Hardcover. NY, Simon & Schuster, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. On New Year's Eve 1972, following eighteen magnificent seasons in the major leagues, Roberto Clemente died a hero's death, killed in a plane crash as he attempted to deliver food and medical supplies to Nicaragua after a devastating earthquake. David Maraniss brings the great baseball player brilliantly back to life in "Clemente", a book destined to become a modern classic. 401 pages, clean copy.

Softcover. NY, British Film Institute/Palgrave, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 119 pages, b&w photos, Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics turned filmmakers. Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.

Hardcover. New York , Abrams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages, 95 illustrations. 85 in color.

Hardcover. Chicago, Reilly and Lee Co., reprint, 1921, Book: Very Good, Dust Jacket: Very Good, 144 pages. Illustrations from woodcuts by John T. McCutcheon. Red cloth covers with gold lettering, some stains on covers. Dust jacket fragile with minor tears on edges.

Softcover. Boom! Studios, 1st thus, 2011-2012, Book: Very Good, Dust Jacket: None, 20 softcover volumes, like new, all pristine condition. Various artists, authors.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, with some sun-fade to spine and slight soil to rear cover. Previous owner's signature on front end paper. Neat, tight copy.

Softcover. Washington DC, Smithsonian Institution Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 110 pages, illustrated throughout in color and b&w. Light wear to wrappers, mild damp stain to rear cover. Previous owner's writing, underlining to several pages.

Softcover. Minneapolis MN, Walker Art Center, 1st, 1980, Book: Very Good, Dust Jacket: None, 80 pages, color and b&w plates. Softcover exhibition catalog in like new condition.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Photographer Henry Horenstein presents his earliest photographs, made from 1970 to 1973: a collection of portraits of family and friends, landscapes, and period imagery. These photographs describe a time familiar to everyone, when one moves from adolescence to adulthood-remaining a part of a family while beginning to create a network of one's own.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Photographer Henry Horenstein presents his earliest photographs, made from 1970 to 1973: a collection of portraits of family and friends, landscapes, and period imagery. These photographs describe a time familiar to everyone, when one moves from adolescence to adulthood-remaining a part of a family while beginning to create a network of one's own.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. Like new in publishers shrink-wrap. A Siamese cat beneath a clothes line, three women with linked arms standing on the front lawn, a man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving.

Hardcover. Pittsburgh PA, University of Pittsburgh Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth stamped in black, 227 pages. Contents : "Dance when I die!": context and role in the clowning of Murik women / Kathleen Barlow -- Exaggeration and reversal: clowning among the Lusi-Kalai / David R. Counts and Dorothy A. Counts -- Clowning with food: mortuary humor and social reproduction among the north Mekeo / Mark S. Mosko -- Reflections of an anthropologist who mistook her husband for a yam: female comedy on Tubetube / Martha McIntyre -- Horrific humor and festal farce: carnival clowning in Wape society / William E. Mitchell -- When she reigns supreme: clowning and culture in Rotuman weddings / Vilsoni Hereniko -- Where the spirits laugh last: comic theater in Samoa / Caroline Sinavaiana. Clean, bright copy. No dust jacket.

Softcover. New York, Dell Publishing, 1st, 1944, Book: Very Good, Dust Jacket: None, 240 pages. Paperback. Dell Book #61. Minor wear to paper wrappers. Creasing to covers and spine. Cover art by Gerald Gregg. Edgewar creasing to map on back cover.

Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.

Hardcover. NY, Metropolitan Museum of Art : distributed by H. N. Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 221 pages, illustrated throughout with 165 plates, including 89 in full color. Light edgewear, rubbing and soil to dust jacket. Clean, tight copy.

Hardcover. Seattle, Salisbury Press, 1st, 1970, Book: Very Good, Dust Jacket: None, 64 pages. Hardcover. Illustrated in full color and black & white. Book with original wrap around band on cover. A nice copy.

Hardcover. Golden CO, Colorado Railroad Museum, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 238 pages. B&w and color illustrations. Five of the articles are on passenger and mixed (passenger and freight) trains and trolleys in a topographic setting that owing to mineral resources had a phenomenal network of rail lines. Written for the train buff, the historian of western transportation will find good material here. Heavily illustrated with modern and period photos. The sixth piece is on the steam-powered meter-gauge trains of Zimbabwe. Clean copy.

