Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Softcover. Yonkers, NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, b&w illustrations. Light rubbing to wrappers. Else a very clean, tight copy. Issued in conjunction with a 1984 exhibition of drawings by Hudson River School artist Frederic Edwin Church (1826-1900). With an essay by Elaine Evans Dee and foreword by Rick Beard. The annotated and illustrated catalogue presents 107 works. This is the only publication that examines in detail the preparatory studies of this master Hudson River School artist. Shows Church's drawings that were intended to provide preliminary detail for his oil paintings. The extensive notations on the drawings themselves are clear evidence of this intent. This provides a special insight into the processes of artistic creation as employed by one of 19th century American's greatest landscape painters.

Hardcover. NY, Parents Magazine Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Wonderful introduction to different styles of architecture. Illustrated in color by Devlin. Related notes & articles to various landmark houses laid-in. Dust jacket price clipped. Clean copy.

Softcover. self-published, 1st, 2017, Softcover, 238 pages, b&w illustrations. SIGNED BY AUTHOR on the title page. An historical and biographical study of the men from College Point, Queens, New York who rendered valuable service to their country in World War One. More than six hundred fifty served in the Army, the Navy, the Marine Corps and the Merchant Marine. Twenty-eight died. What gives the book its relatively unique character is that the hamlet was basically German in origin, primarily industrial, and in the late 19th and early 20th centuries, a destination place for large numbers of entertainment-seeking New Yorkers. The book includes an overview of these elements, illustrating how each played its role before, during and, to a limited extent, after the war. These subjects are woven into a detailed analysis of how College Point, and its people weathered movements and events; labor strife, anti-German sentiment, espionage, the influenza epidemic, and a host of other forces that impacted American culture in general, and their lives in particular. Also told in chronological order, and brief vignettes are the stories of the twenty-eight men who went willingly to war, and died. Clean copy.

Softcover. Hanover NH, Hood Museum of Art, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, b&w plates. Clean copy.

Hardcover. Manchester, VT, Hudson Hills, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Adja Yunkers's life and career spanned six continents and nearly the entire 20th century with all its various art movements. Born in Lativia, he lived in St Petersburg, Berlin and Paris, before finally settling in New York. He lived through Russian constructivisim and suprematism, Italian Futurism, surrealism, and abstract expressionsism, absorbing everything in his own style. His painting, prints and pastels are currently housed in collections aroung the world, including the V&A in London, the MoMA in New York and the Hamburger Kunsthalle in Hamburg.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2017, Book: Very Good, Dust Jacket: None, 380 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting -often for the first time in 60 or 70 years- over 800 of Young's timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics.

Hardcover. NY, Oxford University Press, 4th pr., 2000, Hardcover in a bright dust jacket. 670 pages, b&w illustrations. Written by the most prominent of the new generation of historians, this superb volume offers the most up-to-date and authoritative account available of African-American history, ranging from the first Africans brought as slaves into the Americas, to today's black filmmakers and politicians. Here is a panoramic view of African American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans experienced it. We begin in Africa, with the growth of the slave trade, and follow the forced migration of what is estimated to be between ten and twenty million people, witnessing the terrible human cost of slavery in the colonies of England and Spain. We read of the Haitian Revolution, which ended victoriously in 1804 with the birth of the first independent black nation in the New World, and of slave rebellions and resistance in the United States in the years leading up to the Civil War. There are vivid accounts of the Civil War and Reconstruction years, the backlash of notorious "Jim Crow" laws and mob lynchings, and the founding of key black educational institutions. The contributors also trace the migration of blacks to the major cities, the birth of the Harlem Renaissance, the hardships of the Great Depression and the service of African Americans in World War II, the struggle for Civil Rights in the 1950s and '60s, and the emergence of today's black middle class. From Harriet Tubman and Frederick Douglass to Martin Luther King, Jr., and Louis Farrakhan, To Make Our World Anew is an unforgettable portrait of a people. Clean copy.

