Hardcover. US, Amer Federation of Arts, 1st, 2001-07-01, Book: Very Good, Dust Jacket: None, 134 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to boards. No dust jacket. Clean, tight copy.

Hardcover. New York, Abrams/Whitney Museum, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. 245 plates and figures, 95 bw and 150 color. Published in conjunction with an exhibition held at the Whitney Museum of American Art, April 3 to July 20, 2003. This book is the most comprehensive publication to date on the work of Elie Nadelman (1882-1946), an important sculptor and a key member of the New York art scene in the first half of the 20th century.

Hardcover. New York, Eakins Press , 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. 1/3075 copies. 359 pages, 215 plates in sepia. Beige cloth with gilt lettering to spine. Pictorial dust jacket with clear acetate cover. Small tears to plastic cover, otherwise like new.

Hardcover. New York, Farrar Straus Giroux, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Color illustrated by Antonio Frasconi. Dust jacket shows some minor wear. Hardbound. Translated from the Yiddish by the author and Elizabeth Shub. The winner of the 1970 National Book Award for children's literature retells a Hebrew legend with vivid simplicity and an internationally respected artist interprets it with a sincerity and fresh vision reminiscent of medieval art.

Hardcover. NY, Holt, Rinehart & Winston, 1st, 1985, Hardcover in a bright dust jacket, square format, 114 pages. This handsome book provides a first-time look at the black-and-white artistry of one of the century's master photographers. Ninety-one images, some going back almost fifty years, together with a richly evocative text by the author, record an authentic vision of the American Southwest - past and present. Large book measures about 12 x 11, introduction section of 25 pages followed by section of 88 b&w plates (total 91 plates in book). Clean copy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 374 pages. Russia has a fascinating history and author Robert Coughlan has provided us with an informative and compelling peek into a particularly notable segment of it, essentially the 1700s. The book covers the period from Tsar [Czar] Alexis (briefly) up to the reign of Tsar Alexander I, probably the most beloved of all the Romanovs. The focus of the work is on Catherine the Great. Her mentor, Elizabeth, was important through her shrewd handling of the many bumps and potholes which eventually allowed Catherine to take the throne against many rivals and usurpers. Clean copy.

Hardcover. NY, Sei Swann, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. SIGNED BY HEYERT on the front fly leaf and dated 03/01/2003, difficult to see against the black endpapers. Stated first edition. Essay by John Guare. Conversation with Elizabeth Heyert and Stacey d'Erasmo. Illustrated throughout in black & white with Heyert's photographs. 12" high X 10" wide, 63 pages. Laid in is a receipt for purchase of the book from the Edwynn Houk Gallery in NY city dated 6/16/05. Clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, 236 pages, color illustrations. Like new in publisher's shrink-wrap. Elizabeth Murray has radically altered the structure of Modernist painting. Her shaped and constructed canvases, often topologically modeled in three dimensions or fitted together out of multiple jigsaw-like parts, treat figure and ground in unprecedented ways, giving the elastic shapes of classic Surrealism a space in their own image. The alternatively comfortable and cataclysmic world that her images depict would crack irrevocably if it followed Euclidean logic; instead; it constantly metamorphoses under stress. With a chaptered essay by Robert Storr, plate section, and in-depth interview, the book explores Murray's relation to artists such as Joan Miro, Stuart Davis, Claes Oldenburg and Frank Stella, as well as to the mainstream and opened up options for rising generations. This book accompanies the most detailed examination of Murray's art yet mounted, showing its development from Pop-oriented reliefs in the 1960s to the extraordinary volumetric of her recent work.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. New York, Gingko Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, Illustrated throughout in color. Minor wear to boards, else a clean, tight copy. Renowned cartoonist Julie Doucet has created a unique, mass produced artist's book. Printed on a half dozen different papers in eight colors, this amalgamation of drawing, collage, painting, and narrative is a visionary meditation on love and its discontents.

Hardcover. Boston, Henry Hoyt, 1st, 1858, Book: Good, Dust Jacket: None, Hardcover, 344 pages, several b&w plates. Embossed red cloth, gilt lettering on spine. Previous owner's inscription inside front cover, front hinge partially cracked, otherwise very good.

