Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This is the sequel to caricaturist Drew Friedman's collection of portraits of famous comics creators.Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books-publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color. Full-color illustrations throughout.

Hardcover. NY, Knopf, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 897 pages. John Updike's fiftieth book and fifth collection of assorted prose, most of it first published in The New Yorker, brings together eight years' worth of essays, criticism, addresses, introductions, humorous feuilletons, and - in a concluding section, 'Personal Matters' - paragraphs on himself and his work. Herman Melville, Edith Wharton, Sinclair Lewis, Dawn Powell, Henry Green, John Cheever, Vladimir Nabokov, and W. M. Spackman are among the authors extensively treated, along with such more general literary matters as the nature of evil, the philosophical content of novels, and the wreck of the Titanic. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2008-, Book: Very Good, Dust Jacket: None, Hardcover, Clean, unmarked copy in excellent condition.

Softcover. NY, Rizzoli, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Color plates throughout. All photographs have been made in NYC from the same apartment window which gives a large view on Central Park and on the street. Ruth Orkin gathers photographs around the Sheep Meadow area of Central Park in New York, and includes shots of parades, rallies, and the Manhattan skyline. Clean, bright copy.

Softcover. New York, George Braziller, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Softcover, 174 pages. This catalog, featuring 130 b&w illustrations and 40 color plates cover almost all of Graves major paintings. This is a very nice and clean copy.

Hardcover. New York, George Braziller, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 174 pages. This catalog, featuring 130 b&w illustrations and 40 color plates cover almost all of Graves major paintings. This is a very nice and clean copy. Dust jacket in good shape and binding tight. Scarce in hardcover.

Hardcover. New York, Harper & Brothers, 1st, 1960, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. "An I Can Read Book". Color illustrations by Bernard Wiseman. Lists 17 titles on back cover - starting with "Little Bear" and ends with "David and the Giant". Some minor foxing to preliminary pages. No dust jacket.

Hardcover. NY, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Morris Lapidus, the famous mid-century architect, outraged the architectural profession and riled critics with an architecture that was popularly embraced. His Miami Beach resort hotels - the Fontainebleau, the Eden Roc, and the Bal Harbour Sheraton - are synonymous with the glamour of Miami Beach in the 50s. Lapidus hotels are infamous as the stomping grounds of the Rat Pack and their fellow movie stars. Yet, during his life he was never published in architectural magazines and was discredited by the architectural profession - before undergoing a renaissance as a prophet of postmodernism. This book establishes the importance of his work and offers private insights into a man who once said why be exotic in private?

Softcover. NY, Museum Of Modern Art , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, Illustrated in color and black and white. 191 pages. Oblong 4to, stiff pictorial wrappers. Clean copy.

Hardcover. US, Andrews McMeel Publishing, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 323 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, otherwise a clean, tight copy.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 389 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. The commander of a Georgia regiment through much of the Civil War mused later in his memoirs that the heaviest burden fell not upon the man at the front, but upon the woman who waited and prayed for victory: "While the men were carried away with the drunkenness of the war, she dwelt in the stillness of her desolate home." Sallie Brock Putnam spoke for Southern womanhood. She was a native of Madison County, Virginia, and seems to have come from a family of good social standing. The book contains an unexpectedly full history of the Civil War; the author exhibits a strong grasp of strategy and tactics. But at its heart is an incisive eyewitness account of life in a capital that was swollen to four times its normal population by the exigencies of war. Brock's descriptions of Jefferson Davis' inauguration and the Richmond Bread Riot of 1863 are dramatic, but no more so than her accounts of nameless refugees, race relations, opportunistic merchants and blockade runners. Confederate prisons and family matters. In contrast to other female Southern writers of the period, she was more sober and factual, less gossipy and speculative. She wrote with shrewdness and maturity, and with a remarkable lack of self-pity and exaggeration. Yet the reader cannot miss her courage, sacrifice and suffering. Sallie Brock Putnam died in 1911.

Softcover. New York, ACA Galleries , 1st, 1972, Book: Good, Dust Jacket: None, 70 pages. Softcover. Extensive color and b&w illustrations throughout by Moses Soyer. Some wear to spine and soil to back cover, otherwise clean, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON HALF TITLE PAGE. An author and artist who has continually stripped away the mystique of architectural structures that have long fascinated modern people, David Macaulay here reveals the methods and materials used to design and construct a mosque in late-sixteenth- century Turkey. Clean, tight copy with minor rubbing to edges.

Softcover. Boston, Beacon Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 616 pages. Clean, bright copy. Sojourner Nadine Jane Johnson, also known as Mosquito, is an African-American truck driver. Set in a south Texas border town, Mosquito is the story of her accidental and yet growing involvement in "the new underground railroad," a sanctuary movement for Mexican immigrants. Mosquito's journey begins when she discovers Maria, a stowaway who nearly gives birth in the back of the truck; Maria will eventually name her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective - one of the most original and appealing characters in all of Jones's fiction. We also meet Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood, where Mosquito pays her a memorable visit. As her understanding of the immigrants' need to forge new lives and identities deepens, so too does Mosquito's romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest.