Softcover. London, Faber & Gwyer, 1st, 1928, Book: Good, Dust Jacket: None, Pictorial blue paper wrappers with narrow flap folds, 4 pages,stabbed & tied, edges slightly faded and rubbed. Cover separated at spine. Series: Ariel Poems ; No. 14. This poem was first printed, with slightly different text, in Flame, an Independent Labour Party magazine, in December 1925, under the title To An Inconspicuous Friend.

Hardcover. London, Souvenir Press, 1st UK, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 192 pages. First-person accounts of life in a Japanese POW camp are not common, and illustrated memoirs are rare indeed. Searle, a young British art student, was captured at the fall of Singapore and spent the next four years covertly sketching his captors and fellow prisoners. His work matured as the war progressed, growing from merely facile to totally captivating. He grew skilled at suggesting personality, and many of his drawings are unforgettable. A brief personal narrative accompanies the portfolio, placing the works into historic perspective. Artistically as as well as historically, this book is a treat.

Hardcover. New York, privately printed, reprint, 1906, Book: Very Good, Dust Jacket: None, 13 page essay, Franklin's famous essay on farting. Here printed and bound in a 64 page signature, most of the pages therefore blank. Three-quarter leather with marbled boards, gold lettering on spine. Limited to 250 copies, this being #90.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 309 pages, b&w illustrations. A remarkable work of ethnobotany and folkloric medicine by a Vermont based folklorist working in the West Indies. From the flap: "Charles divulged to Beck more than isolated cures or preventatives: he imparted a well developed psycho-medical system that was an integral part of his culture." Clean copy.

Hardcover. Scarsdale NY, Bradbury Press, 1st, 1974, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black. Folklore about a Japanese farmer who digs up a huge imo (yam). Ed Young style pencil drawings by Japanese artist Mitsu Yashima. No dust jacket. Clean copy.

Hardcover. NY, Donald I. Fine, 2nd pr., 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 187 pages. The author "chronicles the adventures of an innocent abroad, an American Yankee footloose in the land beyond the bamboo curtain. Mike Halsey is a thoroughly modern Friedman sort of fellow who lives well if uneasily with his lovely lady Pam, his big-guy dog Mort and his wood-burning stove.until one morning, shaken by his inability to get the papers from the Redneck Deli, he feels an old, unsettling urge coming on-the last time it happened he ended up on the coast of Finland. He reaches into his glove compartment for his ever-ready passport, and finds himself on his way to the San Francisco airport, Tokyo bound." Clean copy.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth covers stamped in silver, 242 pages. Previous owner's inscription on front fly leaf, otherwise clean. Over the course of the American Occupation of Japan, the U.S. attitude toward the Japanese Communist Party (JCP) gradually shifted from one of friendly cooperation to one of mutual opposition. This new study examines the initial approach toward communism in Japan; internal and external factors that affected American attitudes; the various phases of the relationship; and how Japan ultimately became a democratic nation. Oinas-Kukkonen investigates American information gathering techniques used at the time to determine possible links with the Soviet Union. He also discusses the possibility that Nosaka Sanzo, one of the main leaders of the JCP, was an American spy. Using previously secret records of General MacArthur's intelligence staff and plentiful archival materials on the Occupation, this study explores how the United States originally sought to utilize the JCP to assist in the democratization process. It identifies the perceived threat of a revolution in March 1947 as a key turning point in U.S. attitudes. Involved in a delicate balancing act with multiple Japanese interests, some American officials feared that elements of the extreme left might even evolve into extreme right-wing terrorists. In this comprehensive account, Oinas-Kukkonen includes information on the indirect role of the Europeans in this affair, as well as the roles of outsider groups such as the outcaste burakumin and the Koreans residing in Japan.

