Hardcover. Seattle, Fantagraphics Books, 1st, 2006-12-20, Book: Very Good, Dust Jacket: None, Light shelf-wear to illustrated boards, else a clean, tight copy.

Hardcover. NY, Irvington Publishers, 8th pr., Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt title on spine. Hypnotic Realities is a verbatim transcript of Dr. Erickson's induction of clinical hypnosis and his approaches to trance training. It provides students and professionals with clear examples of the evolution of clinical hypnotic phenomena. Two major innovations in this volume are the utilization theory of hypnosis and indirect forms of suggestion.... Each chapter includes an essay by Ernst Rossi which clarifies and elaborates on the relevant issues of Dr Erickson's work just illustrated. In these essays, Dr. Rossi analyzes Dr. Erickson's approach in order to uncover some of the basic variables that can be isolated and tested by future experimental work. These sections are a bridge between the clinical art of Dr. Erickson's hypnotherapy and the systematic efforts of the science of psychology to understand human behavior. 326 pages. Clean copy, no dust jacket.

Hardcover. Seattle, WA, Fantagraphics, Reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In addition to being one of the seven, original Zap Comix contributors, Robert Williams's influence on alternative art is immeasurable. From his endeavors to broaden the possibilities for young artists to gain exposure sprang the well-known art chronicle, Juxtapoz magazine.

Hardcover. NY, William Morrow and Co., 1st, 1939, Book: Good, Hardcover, oblong salmon cloth-covered boards, illustrated paper label on front cover, wear to corners. Prose and poetry on eleven aspects of Pueblo Indian life, each passage accompanied by a beautiful color illustration after watercolors by Native American artists, including Allan Houser, an Apache who was the great-grandson of Geronimo and Gerald Nailor, a Navajo; both of whom studied at the Santa Fe School. Mild soil, shelfwear. No markings.

Softcover. NY, Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. The designers at San Francisco-based design firm Cahan & Associates, in their hunger for fresh ideas, find inspiration in the most unexpected places, such as an oddly sculptural piece of discarded metal in the alley near their office, or a conversation with an elaborately tattooed bicycle messenger. From these eclectic ingredients the office serves up in-your-face graphics that are exceptional for their visceral impact yet still convey the strategic thinking behind each piece. The firm's working methods, involving extensive exploration, collaborations, and play, are documented in this monograph through interviews with founder Bill Cahan, clients, and vendors; writings by colleagues; photo essays; proposals to clients that were accepted and rejected; and finished pieces, providing a portrait of a firm for whom process is just as important as product. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Ten Speed Graphic, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 201 pages. Everyone knows Stan Lee: His work at the creative helm of Marvel Comics resulted in the creation of many of the superheroes we know and love today, including Spider-Man, Iron Man, Black Panther, Doctor Strange, and more. During his decades-long career at Marvel, Lee turned the comic book publisher into a cultural juggernaut that shaped and defined the burgeoning industry. In I Am Stan, critically acclaimed artist Tom Scioli reveals the man behind the comics and cameos using the same medium Stan Lee revolutionized. This stunning graphic novel takes readers from his early days in the comics industry through his rise at Marvel (then Timely Comics), where his career was touched by other iconic creatives including Jack Kirby and Joe Simon. Their collaboration would lead to the creation of the most iconic superheroes of today, and bring about the Marvel Age of the 60's and 70's that introduced new industry stars like Steve Ditko, and John Buscema. Readers will follow Lee's trajectory from his daily life at Marvel to his later years as a spokesperson for the company and for comics as a whole, and finally to his last years away from the spotlight. Scioli provides a clear-eyed view of Lee's triumphs at Marvel as well as the controversies that surrounded the creator at the end of his life. Clean copy.

Hardcover. New York, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. SIGNED BY AUTHOR on title page. Remainder mark on bottom edge, light shelf-wear, else a clean, tight copy. A lively non-fiction account of an art dealer's long quest to own an original painting by Andy Warhol. An illuminating view of the inner workings of the art world and the interplay of artists, collectors, galleries, auction houses, etc.

Hardcover. Guilford CT, Applause, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 200 pages, b&w illustrations. Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes.

Softcover. Hudson Hills Press, 1st, 1982, Book: Very Good, Dust Jacket: None, The San Fransisco Museum of Modern Art catalog of the first major retrospective exhibition of the works of Edward Ruscha. 10 pages, illustrated with Ruscha's artwork, and a photograph of the artist. A clean copy in publisher's stiff wrappers.

Hardcover. NY, Free Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors. Clean copy.