Hardcover. Albany NY, State University of New York Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 208 pages with index. This book attempts to throw new light on that early labor movement, mainly by answering the questions that modern critics have raised concerning its authenticity, but the major concern of the volume is with the labor leaders' views regarding American society. If these were uncommon labor leaders, they were also uncommon Jacksonians. At a time when the mass of Americans seemed to be engaged in a frenzied contest for material gain, and increasingly optimistic about their chances, the labor leaders stood apart both from the pursuit of the main chance and from its moralistic critics. Name on front fly leaf otherwise clean.

Hardcover. New York, Penguin Studio, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY PHOTOGRAPHER on title page, minor dust jacket edge wear, otherwise, very clean and tight.

Hardcover. NY, Harcourt, Inc., 2nd, 2007, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY LEO AND DIANE DILLON ON TITLE PAGE. Full color illustrations. Bright, clean copy. The numbers are on the loose--hiding and dancing, skipping and laughing through the rhymes of Mother Goose! It's a good thing Caldecott Medal-winning artists Leo and Diane Dillon have helped gather up all these mischievous numbers in a stunning celebration of counting, rhymes, and imagination.

Hardcover. Kenosha WI, John Martin's House, 1st, 1944, Book: Very Good, Dust Jacket: Very Good, Non-Paginated. Hardcover. Full color illustrations. Partial crack to front interior hinge. Dust jacket with light wear - jacket now protected with clear plastic cover. Clean, unmarked pages.

Hardcover. New York, Harry N. Abrams, 1st, 2003, Dust Jacket: Very Good, 102 pages. Dust jacket price-clipped. "The New Yorker" takes a second look at our most loved childhood stories and rhymes. Edited by Bobby Goldstein. Nice copy.

Softcover. Akron, OH, Saalfield, Unknown, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with blue cloth spine. Tipped-in color frontis (by Frances Partridge). B&W drawings by Helene Nyce. Blue

Hardcover. NY, Bradbury Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Amy Schwartz. Clean, tight copy.

Hardcover. New York, Harry N. Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. A photographic tribute to the beatified founder of the Mission of Charity visually documents her work in the impoverished streets of Calcutta, offering numerous images of her daily spiritual commitment to fighting poverty, in a volume complemented by the author's remembrances of their nearly thirty-year relationship.

Hardcover. NY, Viking Press, 5th pr., 1963, Book: Very Good, Dust Jacket: None, Hardcover, light beige cloth stamped in blue, 40 pages. Illustrated with two-color drawings and endpapers art by Corydon Bell. A young boy's life living ia a log cabin home with his family. Randy Reed's oudoor adventures with his dog Trace along with a spelling lesson.

Hardcover. New York , Arthur A. Levine Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Updated and filled with enchanting new illustrations by Caldecott Medalist David Small, a story first published in 1967 follows a toy mouse and his son, discarded because they are broken, as they try to find a place to call home. Signed bookplate by Small.

hardcover. NY, Dial, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Reg Cartwright. Clean, tight copy. Fourteen carefully constructed rhymes begin with a mouse in a quiet house and end with a farmyard full of animals that runs directly into the middle of two armies having a battle in the hills.

Hardcover. Bath, England, Parragon Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Movie Stars uses stunning pictures from the Daily Mail archives, many reproduced here for the first time, Movie Stars Unseen Archives features a stellar cast of acting greats, from the stars of the silent era to those taking the honors at the 2005 Oscars.

Hardcover. NY, Viking, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. In essays that function at once as film criticism and autobiography, 23 writers recall the films that shaped them in this thoughtful and moving book that explores the mysterious interplay of art and life. Includes Russell Banks on Bambi, Joyce Carol Oates on Dracula, and Harold Bloom on The Fatal Glass of Beer.

Hardcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 228 pages. During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, others.

Hardcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 336 pages. Despite the apparent incompatibility between Mozart's humanitarian and cosmopolitan outlook and Nazi ideology, the Third Reich tenaciously promoted the great composer's music to further the goals of the fascist regime. In this revelatory book, Erik Levi draws on period articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. The book also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies of Mozart reception that resulted from Nazi appropriation of his work. Augmented by rare contemporary illustrations, Mozart and the Nazis will be widely welcomed by readers with interests in music, German history, Holocaust studies, propaganda, and politics in the twentieth century. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. This is Brigit Brophy's original 1964 edition (she later revisited it in 1988) of her profoundly original and controversial psychoanalytic study of Mozart's five most famous operas. 328 pages, clean copy.

