Hardcover. Chicago, University of Chicago Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 293 pages. Despite John Stuart Mill's widely respected contributions to philosophy and political economy, his work on political philosophy has received a much more mixed response. Some critics have even charged that Mill's liberalism was part of a political project to restrain, rather than foster, democracy. Redirecting attention to Mill as a political thinker, Nadia Urbinati argues that this claim misrepresents Mill's thinking. Although he did not elaborate a theory of democracy, Mill did devise new avenues of democratic participation in government that could absorb the transformation of politics engendered by the institution of representation. More generally, Urbinati assesses Mill's contribution to modern democratic theory by critiquing the dominant "two liberties" narrative that has shaped Mill scholarship over the last several decades. As Urbinati shows, neither Isaiah Berlin's theory of negative and positive freedom nor Quentin Skinner's theory of liberty as freedom from domination adequately captures Mill's notion of political theory. Drawing on Mill's often overlooked writings on ancient Greece, Urbinati shows that Mill saw the ideal representative government as a "polis of the moderns," a metamorphosis of the unique features of the Athenian polis: the deliberative character of its institutions and politics; the Socratic ethos; and the cooperative implications of political agonism and dissent. The ancient Greeks, Urbinati shows, and Athenians in particular, are the key to understanding Mill's contribution to modern democratic theory and the theory of political liberty.

Hardcover. New York , Rizzoli, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Full-color photo-illustrated paper over boards, backed in gilt-stamped cloth; clear plastic dust jacket with full-color illustrations on flaps; 4to; 112 pages, illustrated in full-color throughout. With contributions from Donna Karan, Calvin Klein, Etro, Todd Oldham, Carolina Herrera, John Galliano, Oscar de la Renta, Sonia Rykiel, Manolo Blahnik, Philip Treacy, and others. Clean, bright copy.

Hardcover. NY, Harry N. Abrams/Hood Museum of Art, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A beautiful and intimate treatment of the architecture of the early industrialization of New England. 108 pages of color plates. Essays by Noel Perrin & Kenneth Breisch. Clean copy.

Softcover. Seattle WA, University of Washington Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. A biography of the celebrated documentary photographer, Milton Rogovin, and catalogue that accompanied an exhibition at the Center for Creative Photography, Tucson, in 2006. Rogovin (1909-2011) was an optometrist in Buffalo, NY, who turned to photography as a means of expression when he was discredited -- and thereafter lost his business -- by the HUAC committee in 1952. For the rest of his life he documented the lives of the working class around the world. Photographs by Milton Rogovin; text by Melanie Anne Herzog; foreword by Douglas R. Nickel; afterword by Catherine Linder Spencer. 176 pages; 126 duo-toned b&w plates + 21 text illustrations; 9 x 11 inches. Bibliography.

Hardcover. NY, Abrams, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 265 pages, two-color comics throughout. Comics artist Archie Bongiovanni explores queerness in this shockingly frank and funny adult graphic novel. Best friends Chris, Jo, Elise, and Alex work hard to keep themselves afloat. Their regular brunches hold them together even as the rest of their lives threaten to fall completely apart. In an effort to avoid being the oldest gays at the party (like they are at every other queer event in Minneapolis), the crew decides to put on a new party called Grind!, a queer gathering specifically for folks in or over their dirty-thirties. Clean copy.

Hardcover. New York, Alskog/Holt Rinehart Winston, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 190 pages, b&w photographs by Gene Smith. Minor edgewear to dust jacket, otherwise very good. This is a seminal photography book by the wonderful documentary photographer W. Eugene Smith and his wife Aileen M. Smith, showing incredible bravery in which the Smith's risk their own life after W. Eugene Smith is physically beaten. Also, this is the first photography book to examine the toxic affect on human beings of toxics in the water system.

Hardcover. Liberty Street, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. A stirring visual tribute to the Civil Rights Movement and the long and difficult battle for racial equality captures in more than 150 extraordinary photographs the leaders and events of the era, with portraits of Sidney Poitier, James Baldwin, Miles Davis, Martin Luther King, Jr., and many other activists, both famous and unknown, who took part in the struggle.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.

Hardcover. New York, Harper Design, 2nd printing, 2010-10-26, Book: Very Good, Dust Jacket: Very Good, 220 pages, hardcover illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Examines the minimalist movement in fashion while addressing its confluence with and divergence from similar currents in art, architecture, and design. Organized by decade, the text explores the evolving relationships and influences between fine art and the art of sartorial minimalism.