Hardcover. New York, D. Appleton-Century, 1st, 1938, Book: Very Good, Dust Jacket: Good, Hardbound, 132 pages. Black & white illustrations by Reginald Birch. Light soiling to covers, endpapers. Soiling & chipping to dust jacket. Brodart cover.

Hardcover. NY, HarperCollins, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, After her grandfather's death, eight-year-old Sophia fulfills his last request and journeys to Greece with her mother to see the land where her roots are. Color art by Karen Barbour.

Hardcover. Madison WI, University of Wisconsin Press/Terrace Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 164 pages. Jean Feraca's road to self-fulfillment has been as quirky and demanding as the characters in her memoir. A twenty-five-year veteran of public radio broadcasting, Feraca is also a writer and a poet. She is a talk show host beloved for her unique mixture of the humanities, poetry, and journalism, and is the creator of the pioneering international cultural affairs radio program Here on Earth: Radio without Borders. In this searing memoir, Feraca traces her own emergence. She pulls back the curtain on her private life, revealing unforgettable portraits of the characters in her brawling Italian American family: Jenny, the grandmother, the devil woman who threw Casey Stengel down an excavation pit; Dolly, the mother, a cross between Long John Silver and the Wife of Bath who in battling mental illness becomes the scourge of a Lutheran nursing home; and Stephen, the brilliant but troubled older brother, an anthropologist who was adopted into a Sioux tribe. Unique, eccentric, and distinctive, I Hear Voices is a memoir that tells a universal story of a woman evolving to fully embrace her life and the world. INSCRIBED BY AUTHOR on title page. Handwritten letter also laid in.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Hardcover. NY, Bloomsbury Publishing, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 118 pages. Ancient Greeks, modern seers, Freud, Jung, neurologists, poets, artists, shamans-humanity has never ceased trying to decipher one of the strangest unexplained phenomena we all experience: dreaming. Now, in her new book, Roz Chast illustrates her own dream world, a place that is sometimes creepy but always hilarious, accompanied by an illustrated tour through "Dream-Theory Land" guided by insights from poets, philosophers, and psychoanalysts alike. Illuminating, surprising, funny, and often profound, I Must Be Dreaming explores Roz Chast's newest subject of fascination-and promises to make it yours, too.

Hardcover. New York, Simon and Schuster, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 126 pages, 100 b&w cartoons by Wilson reprinted from various magazines. In a bright dust jacket with light edgewear, price-clipped.

Softcover. New York, Simon and Schuster, reprint, 1971, Book: Very Good, Dust Jacket: Very Good, Softcover, 126 pages, 100 b&w cartoons by Wilson reprinted from various magazines. In illustrated wrappers with light shelf wear.

Hardcover. New York, Funk and Wagnalls, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Eric Sloane presents a volume containing autobiographical notes and reproductions of his paintings. 184 pages, featuring 37 color plates of Sloane's oil paintings in addition to numerous other black-ink drawings. Excellent condition; book has no internal flaws but few very light marks on the cover. Dust jacket is in very good condition, very slight rubbing and wear, price-clipped.

Hardcover. New York, Doubleday, 1st, 1991, 604 pages. Hardcover with dust jacket. Light yellowing and wear to top edge of dust jacket. Minor foxing to top edge of textblock. An otherwise clean, unmarked copy. Recollections by fellow artists and collaborators elucidate the life of teacher and choreographer George Balanchine.

Hardcover. NJ, Prentice-Hall, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 112 pages. Sepia-toned drawings by James Pearsall. In this intimate autobiography, a gorgeous Siamese feline pours her heart out to Douglass Parkhirst, who digs cat lingo purr-fectly. As the cat matures and goes out on her own, she describes her adventures in a bachelor's apartment, her jealous fits over one of her master's female admirers, her first encounter with a mouse, plus many other newsy tidbits that will delight sophisticated cat lovers. Clean copy.

Hardcover. New York, George H. Doran, 1st, 1914, Book: Very Good, Dust Jacket: None, Hardcover, gray paper-covered boards with titles stamped in gilt. Orange and white pictorial paste-on cover. Orange and white pictorial endpapers. 36 illustrations by James Montgomery Flagg. Includes a section of Flagg illustrations spoofing other contemporary colleagues in their styling, including Howard Chandler Christy, Harrison Fisher, Charles Dana Gibson, among others. Clean, tight copy.

Cambridge, MA, Candlewick Press, Revised Ed., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A new edition of the 1969 book, this one with new color art by Alexander.