Softcover. San Diego, Harcourt Brace,, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 839 pages, contains two glossy black and white plates sections. This major work, the result of years of careful study and analysis, places Wolfgang Amadeus Mozart's life and music in the context of the intellectual, political and artistic currents of eighteenth-century Europe. The result is a fresh interpretation of Mozart's genius, as Robert Gutman shows the great composer in a new light. With an informed and sensitive handling, Mozart emerges as an affectionate and generous man with family and friends, self-deprecating, witty, and winsome but also an austere moralist, incisive and purposeful. The major genres in which Mozart worked-chamber music, liturgical, theater and keyboard compositions, concertos, operas, symphonies, and oratorios-are unfolded to reveal a man of luminous intellect. Mozart is an extraordinary portrait of a man and his times and a brilliant distillation of musical thought.

Softcover. New York, Dell, 1st, 1970, Book: Very Good, Dust Jacket: None, Mass market paperback, Dell #5868, unpaginated. B&w cartoon drawings throughout by the Berenstains. Clean.

Hardcover. NY, Alliance Book Corp.., 1st, 1941, Book: Very Good, Dust Jacket: Very Good, 305 pages. Hardcover with dust jacket. A story about the famous ideal American boy as an adult. The author is also known as Burt L. Standish. Dust jacket with light edgewear, chipping, currentlly covered in plastic brodart. Clean, tight copy.

Hardcover. New York , Greenwillow Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 32 pages, hardcvoer with dust jacket. Illustrated in color by Frank Modell. Some light edgewear, spine faded. Clean, tigth copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt title on spine. There is a ring stain to front cover where a glass had been placed. Otherwise a clean copy. 139 pages, b&w fronts. portrait of Holmes. INSCRIBED TO STEPHEN S. WISE BY FRANKFURTER; "For S.S.W. /With the best regards of/FF" Stephen Samuel Wise (March 17, 1874 - April 19, 1949) was an early 20th-century American Reform rabbi and Zionist leader in the Progressive Era. Joining U.S. Supreme Court Justice Louis Brandeis, Felix Frankfurter, and others, Wise laid the groundwork for a democratically elected, nationwide organization of 'ardently Zionist' Jews, 'to represent Jews as a group and not as individuals'.[7] In 1917 he participated in the effort to convince President Woodrow Wilson to approve the Balfour declaration in support of Jewish settlement in Mandate Palestine.[8] In 1918, following national elections, this Jewish community convened the first American Jewish Congress in Philadelphia's historic Independence Hall.

Softcover. San Francosco, San Francisco Comic Book Company, 1st, 1971, Book: Good, Softcover, October 1971 First edition, first printing 50 cents original price. Mr. Natural (Fred Natural) is a comic book character created and drawn by 1960s counterculture and underground comix artist Robert Crumb. Mr. Natural #2 : "A Gurl in Hotpants" (with Flakey Foont), "Sittin' Around the Kitchen Table" (with Flakey Foont), "The Girlfriend" (with Flakey Foont), "Have you seen 'um lately?", "I am the greatest! Make way! Make Way!" (with the Snoid), "On the Bum Again, part two". Ccorner creases, mild wear.

Softcover. Milwaukee WI, Krupp Comic Works, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $1 cover price. Bawdy, sexually graphic, underground comics by Robert Crumb featuring his Mr. Natural character in strips that first appeared in the Village Voice. Some ink dates in upper corner of first page, otherwise like new.

Softcover. San Francisco, Apex Novelties, 3rd pr., 1970, Book: Very Good, Dust Jacket: None, Soft cover with stapled binding, color covers with b/w internal illustrations, 28 pages. It has nearly every point of the first printing, including a fifty-cent cover price, wording of publishing information on inner front cover ("Printed by Apex Novelties and published by the San Francisco Comic Book Company...") etc.; distinguished as third printing by lack of fading especially at lower left corner of front cover, 6 & 1/3" width of back cover artwork. Mild wear, rubbing.

Hardcover. US, Little, Brown, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Clean, unmarked copy in excellent condition. Mr. Tiger lives in a perfectly fine world of prim and proper ladies and gentlemen. One day, the stiff suits, dainty teas, and Victorian manners begin to bore him... and he has a very wild idea. This "it's okay to be different" story stands out from other picture books on the topic thanks to Brown's delightfully clever illustrations and masterful compositions. From the tiger-striped cover that begs to be petted to the ingenious pops of bright orange (Brown's new signature color?) amid muted browns and grays, the award-winning illustrator does not disappoint. Children will appreciate Mr. Tiger's transformation and the way his friends eventually accept his (and their own) uniqueness. Several wordless spreads encourage audience participation while subtle visual clues gently build his character. A full spread featuring the newly liberated Mr. Tiger au naturel is delivered with pitch-perfect comedic timing and is guaranteed to inspire wild giggles.

