Softcover. Milwaukee, David Barnett Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages, b&w, 3 color plates. Masking tape over gallery logo on rear cover, with Falkman's phone number and address in her hand. Bright copy.

Softcover. Milwaukee, David Barnett Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages, b&w, 3 color plates. Long inscription by the sculptor on the inside front cover. Bright copy.

Hardcover. Bologna, Damiani, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This exhaustive monograph of Susan Meiselas will be released in occasion of the retrospective that will take place at Tapies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fondation Tapies. This exhibition and monograph propose a selection of works from the 1970s to today which reveal the particular approach of Susan Meiselas toward to the underlying reasons for making photographs, how the image concerns it's subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject in such a way as to include the people portrayed in the image in the process of the making. There is nothing systematic in her approach: each work expresses in a very strong manner that context is vital to the understanding of photography. Therefore her work is specific to the persons portrayed, to the notion of community to which they belong and to the locality of the geographic and political territories that the artist addresses. The way of the showing the work is equally a part of the thought process. How does the spectator behold the artwork? It is often comprised of many parts, made in different media: each "layer" is used to document a level of meaning. For Meiselas one should be able to grasp why the image was taken. Both the subject of the image and the context in which the images are shown are taken into account in the elaboration of each project.

Softcover. Kansas City, Andrews McMeel, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages. Softcover with light wear to paper wrappers. Remainder mark on bottom edge. Tight copy. Cartoons by Cullum.

Hardcover. Philadelphia, J. B. Lippincott Company, 5th pr., 1931, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black, 343 pages, 2-color endpapers map, b&w illustrations by Helene Carter. Spine cloth faded otherwise a clean, tight copy.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Hardcover. London, M Q Publications, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, Clean, unmarked copy with only minor wear to dust jacket. Like new. An exclusive collection of drawings that reveal the tender side of R. Crumb. Evocative haunting images of people and places such as Aline, his daughter Sophie, scenes from the village and region he lives in the South of France, Jesse Crumb, his first wife Dana and their son Jesse and of course the Blues musicians he treasures from his 78rpm record collection. Unpaginated, but about 120 pages.

Hardcover. NY, Dial Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY PINKNEY on title page. In the 1940s, as the world was at war, a remarkable jazz band performed on the American home front. This all-female band, originating from a boarding school in the heart of Mississippi, found its way to the most famous ballrooms in the country, offering solace during the hard years of the war. They dared to be an interracial group despite the cruelties of Jim Crow laws, and they dared to assert their talents though they were women in a ?man?s? profession. Told in thought-provoking poems and arresting images, this unusual look at our nation?s history is deep and inspiring.

Softcover. Seattle, Fantagraphics Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. The Sweetly Diabolic Art features paintings, drawings, and sketches from the 1940s through the 1990s, most never previously published or exhibited, as well as more artifacts from Flora's 1940s tenure in the Columbia Records art department and rare newspaper and magazine illustrations spanning several decades. Sweetly Diabolic is also the first printing of an abandoned children's book concept, The X-Ray Eyes of Wallingford Hume. Equally fascinating are original, never-before-published roughs and rejected images from Flora's 1950s and '60s children's books and a gallery of pen and pencil sketches from the 1940s. Sweetly Diabolic also collects, for the first time rarely seen cartoon-science illustrations: the images are augmented by personal vignettes, mementos from the family archives, and a 1984 interview with award-winning graphic designer Robert M. Jones, who offers priceless insights.

Hardcover. US, GILES, 1st, 2012-09-26, Book: Very Good, Dust Jacket: Very Good, 176 pages, 80 color, 35 B&W plates. 'Swing Time: Reginald Marsh and Thirties New York' is the first major assessment of the work of 'American Scene' artist Reginald Marsh (1898-1954). Like new in publisher's shrink-wrap.