Hardcover. NY, Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The human (and sometimes non-human) hands are, with the possible exception of the eyes, the most expressive parts of the body, asking for more or less, telling us to come or to go, asking questions and answering them, scolding, rewarding, searching and finding, and, at their most intimate, loving and lustful. Hands reward us, calm us, feed us, and scratch our backs. They intimidate, bless, encourage, and stop us. They soothe, caress, and sometimes go where they shouldn't. We may take hands for granted. But Elliott Erwitt does not. Here is Erwitt at his most serious-and-yet-whimsical best, giving us the moments which, without hands, would not exist. 100 duotone images.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Softcover. New York, MOMA, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color illustrations. Light edge wear to wrappers; yellowing to spine. Else a clean, tight copy. Illustrated with eighty-four reproductions, eighteen of which are in color, as well as fifty-one reference illustrations. Bibliography. Index.

Hardcover. NY, Taschen, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 211 pages, b&w and color photographs throughout. Light edge wear, rubbing to dust jacket. Else a clean, tight copy. For adults only.

Hardcover. NY, Random House , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Elmore is a porcupine desperate to make friends. But it is hard to seek closeness with others when you're covered with spikes that shoot off your back every so often. Elmore suffers rejection and heartbreak, but the goodness of his forest community ultimately shines through as the animals find a way to connect with this prickly bundle of love. Clean copy.

Hardcover. New York , Simon & Schuster Children's Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY HILLARY KNIGHT. What's this--a new Eloise, never before seen or published? News doesn't get better than that. Kay Thompson first wrote Eloise Takes a Bawth in Italy in the 1960s with Hilary Knight and pal Mart Crowley; it has been marinating until now for a release with all-new drawings by Hilary Knight. Of course, this time Eloise is not in Moscow, not in Paris, she is simply in the bawth at home in the Plaza Hotel. With Eloise, though, nothing is simple. Perhaps especially the notion of taking a bath, where you have to "skibble into the bathroom and take off all your clothes," then strike a pose and look in the mirror, and splawsh, and sing, and bathe with turtle Skipperdee and dog Weenie. And pretend to be the "loosest cannonball in all the Caribbean" and "Little Miss Mermaid but let's keep that between us." But what's this? Could Eloise's bathtime shenanigans be causing a drip that "has begun to drop within the walls and hallowed halls of the stately old Plaza?" Drenching the elite at the Venetian Masked Ball in the Grawnd Ballroom, no less? Fabulously decadent scenes of Eloise enacting wild battles and undersea dives in the bathtub on the "tip top floor" of the Plaza contrast deliciously with the resulting swampy splendor of the ballroom. Extended fold-out cross-sections of the hotel's plumbing system and a spectacular, colorful, double gatefold illustrating the underwater ball ("the sensation of the social season" thanks to Eloise!) add drama and silliness as well.