Hardcover. Oxford UK, Oxford University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 175 pages. Despite recent advances in Locke scholarship, philosophers and political theorists have paid little attention to the relations among his three greatest works: An Essay Concerning Human Understanding, Two Treatises of Government, and Epistola de Tolerantia. As a result our picture of Locke's thought is a curiously fragmented one. Toleration and Understanding in Locke argues that these works are unified by a concern to promote the cause of religious toleration. Making extensive use of Locke's neglected replies to Proast, Nicholas Jolley shows how Locke draws on his epistemological principles to criticize religious persecution - for Locke, since revelation is an object of belief, not knowledge, coercion by the state in religious matters is not morally justified. In this volume Jolley also seeks to show how the Two Treatises of Government and the letters for toleration adopt the same contractualist approach to political theory; Locke argues for toleration from the function of the state where this is determined by the decisions of rational contracting parties. Throughout, attention is paid to demonstrating the range of Locke's arguments for toleration and to defending them, where possible, against recent criticisms. The book includes an account of the development of Locke's views about religious toleration from the beginning to the end of his career; it also includes discussions of his individualism about knowledge and belief, his critique of religious enthusiasm, his commitment to the minimal creed, and his teachings about natural law. Locke emerges as a rather systematic thinker whose arguments are highly relevant to modern debates about religious toleration. Light pencil marking to some pages.

Hardcover. Philadelphia, E. L. Carey & A. Hart, 2nd, 1833, Book: Good, Dust Jacket: None, Volume 1 - 222 pages. Previous owners name at top of title page. Foxing to pages. Spine cloth faded. Volume 2 - 160 pages. Foxing to pages. Spine cloth faded. Both volumes show light wear overall.

Hardcover. Morton Grove IL, Albert Whitman & Co, 1st US, 2000, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. When Tom, a young panda, goes to his very first day of kindergarten, his whole family stays and plays and wishes they could be in kindergarten too. David Legge's fun-filled watercolors are as infectious as Australian author Wild's lively tale about adults rediscovering the satisfaction of creative play.

Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Beautiful photography. Clearly 50's era glamour and models. Tastefully erotic but not pornographic. The famous "red velvet series" featuring Marilyn Monroe is included, along with many many others.

Hardcover. NY, PowerHouse Book, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Still in publishers shrinkwrap. During the 1950s and 60s, Tom Palumbo was part of an influential group of young photographers working for the best fashion magazines in America -Harper's BazaarandVogue. Tom perfected his craft under the guidance of legends like Alexey Brodovitch, Carmel Snow, Diana Vreeland, and Alex Liberman. Tom's serene style contrasted with Richard Avedon's jazzed-up images and Lillian Bassman's soft blurred effects. Often Tom's particular layouts provided the balance in an issue. His pictures invariably enhanced the fashions of the 50s, where women were thought of as objects of worship, and beauty was thought of as an ideal. Tom photographed every day, producing unique images like jazz legend Miles Davis laughing. He loved taking pictures of artists like next-door neighbors Comden and Green; the young Mia Farrow and Jane Fonda; novelist Jack Kerouac. Late in life, Tom worked in theatre. But to him there was never much difference in the photographs he took or the plays he directed since both contained drama. Paradox and revelation-these two elements energized Tom Palumbo's life.These rediscovered photographs, celebrated in their time but not seen in decades, are presented here in book form for the first time ever, by award-winning author and Palumbo's widow, Patricia Bosworth.

Hardcover. NY, The Century Co., 1st, 1892, Book: Very Good, Dust Jacket: None, Hardcover, original decorated two-part blue and mustard cloth, front and rear covers stamped in black, spine panel stamped in gold. 254 pages, b&w illustrations by W.A. Rogers. Boys' fiction set in New York City of a hunt for gold coins stolen during the American Revolution. Mild soil to covers, no markings

Hardcover. Canada, Firefly, 4th pr., 2001, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Color and b/w illustrations throughout.Dust jacket unclipped. Pages 17-32 bound upside down, the rest of the book is correct. Pages are clean and tight, as if unused. In excellent condition.