Hardcover. San Francisco, CA, Weldonowen, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Switched On takes you back to a time of looming social and cultural upheaval, when a cadre of energetic, creative, forward-thinking women explored undiscovered fashion terrain, and painted the backdrop for a transformative ten years. Lavishly illustrated with more than 250 photographs from the likes of David Bailey, Bert Stern, Milton H. Greene, Patrick Lichfield, Gianni Penati, Sam Levin, Arthur Evans, Loomis Dean, Susan Wood, Veronique Bucossi, David Hurn, Alan Pappe, Bud Fraker, and Malcolm Bulloch.

Hardcover. New York, Weidenfeld & Nicolson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket. Clean, tight copy. A comprehensive guide to nearly 4000 years of sword making from all over the world. Written by a distinguished team of experts and scholars, it provides an expert appraisal of the weapons themselves and is rich in historical and background detail. Fully illustrated throughout with photographs and art reproductions, this is a unique survey of a vast body of superb craftsmanship. It is an essential reference work for weapons enthusiasts, collectors and lovers of military history and fine art.

Softcover. NY, Picador/Farrar Straus Giroux, 1st US, 2022, Book: Very Good, Dust Jacket: None, Softcover, 398 pages, Illustrated in color and b&w. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts-streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight. Jenny Uglow's Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war. Remainder dot to top edge otherwise like new.

Softcover. Montreal, Drawn and Quarterly, 2nd, 2014, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Light edgewear to wrappers, Color, Black and white pictures throughout.

Hardcover. Santa Monica, CA, Hennessey & Ingalls, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 162 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor edgewear to dust jacket. Marston was instrumental in establishing Pasadena as a winter resort and then as a thriving community. He and his firm designed 1000 projects, many of which still survive, including cottages and additions to resort hotels, notable commercial and civic buildings such as the Pacific Asia Museum, and the earliest bungalow court. His residential designs span the range of styles from the Arts and Crafts through English Tudor and Monterey Colonial to, most importantly, Mediterranean Revival. This is an important addition to the literature of California's Golden Age of architecture.

Softcover. NY, W. W. Norton & Company, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 447 pages, b&w illustrations. Sylvia Beach ran a bookshop in Paris in the 1920s and 30s and was at the heart of the literary world there which also included Hemingway, Pound, Flanner, Gide, and of course Joyce whose novel "Ulysses" she published. Clean, bright copy.

Hardcover. NY, Aperture, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Photographer Plachy proves you can go home again and again in this stunning photographic voyage to her native Hungary. Plachy weaves together contemporary and vintage photographs, mementos and pictures of movie sets (including several from her son Adrien Brody?s Oscar-winning turn in Roman Polanski?s The Pianist). Together, these pieces come together like a puzzle, recreating an Eastern Europe that has weathered dictatorships, two world wars and is now opening up, confusedly, to democracy. The images of stray shadows, apartment buildings studded with bullet holes, and eerie reflections are as evocative as they are subtle. They remind us that great photographs don?t have to rely on shock value to move or disturb. Plachy accents her work with memorable vignettes of her childhood in Communist Hungary as well as of her repeated journeys back east as an adult and an American citizen. One of the most touching of these small stories involves the photographer?s grief-stricken mother, inconsolable after the deaths of her parents in Auschwitz. One day, while her mother stared at a framed photo of her deceased parents, she saw a gold moth land on the glass. "From then on golden butterflies and moths were sacred," writes Plachy. As the book goes on, relative after relative surrounds herself with images to bring back lost loved ones. By the book?s end, we see Plachy herself doing the same thing and realize that through this book she has invited us on a private tour of a lost world, a journey that?s as poignant as it is unforgettable. 22 four-color and 98 duotone images.