Hardcover. NY, Praeger Publishers, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 156 pages with 10 color and 232 b&w plates. The chapters are: general history before 1850 with factory marks; excavations on the Caughley site: other early Coalport porcelain; Messrs Antice, Horton & Rose's Coalport porcelain; 1815-1850 & the factory pattern-books; porcelain from 1850: Coalport artists; early Coalport porcelain mentioned in 19th century catalogues; the 1841 & 1861 census returns. Clean, bright copy.

Softcover. Mechanicsburg PA, Stackpole Books, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 218 pages, b&w illustrations. From their perches on islands such as Buka and Bougainville, coast watchers -- for the most part, Australian civilians -- monitored Japanese shipping and aircraft activity. They played a pivotal role during the battle for Guadalcanal in the fall of 1942, when their intelligence facilitated the interception and destruction of twelve Japanese transports. These reports from the participants themselves provide a fascinating account that will intrigue historians as well as World War II and espionage buffs. Clean copy.

Hardcover. NY, Harcourt, Brace and Company, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue, 294 pages. Endpapers art and b&w illustrations by Eva A. Watson. A story based on the formation of the Coat-Rolls. New England women were asked to make coats for their men fighting in the War of Independence. Clean copy.

Softcover. New York, Dell Publishing, 1st, 1946, Book: Very Good, Dust Jacket: None, 240 pages. Paperback. Dell Book #133. Minor wear to paper wrappers. Light crease to front cover. Map on rear cover. Cover art by Otto Storch.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Hardcover. New York, Assouline, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3 volumes in slipcase. Very clean, like new in publishers shrink-wrap. For over a century Coca-Cola has been a touchstone of modern culture and a global icon. First sipped at an Atlanta soda fountain, the beverage has become an instantly recognizable symbol around the world, woven into people's lives and memories. This newest addition to Assouline's best-selling Memoire collection, Coca-Cola: Film, Music, Sports celebrates the iconic brand's broad-reaching influence in the domains of film, music, and athletics. With imagery of some of these industries' most revered names, and forewords penned by Ridley Scott, Quincy Jones, and LeBron James, these volumes explore the beverage's prominence in some of the greatest films of all time, its inspiration for legendary musicians of all genres, and its motivational support of athletes from the Olympics to professional sports.This slipcase set is a must-have accessory not only for collectors of Coca-Cola memorabilia but also for lovers of American culture everywhere.

Softcover. Rochester VT, Park Street Press, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. A lavishly illustrated history of coca wine and the revolutionary advertising methods that made it a world-wide success. Follows 19th-century pharmacist Angelo Mariani's interest in coca from medical uses to the development and healing effects of his world-famous coca wine, Vin Mariani. In this full-color illustrated history of coca wine, the first of its kind, author Aymon de Lestrange follows Mariani's interest in coca from its medicinal applications to the creation of the tonic wine. The author explores the botany of coca, how it differs from cocaine, its traditional use in pre-Columbian America, and scientific studies on coca from the 17th through 19th centuries, including from Sigmund Freud, who was a known user. He describes the introduction of coca in the U.S. and France and the many coca preparations then available at drugstores. He also studies the introduction of cocaine in these two countries and the prohibition laws that followed.

Softcover. NY, Aperture, 2nd pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. This is a compelling portrait of three communities blighted by drugs and isolation: East New York, North Philadelphia, and the Red Hook housing projects in Brooklyn, New York. With a chilling and informative afterword by Dr. Stephen W. Nicholas, a pediatric AIDS physician in Harlem, Cocaine True, Cocaine Blue reveals how first steps toward solutions to overcome the drug trade have actually contributed to public denial and further isolation of the trapped communities. Cocaine True, Cocaine Blue is a history of our times, a terrifying document that will educate us and promote dialogue. B&w photos throughout. Eugene Richards' wrenching photographic study of the culture of cocaine in three inner-city neighborhoods gives faces to some of the victims of addiction. It provides a shocking and heartrending picture of the damage inflicted by the drug."-Charles Hagen, The New York Times . Clean copy.

Hardcover. New York, Simon & Schuster, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover. Color illustrations by Lee Lorenz. Bottom corners and spine a bit bumped. SIGNED BY LORENZ on title page.