Hardcover. NY, Crown, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 644 pages, b&w illustrations. After a protracted squabble over private papers with the playwright's estate, Leverich delivers this hefty first volume of a projected two-volume life of Tennessee Williams (1911-1983). In it, Leverich, who produced several of Williams's plays and calls himself Williams's "chosen biographer", covers the years through 1945, when The Glass Menagerie opened on Broadway. Treated are Williams's youth in Mississippi and St. Louis; the college years at the universities of Missouri and Iowa; bumming around (but always writing) in New Orleans and Greenwich Village; the disaster of his first Broadway play (it closed in Boston); script writing, or avoiding it, at MGM's Hollywood mill; and, finally, the evolution of Menagerie, a wonderfully detailed and dramatic case history in itself. Leverich's overworked conceit, which he restates at intervals, is that this is the life of Tom Williams, a "repressed puritan" poet, who in time created a more flamboyant public persona called Tennessee. A few matters are set straight. Leverich maintains his subject's active homosexual life started in his late 20s, later than Williams stated in his memoirs, and that his sister's infamous lobotomy came later than his mother claimed. Although the accumulation of information is impressive, the lower Leverich keeps his own profile and editorial commentary the better his book is, which means it is at its best when it simply reproduces Williams's sporadically kept journal. If you believe that all the details of a life are but preparation for a single event, in this case, the opening of a remarkable play, this is an impressively argued biography.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues January - September 1953 Issues 7 - 11. Exclusively features a special introduction from Jeff Gelb and a profile of one of the genre's leading artists - John Giunta, plus examples of his original artwork.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects issues #12 through #16 of comic book "Tomb of Terror" published by Harvey from November 1953 to July 1954.

Hardcover. UK, PS Publishing, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 257 pages, illustrated throughout in color and b&w. Light shelf-wear to boards, else a clean, tight copy. Collects June-November 1952, Issues 1-6).

Hardcover. New York, Broadway Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 347 pages. INSCRIBED BY AUTHOR on title page. Slight foxing to top edge, else a very nice copy in brodart cover.

Hardcover. New York, Broadway Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 347 pages. INSCRIBED BY AUTHOR on title page. Slight foxing to top edge, else a very nice copy in brodart cover.

Softcover. NY, Farrar, Straus and Giroux, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover. A collection of drawings by Tomi Ungerer on the themes of men, women, and sex. Unpaginated [112 pages]; 109 full-page b&w illustrations; 9.25 x 12.25 inches. Previous owner's inscription on front endpaper, otherwise clean.

NY, G.P. Putnams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover. Over 200 Illustrations, 218 pages includes a bibliography of the writer and illustrator's book

Hardcover. NY, Charles Scribner's Sons, 1st US, 1900, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt, red and green decoration. Frontis. with tissue overlay plus 10 plates illustration by Bernard Partridge. The sequel to Sentimental Tommy, continuing the adventures of a young man in London as he attempts to find his way as a writer.

Hardcover. NY, William Morrow, 3rd pr., 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, b&w photos. The Autobiography pulls no punches: Curtis debunks myths of stardom and glamour with a raw, uncensored, street-honed New York bite. The scope of his memoirs includes: rooming with Marlon Brando in Hollywood in the late forties; a glamorous marraige to Janet Leigh in 1951, and the extraordianry days during his first flush of success.a fully detailed description of his descent into alcohol and cocaine addiction in the 1970s and 1980s; and his therapeutic, ongoing work as a visual artist. Clean, bright copy in a similar dust jacket.

Hardcover. NY, Abbeville Press, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 222 pages in color and b&w. Tony Sarg (1880-1942), an American artist born in Guatemala to a diplomatic family, first achieved professional success as an illustrator in London and New York. But in the 1920s, he gained even greater renown for his touring puppet shows based on classic tales like Alice in Wonderland and Robinson Crusoe. Fusing the time-honored craft of traditional marionette shows with a playful modern sensibility, Sarg's productions were foundational to American puppetry: Jim Henson can be considered a direct artistic descendant. Yet this was only one facet of Sarg's varied accomplishments: he was also a pioneer in animated films and children's books, and, as a longtime designer for Macy's, he invented the gigantic balloons used in the firm's Thanksgiving Day Parade. (He also employed one of his parade balloons in the famous Nantucket Sea Serpent hoax of 1937.) This abundantly illustrated volume, published to coincide with a major exhibition organized by the Norman Rockwell Museum, is the first to survey Tony Sarg's protean career. It brings together imagery and artifacts from numerous public and private collections, and includes special sections on Sarg's long association with the island of Nantucket and his influence on American puppetry. Tony Sarg: Genius at Play will be essential reading for anyone with an interest in the history of popular culture. Claen copy.