Hardcover. NY, Morrow, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 273 pages, color and b&w illustrations. Here are the kinds of recipes you'd find if you visited the Woods family's home. Sylvia's daughter Bedelia is well known for her Barbecued Beef Short Ribs, which are as sassy and spicy as Bedelia herself. Kenneth, Sylvia's youngest son, has loved to fish ever since he was a child, spending his summers by the fishing hole in Hemingway. Now Kenneth's son, DeSean, enjoys fishing, too. Kenneth's Honey Lemon Tilefish, DeSean's favorite, is just one of Kenneth's special recipes presented here. And there are many, many other wonderful dishes, too. In this remarkable cookbook, Sylvia has gathered more than 125 soul food classics, including mouthwatering recipes for okra, collard greens, Southern-style pound cakes, hearty meat and seafood stews and casseroles, salads, mashed potatoes, macaroni and cheese, and more. These recipes are straight from the heart of the Woods community of family and friends.

Hardcover. New York, Cambridge University Press, 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 190 pages. Illustrated with black & white photographs. Clean, tight copy. The documentary style that dominates American photography had its origins in the social reform publicity campaigns of the turn of the century. This book traces the history of this genre and its main participants, including Jacob Riis, Lewis Hine, Walker Evans, Dorothea Lange, Ben Shahn, and Russell Lee. Clean copy.

Hardcover. New York, Henry Holt and Company, 1st, 2004, Book: Near Fine, Dust Jacket: Near Fine, SIGNED BY PETER MCCARTY WITH ILLUSTRATED SKETCH ON TITLE PAGE. Acetate-protected dust jacket, gorgeous full page color illustrations. No sign of wear, dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition.

Softcover. London, England, Phaidon Press, Reprint, 2000, Book: Very Good, Dust Jacket: None, 524 pages. Softcover, French flaps. Color and b/w illustrations throughout. Wrapper very good, has a few scratches on spine (see image), otherwise great. Pages and edges clean and bright. Binding tight. In beautiful condition. A comprehensive monograph of Ando's work, this book examines over one hundred buildings and projects designed between 1969-94.

Hardcover. New York, St. Martin's Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 245 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Izzi's first book, a mystery set in Chicago.

Hardcover. Chicago, University of Chicago Press;, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lazlo Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.

Hardcover. New Jersey, Princeton University Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 302 pages. Hardcover. B/w illustrations throughout. Red endpapers. Decorated cover boards, black quarter cloth, gilt title on spine. An innovative exploration of the place of the erotic in Renaissance art and culture, focusing on a notorious set of images created by the young Italian master Giulio Romano. Clean copy.

Hardcover. US, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: None, 160 pages. Like new in publisher's shrink-wrap. Marking the centenary of William S. Burroughs's birth, this exciting book reproduces the celebrated writer's many rarely seen photographs. Renowned and highly regarded for his experiments with literature, painting, film, and music, William S. Burroughs was also a prolific photographer. However, his photographic work, consisting of several thousand images, has so far received little critical attention or sustained public exposure. This book reproduces many previously unseen photographs and offers fascinating insights into his photographic practices. It also provides convincing evidence that his photos should be considered a significant aspect of his entire body of work. It includes portraits and self-portraits, location shots from his travels in Europe, the Americas, and North Africa, images of construction and demolition sites, and his individual and collaborative experiments with photomontage, assemblage, and collage. Essays by internationally acclaimed scholars of photography and of Burroughs's work offer a variety of critical perspectives on his photographic oeuvre, examining its sources, methodologies, biographical contexts, influences, and purposes. Certain to appeal to his many devoted fans, this publication also coincides with a recent revival of critical and cultural interest in the 1960s art scene and the Beat Generation's writers and artists.

Softcover. Gloucestershire, Sutton Publishing, Reprint, 1999, Book: Very Good, Dust Jacket: None, 98 pages. Softcover. Profusely illustrated in black & white throughout. Clean, unmarked copy.

Softcover. Milwaukie OR, Dark Horse, 1st, 1994-95, Book: Very Good, Dust Jacket: None, Softcover, the complete set of 4 books, first published in comic book format. Color illustrations by Talbot. All clean, bright copies.

Softcover. New York, Green Dragon Books, 1st, 1945, Book: Good, Dust Jacket: None, 124 pages. Paperback. Cover art by Hoffman. Light soil, wear and corner crease. First few pages separated from glued binding. Fragile.