Hardcover. New York, Holt, Rinehart & Winston, 7th pr., 1971, Book: Very Good, Dust Jacket: Good, Hardbound, 90 pages. Black & white illustrations by Peter Spier. Light soiling to covers. Dust jacket witeh rubbing, edgewear. Brodart cover.

Softcover. Hartsville NY, Hartsville Historical Socirty, 1st thus, 1984, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers with title and author's picture on cover. A collection of stories about the town of Canisteo, New York that originally ran in the local newspaper in 1949 & 1950. With index of names in front, 160 pages. Clean copy.

Hardcover. Boston, Mass, Little Brown, 1st, February 2, 1998, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR. 256 pages, color photographs throughout. Light rubbing, previous price sticker on rear of price-clipped dust jacket; in brodart. Else a very clean, tight copy.

Hardcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, Collage has a relatively short, but incredibly rich history. The popularity of collage is on the increase again, partly as a result of such postmodernist concerns as pluralism, multiplicity and hybridity. This book features works by international artists Picasso, Schwitters and Ernst, through to Hannah Hoch, Martha Rosler, John Stezaker, Richard Hamilton, Layla Curtis, David Salle, Eduardo Poalozzi, Javier Rodriguez, Robert Rauschenberg, Mimei Thompson, David Thorpe, Fred Tomaselli and many more.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $1.50 cover price, 48 pages in b&w by Shelton. Clean, bright copy.

Hardcover. New York, W. Colston Leigh, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles on front and spine, unpaginated, b&w cartoons throughout, drawings from Judge, The Bystander, Life, New Yorker and College Humor. SIGNED BY BAIRNSFATHER on the front fly leaf. Mild crease to first four pages, tight and clean copy.

Softcover. Cambridge MA, Harvard University Press, 4th pr., 2001, Book: Very Good, Dust Jacket: None, Softcover, 656 pages. John Rawls's work on justice has drawn more commentary and aroused wider attention than any other work in moral or political philosophy in the twentieth century. Rawls is the author of two major treatises, A Theory of Justice (1971) and Political Liberalism (1993); it is said that A Theory of Justice revived political philosophy in the English-speaking world. But before and after writing his great treatises Rawls produced a steady stream of essays. Some of these essays articulate views of justice and liberalism distinct from those found in the two books. They are important in and of themselves because of the deep issues about the nature of justice, moral reasoning, and liberalism they raise as well as for the light they shed on the evolution of Rawls's views. Some of the articles tackle issues not addressed in either book. They help identify some of the paths open to liberal theorists of justice and some of the knotty problems which liberal theorists must seek to resolve. A complete collection of John Rawls's essays. Owner's name on front fly leaf otherwise clean.

Softcover. Jersey City NJ, Talisman House, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 265 pages. A key figure in the San Francisco Renaissance, Madeline Gleason (1903-1979) is among the principal poets in the history of women's writing. Associated early in her career with Robert Duncan and James Broughton, she was also much respected by the Beats, and she was one of the few women whose work was included in Donald Allen's landmark anthology, The New American Poetry (1960). Here is a true born poet, of which there are always too few: a poet who cannot help thinking poetically and singing out of herself--James Broughton. In her own works she created a transition from the passional poetry close to Yeats as a master to an exuberant individual creation swinging in an ambit that could include Mother Goose and, long before 'Pop Art,' the voices of individual America--Robert Duncan. Edited and with a preface by Christopher Wagstaff.

Hardcover. NY, Alfred A. Knopf, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This celebratory volume gives us the entire career of Donald Justice between two covers, including a rich handful of poems written since New and Selected Poems was published in 1995. Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as "the supreme heir of Wallace Stevens." In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: "Bus Stop," "Men at Forty," "Dance Lessons of the Thirties," "The Small White Churches of the Small White Towns." This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 472 pages. The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Clean copy.

Hardcover. Boston, Houghton Mifflin, reprint, 1913, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering and design on spine. SIGNED BY BRIGGS opposite title page. Introduction is dated January, 1913. The author was Dean of the faculty of Arts and Sciences at Harvard University. This volume contains four essays, two each from two of Briggs' earlier works -- School, College, and Character, and Ideals -- focused mainly on students. 124 pages. Clean copy. Laid in is a folded mimeographed sheet: "Message from Dean Briggs of Harvard", date unknown.

Softcover. New York, Colnaghi USA, Ltd., 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, illustrated throughout. Very slight corner wear and spine edge crease, otherwise, bright and tight copy.