Hardcover. Sydney/London, Murdoch Books , 1st, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 327 pages, color plates. An Asian cookbook written with fresh eyes by an author whose soul lies in Asia but who has adopted techniques and ingredients from the west that endear his recipes to cooks everywhere. Structured by food type - from meat, poultry and seafood to vegetables, and dumplings -Tony Tan's Cooking Class takes readers through the fundamentals of more than 100 beloved dishes, many core to the canon, others dishes that he has made his own. Tan shares insights on the key building blocks, from the art of the wok to understanding the role of oils and fats to noodles 101 and the essential pantry. Beautifully photographed, thoughtfully illustrated and evocatively written, this is the essential book for a new generation on the essential foods and techniques of Asian cuisine from a beloved teacher, cook, writer and respected expert. Clean, bright copy.

Softcover. New York, Dell Publishing, 1st, 1964, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #8949. Minor wear to paper wrappers. Cover art by Robert McGinnis.

Softcover. New York, Dell Publishing Company, 1st, 1952, 224 pages. Paperback. Dell Mystery Book #593. Cover art by Robert Stanley. Light Pencil notation on first page. Light creasing to paper wrappers. Spine wrinkled.

Hardcover. New York, Holt, Rinehart and Winston, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Pale yellow boards with red titles to spine and red illustrated figure to front cover, color illustrated dust jacket with acetate protective covering, lovely tri-tone color illustrations by Margot Zemach. Light rubbing and edgewear to dust jacket, with a few quarter-inch tears to edges, price-clipped, otherwise covers and pages crisp, clean and unmarked; a neat, tight children's book in great condition.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, 200 pages. In 1949, the ambitious Charles Biro - who had previously co-created the realistically brutal comic Crime Does Not Pay - edited and wrote an oversized comic aimed at adults, called Tops. Like several other radical adult comics projects that would follow, it proved to be a commercial failure and lasted only two Life magazine-sized issues. The original comics have since become a legendary holy grail among comics fans and historians, fetching as much as $6,000 on the collector's market: written about but rarely seen and never reprinted. Until now.Fantagraphics' Tops collects both issues of these oversized experimental comics in their entirety. Some of the best craftsmen working in comics at that time drew these pulpy, sexy, and melodramatic stories: Dan Barry, George Tuska, and others. It includes two stunning pre-EC crime tales illustrated by Reed Crandall, reminiscent of his Crime SuspenStories work. Actor Melvyn Douglas (believe it or not) takes the reader on a tour of utopia, entitled "How Would You Live Under A World Government?" - a positive spin on global Socialism! A treasure trove of fascinating and revelatory comics history for scholars and fans, this compilation includes an introduction by the editor, the historian and cartoonist Michael T. Gilbert, as well as several other essays providing background on the creation of the series and the publisher, editors, and cartoonists who realized it. It includes a chronicle in essay form of experimental, adult comics endeavors throughout the first half of the 20th century. Tops is a landmark work of historical importance and a mind-boggling reading experience from a bygone era meticulously restored and reproduced in a deluxe hardcover in its originally published dimensions. Full-color illustrations throughout.

Hardcover. NY, Icon/Marvel, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. A graphic novel of of Eliot Ness's hunt for America's first serial killer-Cleveland's 1935 torso killer. B&w art by Bendis followed by pages of news clipping with photos of the actual crime scene and investigators at work. Clean copy.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. New York, Abrams, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 368 pages plus fold-out list of plates. Hardcover. 54 full color plates plus hundreds of black & white works by Toulouse-Lautrec. Dust jacket protected with clear plastic cover. Clean, tight copy. Complete coverage of works in lithography and drypoint including fine prints, posters, illustrations, book jackets, sheet music, etc.