Softcover. Windsor, Ontario, Art Gallery of Wisdor, 1st, 1993, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Minor foxing to textblock edges. An otherwise clean, unmarked copy with only minor edgewear.

Hardcover. West Plains MO, Russ Cochran, 1st, 1979, Book: Very Good, Dust Jacket: None, 5 volumes in a slipcase. The complete run, color covers, inside art in b&w line. All very good. In full color pictorial slipcase replicating the classic EC comic numbers 17 thru 46, each with full color pictorial boards as well as the front cover of each comic issue printed in full color as well.

Softcover. Boston, MFA Publications, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 269 pages. Color and b&w reproductions of paintings throughout. A work issued in conjunction with an exhibition held in 1997, providing a survey of the extensive collection of paintings from China, including critical commentary on the work throughout, examining the cultural importance of the pieces discussed. 9 3/4" to 12" tall; interior is clean and unmarked.

Hardcover. NY, Holt Rinehart Winston, 1st , 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Color illustrations by Bruce McNally. Clean, tight copy.

Hardcover. New York, Bloomsbury , 1st US, 2004-07-02, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Bloomsbury USA, 1st US, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Simon and Schuster, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 301 pages. Stated First printing on copyright page, $5.95 price on front flap. A collection of articles written for The New Yorker 1958-1965. Some tanning to dj. small price stamp on front flap, otherwise clean.

Softcover. NY, New Directions, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 276 pages. A collection of eight talk poems that were previously only performed spontaneously, by American poet and performance artist, David Antin. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 275 pages. SIGNED BY ANTONYA NELSON ON TITLE PAGE. Beautiful copy. Minor wear to brodart protected dust jacket, else like new. Two men meet briefly in a hospital, where both are visiting their dying fathers. They speak again just a few months later, when one of them impulsively calls the other, a psychologist, and a friendship of sorts starts to form. After the psychologist leaves his wife a few weeks later, she begins to fall in love with his friend, creating a triangle that threatens to destroy all three and their families. The wife must decide between two very different men, whom she loves in very different ways. As the focus of the novel turns toward the woman in the middle, it becomes increasingly clear that whomever she chooses, the effect on the lives of everyone involved will be immeasurable.

Softcover. Canberra, ANU Press/Australian National University, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. Sorcery and witchcraft practices and beliefs are pervasive across Melanesia. They are in part created by, and give rise to, a wide variety of poor social and developmental outcomes. These include uneven economic development, low public health, lack of social cohesion, crime, fear and insecurity. A further very visible problem is the attacks on men and women who are accused of being practitioners of witchcraft or sorcery, which can lead to serious bodily harm, banishment and sometimes death. Today, many communities, individuals, church organisations and policymakers in Melanesia and internationally are exploring ways to overcome the negative social outcomes associated with witchcraft and sorcery practices and beliefs. This book brings together a collection of chapters written by a diverse range of authors, both Melanesian and non-Melanesian, providing crucial insights both into how these practices and beliefs are playing out in contemporary Melanesia, and also the types of interventions that are being trialled or debated to address the problems associated with them. Some light marking to several pages.

Hardcover. Montreal, Drawn and Quarterly, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in an acetate dust jacket, 272 pages. A graphic short story collection that ruminates on such topics as nuclear weapons, war, wiretapping, Christopher Columbus, Leo Tolstoy, William Shakespeare and Virginia Woolf. Clean, very good.

Hardcover. NY, Schirmer Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators. 489 pages, clean copy.

Hardcover. New York, Bradbury Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover. 96 pages. Color and black & white photography. Color illustrations. Book illustrators discuss their art w/examples throughout: Victoria Chess, Pat Cummings, Leo & Diane Dillon, Richard Egielski, Lois Ehlert, Lisa Campbell Ernst, Tom Feelings, Steven Kellogg, Jerry Pinkney, Amy Schwartz, Lane Smith, Chris Van Allsburg & David Wiesner. Clean copy.