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardecover in a bright dust jacket, 492 pages. In a letter to Sir Thomas Browne about his proposed magnum opus on gardens, John Evelyn stated his purpose: "to refine upon some particulars, especially concerning the ornaments of Gardens, which I shal endeavor so to handle that persons of all conditions and faculties, which delight in Gardens, may therein encounter something for their owne advantage."In his Elysium Britannicum, or The Royal Gardens, Evelyn indeed produced a rich document, an assemblage of the horticultural knowledge and wisdom of the seventeenth century. An intriguing intellectual whom many have called a virtuoso, Evelyn was a garden designer, a noted author and translator of garden books, and a founding member of the Royal Society in 1660, where experimental science was at the heart of intellectual debate. Interlacing in his work practical, literary, and philosophical approaches to landscape architecture, Evelyn created the first large-scale encyclopedic work on the science and art of gardening. Evelyn never saw his great work published. Until now, the entire Elysium Britannicum, or The Royal Gardens has never appeared in print. In an impressive transcription, John E. Ingram makes the document--of which only a single folio volume remains--accessible to a wide range of scholars. Complete with Evelyn's extensive marginalia, interlineations, and tipped-in addenda, the manuscript is expertly organized by Ingram to preserve the meaningful complexity of Evelyn's original. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. US, Glitterati, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 272 pages. In his debut book of photography, with a foreword by one of the luminaries of NYC culture and entertainment, Adrian Buckmaster's monograph presents a staggeringly beautiful collection of portraits - a cross-section of humanity in all of its glorious diversity, from the ordinary to the extraordinary and everything in-between. Having spent his early years shooting commercial beauty and fashion, Buckmaster soon shifted focus to more personal projects, challenging conventional notions of beauty and celebrating the eccentricities of those whom society might classify as "misfits." Echoes of Buckmaster's early career remain, in the form of exquisite costuming, make-up, and scenic design. Despite an element of performance, there is an undeniable rawness to these portraits, in which subjects are both aware of the camera's gaze and sympathetically self-conscious, robing and disrobing, revealing and concealing. Buckmaster's photographic genius is encapsulated in his uncanny ability to fastidiously art direct while simultaneously stripping away layers of formality and convention. Arranged in three movements: Imposing, Revealing, and Inventing, this collection progresses from traditional portraiture to increasingly intimate portrayals, as subjects expose, create, and invent themselves. Included in this endlessly varied spectrum of characters are Burlesque performers, families, brides, lovers, and all manner of tattoos and body piercings. There are classical reclining nudes, reminiscent of Edouard Manet's Olympia or Titian's Sleeping Venus, dancers with incredible physical strength and dexterity, women costumed as peacocks and geishas, a contortionist inside a trunk, even a green-skinned man, bejewelled like an Indian deity.

Hardcover. NY, Prestel, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher'd shrinkwrap. This volume, on a unique and wide-ranging collection of figural sculptures from sub-Saharan Africa, examines not only each distinctive piece, but also how these works of art express value systems and cultural relationships both inside and outside Africa. The Richard H. Scheller Collection, presented in this book and on display at the de Young in San Francisco, offers a diverse portrait of sub-Saharan African sculpture. More than 100 distinct ethnic groups from more than 20 present-day countries are represented by works of art spanning several centuries and encompassing a broad array of styles. These objects represent ancestors, express community values, and serve religious and ceremonial purposes. Beautifully photographed in natural light, the sculptures range in style from classic and iconic to rare and unusual. The geographical breadth of the collection and the variations in the depictions will allow readers to explore both the histories and formal qualities of the genre. Texts by leading scholars enhance the understanding of 122 objects, alongside essays on major sculptures and themes. Writings on the scientific testing of pieces and the process of photographing the works round out this volume that expands our understanding of African figurative art.

Softcover. Lancaster PA, Phillips Museum, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 89 pages. Text in Chinese and English. Illustrated throughout in color. Light shelf-wear and rubbing to wrappers, else a clean, tight copy.

Hardcover. NY, Dial Press, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, HardcoverColor illustrations by Martha Alexander. Dust jacket with light soil, edgewear.

Softcover. New York , NBM/Eurotica, 6th pr., 1990, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w by Crepax. ADULT CONTENT.

Softcover. New York , NBM/Eurotica, 6th pr., 1992, Book: Very Good, Dust Jacket: None, Softcover, 96 pages illustrated in b&w by Crepax. ADULT CONTENT.

Hardcover. New York, Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 352 pages, numerous illustrations. Pictorial boards in clear plastic dust jacket. Beautiful copy. Like new, in shrinkwrap.

Hardcover. NY, Stewart, Tabori & Chang, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Mendelson. Animal characters highlight a retelling of the story of two rascals who sell a vain emperor an invisible suit of clothes. Clean copy.

Softcover. London/NY, Routledge , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 288 pages, illustrated in b&w. Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.