Hardcover. Philadelphia, Pennsylvania Academy of the Fine Arts/Universe Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 210 pages, 191 illustrations most in color. Bibliography and index. One of the foremost African-American artists of the twentieth century, Horace Pippin came to prominence in the late 1930s between the heyday of the American Scene painters and the ascendancy of Abstract Expressionism. An unschooled painter who was a disabled World War I veteran, Pippin is represented in public and private collections across America. I Tell My Heart features over 110 Pippin paintings including many never before reproduced nor shown in public since the artist's lifetime, as well as many black and white archival photographs of Pippin and his contemporaries.

Hardcover. New York , Orchard Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated with b&w photographs and sketches by Lewin. A memoir of his brief stint as a professional wrestler.

Hardcover. New York, G. P. Putnam's Sons, 1st, 1919, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Illustrated primarily with black & white drawings (some color) by C. LeRoy Baldridge. Dust jacket with chipping, closed tears along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. Minneapolis, MN, The Minneapolis Institute of Arts, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 90 pages. B&W and color illustrations throughout. Black pictorial cover with slight wear to spine and both covers. Very slight spotting to top edge. Overall, a clean, tight copy.

Hardcover. NY, Scholastic Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color art by Jon Muth. Here is the rare book that not only expresses a parent's love for their child, but offers a hope for what that love will become. It begins with a wish at bedtime, as parents hold their children tight and hope their love will cradle them, safe and sound. It continues through the day their children have grown up, proud and strong, and can pass that love on to someone else. This is a book that goes beyond a parent's "I love you" to the generous wish that our children will make the world a better place. A gentle, poetic text is illustrated in soft gouache-and-watercolor washes that depict scenes in the life of a boy from infancy, when his mother and father hold him close, to adulthood, when he is a parent himself. Clean copy.

Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.

NY, Simon & Schuster, reprint, 1935, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. 347 pages. The author was the Moscow correspondent for the New York Times starting in 1920 through the rise of Stalin. A first hand account of Russian history. Clean copy.

Hardcover. US, Titan Books, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. NY, Simon & Schuster , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, unclipped dust jacket, 192 pages, b&w illustrations. Larry Brown was a running back who played for the NFL's Washington Redskins from 1969 to 1976. An eighth-round draft pick out of Kansas, Brown defied several odds to make the Redskins out of training camp, and then, suddenly, as the team's starting running back. Brown went on to post two 1,000-yard rushing seasons as an integral part of the Redskins' football revival, started with Vince Lombardi in 1969 and then, after Lombardi's 1970 death, carried on by George Allen in 1971. Small tape repair to dust jacket, clean copy.

Softcover. NY, Plume/New American Library, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 120 pages of b&w cartoons by Levin.

Hardcover. NY, Balzer & Bray, 3rd pr., 2014, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, color art by Jim McMullan. "This boisterous story pays homage to the importance of fire fighters-and their engines-while maintaining plenty of action and a sense of fun." -- School Library. Clean copy.

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1958, Book: Very Good, Dust Jacket: None, 144 pages. Paperback. Gold Metal Book #814. Cover art by Milton Charles. Light creasing to paper wrappers.

Hardcover. Philadelphia, David McKay Company,, 1st, 1941, Book: Good, Dust Jacket: None, Color illustrated boards, 64 pages illustrated with b&w cartoons by Dunn. A homorous look at the stress and comedy of impending fatherhood. Cardboard cover has wear at extremities, clean internally.

Hardcover. Guilford CT, Backbeat, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages, b&w illustrations. Phil Ochs is known primarily as a songwriter; however, his oeuvre extends far beyond that--to short stories, poetry, criticism, journalism, and satire, all of which are included in I'm Gonna Say It Now: The Writings of Phil Ochs, which represents the majority of what Ochs wrote outside of his large circle of songs. This comprehensive tome presents another side of the famous topical songwriter, showcasing his prose and poetry from across the full span of his life.From prizewinning stories and clear-eyed reporting while a journalism major in college to music criticism, satires, and political pieces written while part of the burgeoning folk scene of New York City in the early 1960s and during the tumultuous Vietnam War era; from sharp and lyrical poems (many previously unpublished) to reviews, features, and satires written while living in Los Angeles and the final, elegiac coda writings from near the end of his life--I'm Gonna Say It Now presents the complete picture. The book includes many rare or nearly impossible to find Ochs pieces, as well as previously unpublished works sourced from the unique holdings in the Ochs Archives at the Woody Guthrie Center. Additionally, never-before-seen reproductions from Ochs's journals, notebooks, and manuscripts provide a closer look at the hand of the artist, giving a deeper context and understanding to his writings. Never before published photographs of Ochs bestow the visual cherry on top.