Hardcover. NY, Aperture, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages. Minor White was one of the twentieth century's most influential B&W art photographers. Rites & Passages, is a compilation of his writings and photographs, with a biographical essay by James Baker Hall. The book is well writen and edited, and is a significant insite into the thoughts and motivations of a great artist. With a generous number of stunning photographs, expertly printed on quality paper, it is a book worthy of any discriminating collection.

Hardcover. London, Jonathan Cape Ltd], 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 373 pages. 50 line and 24 halftone illustrations. In this text, the author argues that the celebrated archaeologist, Sir Arthur Evans, who at the turn of the century claimed to have discovered the labyrinth which housed the Minotaur, was in fact a fabulist. MacGillivray uses Evans's own papers as evidence for his exposee.

Hardcover. NY, Bantam Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY HART on the title page. Clean copy.

Hardcover. NY, Viking Press , 3rd pr., 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. The misadventures of the author, W. C. Fields, John Barrymore and John Decker in attempting to write the biography of the colorful Hollywood character, Sadakichi Hartmann. Clean copy.

Hardcover. Secaucus NJ, Chartwell Books, 1st US, 1980, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn and chipped dust jacket. Catalogue of the posters by Gloria Picazo. 119 posters reproduced in full color. 269 pages. Thick 4to, beige boards. Inscription on front fly leaf, therwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, The Museum of Modern Art, 1st pbk., 1978, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 152 pages. 127 plates, 17 in color. Photographs by eighty-four artists, including such established figures as Paul Caponigro, Judy Dater, Lee Friedlander, Joel Meyerowitz, Helen Levitt, and Garry Winogrand, as well as various artists who were less known at the time such as Gary Beydler, Frank Gohlke, Robert Mapplethorpe, Richard Misrach, and Eve Sonneman. Clean copy.

Softcover. NY/Boston, MOMA/New York Graphic Society, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. Text by the brilliant curator John Szarkowski accompanies a wide ranging collection of B&W and Colour photographs by the articts such as Lee Friedlander, Helen Levitt, Garry Winogrand, Paul Caponegro, Danny Lyon, Bruce Davidson and numerous others. A tight, clean copy.

Hardcover. Boston, Houghton Mifflin Books for Young Readers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover illustrated in color by the award-winning artist.SIGNED BY VAN ALLSBURG on title page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Museum of Modern Art, 1st, 1952, Book: Very Good, Dust Jacket: Good, Hardcover, 14 pages of text plus 58 plates and an additional page of illustrations showing four variant states of one of the plates. Black cloth with gilt lettering. The dust wrapper a little sunned and slightly chipped and torn with slight loss. With a preface by the artist and an introduction by Monroe Wheeler. Name on front fly leaf, otherwise clean.

New York, Dutton, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by Ashley Wolff and SIGNED BY WOLFF on half title-page. In the rhyming follow-up to Miss Bindergarten Gets Ready for Kindergarten, the students celebrate one hundred days with their teacher with projects made from one hundred popsicle sticks, beads, stickers, blocks, and more.

Hardcover. New York, Hart Publishing Company, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 24 pages. Illustrations by Madeline Hall. Hardcover with dust jacket. Clean, tight copy with minor fading on dust jacket spine.

Hardcover. Essex, Pequot Press, First Edition, 1971, Book: Very Good, Dust Jacket: Very Good, 69 pages. Hardcover. Gray cloth boards with gilt titles to spine. Black & white illustrations throughout. Frontis illustration, The Harpist, A Portrait of Miss Florence by Alphonse Jonghers, tipped-in & in full color. Dust jacket with same full color image on bright blue background. Dj has age related wear to edges. Clean, unmarked. A nice copy.

Hardcover. Garden City, NY, Doubleday , 1st, 1946, Book: Good, Dust Jacket: Good, Hardbound, 230 pages. Black & white illustrations by Manning Lee. Rough edge. Red top edge. Chipping to dust jacket. Brodart cover.

Hardcover. NY, St Martin's Press, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The riveting biography of comedian, director, actor and writer Elaine May, one of America's greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: "Miss May does not exist." Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be. Remainder dot to top edge. otherwise like new.