Hardcover. United Kingdom, Littlehampton Book Services Ltd, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 140 pages. 70 full color paintings with extensive documentation and notes. Illustrated title page. Light foxing to top edge, otherwise clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Oxford University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 157 pages. A study of the popular English children's writer, Mrs Sherwood, 1775-1851 considering her style, writings, relations with publishers, etc. Includes reprints of The little woodman and his dog Caesar originally published: London, Houlston, 1850 and Soffrona and her cat Muff originally published: Wellington, Salop, Houlston, 1828. Includes a 38 page bibliography. "No study of nineteenth - century children's books in England can afford to ignore Mrs. Sherwood. She produced over four hundred different titles - books, tales, tracts, texts, magazines, articles in periodicals, cbapbooks, and Sunday School rewards. There is evidence that the writings of her Evangelical period, in particular, had a remarkable influence upon Victorian literature for the young.

Softcover. Washington DC, National Park Service,, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, The famous cartoonist of WW2's Willie and Joe fame offers his take on America's War for Independence. Small price sticker on cover otherwise clean.

Hardcover. New York, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 286 pages. Light edge wear to dust jacket. Else very good. One of the most celebrated and unflinching chroniclers of modern life now explores, in this masterful collection of short stories, the grand theme of intimacy, love, and their failures.With remarkable insight and candor, Richard Ford examines liaisons in and out and to the sides of marriage. An illicit visit to the Grand Canyon reveals a vastness even more profound. A couple weekending in Maine try to recapture the ardor that has disappeared from their life together. And on a spring evening, a young wife tells her husband of her affair with the host of the dinner party they're about to join. The rigorous intensity Ford brings to these vivid, unforgettable dramas marks this as his most powerfully arresting book to date-confirming the judgment of the New York Times Book Review that "nobody now writing looks more like an American classic."

Hardcover. Brussels, Aschehoug, 1st Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover published on the occasion of the exhibition, Munch - Drawings, in collaboration with the Musee d'Ixelles, Brussels and Munch Museum, Oslo - February 19 - May 16, 2004. Full page, full color plates throughout. Dust jacket with light toning. Clean, bright copy.

Hardcover. NY, Harper & Row, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 385 pages, b&w photos. A fast-moving re-enactment of the thirty hours of Hitler's 1923 Munich beerhall putsch, based on newspaper reports, police documents, trial records, and the personal recollections of participants and eye-witnesses.

Hardcover. NY , Duell, Sloan and Pearce, 1st, 1948, Book: Very Good, Dust Jacket: Poor, Hardcover in a poor dust jacket with chipping, fading, especially to spine. Wheeler-Bennett worked as the director of the Royal Institute of International Affairs' information department. In particular, Wheeler-Bennett lived in Germany in 1927-1934 and witnessed firsthand the rise of Nazi Germany. After the Second World War, Wheeler-Bennett was a critic of Appeasement, and 10 years after the Munich Agreement wrote a book condemning it. Footnotes. Illustrations, Maps. Bibliography. Index. 507 pages, name on front fly leaf, otherwise clean.

Softcover. New York, Dell Publishing, 1st, 1963, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Dell Book #5932. Minor wear to paper wrappers. Cover art by Robert McGinnis.

Softcover. NY, Green Dragon Books/William Wise, 1st pbk, 1945, Book: Good, Dust Jacket: None, Paperback, 127 pages, color wraps. Cover art by Hoffman. War-time book with fragile binding. Covers with light soil.

Hardcover. US, Borealis Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. In his popular Strange Days, Dangerous Nights, Larry Millett delivered Weegee-style images of midwestern noir from the photo files of the St. Paul Pioneer Press. He returns in this new volume with a focus on the "dangerous"murder cases from the forties and fifties, memorialized in intimate and telling photographs. There is Arthur DeZeler, accused of bludgeoning his wife, Grace, and sinking her body in a northern lake. Laura Miller, single and pregnant, ran for help after gunshots killed her married lover. Arnold Axilrod, a mild-mannered dentist with a penchant for over-sedating his female patients, was arrested when the lifeless body of one of those patients was discovered in a Minneapolis alley. And, finally, there is Arnold Larson, the personable salesman with a winning smile and a bad temper.Millett traces these four sensational crimes from the moment the victim was found, through the search for the killer, to the court trial and resulting imprisonment or acquittal--there are two of each. All are copiously illustrated with shots from the bulky Speed Graphic camera, which yielded rich, textured views in an era when photographers enjoyed unrestricted access to police matters ranging from found bodies to jail cells. The images dramatically evoke these crimes of passion now more than a half-century old, offering a thrilling immersion into Minnesota noir.

Hardcover. NY, St Martins, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. Very good in a bright, unclipped dust jacket.