Hardcover. NY, Simon & Schuster , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages. Very good in a nice dust jacket with fading to spine. Novel about a high school senior who is facing the military draft and his conflicting feelings. Milton Glaser art on dust jacket.

Softcover. Washington, Smithsonian Institution, 1st, 1973, Book: Very Good, Dust Jacket: None, 319 pages. Softcover with paper wrappers. Tape repair on top spine. Previous owner's bokplate on inside front wrapper. Tight copy. Black and white pictures throughout.

Softcover. Germany, Gert and Mareidi , 1st, 1980, Book: Very Good, Dust Jacket: None, 300 pages, Softcover with paper wrappers. 170 b/w and 12 color photographs. Front wrapper APPEARS to be removed from spine, lacking publisher glue. Text block tight. Previous owner's signature on front wrapper.

Hardcover. Berkeley CA, University of California Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages. Michael Allen's latest work on the profoundly influential Florentine thinker of the fifteenth century, Marsilio Ficino, will be welcomed by philosophers, literary scholars, and historians of the Renaissance, as well as by classicists. Ficino was responsible for inaugurating, shaping, and disseminating the wide-ranging philosophico-cultural movement known as Renaissance Platonism, and his views on the Sophist, which he saw as Plato's preeminent ontological dialogue, are of signal interest. This dialogue also served Ficino as a vehicle for exploring a number of other humanist, philosophical, and magical preoccupations, including the theme of man the artist and creator.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 100 + black & white illustrations, 219 pages. Hardcover with dust jacket. Tight copy. 40 of Baskin's interpretive essays on artists from the 14th to 20th centuries, with Baskin's "portraits-in-homage" of each artist: Rembrandt, Goya, Soutine, etc.

Softcover. Charlotte, NC, Mint Museum Department of Art, 1st, 1983, Book: Good, Dust Jacket: None, Exhibition catalog, 120 pages. Color and B&W plates throughout. some B&W photos of artist throughout. Light soiling to wrapper and slight bending to bottom right corner. Some light edge wear. Otherwise a tight and clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1990, Hardcover in a bright dust jacket. 247 pages with 105 plates (many color)."Annibale Carracci, Nicolas Poussin, and Claude Lorrain were the masters of ideal, or heroic, landscape painting in the seventeenth century. In this original and highly sophisticated book, Margaretha Lagerlof interprets these paintings in a new way, examining them from four perspectives relevant to their contemporaries - those of drama, rhetoric, utopianism, and metaphysics."

Hardcover. NY, Oxford University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 453 pages, b&w illustrations. At the turn of the century, an unprecedented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, and philosophic. Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. BramDijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind,Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Clean, bright copy.

Hardcover. New York, Random House, reprint, Book: Good, Dust Jacket: None, Red illustrated boards, no dust jacket, lovely full page color illustrations. Pages crisp, clean and unmarked. Early printing, mid-50s, 16 titles on rear cover starting with Yertle the Turtle. This is the tall 12x9 retail edition; not the smaller book club edition. Copyright page has the Redbook reference that was removed in the bookclub editions. This copy has the original illustration of 2 Seuss characters with a black complexion from the fictional African island of Yerka; which has since become objectionable; also stereotypical drawings of Asian characters. The top 2 inches of the cardboard spine is missing. Binding sound. One of the six discontinued Seuss titles.

Hardcover. Boston, The Stratford Company, 1st, 1931, Book: Very Good, Dust Jacket: Good, Hardcover, 295 pages, with black & white illustrations throughout, foreword by Richardson Wright, gilt top edge and relevant 1930 article from Horticulture Magazine laid-in. Dust jacket has corner and spine chip with some edge fade, previous owner's signature on title page, otherwise, very clean and tight.

Softcover. Gent, Netherlands, Museum Voor Schone Kunsten, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, Dutch text. 160 pages, b&w and color illustrations. Frontispiece portrait, many plates & text-illustrations, essays, catalogue of 136 items depicted & described, bibliography, list of exhibitions. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Hardcover. Milan, A. Mondadori, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.

Softcover. NY, Nancy Hoffman Gallery, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. Essay by Donald Kuspit, text in English, French and German. Mild crease to top corner of pages, clean copy.

Hardcover. London, Hutchinson & Co., 1st, 1920, Book: Good, Dust Jacket: None, Hardcover, 267 pages. Minor spine edge wear. Cover corners lightly bent. Front cover lightly curved. Front and back flyleaf yellowed. Crease on frontispiece. Spotting throughout index, half title page, full title page and book edges. Otherwise, a clean and tight copy.