Softcover. Austin TX, University of Texas Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. In the spring of 1983, a North American couple who were hoping to adopt a child internationally received word that if they acted quickly, they could become the parents of a boy in an orphanage in Honduras. Layers of red tape dissolved as the American Embassy there smoothed the way for the adoption. Within a few weeks, Margaret Ward and Thomas de Witt were the parents of a toddler they named Nelson-an adorable boy whose prior life seemed as mysterious as the fact that government officials in two countries had inexplicably expedited his adoption. In Missing Mila, Finding Family, Margaret Ward tells the poignant and compelling story of this international adoption and the astonishing revelations that emerged when Nelson's birth family finally relocated him in 1997. After recounting their early years together, during which she and Tom welcomed the birth of a second son, Derek, and created a family with both boys, Ward vividly recalls the upheaval that occurred when members of Nelson's birth family contacted them and sought a reunion with the boy they knew as Roberto. She describes how their sense of family expanded to include Nelson's Central American relatives, who helped her piece together the lives of her son's birth parents and their clandestine activities as guerrillas in El Salvador's civil war. In particular, Ward develops an internal dialogue with Nelson's deceased mother Mila, an elusive figure whose life and motivations she tries to understand.

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Like new in publishers shrink-wrap. Limited to 3000. 162 pages with 60 illustrations. The cyanotypes reproduced in Mississippi Blue come from an album of photograhs taken by Henry P. Bosse for the Army Corps of Engineers. They show the Mississippi River between Minneapolis and St. Louis, and were taken from 1882 to 1892 as part of the Corps' effort to document and understand the ever-changing river.

Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Limited to 3000. 162 pages with 60 illustrations. The cyanotypes reproduced in Mississippi Blue come from an album of photograhs taken by Henry P. Bosse for the Army Corps of Engineers. They show the Mississippi River between Minneapolis and St. Louis, and were taken from 1882 to 1892 as part of the Corps' effort to document and understand the ever-changing river.

Hardcover. NY, Sion & Schuster, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Ziegler. Having laughed at the friendly, talkative old man who tells comic stories, a group of children is shocked when the man is hurt in an accident and begins to accept him and laugh with him instead. Illustrations by the noted New Yorker cartoonist enliven this unusual intergenerational story.

Hardcover. NY, Pantheon, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards in an oblong format. 80 pages. Color art by Clowes. The fan-favorite Eisner Award-winning story, originally seri-alized in The New York Times Magazine, now collected and with forty pages of new material. Meet Marshall. Sitting alone in the local coffee place. He's been set up by his friend Tim on a blind date with someone named Natalie, and now he's just feeling set up. She's nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem-ployed, with next to no prospects, Marshall isn't ex-actly what you'd call a catch. Twenty minutes pass. A half hour. Marshall orders a scotch. (He wasn't going to drink!) Forty minutes. Then, after nearly an hour, when he's long since given up hope, Natalie appears--breathless, apologiz-ing profusely that she went to the wrong place. She takes a seat, to Marshall's utter amazement. A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name. Clean copy.

Hardcover. NY, Pantheon, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards in an oblong format. 80 pages. Color art by Clowes. The fan-favorite Eisner Award-winning story, originally seri-alized in The New York Times Magazine, now collected and with forty pages of new material. Meet Marshall. Sitting alone in the local coffee place. He's been set up by his friend Tim on a blind date with someone named Natalie, and now he's just feeling set up. She's nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem-ployed, with next to no prospects, Marshall isn't ex-actly what you'd call a catch. Twenty minutes pass. A half hour. Marshall orders a scotch. (He wasn't going to drink!) Forty minutes. Then, after nearly an hour, when he's long since given up hope, Natalie appears--breathless, apologiz-ing profusely that she went to the wrong place. She takes a seat, to Marshall's utter amazement. A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name. Clean copy.

Hardcover. San Francisco, Viz, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages illustrated in color. This volume tells the entire story of the hit Disney animated feature film, directed by Hayao Miyazaki, and features color stills from the film. Clean copy.

Hardcover. NY/Cambridge MA, The Architectural History Foundation/The MIT Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This is the first complete biography of the inimitable society architect Addison Mizner, whose Spanish Revival buildings created a new style of resort architecture for Palm Beach and south Florida during the boom years of the 1920s. Clean copy.