Hardcover. NY, Alfred A. Knopf, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 370 pages. Index, illustrated with black and white plates. Has folding genealogical chart, bibliography and index. Declared as "the first complete biography in English" of the notorious French painter (1864-1901), with new material from letters, interviews with surviving contemporaries, etc. Clean copy.

Hardcover. London, Cambridge University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 403 pages, 2 maps. In the belief that intensive study of selected local areas is an important development in scholarship on Africa, the author presents a micropolitical study of an important region of one of East Africa's Rew nations. Sukumaland, an area of Tanzania which contains one tenth of the country's population and its largest tribe, was chosen for the study. Before independence it exhibited the most organized nationalist political activity of any part of the country and developed the largest African-owned co-operative movement in all of Africa. In the final decade of the colonial era Sukumaland was the British administration's principal experimental area for attempts at radical transformation of indigenous political institutions and traditional agricultural techniques. After independence it became a critical testing ground for President Julius Nyerere's concepts of African socialism. Owner's signature on the front fly leaf, otherwise clean.

Hardcover. London, Studio Editions, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 128 pages. Color plates throughout. This book includes the work of nine leading cartographers spanning the first half of the nineteenth century. Clean copy.

Hardcover. GR, Hatje Cantz, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, oblong format, 80 pages. The Australian artist Tracey Moffatt is among the most carefully watched younger figures on the international scene. Of Aboriginal descent, Moffatt focuses on themes of the other, the unknown, the outcast, and the marginal. In her photographs and videos, she shows the complex interweaving of human relationships, forged by ethnic, social, and gender differences. Moffatt does not, however, aim to capture reality but to create her own reality. In her photographic work, the past, present, and future of the protagonists seem to gel together into a surreal simultaneity. Text in English and German by Brigitte Reinhardt, Stephan Berg, and Alexander Tolnay. Includes color and black and white illustrations. Clean copy.

Softcover. US, Institute of Modern Art, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 71 pages. Clean, unmarked copy with only minor wear to wrappers. Since showing at Cannes in 1993, the Venice Biennale in 1997 and the Dia Center for the Arts in 1998, Tracey Moffatt's films and photo series have been exhibited worldwide. Moffatt works with a potent mix of gender, class, race and colonialism, using a broad palette of influences from popular culture to high art, presented through the most popular media of our time. Her lyric subtlety builds a layered, escalating tension that invites repeated viewing. This publication contains the full set of images of four of her most significant works (Laudanum, Up in the Sky, Scarred for Life, and Something More) and stills from three of her films (Heaven, beDevil and Night Cries: A Rural Tragedy). An essay by Regis Durand and an interview with Gerald Matt give insight into her complex and provocative practice.

Hardcover. Hartford CT, American Publishing Co., 1st, 1894, Book: Very Good, Dust Jacket: None, 432 pages, terra-cotta cloth stamped in black and gilt, light gray end papers. Marginal illustrations throughout. 1894 on title page and copyright page, title page in red and black. Front hinge cracked, tape shadow on inside front cover, otherwise very good.

Softcover. Salt Lake City, Gibbs Smith, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 160 pages, illustrated in color and b&w. Trailer Travel showcases the rich visual history of America's enduring fascination with life on the road. Beautifully reproduced color and black-and-white images culled from public archives and the private collections of passionate trailerites vividly document the travel trailer?s storied past. This engaging volume offers a look at motor-camping trips in the early 1900s, the unparalleled innovations in trailer design during the thirties, rare and unique trailer models and interiors, and an extensive array of bold and graphic promotional material, literature, and postcards that illustrate the undeniable attraction of living on wheels.

Softcover. Richmond, VA, University of Virginia Press, 1st, 1996, Book: Very Good, Dust Jacket: None, 93 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. In an evocative blending of words and images, painter-photographer Carol Burch-Brown and poet David Rigsbee offer a depiction of trailers and their inhabitants. The understated imagery of Burch-Brown's 48 photos implies rather than proclaims the living conditions of these mobile-home dwellers, while Rigsbee's meditative, autobiographical essay parallels and illuminates the subjects and chronicles family histories with trailers.