Hardcover. NY, Doubleday, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 480 pages. The product of thirty years of friendship and conversation, Jay Parini's Empire of Self digs behind the glittering surface of Gore Vidal's colorful career to reveal the complex emotional and sexual truths underlying his celebrity-strewn life. But there is plenty of glittering surface as well--a virtual Who's Who of the twentieth century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Johnny Carson, Leonard Bernstein, and the creme de la creme of Hollywood. Also a generous helping of feuds with the likes of William F. Buckley, Norman Mailer, Truman Capote, and TheNew York Times, among other adversaries. The life of Gore Vidal teemed with notable incidents, famous people, and lasting achievements that call out for careful evocation and examination. Jay Parini crafts Vidal's life into an accessible, entertaining story that puts the experience of one of the great American figures of the postwar era into context, introduces the author and his works to a generation who may not know him, and looks behind the scenes at the man and his work in ways never possible before his death. Provided with unique access to Vidal's life and his papers, Parini excavates many buried skeletons yet never loses sight of his deep respect for Vidal and his astounding gifts. This is the biography Gore Vidal--novelist, essayist, dramatist, screenwriter, historian, wit, provocateur, and pioneer of gay rights--has long needed.

Hardcover. NY, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. US, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.

Hardcover. New York, Harper, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 419 pages, photos in color and b&w. Remainder mark to bottom edge, else a clean, unmarked copy in excellent condition.

Softcover. New York , HarperPerennial, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 125 pages. Coverage in words and pictures of the title performance piece (in 27 parts, including "Strange Angels") and tour (with a table of the itinerary, June 1989 - December 1990); plus Anderson's concluding essay ("About 'Empty Places'").

Softcover. New York , HarperPerennial, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 125 pages. Coverage in words and pictures of the title performance piece (in 27 parts, including "Strange Angels") and tour (with a table of the itinerary, June 1989 - December 1990); plus Anderson's concluding essay ("About 'Empty Places'").

Hardcover. Chicago, University of Chicago Library, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publisher's shrink-wrap. With 2014 marking the one-hundredth anniversary of the commencement of World War I, En Guerre offers a fresh, thought-provoking exploration of the impact of the Great War as viewed through the lens of French graphic illustration of the period. Published in conjunction with an exhibition of these illustrations at the University of Chicago Library's Special Collections Research Center, this catalog draws from illustrated books, magazines, and prints to present a wide range of perspectives on themes essential to a deeper understanding of the war in France: patriotism, nationalism, propaganda, and the soldier's experience, as well as the mobilization of the French national home front as seen through fashion, music, humor, and children's literature. With a text by noted historians Neil Harris and Teri J. Edelstein and featuring more than one hundred reproductions of the vivid and colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in the service of political and military power.

Hardcover. NY, Abrams, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color plates. Reflects Goldsworthys lifelong interest in the landscape of the British Isles, its history, and the people who work on it, 'Enclosure' is a collection of ephemeral work that relates to sheep, including a spectacular series of large sheep paintings--made by the hoof-prints of sheep. Very nice clean, tight copy free of any marks.

Hardcover. NY, St. Martin's Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Trixie Dolan, ex-movie star, is back in London sharing quarters with her actress friend Evangeline Sinclair. Evangeline is writing her memoirs and when she discovers that an old rival is writing hers as well, trouble begins. Clean copy.

Hardcover. NY, W. W. Norton , 2nd pr., 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 209 pages. Many b&w photos, some color. The author and S. Oughterson and Shields Warren, as part of the United States Atomic Bomb Causality Commission, were sent immediately (September 1945) to survey Hiroshima and Nagasaki, Japan after the bombing and surrender of Japan to study the devastation and the subsequent irradiation sickness.

Softcover. Philadelphia Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover 215 pages. Many illustrations, 78 in full color. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC September 22, 1996-January 26, 1997 and the Philadelphia Museum of Art, Philadelphia PA March 2-May 11, 1997. Still in publisher's shrinkwrap.

Hardcover. London, Hardie Grant Books, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Born into a wealthy New York family in 1898, Marguerite 'Peggy' Guggenheim was one of the greatest art collectors of the 20th century. Using her inheritance to open her first art gallery, Peggy's love of art lead her to eventually settle in Venice, where she relaunched her life after becoming the star of the 1948 Venice Art Biennale. For her, a life without the inspiration of her artist and writer friends would have been unthinkable. In Encounters with Peggy Guggenheim, renowned photographer stefan moses reveals his collection of photographs of Peggy, taken between 1969 and 1974, many of which have never been seen before. Striking, eccentric and dramatic, Moses photographed Peggy in her favourite places around Venice, as well as in her private palazzo at Canal Grande. Clean copy.