Softcover. Brunswick ME, Bowdoin College Museum of Art, 1st, 1966, Book: Very Good, Dust Jacket: None, Softcover, 222 pages, color illustrated wrappers. Black and white, color plates. Clean, tight copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 459 pages. Green cloth with silver gilt lettering on spine. Book comes with a press release from "News From Cambridge". Black and white plates throughout. Thirty-one essays on colonial painting organized in three chronological sections: Origins and Beginnings, to 1680; The Transition, 1680-1840; and The Culmination, 1740-1790. Bibliography.

Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.

Softcover. Boston MA, Museum of Fine Arts, 1st, 1956, Book: Very Good, Dust Jacket: None, 98 pages, softcover with illustrated wrappers, 98 pages with 126 b&w photos. Essay by Kathryn Buhler.

Hardcover. Canberra, Australian National University, 1st, 1976, Book: Very Good, Dust Jacket: None, Hardcover in decorative cloth, no dust jacket issued, spine shows fading, 290 pages, several maps and charts. The chapters are: the regional development in pre-European times; the foundation of Port Moresby 1873-1888; the colonial backwater 1889-1941; administration & social change 1889-1941; wartime interlude 1942-1945; expansion of Port Moresby 1946-1974; characteristics of the Port Moresby population; social organisation; race relations; shelter; administration 1945-1974. "Port Moresby" lettered on spine, otherwise clean.

Hardcover. New York, Colophon Press, 1st, 1930, Book: Good, Dust Jacket: None, Unpaginated. Hardcover with lightly tanned pages. Cover boards show light soil. Articles include: Colophons by Ruth S. Granniss; Firsts, Issues and Points by George H. Sargent; On Breaking Type by H.L. Mencken; Whitman and the War's Finale by Emory Holloway; Illustrating "Huckleberry Finn" by E.W. Kemble; Irving's Washington and an Episode in Courtesy by George S. Hellman; On Being Published by Sherwood Anderson; Chartreuse by A.R. Stavenitz; An Unrecorded "Pilgram's Progress" by Gilbert McCoy Troxell; The Bookplates of Bruce Rogers by William A. Kittredge; Getting Into Print by William McFee.

Hardcover. Los Angeles, Rizzoli, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 251 pages, illustrated in color. Accompanies a major touring exhibition on the history of ceramic art in the second half of the twentieth century. Illustrated with more than 250 color photographs, Color & Fire explores the roles of key artists and the major stylistic movements they developed during the decades of pioneering innovation. Based on the premise that the history of studio ceramics can be regarded as a series of breakthroughs or milestones, Color & Fire highlights the moments when talented artists came together to produce work in clay that challenged traditions and promoted aesthetic freedom. Small sticker on front thanking a museum member for their support.

Hardcover. New York, Viking Press, 1st, 1961, Book: Very Good, Dust Jacket: Fair, 153 pages. Hardcover with dust jacket. Color/b&w photographs. Brodart covered dust jacket shows heavy wear on all edges. closed tear on upper front, spine edge. The internationally renowned photographer and filmmaker Eliot Elisofon (1911-1973) demonstrates the means he used to produce the distinguished pictures that made him famous. A frequent contributor to Life magazine, he also created an enduring visual record of African life from 1947 to 1973.

Hardcover. NY, Viking, 1st , 1961, Book: Very Good, Dust Jacket: Good, 156 pages illustrated with many of his Life photographs & comments on how he works. Dj with wrinkle & closed tear, edgewear. French Language.

Hardcover. New York City, Blue Faun Publications, 1st, 1929, Book: Good, Dust Jacket: None, 203 pages. Hardcover. Illustrated pastedown on front cover designed by Mahlon Blaine. Illustrated endpapers by Heinrich Vogeler. "The entire edition of Colours is limited to 1950 copies; 1900 copies numbered and registered, for sale; and 50 copies, lettered A to XX, for review only. Type has been distributed, and Colours will not be reprinted. This copy is No. 386". Some foxing to front cover pastedown, and narrow chip missing from spine label. Spine slightly cocked. Clean, unmarked pages.

Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1951, Book: Very Good, Dust Jacket: None, 158 pages. Paperback. Gold Metal Book #150. Cover art by Bayre Phillips. Light creasing to paper wrappers.