Hardcover. San Francisco, Chronicle Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 24 pages. Rich linocut artworks portray ten key chronological moments from the story in shadowbox-style pop-ups that reward time spent poring over the details and offer fresh perspectives on the classic. Each spread is accompanied by select quotations from the book, while brief page notes provide additional context for the depicted plot moments. Clean

Hardcover. Cape Town, Howard Timmins, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, cream color cloth, black lettering on spine. 147 pages, tables, maps, charts, photographs: author spent most of his life in Portuguese East Africa and this is both a history and an authoritative study of the economic and political situation circa early 1960s. Clean copy.

Hardcover. London, Gingko Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Modart editors showcase some of the actions and events from the first decade of the new millennium. It features now iconic images, passionate writing and a veritable fount of great new art from around the world.

Hardcover. New York , Rizzoli, 1st, 2008-10-14, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages, profusely illustrated in color. Like new in publisher's shrink-wrap. In the current world of twentieth-century design collecting, the trend has shifted away from accessible, mass-manufactured modernist furniture and toward designs that were custom-made or produced in very limited editions, with emphasis on American studio design of the 1940s to the 1990s. In contrast to the mass-produced mid-century furniture by Knoll and Herman Miller, American studio designs of the same period focused on novel forms and exquisite craftsmanship. Ranging from the organic shapes of George Nakashima and Vladimir Kagan to metalworks by Paul Evans, these limited production designs were highly sought after in their days by original tastemakers and movie stars. In the last decade, a revival for these rare designs began with connoisseurs such as Tom Ford. Modern Americana is the first full survey of the designs of this prolific but forgotten period, bringing to life again the works of Samuel Marx, Billy Haines, Wendell Castle, T.H. Robsjohn-Gibbings, Karl Springer, James Mont, and many others -- including J.B. Blunk, Michael Coffey, Wharton Esherick, Arthur Espenet Carpenter, Sam Maloof, Jack Rogers Hopkins, Paul Evans & Philip Lloyd Powell, Vladimir Kagan, George Nakashima, Silas Seandel, Charles Hollis Jones, Philip & Kevin LaVerne, Tommi Parzinger, Harvey Probber, Edward Wormley, John Dickinson, Arthur Elrod, and Paul Laszlo.

Softcover. Englewood Cliffs, Prentice-Hall, Inc., 2nd Ed., 1987, Book: Very Good, Dust Jacket: None, 431 pages. Softcover. Tight copy. Profusely illustrated with black & white photographs & architectural illustrations. One interior section includes full page, full color photographs. Clean, bright copy.

Hardcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover no dust jacket. Clean, unmarked copy with only minor wear to boards.

Hardcover. London, Royal Academy Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 314 pages, color plates. From Jacob Epstein to Sarah Lucas, this magnificent book explores sculpture in Britain over the last 130 years. Including works by varied artists such as Frederic Lord Leighton, Alfred Gilbert, Eric Gill, Henri Gaudier-Brzeska, Ben Nicholson, Barbara Hepworth, Henry Moore, Anthony Caro, Richard Long, and Damien Hirst, the book highlights the dialogues between British and international sculpture, examines the importance of the country's landscape as a location and medium, and looks at the perennial choice faced by the sculptor between figuration and abstraction. Sculpture has changed dramatically in the last century. This compelling book documents these seismic shifts. Remainder dot on bottom edge, otherwise a clean copy.

Hardcover. NY, Jonathan Cape /Harrison Smith, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, 295 pages. Decorated cloth with black cloth spine, bright gilt lettering on spine. A French doctor's account of Chinese life & civilization, based on his twenty years of life, work & travel there; he was Director of the Imperial School of Medicine at Chengtufu. Typically patronizing and moralistic; the author credits China with having been great in the past, but now in the grip of a profound lassitude, only to be helped by Europeans. Translated from the French by Elsie Martin Jones. Previous owner's name, date on front fly leaf otherwise a clean, bright copy.

Softcover. Warren CT, Floating World Editions, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, color plates. Chinese scholar's stones, variously called "viewing stones," "spirit stones," "respect stones, (gongshi)," and even "weird rocks, (guaishi)," have been appreciated and written about in China for more than a millennium. Through descriptions and color photographs, Modern Chinese Scholars' Rocks introduces over 40 stone types, including their mineral compositions, typical colors, hardness on the Mohr scale, and where they are found or quarried. The qualities for which they are valued are explained as are other features for the stone connoisseur to look for. Clean, bright copy. No markings.

Hardcover. NY, Harcourt Brace And Company , reprint, nd, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 424 pages, 10 tipped-in color plates & 48 double-sided b/w plates. index. This book is an attempt to tell the story of modern French painting as developed by the Impressionists and subsequent adventurers in the last hundred years in Paris. No date, most likely early 1950s. Clean copy.