Hardcover. Philadelphia, PA, Running Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages, color photographs throughout. Light edge wear to dust jacket. Previous price sticker on rear cover. Else a very clean, tight copy. Provides instructions and techniques for working with interior and exterior dollhouse designs, discusses tools and equipment, and offers advice on finding decorating ideas.

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1960, Book: Very Good, Dust Jacket: None, 159 pages. Paperback. Gold Metal Book #s1064. Cover art by Mitchell Hooks. Small ink notation on 1st page.Light creasing to paper wrappers.

Hardcover. Owings Mills, Stemmer House Publishers, Inc., 1st, 1979, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover. Illustrated black and white woodprints and full color drawings. Clean unmarked text. Illustrated dust jacket with moderate edgewear, short closed tears. Unclipped.

Hardcover. Seattle, WA, University of Washington Press, 1st, 2016, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Contemporary portraits of key personalities aboard the ship, scale models and plans of the ship itself, scientific instruments taken on the voyage, commemorative medals and sketches, the objects (over 140) featured in this book tell the story of the Endeavour voyage and its impact ahead of the 250th anniversary in 2018 of the launch of this seminal mission. Artwork made both during and after the voyage will be seen alongside actual specimens. By comparing the voyage originals with the often stylized engravings later produced in London for the official account, Endeavouring Banks investigates how knowledge gained on the mission was gathered, revised, and later received in Europe. Items that had been separated in some cases for more than two centuries are brought together to reveal their fascinating history not only during but since that mission. Original voyage specimens are featured together with illustrations and descriptions of them, showing a rich diversity of newly discovered species and how Banks organized this material, planning but ultimately failing to publish it. In fact, many of the objects in the book have never been published before.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A gripping tale of exploration aboard H.M.S. Challenger, an expedition that laid the foundations for modern oceanography. From late 1872 to 1876, H.M.S. Challenger explored the world's oceans. Conducting deep sea soundings, dredging the ocean floor, recording temperatures, observing weather, and collecting biological samples, the expedition laid the foundations for modern oceanography. Following the ship's naturalists and their discoveries, earth scientist Doug Macdougall engagingly tells a story of Victorian-era adventure and ties these early explorations to the growth of modern scientific fields. In this lively story of discovery, hardship, and humor, Macdougall examines the work of the expedition's scientists, especially the naturalist Henry Moseley, who rigorously categorized the flora and fauna of the islands the ship visited, and the legacy of John Murray, considered the father of modern oceanography. Macdougall explores not just the expedition itself but also the iconic place that H.M.S. Challenger has achieved in the annals of ocean exploration and science.

Hardcover. Bristol/Philadelphia, Institute of Physics Publishing, 1st , 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 330 pages, b&w illustrations. All physicists are familiar with Hooke's law of springs, but few will know of his theory of combustion, that his Micrographia was the first book on microscopy, that his astronomical observations were some of the best seen at the time, that he contributed to the knowledge of respiration, insect flight and the properties of gases, that his work on gravitation preceded that of Newton's, that he invented the universal joint, and that he was an architect of distinction and a surveyor for the City of London after the Great Fire. England's Leonardo is a biography of Hooke covering all aspects of his work, from his early life on the Isle of Wight through his time at Oxford University, where he became part of a group who would form the original Fellowship of the Royal Society. The author adopts a novel approach at this stage, dividing the book by chapter according to the fields of research-Physiology, Engineering, Microscopy, Astronomy, Geology, and Optics-in which Hooke applied himself. The book concludes with a chapter considering the legacy of Hooke and his impact on science.

Hardcover. London, Lutterworth Press, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages. Many b&w plates of sepulchral monuments across England. Small ownership sticker on front fly leaf, otherwise clean, tight copy.