Hardcover. Portsmouth NH, Dartmouth Outing Club/Peter Randall, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 253 pages, illustrated with b&w photographs. Foreword by David Bradley. INSCRIBED BY THE AUTHOR on the half title page.

Softcover. Baltimore MD, International Exhibitions Foundation, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Black illustrated wraps. 95 pages. Numerous b&w plates. Accompanying a loan exhibition from the Tamarind Lithography Workshop, this catalogue includes an introduction by E. Maurice Bloch, prints by such artists as Albers, Altoon, Asawa, Celmins, Cremean, Diebenkorn, Frasconi, Townley and many more, as well as a bibliography. Clean copy.

Hardcover. Mexico, Fundacion Olga y Rufino Tamayo, Reprint, 2002, Book: Very Good, Dust Jacket: Very Good, 150 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Book text in Spanish. Former price tag residue on back of dust jacket. Color illustrations throughout.

Softcover. Cambridge UK, Cambridge University Press, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 449 pages. Thomas Hobbes is widely acknowledged as the most important political philosopher to have written in English. Originally published in 2007, Taming the Leviathan is a wide-ranging study of the English reception of Hobbes's ideas. In the first book-length treatment of the topic for over forty years, Jon Parkin follows the fate of Hobbes's texts (particularly Leviathan) and the development of his controversial reputation during the seventeenth century, revealing the stakes in the critical discussion of the philosopher and his ideas. Revising the traditional view that Hobbes was simply rejected by his contemporaries, Parkin demonstrates that Hobbes's work was too useful for them to ignore, but too radical to leave unchallenged. His texts therefore had to be controlled, their lessons absorbed and their author discredited. In other words the Leviathan had to be tamed. Taming the Leviathan significantly revised our understanding of the role of Hobbes and Hobbism in seventeenth-century England. Clean copy.

Hardcover. Italy, NY University Casa Italiana Zerilli-Marimo, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, white pictorial boards with light gray cloth spine. 30 pages illustrated in color, several fold-out plates. Clean, bright exhibition catalog. Opening essay in Italian and English.

Softcover. Valencia CA, Black Belt Communications, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 208 pages, b&w illustrations. Clean, bright copy.

Hardcover. London, Titan Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 167 pages, illustrated throughout in color. Clean, tight copy. Burne Hogarth is one of the most famous artists in the history of comic strips - at the peak with Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant). In 1936 he followed Foster on the massively popular Tarzan comic strip, and set a new standard for dynamics and excitement. This is the first of four exclusive volumes that collects Hogarth's entire run, beginning with Tarzan and the Golden City. Restored and reproduced in an oversized format, these editions will finally do justice to one of the most lauded illustrators of all time, whose work has been out of print for more than a decade. Full-color restorations of the newspaper strips, reproduced in the oversized full-page format.

Hardcover. Dark Horse, 1st, 2005, Hardcover, 200 pages. Few artists can capture visceral action sequences and the dynamic human form like Joe Kubert, and his expressive talents are fully realized in his 1970s Tarzan comics. This beautiful archive collection - with an introduction by Kubert and color restoration based off of Tatjana Wood's original colors - is a must-have for fans of timeless adventure tales and Joe Kubert's undeniable intensity and skill. Beginning with this first volume, Dark Horse's hardcover series reprints Kubert's entire Tarzan work. Join us on these primal adventures, as Tarzan discovers the pleasures and perils of the African wilds... and the many dangers posed by both man and beast! Joe Kubert's Tarzan, Volume One, reprints issues #207 through #214 of the 1970s run, featuring "Origin of the Ape Man" (a bold adaptation of Edgar Rice Burroughs' first Tarzan novel), "Jungle Tales of Tarzan," and other stories inspired by Burroughs' books - all written and drawn by the legendary Joe Kubert!

Hardcover. Boston, Houghton Mifflin, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Takes an illustrated look inside the cottage of the beloved children's book illustrator, Tasha Tudor, as she uses traditional tools and techniques to make a variety of nineteenth-century items, including candles, baskets, soap, cheese, and marionettes. Clean, like-new copy.