Hardcover. Bali Indonesia, Koes Artbooks, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages illustrated in color throughout. Comprehensive guide to Indonesian artists and their works, from the mid-19th century to the present day. The accompanying texts combine essential biographical data of the artists with selective descriptions of their work. Entries for the 305 artists are arranged in chronological order by birth date, showing a mix of various art movements, styles, periods and techniques. Each entry is accompanied by a single image. Clean copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, Original black lettered cloth quarter laid on pictorial boards, 184 pages. A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century. This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue--whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers--emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.

Hardcover. NY, Museum of Modern Art, 2nd Ed., 1938, Book: Very Good, Dust Jacket: None, Hardcover, quarterbound in burgundy cloth and gray paper with black titles. 116 pages with b&w illustrations throughout. Revised second edition. 69 b/w illustrations + 9 text figures, bibliography, index of artists. One of the handsomest of the early MoMA catalogues This revised edition (1938) was limited to 2,000 copies. No dust jacket. Clean.

Hardcover. Minneapolis Institute of Arts, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Clean, tight copy. Black and white photographs throughout. Light rubbing to dust jacket. Forty-six plates from photographs; bibliography. A monograph on the early twentieth century pictorial work of the photographer Ruzicky. Text in English and Czechoslovakian.

Hardcover. London & New York , The Studio Publications, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 127 pages + ads, illustrated throughout in b&w. INSCRIBED BY AUTHOR on front fly leaf. Light rubbing, fraying to edges, binding slightly shaken. Internally very good.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.

Softcover. London, Batsford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Softcover in pictorial dust jacket, 224 pages, color illustrations. A stunning survey of modern illustration that uses older styles of artistic expression to evoke a sense of another time and place. These vintage-style illustrations play with the past, subvert it, on occasion, but always feel fresh. Organized into 12 chapters by historical or cultural period, the book features hundreds of the best examples of modern retro illustration including styles as varied as Constructivist, Dada and Art Noveau. From work showing the ornamentation of Victorian fonts, the stylized angles of Art Deco, the lines of soviet poster art, the influence of Saul Bass and Blue Note record sleeves to the new slant on photorealism, and the renaissance of punk and comic art. Hundreds of artists from all over the world have contributed to a beautiful, witty and inspiring collection of vintage illustration. Clean copy.

Softcover. London, Batsford, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 224 pages illustrated in color. Past is prologue in this stunning survey of vintage-inspired illustrations that employ classic styles of artistic expression for up-to-date effects. Organized by historical or cultural period, the book features hundreds of modern retro images, including pieces that incorporate the geometric beauty of Art Deco, the bold architectural lines of Soviet constructivist posters, and the graphic design of Blue Note's record sleeves. There are new perspectives on photorealism, comic art, and punk, as well. Hundreds of artists have contributed to this witty, exciting, and international collection. Clean copy.

Hardcover. Munch/London/NY, Prestel, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. 656 pages. Published on the twentieth anniversary of the founding of Neue Galerie New York, this stunning volume celebrates the varied achievements of modern art history in the German-speaking world by examining historical developments in Austria and Germany from 1890 to 1940. Illustrated throughout with exquisite reproductions of the museum's holdings, this book considers the influence of Friedrich Nietzsche and his writings on the fine arts and examines the founding of the Secessionist artists' organizations in Germany and Austria. Insightful essays trace the emergence of Expressionism and abstraction, as well as the development of such movements as Dada and New Objectivity. Evolutions in architecture and design are appraised through the legacy of the Arts and Crafts movement, as well as the establishment of the Darmstadt Artists' Colony and the Wiener Werkstatte. The book also examines the role of the German Werkbund and the founding of the Bauhaus school. Finally, the book briefly addresses the horrific impact of the National Socialists' degenerate art campaign, which resulted in incalculable damage and led to the exile and death of artists and designers of the era. From well-known artists such as Otto Dix, Josef Hoffmann, Vasily Kandinsky, Gustav Klimt, and Egon Schiele, to lesser recognized but equally important figures, including Albert Birkle, Alfred Kubin, Felix Nussbaum, and Dagobert Peche, this book offers an authoritative and kaleidoscopic look at a crucial moment in history and a portrait of radical thought that changed forever the way we experience art in our lives. DOMESTIC SHIPPING ONLY.