout.
Hardcover. New York , White Stokes & Allen, 1st, 1886, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, 12mo. Decorative pale green cloth stamped with gilt and maroon design, top edge gilt, floral end papers. Original etching frontispiece by R. Swain Gifford (The First Plate Etched in The New York Etching Club). Includes lists of American Etchers and Notable Collections of Prints.
Softcover. NY, The New Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 199 pages. For thirty years, Eugene Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait. A collection of case studies of archetypal urban settings, this book examines Atget's approach to photography. It features 240 of his photographs-nearly all of which have never been published-assembled to display the integral relationship between the photographer's working method and his subject matter, revealing the character of Le Vieux Paris itself. Clean copy.
Softcover. Cambridge MA, Harvard University Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 291 pages with index. A social history of Europe in all its aspects: economic, political, diplomatic military, colonial-expansionist. Crisply and succinctly written, it describes Europe not through a history of individual countries, but in a common context during the three quarters of a century between the death of Louis XIV and the industrial revolution in England and the social and political revolution in France. It presents the development of government, institutions, cities, economies, wars, and the circulation of ideas in terms of social pressures and needs, and stresses growth, interrelationships, and conflict of social classes as agents of historical change, paying particular attention to the role of popular, as well as upper- and middle-class, protest as a factor in that change. Clean, bright copy.
Hardcover. NY, Rizzoli, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. Entertainingly idiosyncratic in its selection of material, this historical compendium of facts and fascinating lore takes off on a visual romp through the history of gardens. Rather than adhere to a conventional narrative format, Vercelloni--an Italian architect, city planner and landscape gardener--arranges his material as though it were a slide show, devoting each page to an image and accompanying text. Beginning with the "landscape" of the Ice Ages, forging ahead to the Renaissance and finally reaching contemporary times, the author presents a captivating grab-bag of information, covering such topics as the significance of flowers in Renaissance painting, the reasoning behind the 17th-century craze for tulips and the role of contemporary urban parks in society. With its strong visual orientation and pungent text, Vercelloni's "historical atlas" looks deftly and light-heartedly at humanity's ongoing love of gardens. Clean copy.
Softcover. London, V & A Publications, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 191 pages. Containing over 100 masterpieces from a major collection, this volume traces the history of European sculpture, from the early-Christian period through to the beginning of the 20th century. Highlights include the medieval ivories, works by many of the Italian Renaissance masters, English 18th-century pieces, such as Roubillac's statue of Handel and sculptures by Rodin. Clean, bright copy.
Softcover. West Lafayette IN, Purdue University Press , 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 529 pages, b&w illustrations. Eva and Otto is a true story about German opposition and resistance to Hitler as revealed through the early lives of Eva Lewinski Pfister (1910-1991) and Otto Pfister (1900-1985). It is an intimate and epic account of two Germans-Eva born Jewish, Otto born Catholic-who worked with a little-known German political group that resisted and fought against Hitler in Germany before 1933 and then in exile in Paris before the German invasion of France in May 1940. After their improbable escapes from separate internment and imprisonment in Europe, Eva obtained refuge in America in October 1940 where she worked to rescue other endangered political refugees, including Otto, with the help of Eleanor Roosevelt. As revealed in recently declassified records, Eva and Otto later engaged in different secret assignments with the US Office of Strategic Services (OSS) in support of the Allied war effort. Despite their vastly different backgrounds, Eva and Otto gave each other hope and strength as they acted upon what they understood to be an ethical duty to help others threatened by fascism. The book provides a sobering insight into the personal risks and costs of a commitment to that duty. Their unusually beautiful writing-directed to each other in diaries and correspondence during two long periods of wartime separation-also reveals an unlikely and inspiring love story.
Softcover. New Haven, Yale University Art Gallery, 1at, 1992, Book: Very Good, Dust Jacket: None, Softcover, 253 pages, b&w and color illustrations, illustrated end paper. Bottom front left corner slightly bumped. Light marks to bottom edge. Else a very clean, tight copy. The book includes essays by five noted authorities: Linda Norden discusses Hesse's early career in New York following her years as a student of Josef Albers; Maria Kreutzer writes on Hesse's work in Germany in the mid-sixties, when she moved from two to three dimensions; Robert Storr places Hesse in relation to the central American artistic concerns of the 1960s, focusing on her links to such artists as Jasper Johns, Sol LeWitt, and Claes Oldenburg; Anna Chave analyzes Hesse's mature work in light of contemporary feminist theory on authorship and subjectivity; and Maurice Berger examines Hesse's radical and personal approach to the sculptural object following her rejection of painting. In addition, Helen Cooper draws on the artist's extensive diaries, notebooks, and correspondence for a chronology detailed as much as possible in Hesse's own words.
Hardcover. NY, Jewish Museum / Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Eva Hesse: Sculpture focuses on the artist's large-scale sculptures in latex and fiberglass and provides a rare opportunity to look at Hesse's artistic achievement within the historical context of her life in never-before-seen family diaries and photographs. Essays consider Hesse's art from a variety of angles: Elisabeth Sussman discusses the sculptures shown in the 1968 solo exhibition; Fred Wasserman delves into the Hesse family's life in Nazi Germany and in the German Jewish community in New York in the 1940s; Yve-Alain Bois examines Hesse's works within the context of the art and aesthetic theories of the 1960s; and Mark Godfrey analyzes the importance of Hesse's celebrated hanging sculptures of 1969-70. In addition to color reproductions of the artist's sculpture, the book features a copiously illustrated chronology of the artist's life.
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